text by robert fanning perusal copy in a field of stars
TRANSCRIPT
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of stars
David Biedenbender text by Robert Fanning
for soprano and chamber ensemble
bent space music
in a field PERUSAL COPY
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Dedicated to my friend Amy Petrongelli. Commissioned by the Khemia Ensemble.
Performance materials available from Bent Space Music (Publisher): www.davidbiedenbender.com
Contact the Composer: [email protected]
© Copyright 2021 by David Biedenbender (ASCAP). International copyright secured. All rights reserved. Printed in the U.S.A.
First Printed August 2021.
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INSTRUMENTATION
Soprano Flute & Piccolo B♭ Clarinet Violin Violoncello 2 Percussion Vibraphone (bowed) Glockenspiel (shared)
Ride Cymbal (bowed) Wood Block Triangle Small Bass Drum (shared)
Piano Percussion Notes
Setup: The small bass drum and glockenspiel are shared by both players. Two bows are needed: one for the cymbal and one for the vibraphone. Small bass drum: Tight, punchy sound – a damped concert bass drum or a kick drum turned on its side. The percussion setup should make it possible to be shared by both players.
Glockenspiel: This is primarily played by Player 2 but is played Player 1 in movement 5. The only pitch needed in movement 5 is a written E4, so a chime block may be substituted if sharing the glockenspiel is not possible.
Total duration: ca. 20:00 Score in C
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PROGRAM NOTE in a field of stars grew out of conversations with my friend and poet Robert Fanning. Robert and I had been talking about the extraordinary emotional affect of poetry even (or maybe especially) when its “meaning” is ambiguous or unclear, and drawing connections to music, where communication and meaning is often similarly slippery yet no less powerful—where meaning exists in a space beyond words. His poem Infinity Room leans into this expressive space and serves as the text for this piece. It was inspired by Japanese artist Yayoi Kusama’s “infinity rooms” and Radiohead’s music video Daydreaming. Kusama’s incredible, immersive installations use mirrors and repeating patterns to create spaces that seem like an alternate, infinite reality. In Daydreaming, Thom Yorke traverses an almost endless series of doors, each one leading to a seemingly disparate space, a sequence of rooms connected only by his memory. Similarly, Robert weaves a small lyrical fragment of Daydreaming into a poetic structure that can be read horizontally or vertically—or even as meditative, self-contained mantras—creating seemingly infinite loops and interpretations.
in a field of stars, like all my work, is a snapshot of who I am and what I am thinking and feeling at a particular moment in time, but the context for this piece seems especially strange. A pandemic and enormous social and political anxiety and unrest have framed my recent experiences in ways that have deeply changed me. This strange and difficult time has reminded me that it takes time to process feelings, and, in the context of something this immense, I will be discovering the ways it has changed me and the world around me for a very long time. I think this piece is a part of that process.
Physical spaces help mark events in our memory—the smell, the feel, the look of a place is as integral to our memory as the thing we are trying to remember. It has been so peculiar to occupy the same physical spaces for such long periods of time—working, cooking, cleaning, playing, sleeping, creating in the same few rooms for months. As a result, in some ways, I feel like my memory of this time is jumbled, an endless series of experiences in self-similar rooms, and I cannot quite grasp its architecture.
The piece is divided into seven movements, each ruminating on a few lines from the poem that have been rearranged to explore different possible meanings. There are numerous connections between the movements—both lyrical and musical—and, like Robert’s poem, my hope is that the piece creates its own strange, infinite world, bending a linear perception of time into the more mysterious space of memories and feeling. Feeling requires vulnerability, so I want to share a few small pieces of my own web of meanings for this piece, although I hope that ultimately it leads you to explore your own world of meaning.
Did that happen last year or two years ago? What has happened in the past month? When was the last time? Have I done this before? Have I been here before?
There are so many. So many.
I tore my ACL. My sons said that I had “snapped the rubber band in my knee.” For months I had nightmares where the injury would occur over and over again.
In this room I got lost in the infinity of my mind.
The song Never Meant by the band American Football reminds me of college.
Multiverse—an infinite realm of being or potential of being of which the universe is regarded as a part or instance.
I cannot understand how they feel. I cannot see how they experience the world. But I want to try. I want to listen.
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INFINITY ROOM by Robert Fanning —after Yayoi Kusama “Dreamers, they never learn.” —Thom Yorke Box with a door so being curious you enter not knowing eternity waits to find you here where it has always been
if we are able to wander in between the pillars of light
are you the one my song comes through
the fire inside of winter of what burns Beyond me, beyond you—
where language slows near the mouth
of a cave of ice what will we make of forever
in a field of endless selves of stars we may still harvest from the ever swallowing dark inside the mirror if we believe we are not captive
in this world of rooms in what holds us ever open if the box I stepped into
was you
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TEXT/DURATIONS (each movement)
1. Box with a door (ca. 1:45)
Box with a door so being curious you enter not knowing eternity waits to find you here Beyond me, beyond you
2. this world of rooms (ca. 5:00)
if we believe we are not captive in this world of rooms in this world of dreams in what holds us inside the mirror
3. of endless selves (ca. 2:00) what will we make of forever in a field of endless selves of stars we may still harvest inside the mirror if we believe in this world of rooms in what holds us ever open
4. cave of ice (ca. 1:15)
cave of ice where language slows near the mouth beyond me beyond you are you the one my song comes through
5. ever-swallowing dark (ca. 2:15)
[inside the mirror the ever-swallowing dark]
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6. fire inside of winter (ca. 3:00) the fire inside of winter the pillars of light in what holds us of what burns waits to find you where it has always been
7. pillars of light (ca. 4:00) Box with a door you enter not knowing eternity waits to find you here where it has always been if we are able to wander in between the pillars of light in a field of endless selves in a field of endless stars if we believe in what holds us ever open if the box I stepped into was you
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pizz.arco
arco
Box
eeting
throbbing =80
with a Box with a door door
sh
throbbing =80
Soprano
Flute
B♭Clarinet
Violin
Violoncello
Vibraphone
Glockenspiel
Piano
sighing
(pitchlessvocalization)
mediummallets( )
1 2 3
DavidBiedenbender
inafieldofstarstextbyRobertFanning
©2021DavidBiedenbender(ASCAP)andBentSpaceMusic(ASCAP).
AllRightsReserved.
www.davidbiedenbender.com
1. Boxwithadoor
dedicatedtomyfriendAmyPetrongellicommissionedbytheKhemiaEnsemble
forsopranoandchamberensemble
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- - - -
pizz.arco(ricochet)
arco(ricochet)
door so be ing cu ri ous you en ter
so so so so so sa sa sa
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(aironly)
mediummallets
6
6
4 5 6 7
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- - - -not know ing e ter ni ty waits to nd you here
( )
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8 9 10 11
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here here
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12
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12 13 14
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-be yond
sha sha sha sha sha sha
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III
15 16 17
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-me be yond me
sha sha sha sha sha sha
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18 19 20
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- - -be yond me be yond
sha sha sha sha sha sha
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arco(ricochet)
you
sha sha sha
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whistletones:freely,unhurried
24
24
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-be yond you
sha sha sha
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( = )
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(withglk.)
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pulsing =106.67
delicate
Soprano
Violin
Violoncello
Glockenspiel
Piano
(II)
1 2 3
inafieldofstars|2.
2.thisworldofrooms
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-if we be
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- -lieve we are not cap tive in this
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7 8 9
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world of rooms
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10 11 12
- - -if we be lieve we are not cap tive
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13
13 14 15
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in this world of rooms in what
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16 17 18
- -holds us in side the mir ror
pocorit.pocorit.
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19 20 21
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- -
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25 26 27
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- -we be lieve
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- - - -we are not cap tive
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30 31
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in this world of rooms
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overblow
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32 33
world of dreams
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overblow
ord.
ord.
34 35
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36 37
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arco(ord.)
pizz.arco(ord.)
fast,agile =160
fast,agile =160
energized
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38
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41 42
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( )
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43 44
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pizz.
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45
45
45 46
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S.
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sulpont.
47 48
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49
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Vc.
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solo
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51 52
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pizz.
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53 54
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arco
ah
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ah ah ah ah ah ah ah ah
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Vln.
Vc.
Vib.
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ord.
57
57
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ah ah ah ah ah ah ah ah ah ah
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ah ah ah ah ah ah ah ah ah ah
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ah ah ah ah ah ah ah ah ah ah
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sub.
sub.
sub.
sub.
RideCymbal
S.
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Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
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sticks
67
67
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S.
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
72 73
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Gl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
7475
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pizz.
world
W.Bl.
S.
Fl.
Cl.
Vln.
Vc.
W.Bl.
Gl.
Pno.
76
76 77
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of
S.
Fl.
Cl.
Vln.
Vc.
W.Bl.
Gl.
Pno.
78 79
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dreams
S.
Fl.
Cl.
Vln.
Vc.
W.Bl.
Gl.
Pno.
80 81
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pizz.
light
S.
Fl.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
82 83 84
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arco
arco
digin
digin
S.
Fl.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
86
86
85 86
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ToPicc.
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
87 88
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S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
89 90
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S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
92
92
91 92
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Gl.
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Tri.
R.Cym.
B.Dr.
Pno.
93 94
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S.
Picc.
Cl.
Vln.
Vc.
W.Bl.
Gl.
Pno.
95 96
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Picc.
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
98
98
9798
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S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
99 100
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S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
101 102
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S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
103 104
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ah
frantic
ah ah ah ah
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
106
106
105 106
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ah ah ah ah ah ah ah ah ah
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
107 108
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ah ah ah ah ah ah ah ah ah ah ah
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
109 110
53inafieldofstars|2.thisworldofrooms
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ah
S.
Picc.
Cl.
Vln.
Vc.
Vib.
W.Bl.
Gl.
Pno.
111 112
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( = )still,pulsing =80
S.
Picc.
Cl.
Vln.
Vc.
W.Bl.
Gl.
Pno.
114
113 114
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pocorit.pocorit.
Cl.
Vln.
Vc.
Pno.
115 116 117
atempo
dolce
Cl.
Vln.
Vc.
Pno.
118 119
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arco
pizz.
Cl.
Vln.
Vc.
Gl.
Pno.
sulpont.() ()
120 121 122
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-
pizz.
slow,weightless =60
what
lingering
will we make of for
slow,weightless =60
Soprano
Flute
B♭Clarinet
Violin
Violoncello
Vibraphone
Glockenspiel
Piano
bowed
softmallets
1 2 3 4
inafieldofstars|3.
3.ofendlessselves
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- - - - -e ver for e ver in
blooming
a eld of end less selves of
blooming
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(bowed;pitchbendwithhardmallet;downm2)
7
7
5 6 7 8
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- - - -
cresc.
stars we may still har vest in side the mir ror if we be lieve we are not
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
9 10 11 12
60 inafieldofstars|3.ofendlessselves
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-cap tive in this world of rooms in this world of rooms in what
espr.
distant,delicate
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
16
16
13 14 15 16
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- - - -holds us e ver o pen o pen o pen
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
17 18 19 20
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- - -o pen
fading
o pen
fading
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(bowed)
23
23
21 22 23 24
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
25 26 27 28
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- -
senzavib.
arco
arco
glacial =48
cave of ice where lan guage where lan guage
glacial =48
Soprano
Piccolo
B♭Clarinet
Violin
Violoncello
Vibraphone
Glockenspiel
Piano
softmallets
softmallets
1 2 3 4
inafieldofstars|4.
4.caveofice
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- -slows near the mouth be yond me be yond
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
7
7
5 6 7
66 inafieldofstars|4.caveofice
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you areyou the one my song comes through
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(-49c.––11thpartialofA2)
(-31c.––7thpartialofA2)
I
8 9 10 11 12
67inafieldofstars|4.caveofice
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pizz.
pizz.
Pulsing,relentless =132
aggressive
aggressive
Flute
B♭Clarinet
Violin
Violoncello
t.
(IV)
1 2 3 4 5
Fl.
Cl.
Vln.
Vc.
t.
11
6 7 8 9 10 11
Fl.
Cl.
Vln.
Vc.
12 13 14 15 16
inafieldofstars|5.
5.ever-swallowingdark
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pizz.arco
pizz.
ToPerc.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
ord.
ord.
hardmallets
(F)
18
18
17 18 19
69inafieldofstars|5.ever-swallowingdark
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Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
20 21 22
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( )
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
overblow
(pitchesapproximate;upwardgesture)
sulpont.
Glockenpiel(orChimeBlock)
25
25
23 2425
71inafieldofstars|5.ever-swallowingdark
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Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
sim.
26 27 28
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pizz.
pizz.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
29 30 31
73inafieldofstars|5.ever-swallowingdark
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( = )
( = )
wild
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
jetwhistle
resonatorscrape
gliss.(rangeapproximate)
34
34
32 3334
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arcopizz.
gliss.gliss.
gliss.gliss.
gliss.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
(resonatorscrape)
35 36 37
75inafieldofstars|5.ever-swallowingdark
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Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
(resonatorscrape)
39
39
38 39 40 41
76 inafieldofstars|5.ever-swallowingdark
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Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
42 43 44 45
77inafieldofstars|5.ever-swallowingdark
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arco(overpressure)
arco(overpressure)
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
47
47
46 47 48 49
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Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
50 51 52 53
79inafieldofstars|5.ever-swallowingdark
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arco
arco
sub.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
chicharra(behindthebridge)
chicharra(behindthebridge)
56
56
54 55 56
80 inafieldofstars|5.ever-swallowingdark
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Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
57 58 59
81inafieldofstars|5.ever-swallowingdark
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pizz.arco
pizz.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
62
62
60 61 62
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pizz.arco
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
63 64 65
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B.Dr.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
chicharra(behindthebridge)
68
66 6768
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( )
brash
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
multiphonic
69 70 71
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( )
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
72 73 74
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( )
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
75 76 77
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( )
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
78
78 79 80
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( )
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
81 82 83
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( )
Fl.
Cl.
Vln.
Vc.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
84 8586
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arco
Fl.
Cl.
Vln.
Vc.
Vib.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
BassDrum
87
87
87 88 89
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Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
90 91 92
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Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
93 94 95
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( )
Fl.
Cl.
Vln.
Vc.
Vib.
B.Dr.
Tri.
R.Cym.
B.Dr.
Pno.
96 97
98
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slow =52
the the
slow =52
warm
Soprano
Flute
B♭Clarinet
Violin
Violoncello
Vibraphone
Triangle
RideCymbal
BassDrum
Piano
I
bowedcymbal(repeatfreely,adlib.;distant,metallic,understated)
1 2 3
inafieldofstars|6.
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the the the the the the the the the the the re
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
IV
bowed
4 5
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- - -the the the the re in side in side of win
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
II
6 7
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- - - -ter in side of win ter
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
gentlyoverblowthroughcresc.
II
(I)
8 9
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-the pil lars of light of
gaining
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
becominglessfrequent
10 11
99inafieldofstars|6.fireinsideofwinter
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pizz. arco
light of
lingering
light
rit.
of light
rit.
rit.rit.
ToGl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
tomallets
12 13
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cresc.
cresc.
warming =60
in what holds us
accel.
in what holds
warming =60
accel.
Gl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
sultasto slowlyaddvib./ord.
sultasto slowlyaddvib./ord.
softmallets
14
14
14 15 16
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us
glowing =72
of what burns
warm
warm
glowing =72
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
ord.
ord.
18
18
17 18 19
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waits to nd you
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
20 21
103inafieldofstars|6.fireinsideofwinter
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-where it has al ways been
accel.
accel.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
22 23
104 inafieldofstars|6.fireinsideofwinter
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- - - - - - - - - - - - - -where it has al
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
24 25
105inafieldofstars|6.fireinsideofwinter
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- - - -
pizz.
pizz.
ways
warm =88
been
espr.
warm =88
Cymbal(scrapewithtrianglebeater)
ToGl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.sim.
27
27
2627 28
106 inafieldofstars|6.fireinsideofwinter
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
29 30
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
31 32
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
33 34
109inafieldofstars|6.fireinsideofwinter
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
35 36
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
37
37
37 38
111inafieldofstars|6.fireinsideofwinter
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arco
arco
Gl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
39 40
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moltorit.moltorit.
moltorit.moltorit.
ToTri. Tri.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno.
(letringintosilence;donotclearpedal)
4142 43
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fading =60
distant,icy;asifgrowingoutofthepiano
distant,icy;asifgrowingoutofthepiano
Cl.
Vln.
Vc.
Tri.
R.Cym.
B.Dr.
Pno.
IV(harmonicglissando;freely,unhurried)
moltosulpont.
III(harmonicglissando;freely,unhurried)
moltosulpont.
bowedcymbal(repeatfreely,adlib.;distant,metallic,understated)
(gentlydampstringwith nger:stillresonant,butrichinovertones;letringintosilence)
44
44
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Cl.
Vln.
Vc.
Tri.
R.Cym.
B.Dr.
45
Cl.
Vln.
Vc.
Tri.
R.Cym.
B.Dr.
becominglessfrequent
46
115inafieldofstars|6.fireinsideofwinter
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Cl.
Vln.
Vc.
Tri.
R.Cym.
B.Dr.
47
Cl.
Vln.
Vc.
Tri.
R.Cym.
B.Dr.
48 49
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pizz.
arco
Slow,still =52
espr.
Slow,still =52
Soprano
Flute
B♭Clarinet
Violin
Violoncello
Vibraphone
Glockenspiel
Piano
solo
(III)
softmallets
softmallets(blendwithvib.)
1 2 3 4 5
inafieldofstars|7.
7.pillarsoflight
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pizz.
cresc.
sweet,glassy
warming
warm
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
solo
solo,novib. pocovib.
6 7 8 9
118 inafieldofstars|7.pillarsoflight
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arco(ricochet)
accel.accel.
accel.accel.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(nonsolo)
10 11 12 13 14
119inafieldofstars|7.pillarsoflight
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Box
=80
with a door Box with
espr.
=80
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(gradualaccel.tom.31)
(gradualaccel.tom.31)
15
15
15 16 17 18
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-a door
=84
you you you en ter
=84
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
19 20 21 22
121inafieldofstars|7.pillarsoflight
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- -
pizz.
not not not know ing not know ing here where
gentlewarm
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(l.v.)
23 24 25 26
122 inafieldofstars|7.pillarsoflight
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- - -
cresc.
=88
you en ter not know ing you en ter
=88
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(II)
27
27
27 28 29 30
123inafieldofstars|7.pillarsoflight
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- - - -not know ing e ter ni ty
=92
waits to
=92
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
IVIIIIII
33
33
31 32
33
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-
cresc.
cresc.
nd you here here here where it has al ways
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
34 35 36 37
125inafieldofstars|7.pillarsoflight
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-
arco
been al ways been if we are
aggressive
aggressive
tight,punchy
sempre(r.h.)
sempre(l.h.)
B.Dr.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
41
3839 40 41
126 inafieldofstars|7.pillarsoflight
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- - - -a ble to wan der in be
S.
Fl.
Cl.
Vln.
Vc.
B.Dr.
Gl.
Pno.
45
42 43 44 45
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- - -tween pil lars of light pil lars of light
tight,punchy
ToVib.
B.Dr.
S.
Fl.
Cl.
Vln.
Vc.
B.Dr.
Gl.
Pno.
46 47 48
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cresc.
of light
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Tri.
R.Cym.
B.Dr.
Pno. (bothhands)
49
50
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espr.
ecstatic
ecstatic
ecstatic
shimmering
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
solo
mediummallets
51
51
51 52
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
53 54
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dim.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
55 56
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S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
57 58
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-in a eld of end less selves
( )( )
ToPicc.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
59 60
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- -
pizz.
in a eld of end less stars end less stars
Picc.
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
61 62 63
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-if we be lieve in what
( )
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(III)
65
65
64 65 66 67
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- -holds us e ver
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
68 69 70 71
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- -o pen if the box I
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(III) (II) (III)
75
75
72 73 74 75
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- -stepped in to was
ToFl.
S.
Picc.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(II)
76 77 78 79
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arco
you
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Tri.
R.Cym.
B.Dr.
Pno.
IVIIIIII
80 81
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cresc.
cresc.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
bowed
82 83
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Fl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
84 85 86
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sub.
Gl.
S.
Fl.
Cl.
Vln.
Vc.
Vib.
Gl.
Pno.
(III)
(letringintosilence)
(letringintosilence)
(letringintosilence)
87 88 89
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