telling great stories by diana b. henriques

45
The repor(ng is done. The facts are checked. The thesis is solid and important. Telling Great Stories Now: You want folks to actually read this?

Upload: reynolds-center-for-business-journalism

Post on 19-May-2015

1.164 views

Category:

Career


1 download

DESCRIPTION

Diana B. Henriques presents, "Telling Great Stories," a free webinar hosted by the Donald W. Reynolds National Center for Business Journalism. Check out additional materials from the webinar at the following link: http://businessjournalism.org/2012/08/10/telling-great-stories-self-guided-training/. For more information on free training for business journalists, please visit businessjournalism.org

TRANSCRIPT

Page 1: Telling Great Stories by Diana B. Henriques

The  repor(ng  is  done.  The  facts  are  checked.  The  thesis  is  solid  and  important.  

 

Telling  Great  Stories  

Now:  You  want  folks  to  actually  read  this?  

Page 2: Telling Great Stories by Diana B. Henriques

What  we’ll  cover:  

•  Using  facts  appropriately  •  Repor(ng  for  great  storytelling  •  Using  human  nature  to  hold  your  reader  •  Drawing  lessons  from  potboilers  and  the  silver  screen  

Page 3: Telling Great Stories by Diana B. Henriques

First,  let’s  do  a  reality  check…  

     Given  X  amount  of  (me  to  report  and  write  a  story,  what  percentage  of  (me  would  you  devote  to  repor(ng?   Photo  by  Flickr  user  U.S.  Fish  and  Wildlife  Service  –  

Northeast  Region  

Page 4: Telling Great Stories by Diana B. Henriques

Using  facts  appropriately  

The  Goldilocks  Rule:    

Not  too  many  facts,  Not  too  few  facts  

Page 5: Telling Great Stories by Diana B. Henriques

Every  story  has  a  burden  of  proof      

“Cap(ve  Clientele:  Part  One”  

Page 6: Telling Great Stories by Diana B. Henriques

The  “CapEve  Clientele”  thesis  

•  Several   financial   services   companies   or   their   agents   are  using   ques(onable   tac(cs   on   military   bases   to   sell  insurance   and   investments   that   may   not   fit   the   needs   of  people   in   uniform...The   Pentagon   has   been   aware   of  prac(ces   like   these   since   the  Vietnam  War;   inves(ga(ons  have   even   cited   specific   companies   and   agents.   But  because  of  industry  lobbying,  Congressional  pressure,  weak  enforcement   and   the   Pentagon’s   ineffec(ve   oversight,  almost  no  ac(on  has  been  taken.  

Page 7: Telling Great Stories by Diana B. Henriques

Use  all  the  facts  required  to  meet  your  burden  of  proof  –    

and  not  one  fact  more!  

Diana’s  Rule  #1  

Page 8: Telling Great Stories by Diana B. Henriques

Which  fact  is  not  needed  to  meet  the  burden  of  proof  in  “Cap(ve  Clientele”?  

Poll  QuesEon  #1:  

Page 9: Telling Great Stories by Diana B. Henriques

Ouch.  The  editor  says  cut  the  story…          What  could  be  eliminated  from  the  “Cap(ve  Clientele”  thesis  to  reduce  my  burden  of  proof  so  I  could  cut  the  story?  Photo  by  Flickr  user  Victor1558  

Page 10: Telling Great Stories by Diana B. Henriques

“CapEve  Clientele”  thesis  

I  could  eliminate  the  reference  to  the  Pentagon’s  prior  knowledge...    

Several   financial   services   companies   or   their   agents   are   using  ques(onable   tac(cs   on   military   bases   to   sell   insurance   and  investments  that  may  not  fit  the  needs  of  people  in  uniform…  But  because   of   industry   lobbying,   Congressional   pressure,   weak  enforcement  and  the  Pentagon’s  ineffec(ve  oversight,  almost  no  ac(on  has  been  taken.  

Page 11: Telling Great Stories by Diana B. Henriques

“CapEve  Clientele”  thesis  …Or  I  could  eliminate  any  reference  to  "investments"  …    

Several   financial   services   companies   or   their   agents   are   using  ques(onable   tac(cs   on   military   bases   to   sell   insurance…   that  may   not   fit   the   needs   of   people   in   uniform…   But   because   of  industry   lobbying,   Congressional   pressure,   weak   enforcement  and   the  Pentagon’s   ineffec(ve  oversight,   almost  no  ac(on  has  been  taken.  

Page 12: Telling Great Stories by Diana B. Henriques

“CapEve  Clientele”  thesis  …Or  I  could  cut  the  reasons  “why  almost  no  ac(on  has  been  taken”…  

 

Several  financial  services  companies  or  their  agents  are  using  ques(onable  tac(cs  on  military  bases  to  sell  insurance  and  investments  that  may  not  fit  the  needs  of  people  in  uniform...  The  Pentagon  has  been  aware  of  prac(ces  like  these  since  the  Vietnam  War;  inves(ga(ons  have  even  cited  specific  companies  and  agents.  But  …  almost  no  ac(on  has  been    taken.  

…  

Page 13: Telling Great Stories by Diana B. Henriques

Remember,  it’s  a  balancing  act  

The  length  of  a  story  is  determined  by  your  burden  of  proof.  To  cut  a  story’s  length,  you  must  scale  back  what  you  try  to  prove  in  that  story.    

Page 14: Telling Great Stories by Diana B. Henriques

Diana’s  Rule  #2  

You  cannot  cut  the  story;  you  can  only  reduce  your  burden  of  proof.  

Page 15: Telling Great Stories by Diana B. Henriques

Diana’s  Rule  #3  

If  you  use  every  inch  of  space  to  meet  your  burden  of  proof,  you’ll  win  your  

argument.  But  you'll  lose  your  reader!  

 

Page 16: Telling Great Stories by Diana B. Henriques

 Nicholas  Stachler  was  19  years  old  when  he  reported  for  basic  training  with  the  Army  at  Fort  Benning,  Ga.,  before  shipping  out  for  11  months  to  Iraq.    

 A  gentle,  trus(ng  man,  he  had  only  weeks  earlier  graduated  from  high  school   with   a   handful   of   trophies   in   hockey   and   soccer,   middling   grades   and  hardly  a  clue  about  how  to  handle  his  money.  He  had  held  only  casual  jobs  baby-­‐si^ng   and  mowing   lawns   and   had   never   opened   a   checking   account.   The   bus  trip  to  boot  camp,  from  the  foothills  of  the  Appalachians  in  southern  Ohio  to  the  kudzu-­‐covered  fields  of  western  Georgia,   took  him   farther   from  home  than  he  had  ever  been.    

  About   six   weeks   into   his   training   -­‐-­‐   six   weeks   of   combat   drills   and  drummed-­‐in   lessons   in   Army   ways   -­‐-­‐   he   tasted   one   of   the   less-­‐honorable  tradi(ons  of  military   life:   a   compulsory   classroom  briefing  on  personal  finance  that  was  a  life  insurance  sales  pitch  in  disguise...    

How  “CapEve  Clientele”  began  

Page 17: Telling Great Stories by Diana B. Henriques

How  did  you  feel  about    Nicholas  Stachler?  

Let’s  compare  notes:  In  a  word  or  two,  share  your  impressions  of  this  young  recruit.   Nicholas is

on the left.

Page 18: Telling Great Stories by Diana B. Henriques

ReporEng  for  great  storytelling  

Photo  by  Flickr  user  sskennel  

Page 19: Telling Great Stories by Diana B. Henriques

Let’s  brainstorm  

In  one  or  two  words,  what  facts  best  help  bring  a  character  to  life?  

               Photo  by  Flickr  user  lateda  

Page 20: Telling Great Stories by Diana B. Henriques

Report  with  all  five  senses    

Page 21: Telling Great Stories by Diana B. Henriques

How  did  it  make  you  feel?  Why?  

Page 22: Telling Great Stories by Diana B. Henriques

 To  reconstruct  the  past,...  

   

                         Photo  by  Flickr  user  Laineys  Repertoire  

…try  the  Internet!  

Page 23: Telling Great Stories by Diana B. Henriques

Was  it  rainy?  Torrid?  Balmy?  

 

hcp://www.wunderground.com/history/  

Page 24: Telling Great Stories by Diana B. Henriques

Which  gives  us...  

“The  day  Bernie  Madoff  was  arrested  in  Manhacan,  the  weather  was  perfect  in  Palm  Beach  -­‐-­‐  ground  zero  for  thousands  of  his  vic(ms...”  

     Photo  by  Flickr  user  eoringel  

Page 25: Telling Great Stories by Diana B. Henriques

What  do  they  look  like?  What  were  they  wearing?  

hcp://images.google.com/      

U.S.  District  Judge  Jed  S.  Rakoff  

Page 26: Telling Great Stories by Diana B. Henriques

How  do  they  sound  and  behave?  

“Yeah,  It’s  Fun  Being  a  Billionaire”  -­‐-­‐  interview  on  CNBC  found  on  YouTube.com  

Page 27: Telling Great Stories by Diana B. Henriques

And  what  did  it  look  like  where  that  arrest  took  place?  

www.earth.google.com  

Page 28: Telling Great Stories by Diana B. Henriques

Gathering  color  a^er  the  fact  •  Tour  the  scenes  yourself.  •  Ask  for  family  albums,  

yearbooks,  home  video,  conven(on  photos,  etc.  

•  Talk  to  those  who  were  there  –  using    photos  and  headlines  as  memory  “prompts.”  

•  Retrace  a  character’s  steps.  

Photo  by  Flickr  user  Arbron  

Page 29: Telling Great Stories by Diana B. Henriques

Using  human  nature  to  hold  your  reader  

 

Photo  by  Flickr  user  Saul  Adereth  

Page 30: Telling Great Stories by Diana B. Henriques

In  the  “Cap(ve  Clientele”  story,  who  is  Nicholas  Stachler?  

Poll  QuesEon  #2:  

Page 31: Telling Great Stories by Diana B. Henriques

The  universal  truths  of  human  experience  are  the  bedrock  of  any  

great  story.    

Diana’s  Rule  #4  

Page 32: Telling Great Stories by Diana B. Henriques

   

   What  other  archetypal  stories  can  you  name?      

 Use  archetypal  stories    

Page 33: Telling Great Stories by Diana B. Henriques

•  Icarus  •  Robin  Hood  •  King  Midas  •  Dr.  Jekyll  and  Mr.  Hyde  •  Dr.  Faustus  •  The  Emperor’s  New  Clothes  

•  King  Lear  •  The  Sorcerer’s  Appren(ce  

•  Snow  White  

•  Aladdin  and  the  Genie  •  The  Frog  Prince  •  The  Ugly  Duckling  •  The  Boy  Who  Cried  Wolf  •  The  Pied  Piper  •  Beauty  and  the  Beast    

Photo  by  Flickr  user  puuikibeach  

More  archetypal  stories    

Page 34: Telling Great Stories by Diana B. Henriques

Clichés  became  clichés  because…  

• Pride  goeth  before  a  fall.  • He  was  hoisted  on  his  petard.  • The  pot  calling  the  kecle  black.  • His  Achilles’  heel.  

…they  rang  true  and  sEll  do!  Photo  by  Flickr  user  hello-­‐julie  

Page 35: Telling Great Stories by Diana B. Henriques

Folklore’s  cast  of  stock  characters…    

The  star-­‐crossed  lovers  The  fatally  flawed  hero  The  femme  fatale  The  man  of  steel  The  knight  errant  The  evil  wizard  

Photo  by  Flickr  user  Wonderlane  

Page 36: Telling Great Stories by Diana B. Henriques

As  you  prepare  to  write,  ask:  

In  our  common  cultural  heritage,  what’s  the  closest  archetypal  match  to  the  story  you  want  to  tell?  

Photo  by  Flickr  user  Muffet  

Page 37: Telling Great Stories by Diana B. Henriques

Once  you  have  your  answer…  •  Keep  it  as  a  frame  of  reference…  •  Use  it  to  sort  out  your  characters…  •  Iden(fy  the  core  words  it  brings  to  mind…  •  Use  it  to  give  your  story  a  familiar  shape…  •  But  proceed  with  cau(on  before  you  make  a  direct  reference  to  this  archetype!  

Page 38: Telling Great Stories by Diana B. Henriques

The  Bernie  Madoff  story  most  strongly  brings  to  mind…  

Poll  QuesEon  #3:  

Page 39: Telling Great Stories by Diana B. Henriques

JP  Morgan  Chase  used  a  risk-­‐reducing  strategy  that  wound  up  cos(ng  the  bank  billions.  Which  archetypal  reference  does  

that  story  bring  to  mind?  

Poll  QuesEon  #4:  

Page 40: Telling Great Stories by Diana B. Henriques

                                                     Photo  by  Silicon  Prairie  News  

Learning  from  potboilers    and  the  silver  screen  

 

Page 41: Telling Great Stories by Diana B. Henriques

Diana’s  Rule  #5  To  learn  great  storytelling,  study  

great  storytellers.  

Page 42: Telling Great Stories by Diana B. Henriques

• By  Christopher  Vogler:  The  Writer’s  Journey:  Mythic  Structure  for  Writers,  Third  Edi(on  

My  favorite  screenwriEng  guides  • By  Blake  Snyder:  Save  the  Cat  series    

What  wri5ng  guides  do  you  love?  

Page 43: Telling Great Stories by Diana B. Henriques

Six  QuesEons  to  Ask  Yourself  Before  You  Type  That  Anecdotal  

Lead    

http://www.newsthinking.com/six-questions-to-ask-yourself-before-you-type-that-anecdotal-lead/

More  wri(ng  resources  are  in  the  handout.  

Page 44: Telling Great Stories by Diana B. Henriques

My  favorite  pace  cars  for  storytelling  

• Robert  Crais,  “Elvis  Cole”  series  

• Lee  Child,  “Jack  Reacher”  novels  

• Anything  by  Stephen  King  

Photo  by  Flickr  user  msbhaven  

Page 45: Telling Great Stories by Diana B. Henriques

Remember  Diana’s  Rules  1.  Use  all  the  facts  required  to  meet  your  burden  of  

proof  -­‐  but  not  one  fact  more!    2.  You  cannot  cut  the  story;  you  can  only  reduce  your  

burden  of  proof.    3.  If  you  use  every  inch  to  meet  your  burden  of  proof,  

you’ll  win  your  argument.    But  you'll  lose  your  reader!    4.  The    universal  truths  of  human  experience  are  the  

bedrock  of  a  good  story.    5.  To  learn  great  storytelling,  study  great  storytellers.