tar yar min wai - kyun taw nae nat pha yar statue

8/7/2019 Tar Yar Min Wai - Kyun Taw nae nat pha yar statue

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()

,

.....

..

`` .

` (Plotinism)

(Neoplatonism)

.

.. ..

`` ()

() ()

Art is mimesis ` (Imitation)

(Universeals) (Realm of Ideas )


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(Concepts) (Knowledge)

(Truth)

(Particulars) (World of Apperance ) (Percepts)

(Opinion) (Utility)

(Faint Copies)

Art is Imitation of Imitation

(Imitators) (Beauty)

`

(Simple Imitation)

() Imitation Theory Mirror Theory

(Aristoclese)

(Plato)

Objective Idealism


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.

(Mirror Theroy)

Art is Mimesis mimesis / (Imitation)

( Rational and Deliberate Process)

Lord Shaftesbury

The true poet is

Second maker

(The Queen Style) .

.


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subject

Object

/

()

Attention

( )

(Creativity)

( To bring things Into existence that have not

existed before) .

(Attention)

(Aquinas) (vision with

mind)

.


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(Material cause)

Agental cause

(

)

( )

()

..

.

( the product of his age)

.

(The great era of Isms)

.


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/

(Imagination)

(Images) (Inspiration) ( (Irrational) (Rationalism) (Rationalist) ( )

.

ArtisticFreedom) Republic)


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() )

Imitation ofImitation Imitation of Essences

()

()

(Ammosniusaccas)

()


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(Plotinus) ()

(The Emanation Theory )

Dagobert D.Runes ..

One Divine One

...

..

..

.

..


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..

()

.


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( )

..

ONE DIVINE ONE

(Zoroaster)

(Ormuzd) (Ahura Mazdah)

(Ahriman) (Angro Mainyush)
http://www.imagebam.com/


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(Zoroastranism)

(Mani)

(Manicheus)

Manichaeism .

(

)

Dualist religious

philosophy

Soul (Psycle)

Mind Intelligence

(Nous)

() (Emanation)

(Epistrophe)


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()

()

(P.B Shelley) (Promethenus Unbound) (Adefence of poetry)

(Divine Madness)

(The Necessity of Atheism) () ( )

(The more we study the more we discover our ignorance)

.

(History is a cyclic poem written by time upon the memories of man.)

..

(Poetry is the record of the best and the happiest moments of the happiest and the best m inds.)

..(Poets are the unacknow ledged legistaltor of the world.)

()


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(If anyone condemns the arts, because they create by way o f imitation of nature.)

(First, we must observe that na tural things themselves are an imitation of someth ing further.) ( )(And next, we must bear in mind that the arts do not simply imitate the vissible.) ( )

(But , go back to the reasons from which nature comes.) ( )(And further, that they create much out of themselves)

( )

( Spiritual Value )

x x x + = =

x x x + () () ( ) () ()

x x x +

( )

. .


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.. . ()

( ) .. ()

()

. . ()

() .

()

(Ozymandias of

Egypt)

Ozymandias Of EgyptI met a traveler from an antique land

Who said : Two vast and trunkless legs of stone

Stand in the desert. Near them on the sand,

Half sunk, a shatterd visage lies, whoses frown

And wrinkled lip and sneer of cold command


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Tell that its sculptor well those passions read

Which yet survive, Stampd on these lifeless things,

The hand that mockd them and the heart that fed;

And on the pedertal there words appear;

My name is Ozynandias, king of kings:

Look on my works, ye Mighty, and despair

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away.

P.B Shelley (I.A Richard)

(New Critic)

.

--

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away.

O O


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()

()

()

.

(To hen)

() ( To proton)(

)

(To agathon)

() (To kalon )

(The ideas of beauty is one and perfect according to Plotinus)

.

First Beauty

( )

(Realm of Ideas) / (World of Appearance )


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()

Imitation of Imitation () ()

(Pheidias)

(Imitation Theory)

(Since Pheidias did not create Zenus afterany such as he would be if Zenus deigned to appear to mortal eyes.)

(Freedom of Art ) Bernard Bosanquet

(If freely interpreted, we saw a

foreshadowing of the profoundest modern romanticism.) ..

(Romanticism) (Art movement )

(Schlegel ) A.W

Schlegel F.Schlegel

(Charles Williams)

(John Keats)

. (A thing of beauty is a joy forever)

(William Blake) Joy and Woe are woven fine


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... ()

William Wordsworth

..... ()

(W.B. Yeats) The

Delphic Oracle Upon Plotinus

()

Creative Imagination

..(It is hence forth understood that art is not imitative but symbolic) .

(Imagist) () (Surrealist)

(The movement away from realism and classicism)

(Employing private rather than public symbols)

(Working by suggestion rather than by direct statement)

(Symbolism, however, is a fundamental aristic process)

(More often arises spontaneously)


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(Within in individual context)

...(

).. ()

` `

.. ( )

(The outside) (Global


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Knowledge)

() (Formalism)

(Imitative form)

(Creative form)

(Gonostic)

(Creative Imagism)

(Dante)

(Everyday is life and one whole life is but a day repeated.)

()(Plotinus) (Creative Imagination)

..

. .

.


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.

()()()

.

.

..

.

..

. ..


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.

. .

..

.. .. .. . ... .. .. . .

.. .. .. . .

(Super Glue) ( )

.

.. .. .. ..

.

..

, .


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.

.

.. .

.

..

.

. . ..

..

..

.

.

.

25.11.98


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()The Poets Deram

On a poets lips I slept

Dreaming like a love-adept

In the sound his breathing kept;

Nor seeks nor finds he mortal blisses

But feeds on the aerial kisses

Of shapes that haunt thoughts will dernesses

He will watch from dawn to gloom

The lake reflected sun illume

The yellow bees in the ivy bloom,

Nor heed nor see what things they be;

But from these create he canForm more real than living man,

Nurslings of immortality!

P.B. Shelly

()To The Moon

Art thou pale for weariness

Of climbing heaven, and gazing on the earth,Wandering companionless

Among the stars that have a different birth,-

And ever changing, like a joyless eye

That finds no object worth its constancy?

P.B. Shelly

()Loves Philosophy

The fountains mingle with the river

And the rivers with the ocean,

The winds of heaven mix for ever

With a sweet emotion;

Nothing in the world is single,

All things by a law divine

In one anothers being mingle

Why not I with thine?

See the mountains kiss high heaven

And the weaves clasp one another;

No sister flower would be forgiven

If it disdiand its brother :


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And the sunlight clasps the earth,

And the moonbeams kiss the sea

What are all these kissing worth,

If thou kiss not me?

P.B. Shelly

()To A Skylark

Hail to there, Blithe Spirit!

Bird thou never wert,

That from heaven, or near it,

Pourest thy full heartIn profuse Strains of unpremeditated art.

Higher still and higher

From the art thou springest

Like a cloud of fire;

The blue deep thou wingest,

And singing still dost soar, and soaring ever singer.

In the golden lighting

Of the sunken sun,

Oer which coulds are brighteningLike an unbodied joy whose race in just begun.

The pale purple even

Melts around thy flight;

Like a Star of heaven

In the broad daylight

Thou art unseen, but yet I hear thy shrill delight

Keen ar are the arrows

Of the silver sphere,

Whose instense lamp narrows

In the white dawn clear

Until we hardly see, we feel that it is there.

All the earth and air

With thy voice is loud,

As, when night is bare,

From one lonely cloud

The moon rains out her beams and

Heaven is overflowd

What thou art we know not;

What is most like thee?

From rainbow clouds there flow not

Drops so bright to see


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As from thy presence showers a rain of melody.

Like a poet hidden

In the light of thought,

Singing hymns unbidden,

Till the world is wrought

To sympathy with hopes and fears it heede not :

Like a high-born maiden

In a palace tower,

Soothing her love laden

Soul in secret hour

With music sweet as love, which overflows he bower :Like a glow worn golden

In a dell of dew,

Scattering unbenholden

Its aerial hue

Among the flowers and grass, which screen it from the view :

Like a rose embowerd

In its own green leaves,

By warm winds deflowerd,

Till the scent it givesMakes faint with too much sweet these heavy-winged thieves

Sound of vernal showers

On the twinkling grass,

Rain awakend flowers,

All that ever was

Joyour, and clear, and fresh , thy music doth surpass.

Teach as, sprite or bird,What sweet thought are thine :

I have never heard

Praise of love or wine

That panted forth a flood of rapture so divine.

Chorus hymeneal,

Or triumphal chant,

Matchd with thine would be all

But an empty vant A thing wherein we feel there is some hidden want.

What objects are the fountains


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Of thy happy strain?

What fields, or waves, mountains?

What shapes of sky or plain?

What love of thine own kind? What ignorance of pain?

With thy clear keen joyance

Languor cannot be :

Shadow of annoyance

Never came near thee :

Thou lovest; but neer knew loves sad satiety.

Waking or asleep

Thou of death must deem

Things more true and deepThan we mortals dream,

Or how could thy notes flow in such a crystal stream?

We look before and after,

And pine for what is not :

Our sincerest laughter

With some pain is fraught;

Our sweetest sons are those that tell of saddest thought.

Yet, if we could scorn

Hate, and pride, and fear ;

If we were things born

Not ot shed a tear,

I know not how thy joy we ever should come near.

Better than all measurer

Of delightful sound,

Better than all treasurersThat in books are found,

Thy skill to poet were, thou scorner of the ground!

Teach me half the gladness

That thy brain must know,

Such harmonious madness

From my lips would flow

The world should listen then, as Im listening now!

P.B Shelley

()


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Joy And Woe Are Woven FineJoy and woe woven fine,

A clothing for the soul divine;

Under every grief and pine

Runs a joy with silken twine.

It is right, it should be so;

Man was made for joy and woe;

And when this we rightly know,

Thros the world we safely go.

William Blake

() The RainbowMy heart leaps up when I behold

A rainbow in the sky;

So was it when my life began;

So it is Iam a man;

So be it when I shall grow old.

Or ler me die!

The child is father of the man;

And I could wish my days to beBound each to each by natural piety.

William Wordsworth ()

The Delphic Oracle Upon PlotinusBehold that great Plotinus swim,

Buffeted by such seas;

Bland Rhadamanthus beckons him,

But the Goledn Race looks dim,

Salt blood blocks his eyes.

Scattered on the level grass

Or winding through the grove

Plato there and Minus pass,

There stately Pythagoras

And all the Choir of Love.

W.B. Yeats

()The One In Paradise

Thou wast that all to me, love,

For which my soul did pine

A green isle in the sea, love,


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A fountain and a shrine,

All wreathed with fairy fruit and flowers,

And all the flowers were mine.

Ah, dream, too bright last!

Ah, starry Hope! That didst arise

But to be overcast!

A voice from out the Future cries,

On! On! but oer the Past

(Dim gulf!) my spirit hovering lies

Mute, motionless, aghast!

For, alas! Alas! With me

The light of life is oer!

No more no more no more (Such language holds the solemn sea

To the sand upon the shore)

Shall bloom the thunder blasted tree,

Or the stricken eagle soar!

And all my days are trances,

And all my nightly dreams

Are where thy grey eye glance,

And where thy footstep gleams

In what eternal dance,By what eternal streams.

Edgar Allan Poe

( )The Mirabeau Bridge

Under the Mirabeau bridge the Seine

Flows with our loves;

Must I remember once again

Joy followed always after pain?Night may come and clock may sound,

Within your shadow I am bound.

Clasp hand in hand, keep face to face,

Whilst here below

The bridge formed by our arms embrance

The waters of our endless Langing pass.

Nitght may come and clock may sound,


And like this stream our passions flow,Our love goes by;

The violence hope dare not show

Follows times beat which now falls slow.


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Night may come and clock may sound


The days move on; but still we strain

Back towards time past;

Still to the waters of the Seine

We bend to catch the echo gone.

Night may come and clock may sound


Guillaume Apollinarie

mayzaw

tar yar min wai - kyun taw nae nat pha yar statue

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