tango graphic design project #3

LE GALLFLORIANNOUETPIERREG3G

3 écoles :- Aalto university- Politecnico di Milano- L’école de design Nantes Atlantique

Le design pour améliorer la vie quotidienne

Inter-génération

Durabilité

INTRODUCTION

RAPPORT D’EXPÉRIENCE

SUPPORT DE MÉDIATION

SYNTHÈSE

Qu’est ce que TANGO ?

Inspiration

Inspiration

Nos objectifs

Typographie

Repise des codes graphiques

Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Communication lors des expositions :retranscrire l’expérience Tango à tra-vers 2 supports

Rapport d’expérience

Support de médiation

Éco-conception

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Remettre en cause les fondamentaux pour s’approprier l’objet

Inciter à l’interactivité pour provoquer l’échangeAXE

PISTE

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Sobriété

Bichromie

Structuré

Reliure

Effets spéciaux

Éléments graphiques simples

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

their own apartment building with the word “neighborhood”, while other times they refer to all of Kannelmäki as their “neighborhood”.

While going through neighborhood drawings from Helsinki stories workshop, it is quite obvious that we understand neighborhood totally multilayered and multilaterad way; for some it is just the own house (one small spot in Helsinki) while for some it might even be complicated connections between different individually important places in Helsinki(See Figures). These places can be for example green areas in Helsinki and they are might be connected with some action aspect for example cycling.

NEIGHBORHOOD AND ACTION

But the neighborhood is much more than a static stage; a house full of people or a block full of houses. It includes the action level; knowing each other but also chatting and doing things together and its best sharing and caring each other. Next are quotes from Kannelmäki inhabitants’ interviews.

I live in this house where there are mostly older people and we have all these kind of happenings of our own. For example we have this kind of card game club, it is on Saturdays, Sundays and Mondays. I am for example now going again to play and this describes precisely that we

DIALOGUE AND PARTICIPATION

IN A GOOD NEIGHBORHOOD

dialogue

another. We care if someone has for example not been seen for a while, we go to knock on the door or then we contact someone who has the key to the apartment. So we do not, we do not forget.

During summer, but not that much during winter, I am not so much at home, but then when I am then we always with the neighbors...now and then we even get drunk together. With one woman we “make the world a better place” in the garden. And then we have these community efforts (talkoot) and afterwards we have these evening get together, and have like that quite much to do with each other. There is help from the neighbors, and sometimes you go borrow something, A; sugar, B;tongs, so like that...

For a good neighborhood the action level is most relevant. Good neighborhood is not a passive situation it is an active stage and it needs inhabitants own participation. According to Wenger (1998, 72-75) a community of practice include the action and commitment aspects and therefore it is important to understand that although the neighborhood is often called as a community, without the action aspect it is not a community, and it just stays as a place. Engagement and commitment are needed for the belonging and for social coherence. Community of practice is a network where the mutual engagement is working. (ibid.) Participation to actions in your own neighborhood creates belonging and care towards

National light 9

Lineale

Lecture agréable

Rondeur

Finesse

Facilité de hiérarchie

Guillemets

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Bichromie

Pantone DS 178 1-C

Noir

Deux plaques - eco-conception

Chaleureux

Initiation / deuil

Magie

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Photo

Dessin au trait

Noir et blanc

Présence humaine

Superposition guillemets violettesdynamisme

Manuel / Production

Documentaire

Réinterprétation

témoignage

Réel

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

2 colonnes de texte Système à 5 colonnesBonne lisibilité Légendes photographiesAération sur les grands fonds

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Photographie

Papier

Déstructuration

Cocoon 90 g/m²

Dynamisme

Durabilité

Respiration

Éco-conçu

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

SUMMARY

TRAIN, HENNA HARRIPROJECT PRESENTATION

SCHOOL PRESENTATIONS

ENCOUNTERING PEDAGOGYAS PARTICIPATORY DESIGN

PARTICIPATION IN A GOODNEIGHBORHOOD

INTERGENERATIONAL DIALOGUE AND SUSTAINABILITY

METHOD AND EXPERIENCE MATURED

SUSTAINABLE EXHIBITION

SOFT TOOLS FOR HARD DESIGN

THE STORY BEHIND THE BOOK

PARTICIPATORY PROCESS IN SUBURBAN CONTEXT

SYSTEM FOR KANNELMÄKI

CREATING DIALOGUE THROUGH DESIGN

LES POSSIBBILITIES

STEPS TOWARDS PARTICIPATORY EXHIBITION

ACCESSIBILITY AND AUDIENCE WORK IN EXHIBITIONS

TANGO IN HELSINKI

THE BAGGIO DISTRICT

THE GRATOSOGLIO DISTRICT

THE GIAMBELLINO DISTRICT

THE BARONA DISTRICT

TANGO IN MILANO

IN FINNISH

IN ITALIAN

IN FRENCH

PRESENTING ONE WORK FROM THE WORKSHOP

EMPIRIC OR EMPATHIC

TANGO IN NANTES

EMPATHY

HELSINKI

MILANO

NANTES

3

13

19

25

31

36

42

48

53

58

62

66

72

80

84

89

94

100

104

109

116

126

131

136

140

144

151

Couverture / Sommaire

Papier

Inhabituel

240 g/m2

Casse les codes

Rabats

Jeu typographique

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Intéraction

Volume

Pliage

Transparence

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Empaattisen muotoilun kurssilla opiskelijat kokeilivat, miltä tuntuu asettua toisen ihmisen asemaan. Kuvassa testataan prototyyppiä muotoilijan apuvälineeksi suun-nitellusta hanskasta, joka tekee arkisten askareiden hoitamisesta hankalaa. Sen avulla muotoilija osaa samastua vaikkapa sellai-sen ihmisen tilanteeseen, jonka käsivoimat eivät riitä esimerkiksi tavallisen säilykepurkin avaami-seen.

CaseVerdi.net on Milanon Giam-bellinon kaupunginosaan sijoit-tuva hajautettu kaupunkiviljelmä, jossa alueen iäkkäät asukkaat viljelevät omilla parvekkeillaan ja puutarhoissaan erityisiä, arvokkaita hyötykasveja yhtei-seen käyttöön, vaihdettavaksi tai myytäväksi esimerkiksi paikalli-sille ravintoloille ja kauppoihin. Toimintaa organisoi yhdistys, joka huolehtii sadon jakamisesta ja myymisestä sekä järjestää viljelykursseja.

Hye Yoon Min nauhoitti lin-nunlaulua ja sateen ropinaa eri puolilla Kannelmäkeä. Hän vei rakentamansa äänentoisto-laitteen asemalaiturille, jossa sen toistamat luonnonäänet ihmetyttivät ja ilahduttivat junaa odottavia ihmisiä. Nantes: 23.–29.3.2013,

Laura Gasparini, Anna Kantanen, Maureen Lois, Swanny Serrand, etc.??

Milano: 9.–16.4.2013, Elisa Bacchetti, Alberto Fossati, Sara Hatef, Claudio Sarcì, Alberto Aprea

Helsinki: 26.4.–26.5.2013, Malin Bäckman, Tuula Mäkiniemi, Hye Yoon Min, Hesam Pakbeen,

Minna Nyqvist, Tuuli Rouhiainen, Iida Jääskeläinen, Pinja Heininen

Näyttelyarkkitehtuuri: Henri Halla-aho ja Inka Saini, Aalto-

yliopisto; Alberto Aprea, Politecnico di Milano

Näyttelyn kuratointi: Jenni Nurmenniemi ja Toni Ledentsa,

Aalto-yliopisto

TANGO visuaalinen identiteetti: L’École de Design Nantes Atlantique

Näyttelyn graafinen suunnittelu: Marion Robinson

DialogueDesign for a better world

Prototyping Empathy for Aging and

Intergenerational Design

System Design for Sustainability

MILANONANTES

Re-picturing Suburban

Neighbourhood

The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmäki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and explorative learning methods were used and approved.

The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmäki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and explorative learning methods were used and approved.

The empirical part of this paper is based on materials and experimentations from the course Repicturing suburban neighborhood, which were organized in May 2012 in Kannelmäki, Helsinki. While approaching rather abstract issue in the course, social wellbeing in a neighborhood, collaborative and learning methods were used.

HELSINKIRepicturing suburban neighborhood explained that the neighborhood can be something

Repicturing suburban neighborhood explained that the neighborhood can be something





Typographie / deux lectures Colorimétrie Iconographie

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

Mise en page / mise en forme

Grammage 160 g/m2 : semi-rigide

Transport

Lisibilité

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

INTRODUCTION



SYNTHÈSE


Inspiration

Inspiration

Nos objectifs

Typographie


Notre Direction

Colorimétrie

Iconographie

Jeu de pliages

Mise en page

Utilisation

Utilisation

tango graphic design project #3

Documents