synthesizer re-tuning to the perfect circle of sound™_

THE JOURNAL OF HYDROCREATIONISM THE JOURNAL OF HYDROCREATIONISM

HYDROSONICS VOL. 1, NO. 1. JANUARY, 2009

Abstract

In this preliminary study a synthesizer was retuned to the“Perfect Circle of Sound™” (PCoS) in advance ofinvestigations measuring neuro-physiologic responses inhumans to varying frequencies of sound. 528Hz, a centralwave form in the original Solfeggio musical scale, was used tobegin construction of an octave determined to most reasonably

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Sacred 528 Geometrics,Freemasonry

andPyramid

Cosmology

By

Vic Showell

One virtue of the number 528is that it is a decimal variant

of the measured mile in(5280]) feet, and now we

know from extensive analysisof pyramid sacred geometry

that measurements in feetwork perfectly.

This alone gives 528 priorityin consideration above theSollfeggio frequency 396

(“UT” 105 power gauss toneand first frequency of the

Solfeggio) in the context ofthis discussion.

The formula I advanced in

previous publications usingthe 19 .47122061 constant toget the value of Pi is of great

consequence.

A major clue came fromrealizing that [528] / by [6] =

[88] (ii.e., the mercurysidereal) and the entire 11,

22, 33, 44, 55, system as 11 x8

with highest value to [99],establishes 4th dimension

hypercube math. Only 528does this with Mercury [88];

the [528] / [6] = [88]took me to pyramid height

[481] which is the planetarysynod cycle value: [481] x

[88] = [x]; then, [x] / by MarsJupiter synod [816.5] = [51

.840~]. And this matches theslope of great Giza pyramid

The large circle contains 16 circles at the center of 16 radiatingpoints and 32 outer circles.

FEATURED THESIS

Universal Harmonic Pi, ModernPi and Phi, Grand Unification of

approximate a standard melodious scale. Among the PCoSnotes only 417Hz and 741Hz frequencies required exclusiondue to their dissonance within the scale. This study evidencesstandard tuning in “A”=440Hz frequency is equivalent to the741Hz F# frequency in the Solfeggio. Both frequencies may bebioenergetically degrading to human energy systems. Thechance this precise association between the ancient andmodern scales might have happened by chance, versus bysinister imposition, is discussed.

Introduction

Suppose you awakened one morning to find everything youpreviously viewed as up was down, and needed to relearn towalk on a floor you previously knew was the ceiling? The taskwould be daunting, yet compelling.

In 1998, authors Horowitz and Puleo advanced a set of musicalfrequencies now confirmed to be the original Solfeggio scaleand fundamental to Pi, PHI, the Fibonacci series, sacredgeometry, and cosmology, and spiritual metaphysics.(1,2)

From this work Horowitz suggested standard musical tuning in“A” = 440Hz subjects listeners to chronic agitation andbioelectric degeneration, and may inhibit psychosocialmaturation and spiritual evolution.(3)

Alternatively, 528Hz frequency identified as the “MI” or“MIracle” note in the ancient scale, and the 639Hz “FA” or“FAmily” tone, together form the heart of the originalSolfeggio.(1) As central to the “musical-mathematical matrix”fundamental to universal design, these frequencies may play avital role in balancing and harmonizing bioenergy fields andchakra (vortex energy) systems impacting human health andpsychosocial behavior.(4)

Here we advance a theory that logically discerns 528Hzfrequency is the scale with which chakra tuning and wholistichealing is best administered. This theory posits all architectureis based on solid foundations. As 528Hz frequency is central toPi, PHI, the Fibonacci series, sacred geometry, theelectromagnetic sound and light spectrums, and the heart of themusical mathematical matrix of creation(2) then bioenergetic(or “biospiritual”) therapies for wholistic healing would bestbegin using this foundational frequency.

Background

Definitions are required for intelligently discerning thispotentially evolutionary concept of wholistic healing andchakra tuning by hydrosonic stimulation. The following termsare thus defined: scale, frequency, pitch and resonance.

Scale is defined in music as “an ascending or descendingcollection of pitches proceeding by a specified scheme of


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which is [51.8427~]

Serious mathematicians,physicists, and Solfeggio

analysts agree that this is nota coincidence.

Consider the additional

evidence showing 528 iscentral to pyramid sacred

geometry and mathematicalcosmology:

[528] / [396] = [1.333333]The slope of the 2nd pyramidat Giza is supposed to be just

over [53] degrees; which isthe arctangent of

1.33333333333333 = 53.13degrees,

Next, look at what the sineand cosine are with that

angle: 0.8 and 0.6 relevant tothe aforementioned.

As a third of the “central

triad” of musical cosmology,528 is a harmonic codex of

Solfeggio's 852 and 285.

528 divided by 336, the highphysics symmetry value,

yields (=) aPi / 2; with 528 x1.41414141414~ = 746

.6666~ flowing thru thepolytope chart.

But if you divide 528 by theancient square root of two

(1 .4142857 142857 14285),you get (=) 373 .3333333~!From there it goes nuts and

spirals thru the polytopevalues and all the Mayan and

Egyptian numbers.

For example:

The Saqqara Pyramid height= 14; and 14 /11 = the

arctangent slope of the GizaPyramid. Now analyze the

following:

intervals.” In Western music the diatonic octave scale has beenused since the and includes the pitches or notes, A, B, C, D, E,

F, G, A; or C, D, E, F, G, A, B, C. (Notice the 1st and 8th notesare the same within the octave, and are one octave higher orlower in pitch. So there are really only 7 unique primary notesin each octave.

Thus, there was a A=440 scale established; and there may beother scales that might be better suited for human listening andhealing, such as the “C”=528Hz scale.

Frequency is defined in acoustic science as “the number oftimes that a periodic function repeats the same sequence ofvalues during a unit variation of the independent variable.” Inother words, using our A=440 scale beginning with the “C”note, the “A” pitch occurs in this octive, and the “C” pitchoccurs twice in this octave.

Remember that all three pitches were in A = 440Hz, eventhough you might think they could not be because they sounddifferent. So the pitch is the “unit of variation of theindependent variable” in every scale of music.

Previous discoveries compel us to tune to C = 528, wherein theoctave of pitches—all the notes in the scale of C=528Hz-- areall in C = 528Hz. (This is counter-intuitive and difficult tograsp for most people.)

Additionally, a frequency is defined in music and electronics as“the number of repetitions of a periodic process in a unit oftime; . . . the number of complete oscillations per second ofenergy (as sound or electromagnetic radiation) in the form ofwaves.”

Pitch is defined in music as “the musical frequency ofvibration, rate of vibration, or a tone; . . . Standards of pitchinclude: concert, classic, high, low, international, French,Stuttgart, philharmonic, philosophical. . . .

A tone is defined as “a vocal or musical sound, its quality; oran intonation, pitch, modulation, etc. of the voice thatexpresses a particular meaning or feeling . . . .”

So there are variations of each pitch within each scale that likeeach scale is characterized by a unique frequency of vibration,commonly measured in cycles per second, or Hertzfrequencies.

Still, even though each pitch within each scale and octavevibrates differently, each pitch vibrates in harmonic resonancewith the particular tuning used, such as A=440Hz or C=528Hz.

Resonance is defined in acoustics as “the intensification andprolongation of sound, especially of a musical tone, producedby sympathetic vibration.” And in physics the definition ofresonance is “the increase in amplitude of oscillation of an


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[14] = [10 Phi x e], thendived by [Pi]

............................[e] = 2.71828;

[373 .33333] / by [14] = [26.666666~]; and you have just

mathematically derived afundamental node of

tetrahedral math and theEgyptian cosmology andsacred geometry system!

The implications of these

determinations are endlessand beyond the scope of this

article.

Finallly, look again at aboveequation:

528 x (the square root of 2)[1 .41414141414~] = [746

.6666~ ]

Masonic values reflect muchof this intelligence. The

Masonic temple shown inFigure 1 graphs a 15-pointstar with a “central triad”

fundamental to the diatonicmusical scale. Six-sidedsacred geometry is also

present, relating to 528 thatdeciphers to 6 (i.e.,

5+2+8=15=1+5=6) inmystery school numerology.

The Solfeggio note “MI,”528, that resolves to 6, is the

most likely source of name ofthe famed British intelligence

agency’s leading division,MI6. Figures 2 depicts a

16-pointed star thatmultiplied by two (2) yields

32 outer circles. Figure 3displays earlier Annunaki art

also showing a circleradiating with 16 points.

Solfeggio frequencies otherthan 528, even the equally

important 396, do notcompute like this divisiblywith 16, but functions in a

multiplicative sensedependent on 528 (e.g., [16]

electric or mechanical system exposed to a periodic forcewhose frequency is equal or very close to the naturalundamped frequency of the system.”

This definition of resonance is important in healing physics,and especially in this paper’s theory that sound therapies bestincorporate the original Solfeggio vibrations, featuring “C =528Hz.” The reason for this is reiterated: 528Hz has beenproven to be the heart of the entire electro-magnetic spectrumsof sound and light; in other words, the heart of the universe, ormusical-mathematical matrix of the cosmos.

Thus, building therapeutic systems or protocols based on C =528Hz frequency is most likely to cause an “increase inamplitude of oscillation of charkas, or spinning bioenergyvotecies, within the human body exposed to these waveforms“whose frequency is . . . very close to the natural undampedfrequency of the energetic [universal] system.”

Methods and Materials

In order to “micro-tune” a Korg Oasys synthesizer to thePerfect Circle of Sound™, a tuning fork set manufactured togenerate the precise frequencies of the original Solfeggiomusical scale, plus three additional tones required to completethe “Circle” was used, (HealthyWorldDistributing, LLC)

Each fork was repeatedly struck to determine its near precisefrequency and pitch (or tone). Tones were measured initiallyusing a standard Korg chromatic tuner. These tuners maintainan adjustable range of 426-451Hz frequency. Later, moreprecise frequencies were determined using the “MasterTuning” display of the synthesizer.

Table 1 in the next section lists these Korg instruments’readings for each of the nine PCoS frequencies. Using the conversions in Table 1, the Korg Oasys was retunedone key at a time beginning with the middle “C” using the528Hz equivalent in standard tuning (i.e., 443.06Hz ). Sincepianos are tuned beginning with “C” a new 528Hz scale wasbuilt beginning with middle “C” with subsequent pitchesselected among the PCoS frequencies mimicking the tonalquality of a “normal” octave: C, D, E, F, G, A, B, C. From this,it was determined that 417Hz and 741Hz did not fit the scale orsound harmonic to the sequence.

Next, to determine if the PCoS scale correlated with previouslyadvanced frequencies associated with the chakra system, wearranged the set of 7 pitches, beginning with C = 528, inascending order as per the 7 main charkas as shown in Figure 1posted under Results. The Hertz frequency equivalents thistime were derived by dividing each PCoS frequency listed by 2as needed to enter the range of frequencies published byprevious authors to correspond to each chakra and chakra


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x [396] = [6336] then / by[528] = [120])

In addition, relevant to

Revelation 14:1 and the“singing of a New Song” as

during the LIVE H2O globalconcert, 12 x 528 = 6336 and

12 squared = 144, as in the144,000 singers in Revelation

and the 144,000 days in theMayan calendar baktun.

Additional analyses show528Hz frequency as involved

in the origin of the 100KhC(Khufu Constant) (i.e.,

[1872000] / by [6336] = [295.45454545454~]. Now using

the constant from polytopestudies: [2 .45454545454~];

[295 .45454545454~] / by [ 2.454545454545454~] = [120. 3703 703 703~]). THAT IS

EXACTLY 100 [KhC] thegreat Giza Pyramid Khufu

Constant = [195 / by 162] = [1 .203 703 703 703].

color. For example, the base chakra vibrates at 256Hzaccording to Hero.(5) One octave down is determined bydividing that 256 by 2; which equals 128 Hertz that falls in the“C” range of frequencies. By taking 528Hz and dividing it by2 twice yielded 264Hz and132 Hz, respectively. From thisanalysis we established the right hand column of frequencies inFigure 1.

Results

TABLE 1. Perfect Circle of Sound™Frequency and Tone Equivalents*

*Solfeggio frequency conversions derived from Korg chromatictuner for programming Korg Oasys synthesizers

It is noteworthy that the Solfeggio scale notes “RE” (at 417Hz)and “SO” (at 741Hz) were not suitable for selection in amelodic scale beginning with middle “C” set at 528Hz.

Discussion

A Google Search of “heart chakra frequencies for therapy”returns nearly a quarter million links to myriad articles andinventions claiming various frequencies are best suited forhealing applications. How is anyone able to make such claimsor discern anything reliably?

This thesis may help.

According to Horowitz, human beings are fundamentally“digital, bioholographic, precipitations, crystallizations,miraculous manifestations of Divine frequency vibrations”rendered hydrosonically and metaphysically.(7) The authorssuggest two main factors determine efficacy of electrotherapysystems including chakra-based tuning systems: 1) theheart-felt loving intent of the therapist as well as the patient. This relates to investigations of prayer associated withbeneficial outcomes best explained by theories in quantumphysics, creative consciousness, and creationisticmetaphysics;(6) and 2) the actual frequencies used.

Regarding the frequencies for chakra tuning, our protocol usesthe PCoS featuring a central “harmonic triad” of 528Hz(852Hz and 285Hz), beginning with the base chakra tuned to132Hz, (i.e., two octaves below 528Hz as middle “C”.) Both


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132Hz and 128Hz identified by Hero as a root chakra-resonating frequency observed to elicit effective neuro-muscular therapy, are in the range of “C.”(5)

We propose an attenuation differential between reception andtransmission of frequencies by the human expected sinceincoming energy in frequencies would be slow as they movethrough body structures such as proteins. So “C” 132Hz goingin could reasonably be “C” 128Hz exiting the body.

Suffice it to say this area of research and development is in itsinfancy, and there are many questions to be answered such asfrom whence cometh A = 440Hz?

The American Federation of Musicians (AFM) is credited forstandardizing A=440 in 1917, but it was “not universallyaccepted until after 1920,” according to Lehman.(8)

Among the most interesting and controversial questions raisedby these findings is whether or not “A” set at 440Hz was asinister imposition by the AFM on behalf of special interests.We discovered that the tone “F#” in the 741Hz Solfeggio scale,is identical to “A” in standard 440Hz tuning. This is especiallyodd and incriminating since the interval between 528Hz and741Hz in musicology is known as the “Devil’s interval”because of its dissonant quality (i.e., severe disharmony). Theprobability that this occurred by chance is too remote toconclude anything other then those advancing “A = 440” musthave known about the original Solfeggio and the “Devil’sInterval” peak frequency 741.

After all, these scales are foundational to Western music.Major and minor scales derive from medieval and Renaissanceperiods when two of seven modes formed by diatonic scalesbegan on “each of the seven notes of the octave; . . . By thestart of the Baroque period, the notion of musical key wasestablished—based on a central triad rather than a central tone.Major and minor scales came to dominate until at least the startof the 20th century, partly because their intervallic patterns aresuited to the reinforcement of a central triad.”(9)

During the early twentieth century, the Rockefeller familyfoundation’s funding of the arts and sciences, including themost influential organizations and institutions in America,played formative roles in medicine and modern music. Forinstance, this paper would not be possible were it not forwindows software advances by Microsoft’s Bill Gates, whosegrandfather, Frederick Gates, was John D. Rockefeller’s chiefbusiness and philanthropic advisor during the formative yearsof the AFM. This was when John D. Rockefeller beganfunding and influencing the arts while monopolizingmedicine.

Advancing a pseudo-scientific survey called the FlexnerReport, these wealthiest industrialists directed the U.S.Congress to condemn natural healers including naturopaths,


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chiropractors, and acupuncturists. Thereafter, medicine’scultural infusion, monopolization, and profitablepharmaceutical intoxication of populations was secured by theRockefeller family with substantial direction by globalists Dr.Frederick Gates and John Mott, both evangelic Freemasons.(10-12)

Much has been written about the insidious connectionsbetween the financial world’s cryptocracy and Freemasonry inwhich glaring examples of secreted knowledge involvingsacred geometry and musical-mathematics adorn regalia andeven American currency. A recent analysis by mathematicianShowell is presented in the sidebar proving 528Hz frequencyuniquely enables the sacred geometry of pyramid cosmologyand Freemasonry as shown in Figures 1 and 2.

FIGURE 1. Masonic Symbolism Including “Central Triad”

FIGURE 2. Masonic Temple Wall Decoration


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FIGURE 3. 16-Point Star on Early Annunaki Art

Given the aforementioned revelations, including the precisemusical mathematics central to secret society metaphysics andsacred geometrics, weighty evidence suggests malfeasance inthe establishment of “A”=440 standard tuning. Alternatively,when tuning chakras to a scale beginning with “C”=528Hz, theF# pitch plays between the heart and throat chakras as shownin Figure 4. So if there was a place in music to energeticallysever the superhuman (intuitive) heart from the human head itwould be here.


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Furthermore, previous investigators attribute human willfunction, including strength of will, to this energy center calledthe “throat chakra.”(5) Certainly, vocalizing ones feelings andneeds assertively, not passively or aggressively, is importantfor psychosocial health and well being. Alternatively,musically/vibrationally destabilizing the higher heart andthroat energy centers would be expected to produce significantsociocultural stress. Such musically institutionalized directionis suggested by the evidence that 741Hz, the “SO” and F# notein the PCoS, transposes precisely to “A”=440Hz in standardtuning.

Curiously, both 417Hz and 741Hz are harmonics of each othercomprising a different “central triad” fundamental to modernmusic played using diatonic scaled octaves. These two notesexclusively are the only two tones disharmonious in the scalebeginning with “C” as 528Hz as depicted in Figure 4. Thesetwo exclusions: “RE” and “SO” in the original Solfeggio,Webster’s Dictionary defines as “REsonance” and “SOlve theproblem or pollution.” So the opportunity to RE-SOLVEhumanity’s main problems and pollution may come exclusivelyfrom examining and integrating this knowledge in heart chakratuning, will-function rebalancing, and creationistic science.

In other words, when “A” 440Hz tuning was institutionalized,this policy created a scale dissonant to the central heartfrequency expressing LOVE through remedial action. Taxinghuman heart energy and will function, Western populationswere lulled into states of spiritual suppression and culturaldegeneration generally accepted as “normal” dysfunction. This“music of the night,” albeit energetically arousing to the egoicmind or head region vs. the intuitive brain heart region of thebody, may be a main reason civilization stands on the brink ofextinction.


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There is a dire need for more research and developments in thisfield of musical anthropology and creative mathematicsapplicable to therapeutics, economics, and geopolitics. Keyamong these are double-blind studies comparing differentfrequencies of sounds and colors on human physiology andother objective measures associated with health versus disease.

Summary and Conclusion

Musical mathematics expressed through creative hydrosonicsestablishes the laws of physics and the cosmos.(7) Thispreliminary investigation examined the 528Hz vibrationfundamental to the primary nine note frequency matrix of matter and energy. The authors created a scale beginning with“C” in 528Hz that melodiously assigned Solfeggio frequenciesto a Korg Oasys synthesizer keyboard. The probability that thisscale may be most useful in clinical applications for healingand chakra balancing demands further study, as does theestablishment of the “A”=440 tuning standard that isgenocidally suspect.

Acknowledgments

The authors wish to thank Healthy World Distributing, LLCand the Korg Company for providing the resources needed toconduct this research. In addition, special thanks go to VicShowell for his extensive relevant mathematical analyses, andto John Stuart Reid for contributing a CymaScope analysis of528Hz shown at the top right of this e-journal.

About the Authors

Michael Walton is a professional sound engineer and musicalcomposer with expertise in bioenergetic healing. As thefounder of SomaMagic Productions, his expertise coverstherapeutic healing chamber design and sound systemdevelopment for spas and clinics. He can be reached by e-mail:[email protected]

Dr. Leonard G. Horowitz is an internationally knownhumanitarian and award winning author with expertise inpublic health and emerging diseases. In 2007 he decryptedLeonardo da Vinci’s most famous drawing, the “Vitruvian[Wo]Man” to advance the “Perfect Circle of Sound™” as themost significant healing modality in history. Dr. Horowitzcurrently serves as the Executive Producer of LIVE H2O—TheConcert for the Living Water, Scheduled for the SummerSolstice, 2009. He requests that contacts be limited to LIVEH2O matters until after the concert. He may be reached at:[email protected].

References


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1)Horowitz LG and Puleo J. Healing Codes for theBiological Apocalypse. Tetrahedron Publishing Group,1998.

2)Showell V. Ancient Egyptian pyramid Pi and Solfeggiosynchronicities. In: PI, Phi and 528—Proof that 528Hzis Central to Spiritual Freedom: Transformational Mathand Music for LIVE H2O. Doc. 8;http://www.love528.com Tetrahedron Publishing Group,2009.

3)Showell V. Hypercube Tesseract 261 Ancient SquareRoot Two with Egyptian and Mayan Fourth DimensionCosmology Involving 528. In: PI, Phi and 528—Proofthat 528Hz is Central to Spiritual Freedom:Transformational Math and Music for LIVE H2O. Doc.8; http://www.love528.com Tetrahedron PublishingGroup, 2009.

4)Horowitz LG. DNA: Pirates of the Sacred Spiral.Sandpoint, ID: Tetrahedron Publishing Group, 2004.

5)Hero B. Chakra energy centers of our bodies. In: ColorEnergies and Healing the Color Rays of Creation.Copyright, 1996. See: http://www.greatdreams.com/hertz.htmhttp://www.greatdreams.com/hertz.htm

6)Staff. Science of The Heart: Exploring the Role of theHeart in Human Performance. An Overview of ResearchConducted by the Institute of HeartMath. See:http://www.heartmath.org/research/science-of-the-heart-music-research.html. Mixed results from studies of prayer are acknowledged. The largest study by Bensonet al in New England simply proves, according toHorowitz, that people who place their faith in open heartsurgery as opposed to natural risk reduction and Divineintervention are biased sufficiently to undermine suchstudies reliability.

7)Horowitz LG. Hydrosonically engineering freedom frominfectious diseases. American Academy of Anti-AgingMedicine International Congress. Las Vegas, NV, Dec.12, 2008. See also: The LOVE CODE Seminar: MusicalHealing Celebration, 2008, a DVD production based onthe book LOVE The Real da Vinci CODE. TetrahedronPublishing Group, 2007.

8)Lehman EV. Harmony—Symphony OrchestraOrganizations: Development of the Literature Since1960. Evanston, IL: Symphony Orchestra Institute,1995.

9)Wikipedia. Diatonic scale. See: http://www.answers.com/topic/diatonic-scale-2

10)The Rockefeller Foundation. Philanthropy and theRockefeller Legacy: A short history. Excerpted from thePhilanthropy News Digest. Nov. 8, 2006.

11)Horowitz LG. Death in the Air: Globalism, Terrorism &Toxic Warfare. Sandpoint, ID: Tetrahedron PublishingGroup, June, 2001.

12)Dillen V. The Wycliffe Bible Translators, John Mot &Rockefeller Connections. January 22, 2003. Onlineindependent Christian research and apologetics ministry


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at SeekGod.ca.


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