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SWATCH THE BLUM COLLECTION

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Auction 24 November 2011 Four Seasons Hotel, 8 Finance Street, Hong Kong

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Page 1: Swatch The Blum Collection

SWATCH THE BLUM COLLECTION

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LOTS 1– 8

Auction

9pm, Grand Ballroom, 8 Finance Street, Central, Hong Kong

Viewing

10am – 6pm, 24 November 2011

SWATCH

THE BLUM COLLECTION

24 NOVEMBER 2 011 9 pm HONGKONG

Attendance at the auction is by invitation only

Bids may be executed during the auction in person by paddle or by

telephone, or prior to the sale in writing by absentee bid or through

Live Auctioneers. Please see the bid form at the back of this

catalogue, or contact Anna Ho at [email protected] for

further details.

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CONTENTS

FOREWORDS

SIMON de PURY

Chairman, Phillips de Pury & Company

DR. H. C. NAYLA HAYEK

Chair of the Board of Directors of Swatch Group, Switzerland

NICK HAYEK

CEO, The Swatch Group Ltd

ARLETTE-ELSA EMCH

CEO of Swatch Ltd and Member of The Swatch Group Management Board

INTERVIEW WITH LINDA BLUM

by Karen Wright

A SWATCH CHRONOLOGY

LOTS 1–7

LOT 8 SWATCH: THE BLUM COLLECTION

Prototypes, Specials and Standards

GUIDE FOR PROSPECTIVE BUYERS

CONDITIONS OF SALE

SALE INFORMATION

BID FORMS

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Simon de Pury

Chairman, Phillips de Pury & Company

When the Swatch was introduced in 1983 it was a revolutionary concept

and an instant success. In 1986, as a freshly promoted Managing

Director of Sotheby’s Europe, I thought it would be a fun idea to include

the Swatches produced since their creation to be sold at auction in

Geneva to benefit the Red Cross. The auction was widely attended and

covered by the media and Gianni Bulgari from the famed jewellery

dynasty bought every single lot in the sale. To the puzzled question of

a Swiss Television reporter, as to whether he had lost his mind to pay

five times above store prices he responded that ten years later he would

surely not be asked that same question again.

It was only three years later that I was contacted by the Head of Swatch

Italy to conduct an auction in Milan. The auction resembled something

like a rock concert; the room was packed and for every lot nearly

everybody there raised their hands bidding. By then the Swatch fever

had spread rapidly across the world. Swatches became a kind of a hip

international currency and there the Swatch Collector’s Journal was the

organ of the countless aficionados.

At this point my own Swatch collection had grown rapidly. I decided to

ask the artist Arman to do an artwork out of them. He melted all of them

into Plexiglas, transforming them into a spectacular work of art. Today,

28 years since its introduction, the Swatch continues to be a vibrant,

cool, fun watch and fashion accessory. It is an important part of the

cultural history of our times. Despite its numerous fans around the world,

nobody, including Swatch, has succeeded in amassing the ultimate,

most comprehensive collection of Swatches, with all special editions

and countless prototypes, than the late Peter Blum. When I was asked if

I would be prepared to conduct the auction of the entire Blum Collection

I accepted enthusiastically. Phillips de Pury & Company prides itself in

being entirely focused on contemporary culture. Lending our support to

Swatch in disposing this historic collection fits right into that remit.

當Swatch在1983年公衆於世的時候,它就是一個革命化的新概念,也就是這

樣的一種概念使它在短短的時間內獲得成功。1986年,我作爲一名新被提拔

的蘇富比拍賣行歐洲區的執行董事,通過看到Swatch在日內瓦拍賣會取得的

成功,就突發奇想,如果能夠把Swatch和紅十字放在一起,那將是一個多麽有

趣的慈善計劃啊。果然不出所料,拍賣當天,大量的買家前後湧來,許多媒體也

爭相報道。最後由來自著名的珠寶品牌家族的Gianni  Bulgari先生拍得了每一

件Swatch。瑞士的一名電視報導員爲了解開這個疑惑,便問他,拍賣當時他是

否瘋了,竟然以比市場價高出5倍的金額来購買。他的答復是,他堅信在10年以

後,將不會再被問到同樣的問題。

然而,僅僅只在3年之後,Swatch設在意大利的總部就主動邀請我到米蘭爲他

們親自籌辦一場拍賣會。拍賣會被營造成了類似搖滾音樂會的氣氛,拍賣廳裏

人頭攢動,座無虛席。似乎在場的每一個買家都參與了每一件拍品的競拍。就

在那時,Swatch熱一下子橫掃了整個世界。Swatch也成爲了一個時尚的、在國

際上通認的價值品牌;《Swatch的收藏者》期刊對於無數Swatch愛好者而言

就如同身上不可缺少的器官一樣重要。

當時,我自己的Swatch收藏也在迅速擴大。我決定去請來藝術家Arman先生

把我的Swatch收藏創作成一件藝術品。他把我所有的收藏都熔進了有機玻璃

裏,製作出了一件非凡的、壯觀的作品。今天,在Swatch誕生以來的第28年,它

仍是一個活力依舊,時尚摩登和充滿樂趣的手錶和配件。它還將是我們這個時

代文化歷史上重要的一部分。盡管Swatch擁有全球千千萬萬的衆多熱愛者,但

是至今爲止還沒有任何一個人,包括Swatch集團自己,能夠有一套超越Peter 

Blum的收藏:一套以最大限度收藏到的最完整的、最全面的Swatch。並包括

相當數量的特別款和原型款。當我被問到是否願意爲Blum先生的這套收藏舉

辦拍賣的時候,我充滿熱情地答應了。我爲Phillips de Pury & Company能夠

專注於當代藝術文化這片領域所取得的成绩而感到自豪。同时,對於這套具有

歷史意義的Blum收藏來講,我們兩家的聯手合作是絕對匹配的。

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女士們,先生們,和 親愛的Swatch的朋友們,

按照我們一貫的傳統,Swatch集團很高興爲即將開始拍賣的一套獨特的Swatch

收藏品來助興。今天這套將被拍賣的Blum收藏中的每一塊Swatch都是由Peter

Blum先生多年來,憑著對Swatch的癡迷和熱愛而精心挑選出來的。Blum先生同

時也和世界上千千萬萬的消費者分享了他對Swatch熱情和鍾愛。

在以前,Swatch集團曾經推出過一個特別款,建議Swatch可以成爲瑞士的第五大

國家語言。事實上,正如Blum收藏所展示的一樣,Swatch如今其實已經是可以一

種在全世界之間傳達信息,一種在全世界之間被理解的語言。今天的Blum收藏從

另外一個角度來講,正是這種語言的一本字典。

謝謝您對我們的關注和支持!

謹啓

Nayla Hayek 博士

瑞士Swatch集團董事長

Ladies and Gentlemen, dear Swatch Friends,

In keeping with its traditions, Swatch is pleased to promote the sale by

auction of a unique collection of Swatch watches. The items that make up

the Blum Collection have been collected meticulously over many years by

a passionate Swatch addict, Mr. Peter Blum, who shared his passion with

hundreds of millions of consumers around the world.

At one point, Swatch brought out a special edition, suggesting that

Swatch was Switzerland’s fifth national language. In fact, as the Blum

collection demonstrates, Swatch is a language that the whole world

speaks and understands. And the Blum collection is, in a way, the

dictionary of this language.

Thank you for your interest and support.

Sincerely,

Dr. H.C. Nayla Hayek

Chair of the Board of Directors of Swatch Group, Switzerland

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Dear Collector, dear Swatch Friend

Even at first glance, the Blum collection is no ordinary assemblage.

A collection of Swatch watches from the first twenty years, it includes

not only watches that were produced and sold but also prototypes, hybrid

collaborations and production variant – items so rare that normally

only historians, museums or collectors get to see them. There are also

Swatch watches made for special occasions, in limited editions or for

specific audiences.

Each of the items is a piece of documentary evidence. Together they

could tell a dozen different stories, exciting episodes in the history

of watchmaking. There are stories here about product design and

marketing, about new materials and processes, about the power of mass

communications, fashion and popular trends. Above all there is the story

of the revolutionary shift in how people think about watches and in how

watches are produced – an industrial revolution inspired and carried

forward by Swatch itself.

This extraordinary collection is all of that, and more. It is the story of a

love affair with art. Not the art that is trapped in galleries and museums,

but art that has escaped and jumped to the wrist, to the street and the

world’s smallest canvas. And although it contains exceptional collaborative

efforts – including ten of Kiki Picasso’s monotypes, prototypes designed

by Keith Haring, and Mimmo Paladino’s Oigol Oro – the collection is made

up largely of art for the wrist by unknown graphic artists and product

designers. The Swatch watches made from their designs are of no less

interest to this and many other collectors than the work of Keith Haring

or Mimmo Paladino. Perhaps they see something of the same creative

processes at work in artists’ ateliers and in the labs where Swatch watches

are conceived. In any case, it’s clear that for many collectors, Swatch is art.

Many artists have been happy to work with us (and we with them) and

many are eager to join their colleagues in the ateliers at the Swatch

Art Peace Hotel in Shanghai. It is not just a matter of creativity; it is

also one of common values, positive provocation, joy of life, colour and

Swiss-made quality.

Every single piece in the huge Blum collection testifies to these

shared values.

Sincerely,

Nick Hayek

CEO, The Swatch Group Ltd

親愛的收藏家們,親愛的Swatch的朋友們,

只要妳看一眼Blum的收藏,就已經能感受到它的不同尋常。它收藏了Swatch前20

年裏的作品。不僅包括了市場上的銷售産品;還包括了原型錶、混合版和變更版,

它們如此罕見,恐怕如今也只有歷史學者、博物館館員和收藏家們才有機會看到。

收藏品中還包括了許多配合重大事件或節日而推出的特別款,如限量版或者指定

客戶版。

每一塊Swatch就好像是一個故事。所以這套收藏品就如同是一部多系列的紀錄

片,記錄著製錶史上最激動人心的一章。故事的內容裏有對設計、市場、新材料和

新工藝的描寫,也談到了當今大衆媒體、時尚業和流行趨勢對Swatch的影響力。總

之,這部紀錄片講述了人們是如何迅速對錶和手錶製作工藝概念轉變的故事。而

Swatch本身就是這個問題的答案。

Swatch的故事不僅只是錶,更是一段人們和藝術之間演繹的愛慕之劇。在Swatch

的世界裏,藝術已經不再是被約束在畫廊和博物館的固定物。藝術已經逃離了束

縛,跳躍到了人們手腕上,街上和這塊世界上最小的“畫板”上。盡管收藏中有許

多和大師合作的特別款,包括10塊Kiki Picasso(琪琪•畢加索)的单版画藝術表,還

有Keith Haring(凱斯•哈林)設計的原型表,以及Mimmo Paladino(米莫•巴拉第

諾)設計的《Oigol Oro》款。其實Blum收藏中大部分Swatch是一些無名的平面設

計師和工業設計師的作品。盡管他們不如大師有名,但是他們的創作卻絲毫不遜

於大師們。也許在收藏家的眼裏,Swatch誕生在工作室或者實驗室裏並無區別,

因爲它們創作的程序是一樣的。總之,在任何情況下,收藏家的看法都表現得很清

楚,Swatch就是藝術。

有許多的藝術家都相當愉快地在爲Swatch工作(我們也同樣很愉快)。他們中的

很多人還急切地想早日加入他們的同事行列,就是去上海的Swatch(斯沃琪)-和

平飯店藝術中心的工作室工作。Swatch有的不僅僅是創新,它還和我們一起分享

共同的價值觀和積極的態度。Swatch給我們的生活帶來了快樂和五彩繽紛的色

彩,Swatch還讓我們享有了“瑞士製造“的質量保證。

可以說,在Blum收藏品中的每一件作品都是對Swatch這些價值的驗證。

謹啓

Nick Hayek

首席執行官, 瑞士Swatch集團

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To everyone who loves SWATCH

In the fashion world, a collection captures the mood of the moment and

draws inspiration from the here and now. It is seasonal and derives its

very reason for being from this fleetingness. Its very futility is precisely

what makes it so wonderful.

In the art world, a collection sets off on the traces of a movement,

of a creative technique, or of an artist. It assembles the latter’s most

remarkable achievements, and in doing so leaves an indelible imprint on

the public consciousness.

It is very unusual to see these two facets side by side: the ephemeral

and the permanent. The Blum collection of Swatch watches nonetheless

displays this capacity to combine both the moment in hand and the

unfolding of time, until the two mingle and merge into one.

The collection does more than provide an unusually thorough account of

a brand that has become a global icon. It does, of course, tell the story of

the brand’s unbelievable success, and that in considerable detail, which

renders it exceptionally valuable. The collection’s most priceless asset,

however, undoubtedly lies in the fact that each of the watches composing

it represents the translation of a specific moment – a memory, a feeling,

a particular mood.

To leaf through the catalogue is to embark on a lively odyssey that

awakens precious memories and revives deep-felt emotions.

In describing a quarter of a century of trends and creativity, the Blum

collection conveys the spirit of an entire generation whose lives have

necessarily been accompanied by Swatch timepieces. Each of these

models carries within it, like a hidden treasure, subtle evocations of a

moment that lives on, a music that still echoes, a fragrance that lingers

in the air.

Together they tell the story of Swatch, and, in the process, our own

individual stories.

Arlette-Elsa Emch

CEO of Swatch Ltd and Member of The Swatch Group Management Board

給每一位熱愛Swatch的朋友:

在時裝界裏,一套時裝系列就是對當前的時裝界最新潮流的捕捉,並能收集到最

流行的靈感。時裝還有它的季節性而和短暫性。也許正因爲這種特性,時裝界才會

時時都精彩無比。

在藝術界裏,一套作品的呈現會給藝術家們帶來了一股新的藝術潮流,也會激發人

們爭相開發新技術的動力。或者也會給藝術家們帶來一些新的啓發。當妳將這些最

優秀、最非凡的作品精選在一起的時候,公衆們就會自然而然地産生一段深刻、長

遠的印象。

如果能讓把“短暫和永恒”這兩種元素放在一起,這將是一件多麽非同尋常的事

啊。但是Blum的這套收藏卻做到了這種包容。它向我們展現了當今的潮流,結合

過去的經典,又能推出將來的趨勢。最終,以後的將來又會成爲一個新的當今。這

兩者之間時時相互交叉直到完全融合。

這套收藏還充分地展現了Swatch如今所取得的巨大成績,講述了一個國際的品牌

如何走向成功的經過。Swatch能被收藏得如此之多,如此之全正是這套Blum收

藏的價值所在。然而,這套收藏最不能用金錢來衡量的資産確是每一塊Swatch裏

包含著的在那個特定時刻、特定年代,人們的一段記憶、一份情感和某種特定的情

緒。

輕輕地翻閱一下圖錄,就好像讓自己開始離開ww備穿越一次美妙的時空旅行一

樣。旅途中,我們的珍貴記憶將被再一次地喚醒,心底深處的情感將被再一次地更

生。

Blum的收藏准確地描述了四分之一世紀中的流行趨勢以及革命創新的曆史,也整

整陪伴了一代跟隨著Swatch一起成長的人們。不難想象,每一塊Swatch腕表必定

承載了歷史的某一個片斷,猶如一個秘密寶藏能輕輕地喚起人們的記憶並讓它延

伸。這種感覺就 像音樂還在繼續共鳴,芬芳徘徊在空氣裏一樣。

也許收藏的全部講述的是Swatch的故事,但事實上卻是Swatch裏包含著的每一個

人的故事。

Arlette-Elsa Emch

瑞士Swatch有限公司首席執行官以及瑞士Swatch集團管理委員會成員

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“Without the strategy, entrepreneurship and creativity of Nicolas G. Hayek, the story of Swatch watches would not only be a very different one, there would be no story at all. Swiss Made, joy of life, positive provocation, innovation, and high quality: this was his message.”NAYLA HAYEK, NICK HAYEK

如果沒有Nicholas G. Hayek身上所具有的策略性、企業性、創新性,那麼整個Swatch的故事就不會那麼的獨一無二,或許都沒它的存在。“瑞士製造”給人們的生活帶來

了快樂、一種樂觀積極的影響力、創造力和精良品質的

保證:這就是他帶給人們的信息。

Nayla Hayek, Nick Hayek

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WORDS KAREN WRIGHT | PHOTOGRAPHS JOËL TETTAMANTI

THE BLUM COLLECTIONTIME REDISCOVERED

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Linda Blum photographed at her home

near Lucerne in September 2011

“I AM NOT a collector,” says Linda Blum, leaning across a table. We are

lunching at a hotel with our tip-toes in Lake Lucerne. Linda Blum has

picked me up in Lucerne and has insisted we lunch with our photographer,

Joël Tettamanti, before we go to her house. “My husband was the collector

and he died in 2002,” she pauses sadly and then shrugs and laughs, making

her distinctive ice blue eyes sparkle. “He was the collector, he bought the

watches and I did all the work. He was not a collector of any other watches,

and he didn’t buy them for himself – he never even wore a watch because

he said he did not want to be constrained by time.” Linda Blum took the

decision to sell the collection after she realised that there was really no

way of displaying them easily – in order to retain their value, the watches

must be kept in their packaging and remain unworn. Some of the packaging

of the special issues is large and bulky, so together with the sheer quantity

of watches – all 4,363 of them – the collection takes up a lot of space. In

addition, many of them are now so valuable that security has also become

an issue.

“It was my daughter Andrea who initially was the collector,” Linda

continues. “She was a student in Zurich and was buying Swatches so she

could earn some money by selling them. She collected the special editions,

like the Christmas specials, and she asked us to come to the Lucerne

auction.” She smiles and continues, “My husband Peter said OK, we’ll go

there and he bought some watches, but they were too expensive and we

paid too much for them. He just kept sticking his hand up. My daughter

Andrea, said ‘why did you need so many watches?’ and he said, ‘now I have

gifts for Christmas, for Easter for birthdays for everything’. He must have

bought some twenty pieces. Shortly afterwards, on a trip to Salzburg, we

passed by a shop on the Getreidegasse and they had a Hollywood Dream

edition of a Swatch in the window for 5,000 Swiss francs. We went in and

he bought it. When I told him that he had paid too much money for a watch

that had sold initially for 100 Swiss francs, he said that the Hollywood

Dream was so beautiful, such a nice watch. ‘I am a collector now, I collect

Swatch watches now’.”

“我不是一個收藏家,”Linda Blum說,她在桌子的對面傾靠著。我們倆都光著腳,浸著

Lucerne(卢塞恩)湖的湖水在酒店用午餐。是Linda Blum親自到Lucerne(卢塞恩)迎接我和

攝影師Joël Tettamanti的,她還堅持邀請我們和她一起共進午餐,然後再去她的家。“我的

丈夫才是一位是收藏家,但他在2002年就過世了,”她傷感地停頓了一下,聳了聳肩,然後

笑了起來,那雙清澈深邃的藍眼睛顯得很有光芒。她接著說:“他是一位收藏家,他只會買

錶,而我幫卻幫他做剩下的所有工作。他從不收藏其他品牌的手錶,也從來不為自己買一塊

手錶,他甚至都很少戴手錶,因為他從不喜歡被時間而束縛。”當Linda Blum意識到放置這

些手錶已經變得不容易的時候,就決定要出售這些收藏。為了讓收藏保值,手錶必須要放

置在原包裝裡,而且不能用過。其中有些手錶是特別款,它們的包裝往往非常大。清數一下,

手錶一共有4363塊,所以整個收藏佔據了相當大的空間。另外,部分手錶已經升值得非常昂

貴,所以保安也成了一個問題。 

“其實我的女兒才是最初的收藏者,”Linda接著說:“當她在蘇黎世讀書的時候,就開始購

買Swatch,希望將來出售獲取利潤。她收藏了許多特別款,如聖誕款。她還邀請我們和她一

起去Lucerne(洛桑)的拍賣會,”她笑了一下並繼續說,“我丈夫Peter當時就一口答應了。他

還在拍賣會上拍得了一些手錶,它們的價格非常昂貴,我們絕對是超價買下它們的,Peter當

時肯定就只記得舉牌了。女兒Andrea問他為什麼要買下這麼多的手錶?他答道,這樣他就有

了所有聖誕節,復活節和生日的禮物了。Peter 購買了大約20多隻手錶。在之後不久,我們在

去Salzburg(萨尔茨堡)的旅途上,經過了一家在Getreidegasse(萨尔茨堡城)的商店。當時,商

店裡陳列了一隻好萊塢夢想版的Swatch手錶,標價為5000瑞士法郎。我們剛走進去,Peter

就直接買下了它。我告訴Peter,我們買得太貴了,這塊錶最初的售價只不過是100瑞士法郎

而已。他當時就說,這只好萊塢夢想版的錶實在是太漂亮了,它簡直棒極了。自從那天以

後,Peter 就成了一位真正意義上的收藏者,並開始收集Swatch。”

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I question Linda as to whether her husband collected other things.

“No, he was a business man with a string of companies. He had companies

for building, concrete, power lines and electricity. This was the first time

he had started to collect anything. He didn’t want just a large collection, he

wanted the best collection.” But he soon became very competitive about

acquiring the watches and, before long, Peter was well-known among

collectors. Linda recalls once when they were at an auction and there was

a particular watch he wanted, the Valerio Adami Prototype [of Swatch

No. 167, BLPRO-GZ111]. “It started at 15,000 Swiss francs and it ended

at 65,000 when my husband got it. He didn’t stop. And he bought many at

this price – the elephant , the hologram or the SMURF. We went to every

auction all over Europe. We were in Hamburg, in Monaco, in Italy, wherever

there were Swatches. The Italians were so great, they really started the

collecting in Italy. There were these shops selling Swatch and they would

be emptied as soon as the watches came in. This was the first few years of

the 90s when Swatch started producing more watches and the collectors

stopped collecting. There are other larger collections, but this one is

the best.”

Her husband’s initial plan was to start a museum of Swatch watches,

so to begin with they held several exhibitions. News soon got around and

Linda recalls that former directors of Swatch found them and offered

them examples for their museum. These contributions to the collection

contained the history of Swatch and within two years the Blums had

an extensive collection including rare prototypes. By then, Peter had

contacted Elmar Mock, a former development engineer at Swatch, as well

as Marlies Schmid and Bernard Muller, outside designers of prototypes,

and had become friends with them. She explains: “The collection contains

many of the prototypes, and to understand this you have to understand the

genesis of Swatch.”

Peter Blum was a larger-than-life character, who, Linda recalls, could

fill any room with energy. But in order to understand Peter’s obsession

with Swatch, she says you have to recall the vision of Swatch. “It was

Left: Linda Blum today in the Blum

Collection; opposite: Linda and Peter

Blum with the collection in 1994

«HE WAS REALLY NOT A COLLECTOR, HE COLLECTED SWATCHES BECAUSE HE WAS IMPRESSED BY THE SUCCESS OF SWATCH AND HE WAS IMPRESSED BY THE WAY THAT NICOLAS HAYEK DID EVERYTHING»

such an innovative idea. At that time in the 80s in Switzerland, where

everything was prized for being home-made and expensive, here was

the idea of making something mass-produced for the popular market.

The watch market was being flooded in the late 80s with cheap eastern

plastic watches. I had brought a cheap plastic watch from Migros [the

Swiss supermarket chain] and Peter said ‘You can’t wear a plastic watch!’

I wore it for gardening and cleaning and it broke. My daughter Andrea said,

again, ‘You must buy a Swatch – if it has to be a plastic watch, it must be a

Swatch’.” It was not the fact that it was made of plastic that had impressed

Peter, it was the design of Swatch watches that so impressed him as well

as the innovative manufacturing technique. It was the first time they had

designed the case first and put the works in later, rather than the other way

round. Thus Swatch could produce the watches more cheaply. At the initial

price point, everyone could have a Swatch, but as Linda points out, it was

the designs that everybody liked. Everyone you saw on Swiss television at

the beginning of the 1990s, even senior managers, were wearing a Swatch.

Over our lunch, I rapidly learn more about watches in general and

especially, of course, about Swatch watches. “My husband was attracted to

the brand as he was a big fan of Nicolas Hayek, the charismatic founder of

the Swatch group. Hayek [1928–2010] was a visionary businessman. He saw

a gap in the market, a watch that was attainable for everyone – and it did not

compete with the other more upscale brands of the company.” I look surprised

as I had assumed that watches were the only product of the company. But

I soon learn that many prestigious brands come under the same group. “It

was in the same spirit that Hayek came up with the idea of the eco-friendly

SMART car, something that was eventually sold to Mercedes. Perhaps it was

too far outside the expertise of the company but many car components are

made in Switzerland, yet we still do not produce our own cars.”

It is lovely chatting by the side of the lake, but we have work to do.

First we have to drive up the scariest road I have ever been on – not only

was the road narrow and carved between towering rocks, it also had many

people walking, cycling and generally enjoying the spectacular scenery.

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Peter Blum是一個有著超常活力的人,Linda又回憶到,他到哪都能給整個空間帶來能量。

為了能理解Peter為什麼如此痴迷Swatch,她說你必須要回顧Swatch的整個理念。“在八十

年代的瑞士,只有家庭自製的產品,才會得到讚賞,而且價格昂貴。而Swatch的出現,卻以迎

合大眾市場而大批量生產,這在當時,絕對是一個非常創新的理念。到了80年代後期,整個

手錶市場卻被大量湧現的,來自東方國家廉價的塑料手錶淹沒了。我曾經從Migros[瑞士的

超級市場]買過一塊廉價的塑料錶,Peter說:你不可以戴一塊這樣的塑料表!我還是堅持戴

著它做種植和清潔,結果手錶還是壞了。我女兒Andrea因此又對我重申了一遍:你一定要買

Swatch,如果你一定要戴塑料錶的話,那就必須是Swatch。Peter首先對Swatch的塑料材料感

到印象深刻,真正打動他的是Swatch自身的設計和它不斷創新的工藝技術。Swatch是世界上

第一家先從設計錶殼開始,然後再進行其它部件的生產,和一般的製作程序截然相反。正因

如此,Swatch才能夠生產出低成本的手錶。Swatch手錶的價格當然是受消費者青睞的重要的

原因之一,但是Linda指出,其實消費者更喜歡的是Swatch的設計。90年代,電視節目上的每

一個人物,甚至是我們身邊的高級經理們,他們都會戴一塊Swatch錶。

在我們午餐的交談中,我迅速地了解了有關於手錶的許多知識,當然,更多的是關於Swatch

的。“我的丈夫之所以會被Swatch品牌吸引,還因為他自己是Nicolas Hayek (1928-2010年)

[Swatch集團的創辦人]的崇拜者。Nicolas 看到了市場上的斷層,那就是讓每個人都能夠擁有

一塊手錶,不需要和市場上一些高端品牌的手錶競爭。”更讓我驚訝的是,我以為Swatch手

錶會是Swatch集團的唯一產品,事實上,世界上一些著名的高端品牌也同時在Swatch集團名

下。“Hayek的靈感還體現在他帶來了開發環保型的SMART汽車的概念,最後他把這個概念

賣給了Mercedes集團。也許,Swatch集團這次專業開發的領域有點跨行業,但是事實上許多

汽車的零件是由瑞士製造的,儘管我們至今為止還沒有造出本國自產的汽車。”

我好奇地問Linda,她丈夫是否還收藏其他的物品?“沒有,他是一位商人,經營著多家自己

的公司,它們包括建築、水泥、電纜線和電力公司。這是他第一次開始收藏物品,他並不注

重收藏的數量,只想要最棒的手錶。但是不久以後,他對購買Swatch變得越來越有競爭性。

在很短時間內,他已經在Swatch收藏家中享有名氣。Linda回憶起了一次他們在拍賣會上的

情景,Peter?已看好了一塊Valerio Adami Prototype(瓦萊裡.奧阿達米的原型錶)[Swatch編

號167, BLPRO-GZ111].當時這塊表起價是1,5000瑞士法郎,最後我丈夫花了65,000瑞士法

郎拍得了它。他並沒有就此停步,相繼購買了許多類似價位的手錶,如the elephant(大象版)

、the hologram(全息版)或者the SMURF(藍精靈版)。我們走遍了歐洲的每一場拍賣會,德

國漢堡、摩納哥、意大利, 只要那裡有Swatch手錶。意大利人很棒,他們真正在做收藏Swatch

手錶這件事。當時,有一些專門銷售Swatch的商店,只要有手錶到貨,這些手錶就會被買家

馬上清空。但是在90年代的初期,Swatch開始了大規模的生產,收藏家們就停止了購買。到

目前為止,世界上也有像我們一樣的擁有大量Swatch的收藏者,但是我們的收藏絕對是最佳

的。”

Peter的最初計劃是要建造一個Swatch的博物館。所以在前期,我們舉辦了幾場展覽會。展覽

會的新聞很快就被地傳開了,Linda回想到,Swatch集團的前屆董事們還找到了他們夫婦,並

給他們帶來了一些Swatch的樣品。這些Swatch樣品錶使Swatch錶業的歷史路程更豐富,更完

善了。在短短的兩年內,Blum收藏繼續擴大到了一些罕見的原型款。當時,Peter還聯繫上了

Elmar Mock,一位前任的Swatch開發工程師,以及獨立手錶原型的設計師Marlies Schmid和

Bernard Muller,並和他們結為了好朋友。她解釋道:“我們的收藏包括了很多原型款,你只有

在理解Swatch創辦理念的基礎上,才能理解這些手錶原型的由來。”

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“You have to have a permit to drive up it,” she says, “but there is no one

in the booth today.” It is also very Swiss in that the oncoming drivers,

especially men, do not automatically back up to make way – it is up to the

person who is closest to the a passing space to do so. This means that our

trip is punctuated with terrifying dives onto narrow perches, with wheels

perilously close to the edge. The village we are heading towards has a

population of only about 250 people but in the summer it expands, with four

restaurants serving the walkers and visitors that come by car and boat

from Lucerne. I am relieved to arrive. From the house there is another even

more spectacular view of the lake with mountain backdrop. In the distance

a Swiss flag on the rocks, 30 metres long Linda says, put up for a recent

celebration. It looks like a postage stamp from here.

Linda had had the house built after Peter’s death, wanting a

clean canvas to start life without him. It is a simple and sleek modern

construction leaving the ‘wow factor’ to the view outside and the wonderful

terraced spaces overlooking the lake. We pause to look at a photograph of

Peter, a large solid looking man. “He had a real presence – he was the life

of the party,” she said. “Then, at the age of 64, he had a heart attack and

he was gone.” I ask if his passion for collecting came from the competitive

streak natural to the business man and she smiles and says, “yes, I think

that is right. He was really not a collector, he collected Swatches because

he was impressed by the success of Swatch and he was impressed by the

way that Nicolas Hayek did everything.” As well as the low cost and clever

design of the watches, she points out that it was the success of the Swatch

brands and its use of innovative design that “triggered off a wave of

modern design in other consumers goods characterised by trendy colours

in bold combinations, unusual shapes, materials used in new ways and a

youthful carefree spirit whose uncomplicated cheerfulness turned out to

be contagious.”

“Come in and see the collection,” she beckons, first disabling the

several burglar alarm systems that protect the house. In the entrance to

the collection, she shows us the specially designed suitcases that will

take the watches off to the sale. They hold tray after tray of watches. It is

真願意就這樣繼續和Linda在湖邊美景中交談,但是我們還有很多工作要完成,不得不結束

談話並上路。首先,我不得不承認,這是我們經歷過的最驚險的旅程,道路不光狹窄而且夾

與兩山之間。路上有許多行人,有的在步行,有的在騎車,有的就純粹停下來欣賞著壯麗的

景觀。“你們一定要有通行證才能往上開,”她說:“但是今天檢查站並沒有人查崗。我還要

告訴你們一種非常瑞士化的行為:當兩車對峙,特別是這些男人們,他們不會自動地為你倒

車或者讓路,這時往往是由開車人自己判斷誰更能有足夠的空間開過去。”Linda的這番話被

我們旅途中時時充滿的驚險證實了,我們的車在窄路上開時,車輪幾乎挨著路的邊緣了。我

們要去的那個村莊大約有250人。夏季時,人口也相應增多。村裡有四家飯店,專門為開車或

者從Lucerne(卢塞恩)坐船而來的旅行者和觀光客提供飲食。我們終於到達了Linda的家,我

也完全鬆下了一口氣。從Linda的屋子這裡放眼望去,整個湖面顯得更加壯觀,遠處隱隱約約

的群山彷彿成了一幅渾然天成的背景圖。我們還望見了山上插著的一面瑞士國旗,“它有30

米高,是最近為一個慶祝活動設置的,它看起來就像一枚信封郵票。”

Linda是在Peter去世以後才建造了這處房子。她想重新開始一個沒有Peter的新生活,就像在

一塊白色帆布畫板上開始作畫一樣。房子內部的設計是簡潔、流暢而又摩登的,窗外的美

景更令人驚嘆。坐在美麗的小院中,能俯瞰到遠處靜謐的湖水。我們在一張Peter的照片前

停步,照片上是一位高大,健壯的男子。“他永遠都充滿著活力,他到哪兒都會給人們帶來

生機,”她繼續說道:“但是,在他64歲的時候,由於心臟病突發不幸離世了。”我問道:“

他對收藏如此的熱情,是不是他商人競爭精神的寫照。”Linda笑了笑說:“是的,我覺得是

對的。他可能並不是一般意義上的收藏者。他收集Swatch很大原因是應為Swatch集團的成

功,Nicolas Hayek所做每件事的方式也都讓Peter為之欣賞。低價成本和巧妙設計的結合造

就了Swatch品牌的成功。它的創新設計,為如今多種摩登消費品行業觸發了新的靈感,通過大

膽使用時下各種流行色彩,結合不規則的形狀,採用新材料的使用工藝,彰顯了青年無憂無

慮的精神,一種簡單就是快樂的感染力。”

“請進,來看看這些收藏! ”她一邊招呼著我們,一邊將房屋的保險裝置暫時關閉。在收

藏室的門口,她還向我們展示了一些特製的手提箱。這些箱子內置了多層的可以裝手錶的格

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«HE NEVER EVEN WORE A WATCH BECAUSE HE SAID HE DID NOT WANT TO BE CONSTRAINED BY TIME»

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盤,她可以用這些箱子把手錶帶出去銷售。看到如此多的手錶可以被這樣整整齊齊地

排放在一起,確實是一個非同尋常的畫面。這些還僅僅是我們看到的冰山一角。我們穿

過洗衣間,來到了另外一個房間,這裡存放著大部分的收藏。這房間採用了介乎於大型

銀行保險庫和能裝滿各種工具的老式商店之間的設計,當然,現在唯一不同的,你看到的

是大量整齊擺放的手錶。我和攝影師都被如此有序的擺放而震驚了。除了手錶以外,這

間房裡還保存了她已故丈夫的公司文件。她最近剛剛撤銷了外面的辦公室,並把辦公室

搬到自家的樓上,繼續運作公司的業務。 

在我們準備給她拍照片之前,她帶我們參觀了整個房屋。我問她是否會把她現在的

手錶收藏品全部出售,她回答道:“大部分會的,但是我還會保留一些我自己要戴的

手錶。”她領我們來到了位於房屋的最頂層的她的臥室。她拿出了一盤的手錶, 當然

全部是來自Swatch。“我以前去參加拍賣會的時候,都會在手臂上戴上好幾塊呢!”

她笑著回憶道。(我們讓她重新演繹一遍)攝影師也借手錶的話題談到了他以前曾

經買了一塊Swatch錶送給她的前女友,以便能重新贏得她的芳心。他還記得當年那款

是 Annie Leibovitz (安妮.蕾波維茲)的。 “哦,我知道這款,”她說道:“那是一款特

地為奧林匹克運動會設計的,包裝盒裡還帶有一本照片冊。”“可惜手錶並沒有為我帶

來成功, 她沒有再回到我身邊。”攝影師繼續說著,語氣變得有些傷感。 

我佩服Linda對手錶專業知識的無所不知,她非常投入地和我們交談 ,她的情感愈發

激動。她回憶起當年商店剛到Swatch手錶就立刻被掃蕩一空的場面,“想像到沒有東

西的商店的樣子”她忍不住地笑出聲來。 “意大利人也對Swatch變得非常痴迷,他

們看到了Swatch時尚元素和它的與眾不同。 可惜,當市場開始大量生產手錶後,這些

意大利收藏者就突然間就不感興趣了。”她當時還加入了一家位於Lucerne(卢塞恩)的

Swatch 俱樂部。 “在人們對Swatch產生高度興趣的時候,俱樂部有大約50多位成

員,” 她繼續回憶到:“我們會經常聚在一起,討論手錶的款式和式樣, 也經常會有

一些經銷商加入我們,總之,那段時光非常有意思。” 

自然的來講,Linda的确是應該和Philips de Pury一起合作來籌備她丈夫收藏的拍賣

會。因為Simon de Pury在過去曾兩次非常成功地舉辦過Swatch的拍賣會。

extraordinary to see this many watches all so carefully packed. But this is

just the tip of the iceberg. We go through the utility room to another room

that contains the main watch archive. Here, it is like a cross between a

large bank vault and an old-fashioned hardware shop with cases of tools,

except in this case it contains stacks of watches.

Both the photographer and I are overawed by the organisation of the

room. It also contains the archives of her late husband’s business which

she is now runs from a compact office upstairs, having recently given up

the office outside the house.

Before we start the photo shoot, she takes us on a tour of the house.

I have asked if she is selling all the watches and she says “most, but I have

some that I wear”. She takes us up to the top of the house where she

has her bedroom and pulls out a tray of watches, all of them Swatches of

course. “I used to go to auctions wearing several on my arms,” she recalls,

smiling. My photographer confesses that he once bought a Swatch watch

to win back a girlfriend who had left him – he recalls it was the Annie

Leibovitz watch. “Oh yes,” she says, “the one in the box for the Olympics

with the little book of photographs with it.” “It didn’t work. I didn’t get the

girl back,” he says, sadly.

I am impressed not only by Linda’s encyclopaedic knowledge of the

watches but also her obvious engagement when we discuss them. It is as

if she becomes even more alive. She recalls that the shops were emptied

every time a new watch came in. “There would be shops with nothing in

them,” she chuckles. “The Italians became obsessed by Swatches as

well. They saw the combination of chic styling that the watches as being

different. Then they started to produce more and there was suddenly

less interest.” Peter and Linda joined the Club of the worldwide Leading

Collectors of Swatch Watches. “At the height of the interest in the watches,

there were about 50 members,” she recalls. “We would meet and discuss

the models and the dealers would come too and it was all really fun.”

It is natural that Linda should be working with Phillips de Pury on her

husband’s collection – Simon de Pury himself has conducted two highly

successful Swatch sales in the past.

I hand over Linda to the photographer and go and sit nearby. It is

really hot but she poses gamely and helps to clear out the business archive

so we can shoot in the small room containing the bulk of the watches. As

we are about to go, she comes back and says “I would like to give you this”.

It is the Christian Lacroix watch that I had admired when she was wearing

it before. “Oh no”, I protest, feebly. She says, “No, I want to remember

this afternoon.” In the same spirit she disappears into the back room and

arrives back with a present for Joel. “It is the Annie Leibovitz watch,” she

says and I feel for him. It is bringing back all those memories; he literally

groans when acknowledging this, but accepts it graciously, nonetheless.

After another hair-raising drive on the road to Lucerne, I sit by the

lake and reflect on the day. I am now not surprised, having met his widow,

that Peter Blum chose to collect Swatches. It might have started as a way

of buying presents for their beloved daughter – although in the end she only

received one for Christmas – and investing in a product from a visionary

Swiss businessman similar to himself which would have mirrored his own

concerns. But it is Linda’s own passion and knowledge, not to mention her

formidable powers of organisation, that have given the collection its shape

and substance. Perhaps she is a true collector as well. n

«IT WAS THE DESIGN OF SWATCH WATCHES THAT SO IMPRESSED HIM»我把Linda交給了攝影師,自己就在旁邊坐著。儘管天氣非常炎熱,她還是配合我們擺出

了各種姿勢。此外還親手幫助我們清理出去了小房間裡公司的文件資料,讓我們可以在只

有Swatch手錶和她本人的環境下完成了拍攝。當我們正要離開的時候,她又再次來到了

我們身邊,對我說道:“我想把這個送給你。”這一款正是她以前自己戴過的,讓我仰慕

很久的Christian Lacroix的手錶。“天哪,我不可以收!”我在拒絕,在推辭,但連我自己

都知道其實我的拒絕和推辭是那麼無力。她充滿誠意地說:“請不要拒絕,我想讓你記

住今天下午這個美好的時光。”然後她又匆匆地回到房間,拿出了另一件禮物給Joel。“這

款是Annie Leibovitz(安妮.蕾波維茲)款。”她對他的故事感到同情,這塊錶把Jole以前的

記憶又帶了回來。 Joel不禁地低吟了一下,最後還是大方地接受了這份禮物。

在回去的途中,我們再次經歷了一場同樣驚心動魄的旅程,最後,我們回到了Lucerne(卢

塞恩)。我靜靜地坐在了湖邊,腦海裡重新浮現著今天發生的一切。在我遇到Peter’s遺孀

Linda後,我不再對Peter Blum收藏Swatch的熱情有所驚奇。也許,從不經意的一份給他

的愛女的禮物開始,儘管他的女兒只收到過一隻作為聖誕節禮物的Swatch,Peter把自己

的熱情投資給了Swatch——來自一位有遠見的瑞士商人的作品。同時,Peter也好像找到

了一面鏡子,看到了和自己有同樣理想和追求的人。但是,Linda自己的熱情和知識,以及

她超強的組織整理能力,也給他們夫婦的Swatch收藏帶來如今的規模和成就。其實,她

也是一位真正的收藏家。n

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I have never thought of myself as a collector but when I returned

from meeting Mrs Blum I was moved to rediscover my own personal

Swatch collection. I had got so much pleasure from purchasing them

over a period of years travelling around Europe after I had arrived

from my native USA.

The diversity of strap materials, from thick nubbly vibrant

plastic, dense green Astroturf to woven raffia, remind one of the

creative genius of design. The faces, some arguably more user

friendly than others, remind me of the power of fun over practicality.

Give an artist a small round in which to create, and the results can be

startling. I received more compliments for my Swatches than any of

my more expensive present watches.

I joined the Swatch club for a while and still remember the thrill

of a package thudding on the doormat with a new and completely

different watch inside. It was so nice to meet Mrs Blum and be the

delighted recipient of the Christian Lacroix special edition watch that

I admired on her wrist. It has reinspired me to regardé le swatch. n

THE WRITER’S COLLECTION

我從來沒把自己想像成為收藏家。但是自從我和Blum太太見面回來之後,我是如此被感動,也開始對我的個人Swatch收藏重新欣赏起来。自從離開我的故鄉美國來到歐洲,多年来在歐洲各地購買Swatch的經歷為我帶來了無比的快樂。

錶帶材料的多樣性,從厚重粗糙抢眼的塑料,到深綠色的Astroturf尼龍還有拉菲亚樹葉的纖维编織,重申了Swatch是創新界天才的原因。從外觀来看,有些錶争辩性的比其他的看起来更容易使用,也提醒了我其實手錶

在趣味性上可能會比實用性更具吸引力。藝術家的創作之地僅是一塊小

小的錶面,但是他們的作品卻是讓人驚嘆的。人們對我Swatch錶的称赞

遠遠多於我现在擁有的任何一塊名贵手錶。

我參加Swatch俱樂部已經有很長的時間了,但是我仍然記得當聽到我新購買的Swatch手錶包裹“砰”然一聲落在家門口時,帶來的那種興奮無比的心情。見到Blum太太己經是一件讓人高興的事,能收到Blum太太親自給我的,讓我仰慕已久的Christian  Lacroix特款錶,那份喜悅更是難以言喻。它激發了我去重新欣賞Swatch這個品牌的慾望。

An inspired Karen Wright excavates her own Swatch collection

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In the 1970s, the Swiss watchmaking industry was in deep crisis. At a time

when the world market was expanding strongly, Swiss exports were falling

drastically. In less than ten years – from 1977 to 1983 – the value of exports,

calculated in francs, was halved. In terms of world market shares, the

number of pieces manufactured fell from 43% to less than 15%. Hong Kong

and Japan now relegated the Swiss watchmaking industry to third place in

the global ranking. Taiwan, China and South Korea also gained considerable

ground. In the space of just a few years, the number of persons employed in

the Swiss watchmaking industry fell from 90,000 to less than 40,000. The

Swiss had missed the boat, despite the fact that it was they – and not, as

might be thought, the Japanese – who had developed the first quartz

wristwatch. But the Swiss watchmaking industry was now focusing on

traditional mechanical watch movements and continued to rely on proven

sales methods.

ASUAG (Allgemeine Schweizerische Uhrenindustrie AG), the biggest Swiss

watchmaking group, and SSIH (Société Suisse pour l’industrie Horlogère

SA) did not emerge unscathed from the crisis. Happily, these companies

were not prepared to give up easily. In 1978, the Japanese challenged the

Swiss watchmakers by launching a watch with a thickness of just 2.5 mm.

The Swiss decided to respond by developing a still flatter watch, so beating

a world record. The watch must not exceed 2 mm, the thickness of a

matchstick. After five months of arduous development and production

work, ETA SA, a subsidiary of ASUAG, launched Delirium Tremens at the

end of 1979. Officially known as calibre 999, it has a thickness of just 1.98 mm

and remains the flattest wristwatch in the world today.

1980 DevelopmentoftheDeliriumVulgare,testingthecomponents,constructionplans,

designstudiesandprototypes.

1981 CreationoftheSwatchbrandname.

AssociationwithanAmericanpartnertolaunchSwatchontheUSmarket.

ASUAG/Ebauches(movementblanks)asksETAtocreateaLadySwatch.

Manufactureofthefirstmodels,inblack;projectnamechangedfromDelirium

VulgaretoPopularis.

1982 LaunchoftheveryfirstSwatchcollection;productionofthefirst300,000watches.

NicolasG.HayekandtheASUAGManagementCommitteeapprovedthebudgetfor

theUSlaunchandauthorisedthecreationofaresearchfund.

1983 TheASUAGManagementCommitteeauthorisedthefinancingofadvertising

campaignsfortheSwatchlaunchinSwitzerland,GermanyandGreatBritain.

1March:Thepublicdiscoverthe‘unimaginable’watchinZurichwith12modelson

saleinapricerangebetweenCHF39.90andCHF49.90.Salestargets:1millionin1983,

2.5millionin1984.

Intheautumn,introductionofasingleprice:CHF50.00.

DesignandplanningofthePOPSwatch.

MergerbetweenASUAGandSSIHandcreationofSMH(SociétéSuissede

Microélectroniqueetd’HorlogerieSA)in1985.

1984 ProductionofthemillionthSwatchwatchintheearlydaysoftheyear.

SwatchenterstheGuinness Book of RecordswiththeconstructionofagiantSwatch,

weighing13tonsandmeasuring162metreshigh,attheCommerzbankheadquarters

inFrankfurt.

Bytheendoftheyear,ETAhadmanufactured3,503,000Swatchwatches.

1985 CreationofSwatchSAwithheadquartersinBienne,Switzerland.

LaunchofthefirstSwatchArtSpecial,createdbyKikiPicasso,attheGeorge

PompidouCentreinParis.

Intheautumn,productionofthetenmillionthSwatchwatch.

Delirium Tremens, 1979

SwatchPrototypes1980

BreakdanceChampionship,

NewYork,USA,1984

GiantWatch,Frankfurt,

Germany,1984

SWATCH GENESIS

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1986 KeithHaring,Americangraffitiartist,createsfourSwatchSpecials.

InaugurationofthefirstSwatchexhibitionattheMuseumofWatchmakingand

EnamelWorkinGeneva,Switzerland.

LaunchoftheMaxiSwatchandPOPSwatch.

1987 LaunchoftheSwatchArtSpecialbyTadanoryYokooinJapan.

IntroductionoftheBergstrüssliwatch,precursorofthespecialChristmaseditions.

1988 SwatchenterstheworldofskateboardandBMXattheCaliforniaImpacttour.

CelebrationofthefifthanniversaryofSwatchandfiftymillionthwatchmanufactured.

InaugurationoftheSwatchNewseuminBienne,Switzerland.

1989 InaugurationoftheSwatchCreativeLaboratoryinMilan,Italy.

CreationoftheSwatchProTeamtoencourageextremesportssuchasskateboarding,

mountainbiking,BMX,rollerbladeandsnowboarding.

99celebritiespresentedwithaSwatchArtSpecialbyMimmoPaladino.

1990 LaunchoftheChronoSwatch,thefirstmultifunctionSwatch.

COSC(theOfficialSwissChronometerTestingAgency)grantsitsqualitylabelto

4843Swatchwatchesoutof5000.

FoundationoftheSwatchCollectorsofSwatchclub.

LaunchoftheSwatchScuba200intheUnitedStates.

1991 SwatchlaunchestheSwatchPager(firstanaloguewatchwithbuilt-inpager

function).

ContemporaryartauctionsaleheldattheRudolfMangischGalleryinZurich,at

whichaMimmoPaladinofetchesCHF56,000.

LaunchoftheSwatchAutomatic,thefirstself-windingSwatch.

AlfredHofkunstdesignstheSwatchetables,soldatvegetablemarketsallover

the world.

1992 7April:theonehundredmillionthSwatchleavestheETAfactory,inGranges,

Switzerland.

SwatchEmotion,awide-rangingexhibitionheldonafloorspaceof600square

metres,attheLingotto,Turin,Italy.

‘SwatchTheWorld’inZermatt–anamazingshowbyJean-MichelJarretocelebrate

theonehundredmillionthSwatch.NicolasG.Hayek:“Innovation,provocation,

enthusiasm.Forever”.

LaunchoftheStopSwatch.

1993 SwatchappointedofficialtimekeepertothesummerOlympicGamesinAtlanta–

officialannouncementmadebyNicolasG.HayekattheOlympicMuseumin

Lausanne,Switzerland.

LaunchoftheSwatchAquaChronoinGermany,France,ItalyandSwitzerland.

LaunchofthefirstSwatchMusiCallbyNicolasG.HayekandJean-MichelJarreat

UnescoheadquartersinParisandannouncementoftheSwatchand‘Europein

Concert’tour.

NicolasG.HayekispresentforthelaunchoftheSwatchMagicalTreasure,thefirst

Swatchwithaplatinumcase,attheNYMEX(NewYorkMercantileExchange)–official

priceisUS$1618.

WorldlaunchofthePOPSwatchArtSpecialOrbbyVivienneWestwoodattheParis

Prêt-à-Portersalon.

1994 Eggsdream,firstEasterspecialedition.

MimmoRotella,theItalianpopartist,createstwomodels–MarilynandBengala.

ThemetallicSwatchIronymarksthebeginningofanewerainthehistoryofSwatchin

theUnitedStates,Switzerland,GermanyandItaly.

XmasbyXianLaX,the1994specialChristmasedition,unveiledbyChristianLacroixat

theParisPrêt-à-Portersalon.

1995 NicolasG.HayekvisitstheUnitedNationsinNewYorktopresenttheSwatch

Unlimited,createdtocommemoratethe50thanniversaryoftheorganization.YA/YA

(YoungAspirations/YoungArtists),agroupofartistsfromNewOrleans,designs

coversfortheassemblyrooms.

Summer1995SpecialEdition–C-Monstaw.

PerfectTiming,aSwatchchronometertestedbytheCOSC,displaysthecountdown

totheAtlantaOlympicGames..

SwatchCollectorsofSwatchbecomesSwatchTheClub–allovertheworld.

POPSwatch1986

COSC(ContrôleOfficielSuissedesChronomètres)1990

AlfredHofkunstlaunchevent

Lugano,Switzerland1991

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1996 AccesstoSpace:TheSwissastronaut,ClaudeNicollier,goesintospacewearingthe

SwatchAccessonhiswrist.

18July:NicolasG.HayekcarriestheOlympicFlameattheopeningceremonyofthe

1996AtlantaOlympicGames.SwatchbecomestheofficialtimekeepertotheGames:

500,000visitorstotheSwatchPavilionintheCentennialOlympicPark.

1997 TheGuggenheimMuseuminNewYork,andasubsequentexhibitioninVenice,host

SwatchandArnaldoPomodoro,thecreatorofRotor,thefirstIronyArtSpecial.

TheFeathersSwatchSummerSpecialburstsontothefashionworld–howcould

anyoneresistthisplumage?

OraetSignora:tomarkthe100thAnniversaryofJuventusTurin,Swatchdedicatesan

Accesstotheclub;itentitlesthewearertoattendeventsheldbytheGrandOldLady

offootball.

6October:SwatchslimsdownandlaunchesthenewSKINSwatch.Itprovesan

immediatehit:almosttwentyyearson,theDeliriumTremensprojecthasresultedin

thecreationoftheworld’sthinnestplasticwatch.

1998 SMHbecomesSwatchGroup!

TheAmericanfilmmakerSpikeLeecreatestheSwatchWakeUpSpecialAquachrono.

LaunchoftheInternetTimeSwatch,createdinBiennewithaBiennemeridian(BMT),

byNicolasG.Hayek,NickHayekJrandNicholasNegroponte,DirectoroftheMIT

MediaLab(USA);itdividesthedayinto24hourswith1000unitscalled‘beats’;the

Swatch.beatdigitalrangeislaunched.

Swatchcreatesthebiggestculturalcanvasintheworld;itisattachedtothereflecting

façadeoftheGeorgesPompidouCentre(3,920squaremeters)

1999 ThepressfollowstheadventureoftheSatelliteSwatch,namedBeatnikforthisspace

mission,liveattheEuropeanSpaceAgencyControlCentreinDarmstadtinGermany.

ThePiazzaleMichelangeloinFlorence(Italy)istakenbystormontheoccasionofthe

secondvisitbytheSwatchWaveTourtotheTuscancity.

SpectacularpresentationofthenewSwatch.BeatAluminiumwatchtothepresson

theicecoldRhôneGlacierattheheartoftheAlps.

New Gent, 2010

ColorCodes,2010

Largest billboard Centre Georges Pompidou Paris, France 1998

2000BoutiqueopenedonthePlaceVendôme.Themessageisclear,daringandnon-

conformist:positiveprovocationintheworldofluxuryorluxuryaccessibleto

everyone.Acollectiondesignedexclusivelyforthisboutique.

Onestepfurtherinpositiveprovocation:SwatchlaunchesitsfirstJewelrycollection

inunusualmaterialssuchasnylonandsilicone.AnopportunitytowearSwatchnot

onlyonyourwristbutalsoonyourears,fingersandneck.

Highlightof2000,ayearrichinemotions:theSydneyOlympicGames2000with

Swatchastheofficialtimekeeper.TheCollectionofSwatchOlympicwatchesalso

givesportsfansanopportunityforanintenseexperienceofthehighlightsofthese

Games.

2001SwatchgoesonlinewiththecreationoftheE-Store!Thisserviceisavailableonlyin

theUSforonlineshopping.

SkinChrono–thelatestmodelinthe6.6mmthicknessSkinline,amusthave

accessory!LaunchwasorganizedintheONERAtunnelatModane,France,underthe

watchfuleyeofahundredjournalistswhohavecomeherefromallovertheworld.

FlyingTime:AcollectionoffiveexceptionalmodelsdesignedbytheBritishfashion

designerVivienneWestwoodandpresentedforthefirsttimeduringtheWestwood

fashionshowinParis.

2002Swatchcelebratesthe40thanniversaryandtwentiethadventureoftheheroofEon

Productions,007,withthelaunchofacollectioninthespiritofitshero‘Bond,James

Bond’

Athens:Kaleidoscope,freedomofexpressionforartists.ASwatchhappening,open

tothepublictocreatealivingscene…Swatchputsonanexhibitionofanewkind.

UndertheauspicesofTheCulturalOlympiadandwiththesupportofATHENS2004,

theOrganizingCommitteeoftheOlympicGames,modernartmeetsupwithclassical

antiquity.

Milan,thefashioncapital,welcomesthenewSwatchboutique,atViadellaSpiga1,

theshoppingstreetparexcellence.InaugurationbyNickHayekJrandMicheleSofisti,

withthemodelValeriaMazzaalsoinattendance.Anddon’tforgetitsmotto:Madeto

Measure!

2003SwatchlaunchesforthesecondtimeaJewellerySpecialforStValentine’sDay.This

ring,calledLoveExplosion,isahugesuccess.Stocksrunoutjustafewdaysafterits

launch.

AreyouskilfulenoughtousethelatestSwatchTouchmodelwithitstactile

technology?YetanotherSwatchprovocation!

PhilCollins,thepoplegend,andSwatchcreateasetoftwowatchesdedicatedtothe

conceptthatdreamscanbecomeareality:Phil’sGreatestandDrumPhil.Partofthe

proceedsofthesalesofthesetwowatchesdesignedbyPhilCollinswillbedonatedto

theLittleDreamsFoundation,anorganizationcreatedbyPhilCollinsandhiswifeto

supportyoungtalent.

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Zebras2011

Venice2011

JeremyScott2011

2004Tintincelebrateshis75thanniversaryandSwatchmarkstheeventwiththelaunchof

twomodels.OneintheOriginalscollectionandtheotheravailableinalimitedseries

of9,999

SwatchlaunchestheFunScubalinefordivinglovers,inIbiza,Spain.Italsoenables

thewearertorecordthelastdiveandthebestdive!

Swatchisappointedofficialtimekeepertothe2004AthensOlympicGames.

“Thankyou,Swatch”.TheDadamovementtakesupitsnewquartersattheCabaret

Voltaire,inZurich,Switzerland.TheprojectisfinancedbySwatchandtheCityof

Zurich.

2005Swatchinventsanewconcept:theInstantStore,enablingpointsofsaletobesetup

andtakendownspeedily.Anotherrevolutionaryidea.

OneyearafterIbiza,SwatchlaunchestheFunboarderattheBürgenstockin

Switzerland.Thiswatchallowsthewearertomeasurehisaltitudeandisalsofitted

withtheSnowpassfunction!

2006SwatchlaunchedthenewCollection‘SwatchJellyinJelly’tocelebratethe333

millionthSwatch.On1JuneinLugano(Switzerland),theBlueManGroupcreateson

stageanartSwatch,producedinalimited-editionof3,333pieces.

On19JuneattheUNinGeneva(Switzerland),thenewHumanRightsCouncilis

foundedandSwatchcreatesaSwatchJellyinJellyforthisspecialCouncil.Nicolas

G.HayekiswelcomedbyGeneralSecretaryKofiAnnanasanambassador.

2007ThenewSwatchPuzzleMotionwaslaunchedbeginningofAugust.Everyhourbegins

withacolourfulgeometricpatternofimages,andastheminutespass,thepattern

changesconstantlyuntiltheoriginalpatternreappearsonceeveryhour.

ThelegendaryCortoMaltesecelebrateshis40thanniversaryandSwatchmarksthe

eventwiththelaunchoftwoJellyinJellymodels.Oneinthecurrentcollectionand

theotheravailableinalimitedseriesof11,111

Keepingasmarteyeonthelatesttrends,SWATCHhascaughtafast-movingwave,

riddenittoshoreandjumpedoffonthesandtopresentthelatestinhigh-techIRONY

formen:SWATCHIronyChronoRetrograde.

2008Swatchcommemoratesits25yearsandorganizesinBregenz,Austriaanevent

celebratingitsroots:PlasticRoyale!

ThenewChronoPlasticislaunched,amixbetweenascubaandachrono.

SwatchhonoursalltheJamesBondVillainsandcreatesacollectionof22itemswith

theireffigies.

2009Swatchlaunches,withtheIndianfashiondesignerManishArora,acollectionof6

modelsinthepuresttraditionofBollywood!

On30JuneatthePiazzaSanMarcoinVenice,Swatchwasmovingcrowdswithan

impressiveliveperformance,featuringBillytheArtist,aNewYorkurbanprimitive

painterofthePopartmovement.Withfast-pacedguitars,theartistclimbedthestage

transformedintoamobilescaffoldtopaintahugemuraloftenmetresbythree.

Swatchupsetsthetraditionalworldofwatchmakingwiththelaunchofitscollection

ChronoAutomatic.Thefirstseriesincludesfivemodelssportingastylishlook,

robustdesignandprecisiontiming.

2010 TheyearoftheplasticforSwatchinFebruarywiththelaunchofthecollectionColour

Code,atthesamepriceastheoriginalmodels,Gent80s.

SwatchisplatinumpartneroftheSwissPavilionattheShanghaiWorldExpo,held

from1Mayto31October2010

LaunchoftheSwatchArt&CollectioninLondon.Originalcreationsincollaboration

withtheartistsCassettePlaya,ManishArora,EnkiBilal,IvanNavarroandCarri

Munder.

FromMilantoShanghai,fromTokyotoBern,thislargeplasticwatch,completelynew,

isthe‘star’.ThenewseriesNewGenthasa41mmdial,whichallowsdesignersto

deploytheircreativity.

SwatchinauguratesanewstoreinsideSwatchArtPeaceHotelShanghai,reflecting

thedynamicvitalityandwhichstrengthensthebrandimage.

2011 1April2011celebratestherecentlaunchoftheSwatchAnimalcollection.OurZebras

willturnthetables,changingtheirroleofthehuntedtobecomethehunters.Incapital

citiesacrossEuropeandaroundtheworld,thousandsofpeoplewillcongregateat

keylandmarksdressedasZebras.

Swatchhasunveiledadelightfullimitedandnumberededitionsetofthreenew

Swatchwatches,designedespeciallyforSwatchbyJeremyScott;thenewmodels

willalsobesoldindividuallyinanunlimitededition.

ThelovestorybetweenSwatchandartcontinues,astheSwisswatchmakerhas

signedapartnershipagreementwiththeBiennalediVenezia.The54thInternational

ArtExhibition,whichopenedon4Junethisyearandrunsuntil27November,willsee

artistsfromaroundtheworldcontributingtotheexhibitiontheme,ILLUMInazioni–

ILLUMInations.

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SWATCH LOTS 1– 8

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PAMELAANDERSON

Basketball shoes of Shaquille O’Neal, 2002

Mixed media installation (shoe, plastic doll, photograph, frame, plastic gun, plastic beads,

synthetic feathers). 46 × 45 × 38 cm (18.1 × 17.7 × 14.5 in).

Estimate HKD15,000–20,000

USD2,000–2,600 CHF1,800–2,300

This amusing one-of-a-kind was assembled from ready-mades by the actress

and ‘Baywatch’ star, Pamela Anderson. It takes an outright leap of the imag-

ination to turn a basketball shoe belonging to NBA star Shaquille ‘Shaq’

O’Neal into a bed for a legendary doll, but there it is – a feathery bed for the

Princess of Plastic in a purple jumpsuit, carefully embellished with coloured

crystals and sparkling hearts.

帕米拉•安德森Shaquille O’Neal (沙奎爾-奧尼爾)的籃球鞋,年

混合材料裝置(球鞋,塑料娃娃玩偶,照片,相冊,塑料玩具槍,塑料珠子,人工合

成羽毛). 46 × 45 × 38 cm 厘米(18.1 × 17.7 × 14.5 in 英寸).

估價 15,000 – 20,000港幣

2,000 – 2,600 美元 1,800 – 2,300 瑞士法郎

這件有娛樂性的,獨一無二的作品是由美國著名的女演員Pamela Anderson(帕米

拉•安德森)用現成的材料組裝而成的。她曾以出演電視連續劇《(Baywatch)海

岸救生隊》而一舉成名。她的這個作品中運用了大膽的想像,把一只屬於NBA(

美國籃球協會)巨星沙奎爾-奧尼爾的籃球鞋打扮成了一張床,“床”上堆滿了

白色的羽毛,四周被彩色水晶和耀眼的心形白鑽包圍著。看!一只穿著紫色連

衣褲的塑料公主玩偶正躺著享受呢!

Lots 1–3 were created by well-known artists and celebrities for Kaleidoscope,

an innovative series of art-inspired public events that took place in the run-up

to the Athens 2004 Olympic Games. As participant artists in the Kaleidoscope

project, Pamela Anderson, Paolo Pininfarina and Alessandro Mendini were

each assigned a specific Olympic sport or discipline and provided with a cor-

res ponding equipment kit, a handful of Swatch parts and plenty of art supplies.

Free to add their own materials and to distort, destroy, combine and re-

assemble the equipment as they wished, their task was to make a work of art.

拍賣編號1-3 是由著名藝術家和名人爲Kaleidoscope《萬花筒》項目

而創作的。Kaleidoscope《萬花筒》是一項在2004年雅典奧運會之

前開展的系列藝術創作的公衆活動項目。作爲Kaleidoscope《萬花

筒》項目的參與者,Paolo Pininfarina(保羅•賓尼法利那),Pamela

Anderson(帕米拉•安德森)和Alessandro Mendini(亞曆山德羅•門

迪尼),每人都被指定了一項體育運動,並提供了相應的體育器材,一

小部分的Swatch手表零件和其他藝術材料。 他們也可以自由加入自

己的材料,通過扭曲、損壞、或者結合的方式, 即興重裝體育器材。

他們的任務就是要創造出一件藝術作品來。

1

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PAOLOPININFARINA

Discus, 2002

Resin, wood, metal. 49 × 49 × 42 cm (19.3× 19.3 × 16.5 in).

Estimate HKD40,000–50,000

USD5,200–6,500 CHF4,600–5,800

This piece by the celebrated Italian designer Paolo Pininfarina takes up

the ancient competition known today as the discus-throw, still a discipline

in contemporary Olympic Games. While the contestants in ancient Greece

hurled discs of stone, today’s athletes throw sleek discs made of metal,

plastic and wood. Pininfarina’s streamlined transparent resin sculpture,

with its embedded wooden discus, combines the harmony and balance of

ancient Greek sculpture with the power and sweep of implicit flight.

保邏•賓尼法利那擲鐵餅,年

樹脂,木料,金屬.49 × 49 × 42厘米(19.3 × 19.3 × 16.5 英寸)

估價 40,000–50,000港幣

5,200 – 6,500美元 4,600 – 5,800 瑞士法郎

這件作品是由著名的意大利設計師Paolo Pininfarina(保邏•賓尼法利那)制作

的。他的靈感始於一項古希臘的競技項目“擲鐵餅”,這項運動至今仍是奧運

會的比賽項目。在古希臘,競技人投擲的是石盤,如今運動員投擲的是光滑的

木盤。Paolo Pininfarina(保邏•賓尼法利那)先生將木擲盤內嵌在他的透明的樹

脂雕塑中表現了一種古典和現代的和諧,平衡了古希臘雕塑中的力度。做品的

設計還隱含擲盤著擲飛瞬間的姿態。

2

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ALESSANDROMENDINI

Windsurfing, 2002

Polyurethane foam, fibreglass, watches and watch parts. 360 × 68 × 12 cm

(141.75 × 26.75 × 4.75 in).

EstimateHKD55,000–65,000

USD7,100–8,400 CHF6,400–7,500

This colourful sailboard was transformed into a work of art by the eminent

Italian designer and architect Alessandro Mendini. A relatively recent

addition to Olympic Games competitions, windsurfing has all the romance of

the hero taking on the forces of nature, alone on the sea with only the wind,

his wits and a makeshift boat to take him to his destination. Mendini decorates

his unique sailboard with patches of colour and good-luck charms made

from Swatch watch components. Like the other Kaleidoscope lots on offer,

Mendini’s sailboard was exhibited at a street-painting festival in Athens prior

to the Athens 2004 Olympic Games.

亞曆山德邏•門迪尼帆板,2002年

聚氨脂類泡沫,玻璃纖維,錶和錶的零件,360 × 68 × 12 厘米

(141.75 × 26.75 × 4.75 英寸)

估價  55,000 – 65,000港幣

7,100 – 8,400 美元 6,400 – 7,500 瑞士法郎

這塊顔色鮮豔的帆板經過意大利傑出設計師、建築師Alessandro Mendini(亞曆山

德邏•門迪尼)之手後就變成了一件非凡的藝術品。帆板競技相對來講還是屬於

新進的奧運比賽項目。帆板滿足了人們把自己幻想成英雄的一種浪漫情懷,“

他挑戰著大自然,在汪洋裏獨自前行,耳邊唯有海風的咆哮。最後他憑著無比的

智慧,駕馭著一葉帆板,成功地到達了目的地。”Alessandro Mendini (亞曆山德邏•

門迪尼)大師選用了層疊的彩色方塊來裝扮帆板,還巧用心思地把Swatch的零件

做成了有幸運含義的裝飾吊鏈。 如同其它Kaleidoscope《萬花筒》的裝置品一

樣,Alessandro Mendini(亞曆山德邏•門迪尼)大師的“帆板”也被選在2004年雅典

奧運會前夕的“雅典街頭繪畫藝術節”上展覽。

3

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E X TE ND BACKGROUND TO BLEEDKEEPING GRADATION OF TONE

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SWATCH

Special Edition Helmut Newton watch, 2003

Plastic, stainless steel. 22.9 × 3.5 cm (9 × 1.4 in). Produced by SWATCH. Number 9 from the

edition of 100. Stamped on the underside ‘009/100’ and printed signature ‘Helmut Newton’.

Together with the original case.

Estimate HKD120,000–150,000

USD15,500–19,400 CHF13,800–17,300

Proceeds from the sale of this lot will benefit ACE (Association of Community

Employment Programs for the Homeless).

SWATCH特款版Helmut Newton(赫爾穆特•紐頓)藝術腕表,2003

塑料,不鏽鋼,22.9 × 3.5厘米(9 × 1.4英寸)Swatch制造,100只限量版的第9號。腕表

後面刻有編碼‘009/100’以及印上了設計師的簽名 ‘Helmut Newton’.带原装表盒

估價–美元120,000–150,000 港幣

15,500 – 19,400 美元 13,800 – 17,300 瑞士法郎

銷售所得將贈予ACE (Association of Community Employment Programs for the Homeless)

4

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SWATCH

Special Edition Phillips de Pury & Company watch, 2011

Plastic, stainless steel. 25.4 × 4.4 cm (10 × 1 3/4 in). Produced by SWATCH. Number 8 from

the edition of 100. Together with plastic case.

Estimate HKD15,000–25,000

USD2,000–3,300 CHF1,800–2,900

Blacker than night, a classic timekeeper for casually elegant or perfectly

formal occasions. The solid black silicone strap and loop of this striking

New Gent lead the fashion-conscious eye from the buckle to the case, both

fashioned from solid matt-black plastic. The sun-brushed black dial presents

slim tone-on-tone black hour indexes and a tone-on-tone black day/date

window at 3 o’clock. Black hour and minute hands, with tone-on-tone black

highlights and a slim black seconds hand, mark the time of day.

SWATCHPhilips de Pury & Company 的特款, 2011年

塑料,不銹鋼,瑞士製造,25.4 × 4.4厘米(10 × 1.75英寸)100塊限量版中的第8塊。配

有原塑料包裝

估價  15,000 – 25,000港幣

2,000 – 3,300 美元 1,800 – 2,900 瑞士法郎

這款顔色比夜色更濃的經典腕錶,不僅適用于高雅的休閑場合,而且在正式的場

合也會相當完美。配合耐用的黑色矽膠錶帶,這款“New Gent”從錶扣到表盤

都采用了耐用的無光黑色塑料料質,處處透露出了它的時尚感。它的柔和的、

淡黑色的錶盤襯托出了細長、黑色重染的時間刻度,在錶面3點位置處的星期/日

期也同樣用了黑色層疊手法來突出。仍用黑色層疊的手法來強調的時針和分針,

和細長的黑色秒針一起告訴了人們一天的時間。

5

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SWATCHBELL,1996OLYMPICGAMESATLANTA

Bell, 1996

Bronze, leather. 19 × 17.6 cm (7 1/2 × 6.9 in).

Estimate HKD60,000–80,000

USD7,800–10,400 CHF6,900–9,200

PROVENANCE Games of the XXVI Olympiad, Atlanta 1996

In 1996, Swatch served as the Official Timekeeper of the Olympic Games,

held in Atlanta, Georgia. At selected track and cycling events at the Games,

timekeepers rang a bronze bell to signal the beginning of the final lap to the

athletes and spectators. The present bell was one of a limited number cast for

the Atlanta Games at a small Swiss foundry in La Chaux de Fonds. The use

of bells to announce the final lap reportedly dates back to the first Olympic

Games of the modern era, held in Athens in 1896.

Swatch之鈴,1996年亞特蘭大奧運會銅鈴,1996年

銅,皮革,19 × 17.6 厘米(7.5 × 6.9 英寸)

估價 60,000 – 80,000港幣

7,800 – 10,400 美元 6,900 – 9,200 瑞士法郎

源自第26屆亞特蘭大奧運會,1996年

1996年,Swatch榮幸地成爲了美國喬治亞州亞特蘭大奧運會的官方計時器提供

商。在田徑場和自行車的一些比賽中,計時員會用銅鈴聲傳達信號,告訴運動員

們和觀看者們,比賽的最後一圈開始了。這只展示的銅鈴就是爲奧運定制的限量

版的其中一只。銅鈴是從瑞士La Chaux de Fonds(拉紹德封)的一家小型鑄造車間

裏製作的。用鈴聲來告知跑道的最後一圈的傳統可以一直追溯到1896年第一屆

現代雅典奧運會上。

6

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MYSWATCH

What Swatch fan wouldn’t jump at the chance to design a Swatch watch? That’s exactly what

the buyer of Lot 7 receives – a once-in-a-lifetime opportunity to work with a Swatch designer

to create a real Swatch watch. After working together to conceive, develop and complete the

design, the new Swatch watch will be produced in a limited edition of 100 pieces.

Estimate HKD155,000–194,000

USD20,000–25,000 CHF17,850–22,317

我的SwatchSwatch的錶迷們怎麽會放過一次可以由自己參與設計Swatch的機會呢?拍賣編號

爲7號的主人就抓住了這次也可能是人生中的唯一機會,和Swatch的設計師一起完

成了這款Swatch錶。在經過計劃、發展和完成設計後,這款新出爐的Swatch就發

行了只有100只的限量版。

估價  155,000 – 194,000港幣

20,000 – 25,000 美元 17,850 – 22,317 瑞士法郎

7

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THEBLUMCOLLECTION, 1979 – 2002

Composed of 4,370 elements, including approximately 795 prototype watches, 187 variant

watches and 43 hybrid models; 2970 standard product watches and 363 special product

models. Together with various elements including packaging, five framed pictures,

speciality displays, posters, medals, cases, dials, displays, pins. Various materials including

plastic, stainless steel, leather, diamonds, gold, platinum, cloth, wood, paper, synthetic

feathers, glass, synthetic resin, synthetic leather, crystal, silicone, rubber, aluminium.

ESTIMATEONREQUEST∞

PROVENANCE Collection of Peter Blum, Switzerland 

EXHIBITED Phénomène SWATCH – La Collection Blum (prototypes from the Blum Collection),

Belmont sur Lausanne, Fondation Deutsch, 21 January – 17 March 1994; Lucerne, Center Emmen,

25 August – 13 September 1997; Wallisellen/Zürich, Glatt Center, 15–27 September 1997; Pfäffikon,

Seedamm Centre, 6–25 October 1997; Serfontana, Centro Serfontana, 12–31 January 1998;

Geneva, Centre Commercial Balexert SA, 2–21 February 1998; Hilterfingen, Schloss Hünegg 8 May

– 18 October 1998 & 5 May – 17 October 1999

LITERATURE Phénomène Swatch, La Collection Blum (brochure), CG Prom AG/Ltd. Hergiswil/

Switzerland, 1994.

Blum收藏,1979–2002 年Blum收藏一共擁有4363塊Swatch,它們中包括了大約795款原型版,187款變更版和

43款混合版;2970只標準産品和363之特別款。收藏中還包括了其它的附件物,

五張帶相框的照片,包括包裝盒,特製陳列品,海報,獎牌,錶盒,針盤,陳列品,扣

釘。使用的材料也是多種多樣的,包括:塑料,不鏽鋼,皮革,鑽石,黃金,鉑金,布

料,木料,紙物,人造羽毛,玻璃,人工合成樹脂,人造皮革,水晶,矽膠,橡膠和鋁。

請預約咨詢

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SWATCH THE BLUM COLLECTION

PROTOTYPES

SPECIALS

STANDARDS

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PROTOTYPES

12

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PROTOTYPES

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PROTOTYPES

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BL

SA

MP

LE

-US

-8

BL

SA

MP

LE

-US

-3

DU

M_

BL

PR

O-S

KE

LE

T-1

BL

SA

MP

LE

-US

-9

BL

SA

MP

LE

-US

-4

DU

M_

BL

PR

O-S

KE

LE

T-2

BL

SA

MP

LE

-US

-10

BL

SA

MP

LE

-US

-5

BL

PR

O-S

KE

LE

T-1

2

BL

SA

MP

LE

-US

-11

BL

SA

MP

LE

-US

-6

BL

PR

O-S

KE

LE

T-6

BL

SA

MP

LE

-US

-12

BL

SA

MP

LE

-US

-7

BL

SA

MP

LE

-US

-1

BL

SA

MP

LE

-US

-13

BL

SA

MP

LE

-US

-2

PROTOTYPES

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Page 57: Swatch The Blum Collection

BL

SA

MP

LE

-US

-25

BL

SA

MP

LE

-US

-20

BL

SA

MP

LE

-US

-14

BL

PR

O-L

B1

00

-3

BL

SA

MP

LE

-US

-21

BL

SA

MP

LE

-US

-15

BL

VA

R-L

R1

01

-1

BL

SA

MP

LE

-US

-22

BL

SA

MP

LE

-US

-16

BL

VA

R-L

R1

01

-2

BL

SA

MP

LE

-US

-23

BL

SA

MP

LE

-US

-17

BL

PR

O-L

R1

01

-7

BL

SA

MP

LE

-US

-24

BL

SA

MP

LE

-US

-18

BL

SA

MP

LE

-US

BL

SA

MP

LE

-US

-19

PROTOTYPES

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Page 58: Swatch The Blum Collection

BL

PR

O-L

M1

00

BL

PR

O-L

R1

00

-4

DU

M_

BL

PR

O-L

R1

00

-1

BL

PR

O-L

R1

01

-2

BL

PR

O-L

B1

00

-1

DU

M_

BL

PR

O-L

R1

00

-2

BL

PR

O-L

N1

00

-2

BL

PR

O-L

R1

01

-8

BL

PR

O-L

R1

01

-5

BL

PR

O-L

B1

00

-2

BL

PR

O-L

B1

00

-5

BL

PR

O-L

R1

01

-1

BL

PR

O-L

B1

00

-4

BL

PR

O-L

R1

01

-3

BL

PR

O-L

N1

00

-1

BL

PR

O-L

R1

00

-3

BL

PR

O-L

R1

01

-6

PROTOTYPES

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Page 59: Swatch The Blum Collection

PROTOTYPES

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Page 60: Swatch The Blum Collection

BL

VA

R-G

B7

00

-2

BL

VA

R-G

B7

01

-2

BL

PR

O-L

R1

01

-4

DU

M_

BL

PR

O-G

T7

01

-2

BL

VA

R-G

B7

01

-1

BL

PR

O-L

B1

00

-6

BL

PR

O-G

B1

01

-2

BL

PR

O-G

B1

01

-1

BL

VA

R-L

R1

00

BL

PR

O-G

B7

01

-2

BL

VA

R-G

R1

01

-2

BL

PR

O-G

B7

01

-3

BL

VA

R-G

R1

01

-1

BL

PR

O-G

N7

01

-1

BL

PR

O-G

B7

01

-1

BL

PR

O-G

T7

00

BL

PR

O-G

N1

01

PROTOTYPES

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Page 61: Swatch The Blum Collection

BL

PR

O-G

B1

00

-5

BL

VA

R-G

B7

00

-3

BL

VA

R-G

B7

00

-1

BL

VA

R-G

B1

03

-2

BL

VA

R-G

B7

00

-4

BL

PR

O-G

R1

02

-2

BL

VA

R-G

B1

03

-3

BL

VA

R-G

G4

00

DU

M_

BL

PR

O-G

R1

00

-1

BL

VA

R-G

B1

03

-1

BL

VA

R-G

G7

01

BL

PR

O-G

R1

02

-1

BL

PR

O-G

B1

03

-3

BL

PR

O-G

N1

00

-1

DU

M_

BL

PR

O-G

T7

01

-1

BL

PR

O-G

B1

03

-2B

LV

AR

-GR

10

2

PROTOTYPES

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Page 62: Swatch The Blum Collection

BL

PR

O-G

B1

00

-3

BL

PR

O-G

R1

03

-7

BL

PR

O-G

B0

01

-2

BL

VA

R-G

B0

01

-2

BL

PR

O-G

T4

03

BL

VA

R-G

N1

00

DU

M_

BL

PR

O-G

N0

01

-2

BL

PR

O-G

B0

01

-3

BL

VA

R-G

N0

01

BL

PR

O-G

N0

01

-1

BL

PR

O-G

R1

03

-5

BL

VA

R-G

B7

03

-2

BL

PR

O-G

B1

00

-7

BL

PR

O-G

B1

00

-2

BL

PR

O-G

T7

02

-1

BL

PR

O-G

B1

00

-6

BL

PR

O-G

B0

01

-1

PROTOTYPES

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Page 63: Swatch The Blum Collection

PROTOTYPES

BL

PR

O-G

W1

00

-1

BL

VA

R-G

B7

03

-1

BL

PR

O-G

R1

03

-6

BL

PR

O-L

W1

00

BL

PR

O-G

B1

00

-4

BL

PR

O-G

B1

03

-1

BL

VA

R-G

W1

00

-1

BL

PR

O-G

R1

03

-4

BL

VA

R-G

B0

01

-1

BL

PR

O-L

W1

00

-1

BL

PR

O-G

W1

00

-8

BL

VA

R-G

R7

00

BL

PR

O-G

W1

00

-7

BL

VA

R-G

W1

00

-3

BL

VA

R-G

B1

00

BL

PR

O-G

W1

00

-4

BL

VA

R-G

C1

00

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Page 64: Swatch The Blum Collection

PROTOTYPES

BL

PR

O-L

W1

00

-4

BL

PR

O-G

W1

01

-2

BL

PR

O-G

W1

00

-6

BL

PR

O-G

W1

01

-5

BL

PR

O-G

W1

01

-3

BL

PR

O-L

W1

00

-3

BL

PR

O-G

W1

01

-4

BL

PR

O-G

W1

00

-5

BL

PR

O-G

W1

00

-2

BL

VA

R-G

S1

01

-1

BL

VA

R-G

W1

00

-2

BL

PR

O-G

W1

01

-6

BL

VA

R-G

S1

01

-2

BL

VA

R-L

W1

00

BL

PR

O-G

W1

00

-3

BL

PR

O-G

S1

00

-2B

LP

RO

-GW

10

1-1

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PROTOTYPES

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Page 66: Swatch The Blum Collection

PROTOTYPES

BL

VA

R-G

A1

00

-1

BL

PR

O-G

A1

00

-1

BL

PR

O-G

S1

00

-3

DU

M_

BL

VA

R-G

A1

00

-7

DU

M_

BL

VA

R-G

A1

00

-2

BL

VA

R-G

S1

00

BL

VA

R-G

A1

00

-3

BL

VA

R-G

A1

00

-6

BL

PR

O-G

S1

00

-1

BL

PR

O-G

A1

00

-2

BL

VA

R-G

A1

00

-4

BL

PR

O-L

S1

00

BL

VA

R-L

W1

02

BL

VA

R-G

A1

00

-5

BL

VA

R-G

M1

00

-2

BL

VA

R-G

R4

00

BL

VA

R-G

M1

00

-1

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Page 67: Swatch The Blum Collection

PROTOTYPES

BL

VA

R-L

A1

00

-3

BL

PR

O-G

B7

04

-1

BL

PR

O-L

J1

00

-2

BL

VA

R-L

A1

00

-4

DU

M_

BL

PR

O-G

B7

04

-2

BL

PR

O-L

R1

02

BL

PR

O-G

B0

02

-2

BL

VA

R-G

W1

03

BL

PR

O-G

R4

00

BL

CA

SE

-1

BL

PR

O-G

W1

03

BL

PR

O-L

J1

00

-1

BL

CA

SE

-2

BL

VA

R-L

A1

00

-2

BL

VA

R-L

R1

03

BL

CA

SE

-3

BL

PR

O-L

R1

03

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PROTOTYPES

BL

PR

O-L

M1

02

BL

PR

O-G

B0

02

-1

BL

VA

R-G

M1

01

BL

VA

R-L

B1

03

-2

BL

VA

R-G

B0

02

-1

BL

PR

O-G

M1

01

BL

PR

O-L

B1

07

-1

DU

M_

BL

PR

O-G

B0

02

-3

BL

VA

R-G

B0

02

-2

DU

M_

BL

VA

R-L

B1

07

-1

BL

VA

R-L

B1

03

-3

BL

VA

R-G

B0

02

-3

DU

M_

BL

VA

R-L

B1

07

-2

BL

PR

O-G

B7

03

-1

BL

PR

O-P

LA

ST

IK

BL

PR

O-L

B1

07

-2

BL

VA

R-L

B1

03

-1

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Page 69: Swatch The Blum Collection

PROTOTYPES

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Page 70: Swatch The Blum Collection

PROTOTYPES

BLVAR-G

T102-1

BLVAR-LA104

BLVAR-G

B706

BLPRO-G

N702

BLVAR-LB104

BLVAR-G

B709

BLVAR-G

N702

BLVAR-G

R401

BLVAR-G

A101-2

BLVAR-G

B403

BLPRO-G

R401-1

BLVAR-G

T102-2

DUM_BLPRO-LR104

BLPRO-G

R401-2

BLPRO-G

A101

BLPRO-G

K100-5

BLVAR-G

A101-1

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Page 71: Swatch The Blum Collection

PROTOTYPES

BLPRO-G

K100-9

BLVAR-G

K100-5-1

BLPRO-G

K100-3

BLPRO-G

K100-4

BLVAR-G

K100-5-2

BLPRO-G

K100-6

BLPRO-G

K100-1

BLVAR-G

K100-5-3

BLPRO-G

K100-2

BLPRO-G

K100-7

BLVAR-G

K100-5-4

BLPRO-G

K100-10

BLPRO-G

K100-8

BLVAR-G

K100-3

BLVAR-G

K100-1

BLVAR-G

K100-2

BLVAR-G

K100-4

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Page 72: Swatch The Blum Collection

PROTOTYPES

BLPRO-P

IERCED-2

BLPRO-P

IERCED-6

BLPRO-JELLY-2

DUM_BLPRO-P

IERCED-4

BLPRO-P

IERCED-7

BLPRO-JELLY-1

BLVAR-G

W104-1

BLPRO-P

IERCED-1

BLVAR-LK103-1

BLVAR-G

W104-2

BLPRO-P

IERCED-8

BLVAR-LK103-2

BLVAR-G

W104-3

BLPRO-P

IERCED-3

BLPRO-JELLY-3

BLVAR-G

W104-4

BLPRO-P

IERCED-5

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Page 73: Swatch The Blum Collection

PROTOTYPES

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Page 74: Swatch The Blum Collection

PROTOTYPES

BLPRO-G

J700-2

DUM_BLPRO-G

W104-2-6

DUM_BLPRO-LW104

BLVAR-G

J700-1

DUM_BLPRO-G

W104-1

DUM_BLPRO-G

W104-2-1

BLVAR-G

J700-2

BLVAR-G

B705

DUM_BLPRO-G

W104-2-2

BLPRO-G

J700-1

BLPRO-LN105-3

DUM_BLPRO-G

W104-2-3

BLVAR-LB105

BLVAR-G

A102

DUM_BLPRO-G

W104-2-4

BLPRO-G

B705-2

DUM_BLPRO-G

W104-2-5

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Page 75: Swatch The Blum Collection

PROTOTYPES

BLVAR-G

J100

DUM_BLPRO-LN105-1

BLVAR-G

M701

DUM_BLPRO-LB108-3

DUM_BLPRO-LB109

BLPRO-LM104-2

BLPRO-LB108-2

DUM_BLPRO-G

J100-1

BLPRO-LM104-1

BLPRO-G

K101-2

DUM_BLPRO-LR105

DUM_BLPRO-G

M401

BLPRO-G

K101-3

BLPRO-G

J100-2

BLPRO-G

B705-1

BLPRO-G

R103-3

BLPRO-LN105-2

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Page 76: Swatch The Blum Collection

PROTOTYPES

BLPRO-G

K101-5

BLPRO-LB108-1

BLPRO-G

A103-3

BLPRO-G

K101-4

BLPRO-G

R103-2

DUM_BLPRO-G

A103-1

BLHYB-G

K101-1

BLPRO-LB108-4

DUM_BLPRO-G

A103-2

BLVAR-C

URIO

S-1

BLHYB-G

K101-2

BLVAR-G

A103

BLVAR-C

URIO

S-2

BLPRO-G

K101-1

BLVAR-LB108

BLVAR-C

URIO

S-3

BLPRO-G

R103-1

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Page 77: Swatch The Blum Collection

PROTOTYPES

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Page 78: Swatch The Blum Collection

PROTOTYPES

BLVAR-G

M102-3

DUM_BLPRO-G

S400

BLVAR-C

URIO

S-4

BLPRO-LK101

BLVAR-G

K102

BLPRO-G

F100-1

BLHYB-G

B107-1

BLPRO-G

K102

BLPRO-G

F100-2

BLHYB-G

B107-2

BLVAR-G

M102-1

BLVAR-C

URIO

S-5

BLHYB-G

B107-3

BLVAR-G

M102-2

BLPRO-G

B111

BLHYB-G

B107-4

BLPRO-G

B109-2

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Page 79: Swatch The Blum Collection

PROTOTYPES

BLVAR-G

K106-3

BLPRO-G

W105

BLPRO-LG103

BLVAR-G

B707-1

BLPRO-G

B109-1

BLVAR-LG102

BLVAR-G

F102

BLVAR-G

K106-1

BLVAR-LG103

BLPRO-G

K103-1

BLVAR-G

K106-2

BLHYB-G

S400

BLVAR-G

B113

BLVAR-G

K106-4

BLPRO-G

G401

BLPRO-G

B113

DUM_BLVAR-G

G703

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Page 80: Swatch The Blum Collection

PROTOTYPES

BL

VA

R-L

K1

06

-2

BL

VA

R-G

K1

03

-3

DU

M_

BL

VA

R-G

A1

05

-1

BL

VA

R-G

B7

07

-2

BL

VA

R-G

A1

06

BL

VA

R-G

K1

03

-2

BL

VA

R-G

L4

00

-2

BL

VA

R-G

B11

6

BL

VA

R-G

L4

00

-3

BL

VA

R-G

L4

00

-1

BL

VA

R-G

K1

03

-1

BL

VA

R-G

W4

00

BL

PR

O-G

I40

0

BL

VA

R-L

K1

06

-1

BL

PR

O-G

K1

03

-2

BL

VA

R-G

A1

05

-2B

LP

RO

-GK

10

3-3

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PROTOTYPES

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Page 82: Swatch The Blum Collection

PROTOTYPES

BL

VA

R-G

K1

98

BL

VA

R-G

B7

11

DU

M_

BL

PR

O-L

F1

02

BL

VA

R-G

K1

08

-4

DU

M_

BL

PR

O-L

L1

03

BL

PR

O-G

B7

11

BL

VA

R-G

K1

08

-2

BL

PR

O-G

X1

04

-1

BL

VA

R-G

K111

-1

BL

VA

R-G

K1

08

-1

BL

PR

O-G

X1

04

-2

BL

PR

O-M

YS

TE

R

BL

VA

R-G

K1

08

-6

BL

VA

R-G

K1

08

-5

BL

VA

R-G

K111

-2

BL

VA

R-G

K1

08

-3B

LV

AR

-GK

11

0

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Page 83: Swatch The Blum Collection

PROTOTYPES

DU

M_

BL

PR

O-G

B7

13

-1

BL

PR

O-G

B7

13

-3

BL

PR

O-G

G1

03

BL

PR

O-G

B7

13

-6

BL

PR

O-G

B7

13

-7

BL

VA

R-G

G1

02

DU

M_

BL

VA

R-G

B7

12

BL

PR

O-G

B7

13

-4

BL

VA

R-G

W4

01

BL

VA

R-G

K11

3-1

BL

PR

O-G

B7

13

-2

BL

VA

R-G

W11

0

DU

M_

BL

PR

O-L

K11

4

BL

VA

R-G

B7

13

DU

M_

BL

PR

O-L

K11

2

BL

VA

R-G

K11

4B

LP

RO

-GB

71

3-5

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PROTOTYPES

DU

M_

BL

PR

O-G

B1

28

-4

BL

VA

R-G

X1

00

BL

VA

R-G

K11

3-1

-1

DU

M_

BL

PR

O-G

B1

28

-5

BL

VA

R-L

K117

BL

VA

R-G

K11

3-1

-2

DU

M_

BL

PR

O-G

B1

28

-6

DU

M_

BL

PR

O-G

B1

28

-1

BL

VA

R-L

B11

9-1

DU

M_

BL

PR

O-G

B1

28

-7

DU

M_

BL

PR

O-G

B1

28

-2

BL

VA

R-L

B11

9-2

DU

M_

BL

PR

O-G

B1

28

-8

DU

M_

BL

PR

O-G

B1

28

-3

BL

PR

O-G

X1

02

-1

DU

M_

BL

PR

O-G

B1

28

-9B

LP

RO

-GX

10

2-2

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DU

M_

BL

PR

O-L

B1

25

-5

DU

M_

BL

PR

O-G

B1

28

-16

DU

M_

BL

PR

O-G

B1

28

-10

DU

M_

BL

PR

O-G

N1

05

-1

DU

M_

BL

PR

O-L

B1

25

-1

DU

M_

BL

PR

O-G

B1

28

-11

DU

M_

BL

PR

O-G

N1

05

-2

DU

M_

BL

PR

O-L

B1

25

-2

DU

M_

BL

PR

O-G

B1

28

-12

DU

M_

BL

PR

O-G

N1

05

-3

DU

M_

BL

PR

O-L

B1

25

-3

DU

M_

BL

PR

O-G

B1

28

-13

DU

M_

BL

PR

O-G

N1

05

-4

DU

M_

BL

PR

O-L

B1

25

-4

DU

M_

BL

PR

O-G

B1

28

-14

DU

M_

BL

PR

O-G

N1

05

-5D

UM

_B

LP

RO

-GB

12

8-1

5

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DU

M_

BL

PR

O-G

B1

26

-5

DU

M_

BL

PR

O-L

R1

09

DU

M_

BL

PR

O-G

N1

05

-6

DU

M_

BL

PR

O-G

B1

27

-1

DU

M_

BL

PR

O-G

B1

26

-1

DU

M_

BL

PR

O-G

N1

05

-7

DU

M_

BL

PR

O-G

B1

27

-2

DU

M_

BL

PR

O-G

B1

26

-2

DU

M_

BL

PR

O-G

N1

05

-8

DU

M_

BL

PR

O-G

B1

27

-3

DU

M_

BL

PR

O-G

B1

26

-3

DU

M_

BL

PR

O-G

N1

05

-9

DU

M_

BL

PR

O-G

B1

27

-4

DU

M_

BL

PR

O-G

B1

26

-4

DU

M_

BL

PR

O-G

N1

05

-10

DU

M_

BL

PR

O-G

B1

27

-5

BL

VA

R-G

B1

27

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DU

M_

BL

PR

O-G

X4

03

-3

DU

M_

BL

VA

R-G

B1

26

DU

M_

BL

PR

O-G

B1

27

-6

DU

M_

BL

PR

O-G

X4

03

-4

DU

M_

BL

PR

O-G

X11

3

DU

M_

BL

PR

O-G

N1

04

-1

DU

M_

BL

PR

O-G

X4

03

-5

DU

M_

BL

VA

R-G

X7

06

DU

M_

BL

PR

O-G

N1

04

-2

DU

M_

BL

PR

O-G

X4

03

-6

DU

M_

BL

PR

O-G

X4

03

-1

DU

M_

BL

PR

O-G

N1

04

-3

DU

M_

BL

PR

O-G

X4

03

-7

DU

M_

BL

PR

O-G

X4

03

-2

DU

M_

BL

PR

O-G

N1

04

-4

DU

M_

BL

PR

O-G

X4

03

-8

DU

M_

BL

PR

O-G

N1

04

-5

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DU

M_

BL

PR

O-G

V1

00

-2

DU

M_

BL

PR

O-L

X1

00

-5

DU

M_

BL

PR

O-G

X4

03

-9

DU

M_

BL

PR

O-G

V1

00

-3

DU

M_

BL

PR

O-L

X1

00

-6

DU

M_

BL

PR

O-G

X4

03

-10

DU

M_

BL

PR

O-G

V1

00

-4

DU

M_

BL

PR

O-L

X1

00

-7

DU

M_

BL

PR

O-L

X1

00

-1

DU

M_

BL

PR

O-L

N1

06

-1

BL

VA

R-L

B1

24

DU

M_

BL

PR

O-L

X1

00

-2

DU

M_

BL

PR

O-L

N1

06

-2

DU

M_

BL

PR

O-G

V1

00

-1

DU

M_

BL

PR

O-L

X1

00

-3

DU

M_

BL

PR

O-L

J1

01

-1

DU

M_

BL

PR

O-L

X1

00

-4

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DU

M_

BL

PR

O-G

G1

05

-3

DU

M_

BL

PR

O-L

J1

01

-8

DU

M_

BL

PR

O-L

J1

01

-2

DU

M_

BL

PR

O-G

G1

05

-4

DU

M_

BL

PR

O-L

J1

01

-9

DU

M_

BL

PR

O-L

J1

01

-3

DU

M_

BL

PR

O-G

S7

01

-1

DU

M_

BL

PR

O-L

J1

01

-10

DU

M_

BL

PR

O-L

J1

01

-4

DU

M_

BL

PR

O-G

S7

01

-2

DU

M_

BL

PR

O-G

G1

05

-1

DU

M_

BL

PR

O-L

J1

01

-5

DU

M_

BL

PR

O-G

S7

01

-3

DU

M_

BL

PR

O-G

G1

05

-2

DU

M_

BL

PR

O-L

J1

01

-6

DU

M_

BL

PR

O-G

S7

01

-4

DU

M_

BL

PR

O-L

J1

01

-7

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DU

M_

BL

PR

O-G

S7

01

-16

DU

M_

BL

PR

O-G

S7

01

-11

DU

M_

BL

PR

O-G

S7

01

-5

DU

M_

BL

PR

O-G

S7

01

-17

DU

M_

BL

PR

O-G

S7

01

-12

DU

M_

BL

PR

O-G

S7

01

-6

DU

M_

BL

PR

O-G

S7

01

-18

DU

M_

BL

PR

O-G

S7

01

-13

DU

M_

BL

PR

O-G

S7

01

-7

DU

M_

BL

PR

O-G

S7

01

-19

DU

M_

BL

PR

O-G

S7

01

-14

DU

M_

BL

PR

O-G

S7

01

-8

DU

M_

BL

PR

O-G

S7

01

-20

DU

M_

BL

PR

O-G

S7

01

-15

DU

M_

BL

PR

O-G

S7

01

-9

DU

M_

BL

PR

O-G

S7

01

-21

DU

M_

BL

PR

O-G

S7

01

-10

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DU

M_

BL

PR

O-G

G4

02

-10

DU

M_

BL

PR

O-G

G4

02

-5

DU

M_

BL

PR

O-G

S7

01

-22

DU

M_

BL

PR

O-G

G4

02

-11

DU

M_

BL

PR

O-G

G4

02

-6

DU

M_

BL

PR

O-G

S7

01

-23

DU

M_

BL

PR

O-G

G4

02

-12

DU

M_

BL

PR

O-G

G4

02

-7

DU

M_

BL

PR

O-G

G4

02

-1

DU

M_

BL

PR

O-G

G4

02

-13

DU

M_

BL

PR

O-G

G4

02

-8

DU

M_

BL

PR

O-G

G4

02

-2

DU

M_

BL

PR

O-G

G4

02

-14

DU

M_

BL

PR

O-G

G4

02

-9

DU

M_

BL

PR

O-G

G4

02

-3

DU

M_

BL

PR

O-G

G4

02

-15

DU

M_

BL

PR

O-G

G4

02

-4

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DU

M_

BL

PR

O-G

Y11

6-4

DU

M_

BL

PR

O-G

X4

05

-4

DU

M_

BL

PR

O-G

G4

02

-16

DU

M_

BL

PR

O-N

OT

RE

AL

4-1

DU

M_

BL

PR

O-G

X4

05

-5

DU

M_

BL

PR

O-G

G4

02

-17

DU

M_

BL

PR

O-N

OT

RE

AL

4-2

DU

M_

BL

PR

O-G

Y11

6-1

DU

M_

BL

PR

O-G

X4

04

DU

M_

BL

PR

O-N

OT

RE

AL

4-3

DU

M_

BL

PR

O-G

Y11

6-2

DU

M_

BL

PR

O-G

X4

05

-1

DU

M_

BL

PR

O-N

OT

RE

AL

4-4

DU

M_

BL

PR

O-G

Y11

6-3

DU

M_

BL

PR

O-G

X4

05

-2

DU

M_

BL

PR

O-N

OT

RE

AL

4-5

DU

M_

BL

PR

O-G

X4

05

-3

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DU

M_

BL

PR

O-N

RE

AL

1-2

DU

M_

BL

PR

O-G

P1

01

-2

DU

M_

BL

PR

O-N

OT

RE

AL

4-6

DU

M_

BL

PR

O-N

RE

AL

1-3

DU

M_

BL

PR

O-G

P1

01

-1

DU

M_

BL

PR

O-

NO

TR

EA

L4

-7

DU

M_

BL

PR

O-N

RE

AL

1-4

BL

PR

O-G

N1

07

-2

DU

M_

BL

PR

O-N

OT

RE

AL

4-8

DU

M_

BL

PR

O-N

RE

AL

1-5

DU

M_

BL

PR

O-G

N1

07

-1

DU

M_

BL

PR

O-N

OT

RE

AL

4-9

DU

M_

BL

PR

O-N

RE

AL

1-6

DU

M_

BL

PR

O-N

RE

AL

1-1

DU

M_

BL

PR

O-N

OT

RE

AL

4-1

0

DU

M_

BL

PR

O-N

RE

AL

1-7

DU

M_

BL

PR

O-L

X1

01

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DU

M_

BL

PR

O-N

RE

AL

1-1

9

DU

M_

BL

PR

O-N

RE

AL

1-1

4

DU

M_

BL

PR

O-N

RE

AL

1-8

DU

M_

BL

PR

O-N

RE

AL

1-2

0

DU

M_

BL

PR

O-N

RE

AL

1-1

5

DU

M_

BL

PR

O-N

RE

AL

1-9

DU

M_

BL

PR

O-N

RE

AL

1-2

1

DU

M_

BL

PR

O-N

RE

AL

1-1

6

DU

M_

BL

PR

O-N

RE

AL

1-1

0

DU

M_

BL

PR

O-N

RE

AL

1-2

2

DU

M_

BL

PR

O-N

RE

AL

1-1

7

DU

M_

BL

PR

O-N

RE

AL

1-1

1

DU

M_

BL

PR

O-N

RE

AL

1-2

3

DU

M_

BL

PR

O-N

RE

AL

1-1

8

DU

M_

BL

PR

O-N

RE

AL

1-1

2

DU

M_

BL

PR

O-N

RE

AL

1-2

4D

UM

_B

LP

RO

-NR

EA

L1

-13

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DU

M_

BL

PR

O-N

RE

AL

1-3

6

DU

M_

BL

PR

O-N

RE

AL

1-3

1

DU

M_

BL

PR

O-N

RE

AL

1-2

5

DU

M_

BL

PR

O-N

RE

AL

1-3

6

DU

M_

BL

PR

O-N

RE

AL

1-3

2

DU

M_

BL

PR

O-N

RE

AL

1-2

6

DU

M_

BL

PR

O-N

RE

AL

1-3

8

DU

M_

BL

PR

O-N

RE

AL

1-3

3

DU

M_

BL

PR

O-N

RE

AL

1-2

7

DU

M_

BL

PR

O-N

RE

AL

2-1

DU

M_

BL

PR

O-N

RE

AL

1-3

4

DU

M_

BL

PR

O-N

RE

AL

1-2

8

DU

M_

BL

PR

O-N

RE

AL

2-2

DU

M_

BL

PR

O-N

RE

AL

1-3

5

DU

M_

BL

PR

O-N

RE

AL

1-2

9

DU

M_

BL

PR

O-N

RE

AL

2-3

DU

M_

BL

PR

O-N

RE

AL

1-3

0

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DUM_BLPRO-N

REAL2-15

DUM_BLPRO-N

REAL2-10

DUM_BLPRO-N

REAL2-4

DUM_BLPRO-N

REAL2-16

DUM_BLPRO-N

REAL2-11

DUM_BLPRO-N

REAL2-5

DUM_BLPRO-N

REAL2-17

DUM_BLPRO-N

REAL2-12

DUM_BLPRO-N

REAL2-6

DUM_BLPRO-N

REAL2-18

DUM_BLPRO-N

REAL2-13

DUM_BLPRO-N

REAL2-7

DUM_BLPRO-N

REAL2-19

DUM_BLPRO-N

REAL2-14

DUM_BLPRO-N

REAL2-8

DUM_BLPRO-N

REAL2-20

DUM_BLPRO-N

REAL2-9

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DUM_BLPRO-N

REAL2-32

DUM_BLPRO-N

REAL2-27

DUM_BLPRO-N

REAL2-21

DUM_BLPRO-N

REAL2-33

DUM_BLPRO-N

REAL2-28

DUM_BLPRO-N

REAL2-22

DUM_BLPRO-N

REAL2-34

DUM_BLPRO-N

REAL2-29

DUM_BLPRO-N

REAL2-23

DUM_BLPRO-N

REAL2-35

DUM_BLPRO-N

REAL2-30

DUM_BLPRO-N

REAL2-24

DUM_BLPRO-N

REAL2-36

DUM_BLPRO-N

REAL2-31

DUM_BLPRO-N

REAL2-25

DUM_BLPRO-N

REAL2-37

DUM_BLPRO-N

REAL2-26

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DUM_BLPRO-N

REAL3-12

DUM_BLPRO-N

REAL3-7

DUM_BLPRO-N

REAL3-1

DUM_BLPRO-N

REAL3-13

DUM_BLPRO-N

REAL3-8

DUM_BLPRO-N

REAL3-2

DUM_BLPRO-N

REAL3-14

DUM_BLPRO-N

REAL3-9

DUM_BLPRO-N

REAL3-3

DUM_BLPRO-N

REAL3-15

DUM_BLPRO-N

REAL3-10

DUM_BLPRO-N

REAL3-4

DUM_BLPRO-N

REAL3-16

DUM_BLPRO-N

REAL3-11

DUM_BLPRO-N

REAL3-5

DUM_BLPRO-N

REAL3-17

DUM_BLPRO-N

REAL3-6

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PROTOTYPES

DUM_BLPRO-N

REAL3-29

DUM_BLPRO-N

REAL3-24

DUM_BLPRO-N

REAL3-18

DUM_BLPRO-N

REAL3-30

DUM_BLPRO-N

REAL3-25

DUM_BLPRO-N

REAL3-19

BLVAR-G

B001-3

DUM_BLPRO-N

REAL3-26

DUM_BLPRO-N

REAL3-20

BLPRO-O

LYMP-3

DUM_BLPRO-N

REAL3-27

DUM_BLPRO-N

REAL3-21

BLPRO-O

LYMP-2

DUM_BLPRO-N

REAL3-28

DUM_BLPRO-N

REAL3-22

BLPRO-O

LYMP-4

DUM_BLPRO-N

REAL3-23

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PROTOTYPES

DUM_BLPRO-E

MF-1

BLPRO-E

MF-8

BLPRO-O

LYMP-1

BLPRO-E

MF-7

DUM_BLPRO-E

MF-3

BLPRO-O

LYMP-5

DUM_BLPRO-LO001-4-1

DUM_BLPRO-E

MF-4

BLVAR-G

Z402

DUM_BLPRO-LO001-4-2

DUM_BLPRO-E

MF-5

BLPRO-G

Z402

DUM_BLPRO-LO001-4-3

DUM_BLPRO-E

MF-2

DUM_BLPRO-E

MF-9

DUM_BLPRO-LO001-4-4

DUM_BLPRO-E

MF-6

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PROTOTYPES

BLPRO-LB110-1

BLPRO-LO001-2

DUM_BLPRO-LO001-4-5

BLPRO-LB110-3

BLPRO-LO001-6

BLPRO-G

O001

BLPRO-G

Z999-2

DUM_BLPRO-LO001-5

BLVAR-G

O001-2

BLPRO-G

Z999-1

BLVAR-LO001

BLVAR-G

O001-1

BLPRO-LB110-2

BLVAR-G

B106

BLPRO-LO001-1

DUM_BLVAR-G

Z105-1

BLPRO-LO001-3

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Page 108: Swatch The Blum Collection

PROTOTYPES

BLVAR-G

Z102

BLPRO-K

IKI-1

BLVAR-G

Z105-2

BLPRO-G

Z102-3

BLPRO-K

IKI-2

BLVAR-P

UFF-2

BLPRO-G

Z102-1

BLPRO-K

IKI-3

BLVAR-P

UFF-1

BLVAR-G

Z103

DUM_BLPRO-H

ARIN

G

BLPRO-K

IKI-6

BLPRO-G

Z103

BLPRO-G

Z102-2

BLPRO-K

IKI-5

BLPRO-G

Z100-1

BLPRO-K

IKI-4

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PROTOTYPES

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Page 110: Swatch The Blum Collection

PROTOTYPES

BL

VA

R-F

OL

ON

-5

BL

PR

O-G

Z1

04

BL

PR

O-G

Z1

00

-2

BL

PR

O-F

OL

ON

BL

VA

R-F

OL

ON

-1

BL

VA

R-G

Z1

00

-2

BL

VA

R-G

Z1

07

BL

VA

R-F

OL

ON

-2

BL

VA

R-G

Z1

00

-3

BL

PR

O-G

Z11

0

BL

VA

R-F

OL

ON

-3

BL

VA

R-G

Z1

00

-1

BL

PR

O-G

Z111

BL

VA

R-F

OL

ON

-4

BL

VA

R-G

Z1

04

-2

BL

VA

R-G

Z11

3B

LV

AR

-GZ

10

4-1

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Page 111: Swatch The Blum Collection

PROTOTYPES

DU

M_

BL

PR

O-D

ES

IGN

-20

BL

PR

O-D

ES

IGN

-5

BL

PR

O-D

ES

IGN

-24

DU

M_

BL

PR

O-D

ES

IGN

-12

BL

PR

O-D

ES

IGN

-17

DU

M_

BL

PR

O-D

ES

IGN

-14

BL

PR

O-D

ES

IGN

-6

BL

PR

O-D

ES

IGN

-22

BL

PR

O-D

ES

IGN

-18

DU

M_

BL

PR

O-K

IDS

-2

BL

PR

O-D

ES

IGN

-21

BL

PR

O-D

ES

IGN

-15

BL

PR

O-D

ES

IGN

-7

BL

PR

O-K

IDS

-1

BL

PR

O-D

ES

IGN

-16

DU

M_

BL

PR

O-D

ES

IGN

-25

BL

PR

O-D

ES

IGN

-19

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PROTOTYPES

BL

PR

O-B

W1

0-1

BL

PR

O-D

ES

IGN

-2

BL

PR

O-D

ES

IGN

-23

BL

PR

O-B

W1

0-2

BL

PR

O-B

W2

DU

M_

BL

PR

O-D

ES

IGN

-9

BL

PR

O-B

W1

0-3

BL

PR

O-B

W11

-1

DU

M_

BL

PR

O-K

IDS

-3

BL

PR

O-B

W1

0-4

BL

PR

O-B

W11

-2

DU

M_

BL

PR

O-D

ES

IGN

-1

BL

PR

O-B

W5

BL

PR

O-B

W11

-3

BL

PR

O-D

ES

IGN

-3

BL

PR

O-B

W3

BL

PR

O-D

ES

IGN

-4

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PROTOTYPES

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PROTOTYPES

DU

M_

BL

PR

O-M

AP

S-3

BL

PR

O-B

W8

BL

PR

O-B

W9

-1

BL

HY

B-O

RD

RE

-1

BL

HY

B-O

RD

RE

-3

BL

PR

O-B

W9

-2

BL

HY

B-O

RD

RE

-2

BL

PR

O-S

TA

LA

BL

PR

O-B

W1

BL

HY

B-S

IGN

DU

M_

BL

PR

O-M

AP

S-1

BL

PR

O-B

W6

BL

HY

B-A

RN

OL

D

DU

M_

BL

PR

O-M

AP

S-2

BL

PR

O-B

W4

BL

HY

B-G

B1

01

-1

BL

PR

O-B

W7

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PROTOTYPES

BL

HY

B-M

ON

KE

Y-2

BL

HY

B-B

UG

AT

TI-

1

BL

PR

O-G

OL

DE

N

BL

HY

B-S

MU

RF

BL

HY

B-B

UG

AT

TI-

2

BL

PR

O-B

RIC

OL

BL

HY

B-M

ICK

EY

-1

BL

HY

B-F

ER

RA

RI

BL

PR

O-T

ING

UE

LY

-1

BL

HY

B-M

ICK

EY

-2

BL

HY

B-M

ON

KE

Y-1

BL

PR

O-T

ING

UE

LY

-2

BL

HY

B-P

AN

TH

ER

-2

BL

PR

O-M

ON

KE

Y

BL

PR

O-P

OP

E

BL

HY

B-P

AN

TH

ER

-3B

LH

YB

-RA

T

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PROTOTYPES

BL

HY

B-S

TA

MP

-3

BL

PR

O-F

LA

G

BL

HY

B-P

AN

TH

ER

-1

BL

HY

B-S

TA

MP

-2

BL

PR

O-C

OC

A-3

BL

HY

B-M

UL

LE

R

BL

HY

B-S

TA

MP

-1

BL

PR

O-C

OC

A-2

BL

PR

O-P

RO

MO

-2

DU

M_

BL

PR

O-T

OR

NA

DO

BL

PR

O-C

OC

A-4

BL

PR

O-P

RO

MO

-1

BL

PR

O-T

ES

T7

BL

PR

O-C

OC

A-1

BL

PR

O-P

RO

MO

-3

BL

PR

O-T

ES

T5

BL

HY

B-P

RO

MO

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PROTOTYPES

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PROTOTYPES

BL

PR

O-P

HO

TO

-12

BL

PR

O-C

RY

ST

AL-3

BL

PR

O-T

ES

T1

3

BL

PR

O-P

HO

TO

-13

BL

PR

O-C

RY

ST

AL-2

BL

PR

O-T

ES

T11

DU

M_

BL

PR

O-P

HO

TO

-7

BL

PR

O-C

RY

ST

AL-4

BL

PR

O-T

ES

T9

BL

PR

O-P

HO

TO

-5

BL

PR

O-C

LIP

-2

BL

PR

O-T

ES

T3

BL

PR

O-P

HO

TO

-6

BL

PR

O-C

LIP

-1

BL

PR

O-T

ES

T1

BL

PR

O-P

HO

TO

-11

BL

PR

O-C

RY

ST

AL-1

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PROTOTYPES

DU

M_

BL

PR

O-P

OM

PID

OU

-1

DU

M_

BL

PR

O-P

HO

TO

-1

DU

M_

BL

PR

O-P

HO

TO

-8

DU

M_

BL

PR

O-P

OM

PID

OU

-2

BL

PR

O-P

AL

ET

TE

-2

BL

PR

O-P

HO

TO

-9

DU

M_

BL

PR

O-P

OM

PID

OU

-3

BL

PR

O-P

AL

ET

TE

-3

DU

M_

BL

PR

O-P

HO

TO

-10

DU

M_

BL

PR

O-P

OM

PID

OU

-4

BL

PR

O-P

AL

ET

TE

-1

BL

PR

O-P

HO

TO

-2

BL

HY

B-F

LA

GS

BL

PR

O-E

XP

O

BL

PR

O-P

HO

TO

-3

BL

PR

O-P

AT

AT

BL

PR

O-P

HO

TO

-4

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PROTOTYPES

BLPRO-H

OLOGR9

BLPRO-TEST10

BLPRO-TEST6

BLPRO-H

OLOGR10

BLPRO-TEST8

BLPRO-H

OLOGR1

BLHYB-TEST

BLPRO-D

ESIG

N-8

BLPRO-D

UO-2

DUM_BLPRO-TEST14

BLPRO-TEST12

BLPRO-D

UO-1

BLPRO-TEST15

BLPRO-D

ESIG

N-10

BLPRO-H

OLOGR3

BLPRO-H

OLOGR7

BLPRO-N

UMBERS

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PROTOTYPES

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Page 122: Swatch The Blum Collection

PROTOTYPES

DUM_BLPRO-TRIA

L-6

BLPRO-H

OLOGR2

BLPRO-D

IAL

DUM_BLPRO-TRIA

L-7

BLPRO-TRIA

L-5

DUM_BLPRO-TRIA

L-2

BLPRO-H

OLOGR6

BLPRO-P

IANO-3

BLPRO-TRIA

L-4

BLPRO-H

OLOGR4

BLPRO-P

IANO-1

BLPRO-TRIA

L-1

BLPRO-H

OLOGR5

BLPRO-P

IANO-2

DUM_BLPRO-TRIA

L-3

BLPRO-B

ALLS

BLPRO-PAROT

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PROTOTYPES

BLPRO-H

OLOGR8-12

BLPRO-H

OLOGR8-7

BLPRO-H

OLOGR8-1

BLPRO-H

OLOGR8-13

BLPRO-H

OLOGR8-8

BLPRO-H

OLOGR8-2

BLPRO-H

OLOGR8-14

BLPRO-H

OLOGR8-9

BLPRO-H

OLOGR8-3

BLPRO-H

OLOGR8-15

BLPRO-H

OLOGR8-10

BLPRO-H

OLOGR8-4

BLPRO-H

OLOGR8-16

BLPRO-H

OLOGR8-11

BLPRO-H

OLOGR8-5

BLPRO-N

URSE-2

BLPRO-H

OLOGR8-6

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PROTOTYPES

BLPRO-D

ESIG

N-13

BLHYB-PAIN

TIN

G-4

BLPRO-N

URSE-1

BLPRO-D

ESIG

N-11

BLHYB-PAIN

TIN

G-5

BLHYB-PAIN

T-1

DUM_BLPRO-G

OLD-2

BLHYB-PAIN

TIN

G-6

BLHYB-PAIN

T-2

BLPRO-S

PANG-1

BLHYB-G

B101-2

BLHYB-PAIN

TIN

G-1

BLPRO-S

PANG-2

BLHYB-G

B101-3

BLHYB-PAIN

TIN

G-2

BLPRO-LB106

BLHYB-PAIN

TIN

G-3

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PROTOTYPES

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Page 126: Swatch The Blum Collection

PROTOTYPES

BLPRO-LASER2

BLPRO-TEST2-4

BLPRO-G

OLD-1

BLPRO-LASER3

BLPRO-TEST2-5

BLPRO-A

LARM-1

BLPRO-LASER4

BLPRO-TEST4-1

BLPRO-A

LARM-2

BLPRO-LASER5

BLPRO-TEST4-2

BLPRO-TEST2-1

BLPRO-LASER6

BLPRO-TEST4-3

BLPRO-TEST2-2

BLVAR-LA100-1

BLPRO-TEST2-3

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Page 127: Swatch The Blum Collection

PROTOTYPES

BLVAR-LR107

BLVAR-LW116

BLPRO-LASER1-1

BLPRO-A

UTOMAT1-1

BLVAR-LW117

BLPRO-LASER1-2

BLPRO-A

UTOMAT1-2

BLVAR-LB117

BLPRO-LASER1-3

BLPRO-A

UTOMAT4

BLVAR-LB114

BLPRO-LASER1-4

BLPRO-A

UTOMAT5

BLVAR-LB116

BLPRO-LASER1-5

BLPRO-A

UTOMAT1-3

BLVAR-LW115

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Page 128: Swatch The Blum Collection

PROTOTYPES

BLPRO-P

OP3-4

BLPRO-P

OP2-2

BLPRO-A

UTOMAT6

BLHYB-G

K113

BLPRO-P

OP2-3

BLPRO-A

UTOMAT1-4

BLPRO-P

OP4

BLPRO-P

OP3-1

BLPRO-A

UTOMAT2

DUM_BLVAR-LK118

BLPRO-P

OP3-2

BLPRO-A

UTOMAT3

BLPRO-TURTLE-1

BLPRO-P

OP3-3

BLPRO-P

OP1-2

BLPRO-TURTLE-2

BLPRO-P

OP2-1

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Page 129: Swatch The Blum Collection

PROTOTYPES

BLPRO-W

RISTORY

BLPRO-TURTLE-3

BLDISPLAY-1

BLPRO-S

AND

BLDISPLAY-2

BLVAR-LB127

BLPRO-P

LATIN

BLPRO-G

K137

BLPRO-P

LATIN

-1

BLPRO-P

LATIN

-2

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SPECIALS

12

3

6

9

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SPECIALS

LZ

10

2

GT

70

2F

H

GG

40

0F

H

GZ

40

4

GZ

40

0

GN

10

0F

H

GZ

01

0

GO

00

1

LZ

10

0

GN

40

0F

H

GK

10

0A

L

LO

00

1

LZ

10

1

GN

70

0F

H

GB

00

1F

H

GZ

99

9B

GB

10

1D

GR

10

0F

H

GB

10

1F

H

GZ

99

9W

GZ

40

0

GR

70

0F

H

GB

10

0F

H

GB

10

6

LZ

10

0

GT

40

2F

H

GB

40

1F

H

GZ

40

2

GC

10

0F

H

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SPECIALS

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Page 134: Swatch The Blum Collection

SPECIALS

GZ

12

1

GZ

11

4

GB

10

6M

LB

11

0

GZ

12

5

GZ

11

6

GB

11

2M

GB

11

2

GZ

12

6

GB

71

9

LB

11

0M

LB

11

3

GZ

12

7

GK

12

4

LB

11

3M

GB

10

6C

GZ

12

4

GK

12

5

GX

10

6

GB

11

2C

SA

Z1

01

GP

10

4

GX

10

7

LB

11

0C

GZ

00

8

GZ

11

5

GZ

00

3

LB

11

3C

GZ

12

2G

Z1

05

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SPECIALS

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Page 136: Swatch The Blum Collection

SPECIALS

SA

K1

02

GZ

10

4

GZ

00

8

GG

11

6-1

GZ

10

7

GZ

10

9

GZ

00

8

SK

L1

00

-1

GZ

111

GZ

10

6

GZ

00

8

SK

K1

03

WR

GZ

11

3

GZ

10

8

GZ

00

8

Po

ste

r-F

ro

nt

BL-S

PE

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B1

07

GZ

11

3 L

ette

r

BL-S

PE

-

MA

EG

HT

GZ

00

8

Po

ste

r-B

ac

k

SD

N4

00

GZ

S0

1

GZ

40

1

GZ

10

0

BL

PP

BB

00

1

GZ

12

3

GZ

11

0

GZ

10

2

GZ

10

3

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SPECIALS

GZ

14

8

GZ

13

6

GZ

14

0

PW

BB

10

6

GZ

14

1

LZ

10

3

GZ

12

9

PW

B1

51

GZ

14

2

PM

Z1

01

GZ

12

8

PW

K1

53

GZ

14

3

PM

Z1

01

GZ

S0

4

BL-S

PE

-

HO

FK

UN

ST

GZ

14

6

SD

Z1

00

SA

Z1

03

GR

11

2

SZ

S0

2

SS

Z1

00

SC

Z1

01

GG

11

8

SC

Z1

03

SL

Z1

00

GZ

13

4

PW

Z1

06

PW

Z1

08

PW

Z1

03

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Page 139: Swatch The Blum Collection

SPECIALS

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Page 140: Swatch The Blum Collection

SPECIALS

GZ

15

0O

GZ

15

0L

GZ

15

0H

A

SD

Z1

01

GZ

15

0P

GZ

15

0K

GZ

15

0F

A

SL

Z1

03

GZ

15

0S

GZ

15

0F

GZ

15

0G

A

GZ

15

2

GZ

15

0E

GZ

15

0D

GZ

15

0E

A

YC

Z1

00

0

GZ

15

0

GZ

15

0G

GZ

15

0K

A

GZ

70

0

GZ

15

0J

GZ

15

0M

GZ

15

0R

GZ

70

1

GZ

15

0N

A

GZ

15

0H

GZ

15

0C

SA

Z1

05

GZ

15

0N

GZ

15

0L

A

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GB

17

8

GZ

13

4C

GZ

15

0O

A

GZ

15

0M

A

GB

17

8

GK

20

9M

GZ

15

0Q

GZ

15

0D

A

GK

23

4

GZ

15

0T

GZ

15

0Q

GZ

15

0C

A

SZ

S0

3

GZ

15

0T

SK

K1

00

C

GZ

15

0IA

YC

Z1

00

1

GZ

15

0U

GJ

10

9C

GZ

15

0J

A

YL

Z1

00

0

GZ

15

0U

GO

10

0C

GZ

15

0A

YZ

S0

1

GZ

15

0V

GN

16

1

GZ

15

0R

A

GZ

15

0V

GZ

15

0P

A

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SPECIALS

GK

17

1

SB

K11

4C

SK

Z1

03

SL

Z1

04

GN

17

5

PM

Z1

05

SL

Z1

04

SK

Z111

SK

Z1

07

GZ

90

1

SL

Z1

06

GZ

90

2

SK

Z1

06

GZ

15

3

GZ

15

5

SK

Z1

06

SC

Z4

00

GZ

151

SK

Z11

6

SL

Z1

07

SK

Z11

2

SK

Z1

00

GZ

S3

0

SK

K1

03

L

SK

Z11

8

YG

Z1

01

C

SK

K1

03

M

GZ

90

0

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SPECIALS

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Page 144: Swatch The Blum Collection

SPECIALS

SB

Z1

04

SC

Z4

01U

S

ST

Z1

00

C

SK

K1

07

SK

Z1

20

SC

Z4

01S

C

SF

K1

00

SF

Z1

02

GK

20

9G

SC

Z4

01

EN

GK

26

8

GB

73

5C

GZ

16

1

SC

Z4

01J

A

SC

Z4

01

FR

GZ

70

3

GZ

15

9

SC

Z4

01B

R

SC

Z4

01IT

YC

Z4

00

GZ

16

2

GZ

15

4

SC

Z4

01S

P

ST

Z1

00

E

GZ

16

0D

GZ

S0

2

SC

Z4

01D

E

ST

Z1

00

F

SL

Z1

00

C

ST

Z1

00

D

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SPECIALS

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SPECIALS

GZ

40

7

GZ

15

8

YC

S4

00

5

GZ

15

7

YB

Z4

00

0

GN

18

3

YG

S7

00

4

SQ

Z1

01

GZ

16

4

GN

18

3

YZ

S0

2

SL

K11

0C

GM

71

4

SD

Z1

04

YD

S4

00

7

GK

20

9E

BL

ME

DA

L

GK

20

9H

YG

S4

00

7

GK

20

9I

YC

S4

01

4A

G

SK

Z1

21

YG

S4

00

8

GK

20

9D

GK

32

4

SD

Z1

03

GK

29

5

GK

20

9C

GZ

16

3

GK

20

9F

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SPECIALS

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Page 148: Swatch The Blum Collection

SPECIALS

GK

41

9V

GK

41

9M

GK

41

9D

SF

K1

04

GK

151D

GK

41

9N

GK

41

9E

SQ

Z1

00

PM

Z1

03

C

GK

41

9O

GK

41

9F

GN

18

2

YG

Z4

00

0

GK

41

9P

GK

41

9H

GO

10

0D

GZ

16

1-1

GK

41

9R

GK

41

9I

GJ

10

9D

BL-S

PE

-VE

ND

AC

C

GK

41

9T

GK

41

9J

SB

Z1

02

C

YZ

C0

1P

GK

41

9Q

GK

41

9K

SK

G1

00

GK

41

9U

GK

41

9C

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SPECIALS

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Page 150: Swatch The Blum Collection

SPECIALS

SF

K1

36

P

SK

K11

8

SK

K11

4V

YM

S1

06

P

SV

AK

10

00

P

GK

33

3

SU

AZ

10

0

SQ

Z1

03

SK

K1

21

GK

33

3

GZ

16

5

GZ

40

6

GZ

17

7

GW

13

4P

YA

Z4

00

GZ

40

6C

GZ

17

7

YC

S1

04

P

SIB

10

0C

VG

Z4

06

D

GZ

17

2

YL

S4

15

P

GK

36

4C

BL-S

PE

-PIN

DIS

NE

Y

GZ

17

3

SF

K1

50

P

SK

K117

SF

K1

08

C

GW

S0

1P

SK

K11

4V

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SPECIALS

SF

P1

05

PU

YL

S4

21

G

GZ

17

4

SU

BW

10

1A

P

YG

S4

26

G

GZ

17

5

YL

S4

19

G

GE

12

3

YG

S4

24

G

YG

N4

00

1

YL

S4

20

G

SV

CN

40

01

YG

S4

11

G

GZ

S1

9

GK

S0

1

GZ

17

6

GB

90

7

SF

P1

05

PU

SU

BW

10

1A

P

S0

5

PW

Z104

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STANDARDS

12

3

6

9

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Page 154: Swatch The Blum Collection

GG701

GN700D

GG702

1983

GN101

GT100

GG702

LB100

GN701

GT101

GB402

LM100

GR101

GB401

GB702

LN100

GR102

GB700

GC700D

LR101

GR100

GB701

GG100

LR100

GT700

GG400

GN400

GM700

GG700D

GM700

STANDARDS 1983

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STANDARDS 1983

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Page 156: Swatch The Blum Collection

LW100

GN100

GT701

GW101

GR103

GB101

GW100

GR700D

GB001

LW100

GT402

GB103

GT403

GB100

GT702

GB703E

LW100

GC100

GN001

STANDARDS 1983

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GB704F

LW103

GR400

1984

GM100

GS101

LR102

GM400

GW103

LS101

GT103

GM400

LA100

GS100

LB102

LM103

LR103

LS100

GN702D

GB101

LW102

GA100

LN102

GJ400

GB002

GA100

LT100

LJ100

GB704E

LJ100

STANDARDS 1984

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Page 158: Swatch The Blum Collection

GR401

GB703F

GT102

GB703E

LA101

LB103

LR104

GM101

LM102

GA101

GB403

LB104

STANDARDS 1984

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STANDARDS 1984

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GA

10

3

GA

10

2

LW

10

6

19

85

GB

10

5

GB

70

5F

LW

10

7

GB

40

4

GJ

10

0

GJ

70

0E

GB

70

6E

GN

40

1

LR

10

5

GM

40

1

LB

10

7

LM

10

5

GK

10

1

LM

10

4

GK

10

0

LS

10

2

LB

10

8

GM

70

1

GW

10

4

LT

10

1

LB

10

9

LB

10

5

LW

10

4

LT

10

2

LN

10

3

LW

10

5

STANDARDS 1985

LB

10

6

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STANDARDS 1985

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PW

BW

00

1-0

LL

10

0

GL

10

0

19

86

PW

BY

00

1

LP

10

1

GW

10

6

GC

10

1

PW

BS

00

1-0

LP

10

0

LB

11

2

GS

10

2

GM

14

4

LR

10

6

LK

10

2

GS

10

2

GK

10

0R

E-0

LS

10

3

LK

10

0

PR

BB

00

1

GK

10

0R

E

LW

111

LK

10

0

PR

BS

00

1

LK

10

3

PW

BB

00

1-0

LL

10

1

PR

BR

00

1

PW

BR

00

1-0

GB

11

0

STANDARDS 1986

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STANDARDS 1986

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Page 164: Swatch The Blum Collection

GM

10

2

GA

40

0

GA

40

0

GW

10

5

GB

10

7

GB

10

9

LG

10

2

GB

111

GB

10

9

LG

10

3

GF

10

0

GS

40

0

LK

10

1

GG

40

1

GS

40

0

GG

10

1

GK

10

2

GG

70

3

GK

10

2

GK

10

2

STANDARDS 1986

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Page 165: Swatch The Blum Collection

LF

10

1

GK

10

5

GB

117

19

87

LF

10

0

GW

10

7

GB

11

9

PS

BB

00

1

LK

10

4

GW

10

8

GB

40

6

GY

10

8

LK

10

5

GW

10

9

GB

71

0

PS

BR

00

1

LL

10

2

LB

11

4

GF

10

1

GA

10

4

LP

10

2

LB

11

5

GJ

10

1

GA

10

7

LP

10

3

LB

11

6

GK

10

4

GB

11

4

LB

117

GB

11

5

STANDARDS 1987

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GK

10

6

GB

70

7

PW

BB

00

1

LR

10

7

GL

40

0

GA

10

5

PW

BS

00

1

LW

11

2

GL

40

0

GA

10

6

PW

BR

00

1

LW

11

3

GW

40

0

GB

11

3

PW

BW

00

1

LW

11

4

LK

10

6

GB

11

6

GB

70

9

LW

11

5

GF

10

2

GI1

00

LW

11

6

GI4

00

GB

70

7

LW

117

GK

10

3

PW

BY

00

1

STANDARDS 1987

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STANDARDS 1987

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Page 168: Swatch The Blum Collection

LB

11

9

GX

10

0

GK

10

8

19

88

GX

10

0

GB

71

3

GK

11

0

LF

10

2

GK

11

3

GB

71

3

GK

111

LF

10

2

GK

11

3

GX

10

2

GW

11

0

GW

111

GK

11

4

GX

10

2

GX

10

4

GW

40

1

LK

11

2

GX

10

2

LL

10

3

GB

711

LK

11

4

GB

71

2

GY

10

6

GG

10

2

LB

11

9G

G1

03

STANDARDS 1988

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STANDARDS 1988

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Page 170: Swatch The Blum Collection

LB

12

0

GW

40

2

GB

12

2

LK

117

LG

10

4

GX

10

1

GB

12

0

GB

71

2

LK

10

7

GX

10

5

GB

40

7

GY

70

0

LK

10

8

GX

70

0

GB

40

8

GY

70

2

LK

10

9

GX

70

1

GB

40

9

GY

11

2

LK

11

0

GX

70

2

GK

11

2

GS

10

3

LK

11

5

GX

70

3

GN

10

2

GS

70

0

LB

11

8G

B1

21

STANDARDS 1988

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PW

BC

10

1

PW

BK

10

1

LW

12

1

LK

11

6

PW

BB

10

9

PW

BK

10

5

LW

12

2

LL

10

4

PW

BB

11

0

PW

BK

10

2

LW

12

3

LN

10

4

PW

BB

10

5

PW

BK

10

4

LW

12

0

LP

10

5

PW

BB

10

2

PW

BB

10

8

PW

BR

10

1

LP

10

6

PW

BC

10

3

PW

BS

10

1

PW

BB

10

3

LR

10

8

PW

BC

10

2

PW

BB

10

1

PW

BW

10

1

LW

11

8

PW

BB

10

4

LW

11

9

STANDARDS 1988

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GX

40

4

GV

10

0

LR

10

9

19

89

GX

40

5

LJ

10

1

GX

11

3

GB

12

8

GY

11

6

LN

10

6

GX

40

3

GN

10

5

LX

10

1

GG

10

6

GX

70

6

LB

12

5

GR

10

4

GS

10

4

LB

12

4

GN

10

4

GR

10

4

GG

40

2

LX

10

0

GB

12

6

GY

11

0

GS

70

1

GG

10

5

GB

12

7

GP

10

1

GN

10

4

STANDARDS 1989

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STANDARDS 1989

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Page 174: Swatch The Blum Collection

GX

11

2

GK

11

5

GB

12

4

LW

12

5

GX

40

1

GK

11

6

GB

12

5

GB

411

GX

40

2

GP

10

0

GB

41

0

GW

11

2

GY

10

2

GW

11

3

GB

71

4

GJ

10

2

GY

10

4

GW

40

3

GB

71

5

GN

10

3

GY

10

0

GX

10

9

GG

10

4

GN

10

3

GY

40

0

GX

11

0

GJ

10

2

GX

70

4

GX

111

GB

12

3

STANDARDS 1989

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PW

BK

11

2

PW

BR

10

3

LP

10

8

LB

12

1

PW

BK

10

9

PW

BB

11

3

LW

12

4

LB

12

3

PW

BK

11

0

PW

BW

10

2

LW

12

5

LG

10

5

PW

BB

111

PW

BB

12

9

PW

BK

10

6

LK

11

8

PW

BK

11

3

PW

BB

12

4

PW

BB

10

7

LL

10

5

PW

BB

11

5

PW

BB

12

6

PW

BB

12

2

LN

10

5

PW

BB

117

PW

BR

10

2

PW

BK

12

0

LN

10

7

PW

BK

111

LP

10

7

STANDARDS 1989

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Page 176: Swatch The Blum Collection

PW

BK

12

4

PW

BB

11

6

PW

BW

10

3

PW

BB

12

1

PW

BK

12

2

PW

BK

11

4

PW

BB

12

5

PW

BB

13

1

PW

BB

12

3

PW

BK

12

5

PW

BB

12

0

PW

BB

13

2

PW

BR

10

4

PW

BB

12

7

STANDARDS 1989

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Page 177: Swatch The Blum Collection

GR

10

5

SD

K1

00

SC

B1

01

19

90

GX

11

9

SD

K1

00

SC

B1

04

GK

10

0R

E2

GB

14

0

SD

N4

00

SC

B1

05

LK

10

3R

E

GN

11

3

SD

B1

00

SC

B1

00

GK

10

0R

E2

-2

GW

11

4

SD

B1

00

SC

N1

01

GN

10

7

GB

13

1

SD

K1

01

SC

N1

00

LB

12

7

GB

13

2

SD

N4

00

SC

W1

00

SC

B1

00

GX

11

9

SC

B1

04

STANDARDS 1990

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Page 178: Swatch The Blum Collection

GP

10

3

GK

12

2

GB

72

0

GB

13

4

GR

10

5

GK

12

0

GB

72

1

GB

13

4

GR

10

6

GM

10

3

GG

10

7

GB

717

GR

10

7

GN

10

6

GJ

10

3

GB

13

3

GV

10

1

GN

10

8

GJ

10

4

GB

13

5

GV

10

2

GN

10

9

GK

117

GB

41

2

GW

70

0

GN

70

3

GK

11

8

GB

71

6

GN

70

4G

B7

18

STANDARDS 1990

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10

6

LG

10

6

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70

7

GW

70

1

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10

7

LI1

01

GY

40

2

GX

11

4

LN

10

8

LI1

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GK

12

7

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11

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LN

10

9

LJ

10

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LA

10

2

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11

6

LN

11

0

LJ

10

3

LB

12

6

GX

117

LN

111

LK

11

9

LF

10

4

GX

11

8

LN

11

2

LK

12

1

LF

10

5

GX

40

6

LK

12

0G

X4

07

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BK

12

9

PW

BB

14

3

PW

BB

13

5

LN

11

3

PW

B1

47

PW

BK

12

7

PW

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13

7

LW

12

6

PW

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13

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12

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13

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LY

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PW

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PW

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10

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13

6

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44

PW

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B1

50

PW

N1

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PW

K1

34

PW

N1

01

PW

B1

49

PW

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35

PW

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33

PW

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48

PW

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32

PW

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01

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SA

B1

00

SD

K1

02

SC

L1

00

19

91

TP

AT

10

0C

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SD

N1

00

SC

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13

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SA

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10

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10

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13

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SC

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GB

13

7

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SD

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01

SC

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B1

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SC

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07

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70

0

GK

12

9

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11

0

GB

13

8

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10

1

GK

13

0

GG

111

GB

13

9

GL

10

2

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13

1

GG

11

2

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14

1

GM

10

4

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13

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GG

11

3

GB

14

5

GM

10

6

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13

3

GG

11

4

GB

41

3

GN

11

0

GK

13

4

GJ

10

5

GB

41

4

GN

11

2

GK

13

5

GJ

10

6

GB

72

2

GK

13

9G

B7

23

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STANDARDS 1991

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11

4

LK

12

3

GX

12

1

GN

11

4

LP

10

9

LK

12

4

GX

12

0

GN

11

5

LP

11

0

LK

12

6

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40

8

GN

70

5

LR

11

0

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12

7

GX

70

8

GR

10

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LV

10

1

LL

10

8

LB

12

8

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11

0

LV

10

0

LL

10

9

LB

12

9

GR

11

3

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10

6

LL

11

0

LK

12

2

GV

10

3

LM

10

6G

V1

05

LX

10

8

LL

111

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STANDARDS 1991

PW

K1

51

PW

P1

00

PW

K1

40

PW

K1

50

PW

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04

PW

B1

55

PW

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38

PW

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41

PW

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PW

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PW

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43

PW

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42

PW

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PW

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PW

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PW

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PW

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PW

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54

PW

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PW

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PW

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PW

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52

PW

B1

60

PW

K1

48

PW

K1

39

PW

B1

53

PW

K1

49

PW

F1

00

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K1

00

SD

K1

06

SC

N1

03

19

92

GB

14

6

SD

N1

02

SC

N1

04

SC

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08

GB

14

3

SD

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03

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SC

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SA

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SD

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SC

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14

7

SA

K1

01

SD

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SC

J1

01

GB

14

8

SA

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SD

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SC

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01

GB

14

9

SA

K1

00

SD

K1

05

SC

B1

09

SS

B1

00

SC

M1

01

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GK

70

1

GK

14

4

GG

11

9

GB

41

6

GK

70

2

GK

14

5

GG

40

3

GB

72

4

GK

70

3

GK

14

6

GJ

10

7

GB

72

5

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70

4

GK

14

7

GJ

10

8

GB

72

6

GL

10

3

GK

14

8

GK

14

0

GG

11

5

GL

10

4

GK

40

0

GK

14

1

GG

11

6

GM

10

8

GK

40

1

GK

14

2

GG

117

GK

40

2G

G11

8

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1

GX

70

9

GN

12

0

GM

10

9

LK

13

2

LB

13

0

GR

111

GM

11

0

LK

13

3

LB

13

1

GR

11

2

GN

117

LK

13

4

LB

13

2

GV

10

4

GN

11

8

LK

13

5

LJ

10

4

GX

12

2

GN

11

9

LK

13

6

LK

12

8

GX

12

3

GN

12

1

LK

13

7

LK

12

9

GX

40

9

GN

12

2

LK

13

0

GN

12

3

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K17

0

PW

G1

00

LX

10

9

LK

13

8

PW

N1

07

PW

K1

62

SA

G1

00

LK

13

9

PW

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08

PW

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63

SA

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LN

11

5

PW

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PW

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PW

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LN

11

6

PW

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PW

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PW

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0

LN

117

PW

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64

PW

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66

PW

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1

LP

111

PW

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54

PW

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67

PW

B17

2

LP

11

2

PW

K1

68

LV

10

2

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K1

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K1

60

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K1

59

PW

B1

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PW

J1

03

PW

K1

55

PW

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06

PW

K1

56

PW

B1

66

PW

B1

67

PW

K1

57

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B1

01

SD

G1

00

SC

L1

03

19

93

SL

M1

01

SD

J1

01

SC

M1

02

SC

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0

SL

K1

00

SD

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07

SC

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07

SC

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SS

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SC

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SC

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PW

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87

SD

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0

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SC

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02

PM

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02

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SD

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SC

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04

PW

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2

SD

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2

SD

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02

SC

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SD

N1

04

SC

L1

02

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G1

00

PW

K1

83

PM

N1

01

PM

N1

00

SA

B1

02

PM

K1

05

PW

K1

88

PW

K1

85

SA

K4

00

PW

M1

01

PM

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03

PM

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00

SA

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04

PM

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01

PW

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84

PW

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89

SA

K1

06

PW

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90

PM

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04

PM

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01

SA

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07

PM

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07

PW

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86

PW

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SA

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09

SB

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PM

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06

PM

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00

SB

N1

00

PW

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0

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12

6

GK

15

4

GB

72

8

SA

M4

00

GN

12

7

GK

15

5

GG

70

4

SA

N1

01

GN

12

8

GK

15

8

GJ

10

9

SA

N1

02

GN

12

9

GK

16

0

GX

12

5

SA

N4

00

GN

70

6

GL

10

5

GK

15

0

SC

K1

01

GO

10

0

GM

111

GK

15

2

SC

K1

03

GP

10

5

GM

40

2

GK

15

3

GB

151

GN

12

5G

B7

27

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13

2

GM

11

2

GK

16

3

GR

11

4

GN

13

4

GM

11

3

GK

16

4

GV

70

0

GP

10

6

GM

11

4

GK

16

5

GB

15

2

GP

10

7

GM

11

6

GK

16

7

GF

10

3

GR

11

5

GM

117

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16

9

GG

12

1

GR

11

6

GM

70

3

GK

70

7

GG

12

2

GX

12

6

GN

13

0

GK

70

8

GG

12

3

GN

13

1

GK

16

2

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K17

3

LK

14

4

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14

1

GK

151

PW

N1

09

LK

14

5

LK

14

2

GM

12

0

PW

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2

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14

6

LN

11

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GX

41

0

PW

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LL

11

2

LP

11

3

LB

13

3

PW

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1

LM

10

7

LV

10

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LB

13

4

PW

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04

LM

10

8

LG

10

8

LG

10

7

PW

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5

LP

11

4

LK

14

3

LX

11

0

LX

111

LK

14

0

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K1

05

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K17

6

SS

M1

01

S0

5

PW

K17

7

SS

K1

01

SD

N1

05

PW

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4

GK

30

9

SD

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06

PW

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8

SD

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07

PW

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9

SS

B1

01

PW

K1

81

SS

K1

02

PW

K1

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PW

K1

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STANDARDS 1993

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9

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P1

00

SA

M1

01

SA

K4

01

19

94

SC

B11

2

SA

M1

03

SA

G1

01

SB

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01

SC

G1

02

SA

M1

04

SA

G4

00

SB

K1

00

SC

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04

SA

M4

01

SA

K11

0

SB

K1

01

SC

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05

SA

N1

03

SA

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SB

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02

SC

G4

01

SA

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04

SA

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2

SB

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04

SC

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05

SA

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05

SA

K11

3

SB

M1

00

SA

O1

00

SB

M1

02

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13

1

GB

15

6

SC

N11

0

SC

K1

06

GJ

11

0

GB

15

7

SC

N11

2

SC

K1

07

GJ

11

2

GB

15

8

SC

N4

01

SC

K4

00

GJ

11

3

GB

72

9

SC

O1

00

SC

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01

GK

71

0

GG

12

5

SC

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01

SC

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04

GK

17

0

GG

12

6

GB

15

4

SC

M1

06

GK

17

1

GG

12

8

GB

15

5

SC

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08

GG

12

9

SC

N1

09

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GN

14

0

GM

40

3

GM

11

9

GK

17

2

GN

14

1

GM

70

4

GM

12

2

GK

17

3

GN

14

5

GM

70

5

GM

12

3

GK

17

4

GN

40

2

GN

13

5

GM

12

4

GK

17

7

GO

10

1

GN

13

6

GM

12

5

GK

17

8

GO

10

2

GN

13

7

GM

12

6

GK

17

9

GP

10

8

GN

13

8

GB

15

9

GK

40

3

GN

13

9

GK

711

STANDARDS 1994

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LK

14

7

YG

S4

01

GV

10

8

GP

10

9

LK

14

8

YG

S4

02

GW

11

5

GR

117

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14

9

LB

13

5

YG

G1

00

GR

11

8

LK

15

0

LB

13

6

YG

G4

00

GR

11

9

LM

10

9

LB

13

7

YG

S4

00

GR

12

0

LN

11

9

LG

10

9

YG

S1

00

GR

12

1

LP

11

5

LG

11

0

YG

S1

03

GR

12

2

LG

111

GV

10

7

STANDARDS 1994

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PW

K1

91

PW

V1

01

SL

M1

02

LR

111

PP

B1

01

PW

R1

09

SL

N1

00

LR

11

2

PP

K1

01

PW

K1

92

SL

R1

00

SL

F1

00

PM

M1

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PW

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94

PW

B17

4

SL

G1

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PW

K1

97

PW

K1

95

PW

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01

SL

J1

00

PW

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02

PW

R1

08

PW

K1

93

SL

J1

01

PW

K2

01

PW

V1

00

PW

N11

3

SL

K1

03

PW

K1

96

SL

K1

04

STANDARDS 1994

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SS

K1

08

SD

N1

08

SD

K11

4

PM

O1

00

SS

K11

0

SD

N1

09

SD

K11

6

PM

G1

00

SS

M1

02

SD

N11

0

SD

K11

8

PM

N1

03

SS

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01

SD

N11

2

SD

K11

9

PW

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4

SS

N1

02

SD

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4

SD

M1

00

SD

B1

04

SS

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03

SD

O1

00

SD

M1

02

SD

G1

04

SS

N1

04

SD

V1

01

SD

M1

03

SD

G1

05

SS

K1

06

SD

K11

3

STANDARDS 1994

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SA

K117

SE

M1

00

SB

N1

03

19

95

SA

K11

8

SE

N1

00

SE

B1

00

SB

B1

01

SA

K11

9

SA

B1

03

SE

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02

SB

K1

05

SA

K1

20

SA

B4

00

SE

K1

03

SB

K1

06

SA

K1

22

SA

G4

01

SE

K1

04

SB

K1

09

SA

M1

05

SA

G4

02

SE

K1

05

SB

L1

00

SA

M1

06

SA

J1

00

SE

L1

01

SB

M1

03

SA

K11

5

SB

N1

02

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STANDARDS 1995

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GB

16

1

SC

K4

05

SC

G1

06

SA

N1

06

GB

16

3

SC

M1

08

SC

G1

07

SA

N1

08

GB

16

4

SC

M1

09

SC

J4

00

SA

P1

01

GB

16

5

SC

M4

02

SC

K1

08

SA

P1

03

GB

16

6

SC

N11

4

SC

K4

02

SC

B11

3

GB

417

SC

N11

6

SC

K4

03

SC

B11

4

GB

41

8

SC

N4

02

SC

K4

04

SC

B11

6

GB

16

0

SC

F1

00

STANDARDS 1995

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GK

20

0

GK

18

8

GG

13

8

GB

41

9

GK

20

1

GK

18

9

GJ

11

4

GB

73

0

GK

20

2

GK

19

0

GJ

11

5

GF

40

0

GK

20

3

GK

19

1

GK

18

2

GG

13

3

GK

20

6

GK

19

2

GK

18

3

GG

13

4

GK

20

7

GK

19

39

GK

18

5

GG

13

5

GK

20

8

GK

19

4

GK

18

6

GG

13

6

GK

19

7

GG

13

7

STANDARDS 1995

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GB

16

2

GR

12

3

GM

70

9

GK

71

2

GW

11

6

GR

12

4

GN

14

6

GK

71

3

GK

71

4

GR

12

5

GN

14

7

GK

71

5

YG

G1

02

GR

12

7

GN

15

0

GL

10

6

YG

S1

02

GR

12

8

GN

15

2

GM

12

8

YG

S1

04

GK

20

4

GN

70

7

GM

12

9

YL

G1

00

GR

70

1

GP

11

0

GM

13

1

LG

11

2

GM

70

6

STANDARDS 1995

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SL

M1

06

LM

111

YD

S4

01

YL

G1

01

SL

M1

08

LN

12

1

YG

S4

06

YL

G1

02

SL

M1

09

LR

11

4

LB

13

8

YL

S1

01

SL

N1

02

SL

G1

02

LB

13

9

YL

S1

03

SL

R1

01

SL

K1

05

LG

11

3

YD

S1

00

PW

K2

04

SL

K1

06

LG

11

4

YD

S1

01A

PM

M1

03

SL

M1

03

LK

151

YD

S1

02

A

SL

M1

04

YD

S4

00

STANDARDS 1995

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SD

K9

00

PM

B1

03

PW

B17

5

PM

R1

00

SD

K9

02

SD

B1

05

PM

W1

00

PM

K1

08

SD

K9

03

SD

B1

06

PM

R1

01

PM

K1

09

SD

K9

04

SD

G1

06

PM

B1

02

PW

K2

03

SD

M1

05

SD

J9

00

PM

N1

04

PP

K1

02

SD

M1

06

SD

K1

20

PM

K11

0

PP

B1

02

SD

N111

SD

K1

23

PM

O1

01

PP

W1

00

SD

K1

24

PP

B1

03

STANDARDS 1995

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SR

M1

02

SD

N11

6

SR

N1

00

SD

N11

8

SD

S1

00

SR

B1

00

SR

G1

00

SR

J1

00

SR

K1

01

SR

M1

00

STANDARDS 1995

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SAK402

SBB103

SBN107

1996

SAM403

SBM105A

SEK106

SCN105

SAN401

SBK111

SEK107A

SKK100

SAG103

SBK112

SBN104

SKK101

SAK126

SBB102

SBN105

SKK102

SAB104

SAF100A

SEG100

SKK103

SAM107

SAG102

SBM104

SKR100

SAK123

SBN106

STANDARDS 1996

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STANDARDS 1996

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GK

21

3A

SC

R1

01

SC

N4

04

SA

B1

05

GK

21

4

GB

16

9

SC

K4

08

SA

K1

25

GK

40

6

GG

13

9

SC

M11

3A

SC

G1

08

GK

90

0

GG

17

0

SC

N117

SC

K1

09

GK

90

1

GG

70

5

SC

N11

8

SC

K11

0

GL

10

7

GK

19

6

SC

K4

07A

SC

G1

09

GM

13

2

GK

20

9

SC

K111

SC

M11

2A

GK

21

0

SC

M4

03

STANDARDS 1996

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GK227

GJ116

GN156

GM133A

GK228

GJ117

GN160

GM134

GK223

GN163

GN162

GM135

GB172

GN164

GN708

GM136

GK221

GB176

GR130

GM710

GN900

GB174

GS105

GN154

GB175

GB173

GG140

LN122

GK226

GN155

STANDARDS 1996

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GJ

11

8

GM

13

9

GB

17

0

GG

14

1

GN

16

6

GK

21

6

GB

90

1

GK

22

4

YG

G7

02

GL

10

8

GB

42

2

GN

16

5

YL

S1

05

GK

22

9

GB

42

1

GK

217

YS

G1

01

GK

23

1

GM

13

8

GK

21

9A

YC

S1

01

GK

23

0

GK

22

2

GR

13

1A

YC

S1

02

GB

16

8

GC

10

2

GK

21

5A

GK

23

2

GB

17

1

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YG

S7

06

YL

S1

00

0

YS

S1

00

YC

S1

03

YG

S1

00

3A

YL

S1

00

1

YG

S1

00

0

YC

S1

00

0

YG

S1

00

4A

YL

S1

00

2

YG

S1

00

1

YC

S1

00

2

YC

S4

00

YD

S4

02

YG

S1

00

2

YL

G1

03

YC

S1

00

4

YD

S1

00

0

YG

S4

00

0

YL

S1

04

A

YC

S1

00

5

YD

S4

00

0

YG

S4

00

1

YS

G1

00

YD

S1

05

A

YD

S1

04

YG

S4

00

2

YG

S11

2A

YG

S7

05

YL

S1

06

STANDARDS 1996

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PM

K111

SL

N1

05

LK

15

3

YD

S1

00

4A

PM

K11

2

SL

V1

00

LB

14

2

LG

11

5

PM

K11

3

SL

K11

0

LB

14

1

LG

11

6

PU

B1

00

SL

K1

09

LK

15

6

LK

15

2

PU

K1

00

SL

M11

0

LK

15

5

LR

11

5

PU

N1

00

SL

N1

04

A

SL

K1

07

LM

11

2

PU

K1

01

PM

B1

04

SL

K1

08

LP

11

6

PM

V1

00

LN

12

3

STANDARDS 1996

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SR

M1

03

A

SD

G1

08

PM

K11

6

PU

R1

00

SR

K1

03

SD

R1

00

SD

J1

02

PU

B1

01

SD

K1

27

SD

K1

26

PP

K1

03

SD

N1

20

SD

K9

07

PM

K11

4

SD

G9

00

SD

K9

08

PM

B1

06

SD

N9

02

SD

N9

00

PM

B1

07

SR

N1

01

SD

B1

08

PM

B1

05

SR

G1

01

PM

K11

5

STANDARDS 1996

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SA

K1

28

A

SB

K11

4

SK

B1

00

L

19

97

SA

K1

27

SB

M1

08

SK

M1

00

A

GY

10

8

SA

K1

30

SB

B4

00

A

SH

B1

00

L

GK

26

8

SA

K1

29

SB

K117A

SB

M1

06

SL

K11

4

SA

K1

31

SB

K4

01A

SB

B1

04

SA

K1

32

A

SB

M1

07

SB

K11

3

SK

K1

04

SA

K4

03

A

SA

B1

06

SB

S1

00

A

SK

K1

05

SA

M4

04

SK

K1

06

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STANDARDS 1997

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GK

24

1

GN

16

8

SC

K11

3

SC

M4

04

GK

24

2

GK

23

5

SC

B11

9A

SC

B117

GK

24

3

GG

14

3

SC

K4

11A

SC

K4

09

GK

24

4A

GN

16

7

SC

R4

00

A

SC

K11

2

GX

12

8A

GR

13

2

GK

71

6A

SC

K4

10

A

GK

23

8A

GK

23

6

GK

717A

SC

N11

9

GK

23

9A

GW

90

0

GB

17

9

SC

B4

00

GK

24

0

SC

M4

05

STANDARDS 1997

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GK

25

0

GG

14

4

GM

14

0

GK

23

7

GK

25

4

GK

24

9

GK

24

6

GJ

90

0

GK

25

8

GB

18

1

GW

117

GK

24

5

GK

40

7

GJ

12

0

GN

17

0

GK

90

3

GK

72

1A

GR

13

3

GK

24

7

GK

90

2

GG

17

1A

GR

13

4

GG

14

5

GJ

11

9

GK

251

GS

10

6

GK

24

8

GN

16

9

GK

25

3

GG

14

2

STANDARDS 1997

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YC

S4

01

GF

70

0

GN

90

2

GB

18

0

YL

S1

09

A

GK

71

8A

GN

17

2

GB

18

2

YG

S4

07

GK

25

6A

GN

17

3

GK

25

5

YS

S1

04

GK

25

7A

GR

13

5

GK

25

9

YG

G1

06

GK

26

0

GB

73

5

GK

72

0

YD

S1

06

YG

S4

00

4

GN

17

1

GB

18

3

YD

S9

00

0A

YL

S1

00

4A

GM

14

1

GN

90

1

YG

S9

00

0A

G

K9

04

A

STANDARDS 1997

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LK

15

8

YC

S4

06

YC

S4

03

YL

S1

00

5

LK

15

7

YG

S4

12

YC

S4

04

YG

S7

07A

LB

14

5

YG

S4

08

YC

S4

05

YG

S7

08

A

LP

117

YG

S4

09

YD

S1

00

5

YG

S4

11

LM

11

3

YA

S1

00

A

YD

S1

07A

YG

S4

10

LF

10

6

LK

15

9

YA

S4

00

YG

S7

00

0A

LK

16

2

LK

16

0

YA

S4

01

YC

S1

00

6A

L

LB

14

3

YC

S4

02

STANDARDS 1997

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PM

N1

06

PU

K1

03

PM

B11

0

LK

16

1

PU

J1

01

PU

J1

00

PM

K117

LK

16

3

SD

K9

10

PU

K1

04

PM

G1

02

SL

K11

2

SD

B1

09

PM

B111

PM

B1

09

SL

K11

3

SD

N9

03

PM

I10

0

PM

V1

01

SL

R1

02

SD

J9

01

PM

K11

9

PU

K1

02

SL

K11

5

SD

L1

00

PM

K11

8

PU

B1

02

SL

K11

6

PM

B11

2

SL

N1

06

A

STANDARDS 1997

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SRK104D

SDK911A

SDM900

SRK104F

SFB100

SDL900

SRK104C

SFN100

SDK129A

SRK104E

SFB101

SDK130

SFB102

SDB111L

SFN101

SDK132A

SRK104G

SDS900

SDV900

STANDARDS 1997

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ST

S4

00

A

SB

N1

08

A

SH

B1

01L

19

98

SO

I40

1A

SB

N1

09

SK

K11

0

GK

25

2

SO

B4

01A

SB

B4

02

A

SK

K1

08

YG

S1

00

5A

SO

N4

00

SB

B1

07

SB

B1

06

L

GN

17

6

SO

N4

01

SB

N4

00

SB

M1

09

SK

L1

00

-1

SC

K4

13

ST

K4

00

SB

M4

00

SK

K1

09

A

SC

K4

14

ST

B4

00

SB

B4

01

SK

O1

00

L

ST

B4

01

PK

B1

01L

STANDARDS 1998

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GG

90

1

GK

26

4

GR

13

7

SC

N4

05

L

GG

90

1

GG

17

2

GB

18

4

SC

K4

12

GN

90

3A

GK

72

7

GW

40

4

SC

B1

20

A

GK

27

0

GW

11

8

GW

40

5A

SC

K4

15

A

GK

27

1

GK

26

1A

GK

40

8A

GK

72

6

GB

18

6

GR

13

6

GK

26

5

GB

18

5

GB

73

6

GK

26

7

GK

26

9

GK

26

3

GG

90

0

GM

14

3

STANDARDS 1998

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GK

28

3

GN

17

7

GW

11

9

GB

73

7

GI1

01

GK

411

GK

27

5

GK

72

5

GN

70

9

GK

27

6

GG

17

4

GK

72

4

GM

40

5

GG

17

3

GK

27

9

GK

72

3A

GK

41

0

GF

70

1

GG

70

6

GK

26

2A

GK

27

7

GR

13

8

GV

10

9

GK

72

2A

GG

70

7

GJ

12

1

GK

28

4

GM

40

4A

GM

40

6

GK

27

2A

STANDARDS 1998

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YG

S7

00

1A

L

GN

90

4

GK

28

1A

GB

18

7

YS

G1

04

B

GB

90

3A

GK

28

2A

GK

27

3A

YL

S1

00

6

YS

G1

02

B

GK

72

9A

GK

27

8A

YG

S7

00

2

YS

G1

03

B

GK

40

9A

GK

72

8A

YG

S7

09

A

YS

S1

08

B

GK

28

0

GK

27

4A

YG

S7

10

A

YL

G1

09

GG

17

5

GM

14

5A

YG

G7

03

YL

G11

0B

GK

90

6

GR

70

2A

YL

G111

GN

40

5A

STANDARDS 1998

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LK

16

5

YD

S1

00

6

YC

S4

08

YL

S11

0

LB

14

6

YD

S4

00

1

YC

S4

00

1

YS

G1

05

M

LB

14

7

YD

S4

00

3

YG

S1

00

6M

YG

S7

12

LK

16

4

YD

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STANDARDS 1998

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STANDARDS 1998

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 1999

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2000

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STANDARDS 2001

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STANDARDS 2001

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STANDARDS 2001

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GV

11

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34

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12

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34

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35

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33

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19

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20

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34

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19

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74

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42

3

GK

42

6

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14

3

GK

33

6A

STANDARDS 2001

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YG

S11

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STANDARDS 2001

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YK

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YG

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STANDARDS 2001

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SU

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STANDARDS 2001

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SU

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STANDARDS 2001

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SY

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STANDARDS 2002

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SF

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GK

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STANDARDS 2002

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GN

20

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GK

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STANDARDS 2002

GK

38

7

GK

38

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YS

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STANDARDS 2002

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STANDARDS 2002

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SIN

10

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STANDARDS 2002

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STANDARDS 2002

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STANDARDS 2002

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GUIDE FOR PROSPECTIVE BUYERS

BUYING AT AUCTION

The following pages are designed to offer you information on how to buy at auction at Phillips

de Pury & Company Hong Kong Ltd. Our staff will be happy to assist you.

CONDITIONS OF SALE

The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the

auction. Bidders are strongly encouraged to read them as they outline the legal relationship

between Phillips de Pury & Company Hong Kong Ltd, the seller and the buyer and describe the

terms upon which property is bought at auction. Please be advised that Phillips de Pury &

Company Hong Kong Ltd generally acts as agent for the seller.

BUYER’S PREMIUM

Phillips de Pury & Company Hong Kong Ltd charges the successful bidder a commission, or

buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the

buyer as part of the total purchase price at the following rates: 25% of the hammer price up to

and including HK$400,000, 20% of the portion of the hammer price above HK$400,000 up to and

including HK$8,000,000, and 12% of the portion of the hammer price above HK$8,000,000.

1. PRIOR TO THE AUCTION

Catalogue Subscriptions

If you would like to purchase a catalogue for this auction or any other Phillips de Pury &

Company Hong Kong Ltd auction, please contact us at +44 20 7318 4010 or +1 212 940 1240.

Pre-Sale Estimates

Pre-sale estimates are intended as a guide for prospective buyers. Any bid within the high and

low estimate range should, in our opinion, offer a chance of success. However, many lots achieve

prices below or above the pre-sale estimates. Where ‘Estimate on Request’ appears, please

contact the specialist department for further information. It is advisable to contact us closer to

the time of the auction as estimates can be subject to revision. Pre-sale estimates do not

include the buyer’s premium.

Pre-Sale Estimates in US Dollars and Swiss Francs

Although the sale is conducted in Hong Kong Dollars, the pre-sale estimates in the auction

catalogues may also be printed in US dollars and/or Swiss Francs. Since the exchange rate is

that at the time of catalogue production and not at the date of auction, you should treat

estimates in US dollars or Swiss Francs as a guide only.

Catalogue Entries

Phillips de Pury & Company Hong Kong Ltd may print in the catalogue entry the history of

ownership of a lot, as well as the exhibition history of the lot and references to the lot in art

publications. While we are careful in the cataloguing process, provenance, exhibition and

literature references may not be exhaustive and in some cases we may intentionally refrain from

disclosing the identity of previous owners. Please note that all dimensions of lots set forth in the

catalogue entry are approximate.

Condition of Lots

The absence of reference to the condition of a lot in the catalogue entry does not imply that the

lot is free from faults or imperfections. Solely as a convenience to prospective buyers, upon

request Phillips de Pury & Company Hong Kong Ltd may provide a written report on the

condition of a lot. In preparing a condition report, our specialists assess the condition of the lot

in a manner appropriate to the estimated value of the lot and the nature of the auction in which it

is included. While condition reports are prepared honestly and carefully, our staff are not

professional restorers or trained conservators. We therefore encourage all prospective buyers to

inspect lots at the pre-sale exhibitions and recommend to prospective buyers, particularly in the

case of any lot of significant value, that they retain their own restorer or professional advisor to

report to them on the property’s condition prior to bidding. Any prospective buyer of

photographs or prints should always request a condition report because all such property is sold

unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips de

Pury & Company Hong Kong Ltd accepts no liability for the condition of the frame. If we sell any

lot unframed, we will be pleased to refer the buyer to a professional framer.

Pre-Auction Viewing

Pre-auction viewings are open to the public and free of charge. Our specialists are available to

answer questions and provide condition reports during pre-auction viewings or by appointment.

Electrical and Mechanical Lots

All lots with electrical and/or mechanical features are sold on the basis of their decorative value

only and should not be assumed to be operative. It is essential that, prior to any intended use,

the electrical system is verified and approved by a qualified electrician.

Symbol Key

The following key explains the symbols you may see inside this catalogue:

• No Reserve

Unless indicated by a •, all lots in this catalogue are offered subject to a reserve. A reserve is

the confidential value established between Phillips de Pury & Company Hong Kong Ltd and the

seller and below which a lot may not be sold. The reserve for each lot is generally set at a

percentage of the low estimate. The reserve placed on a lot will not exceed the low pre-

sale estimate of the lot.

∑ Endangered Species

Lots with this symbol may require an export, import or endangered species license or permit.

Please refer to Paragraph 4 of the Guide for Prospective Buyers and Paragraph 11 of the

Conditions of Sale.

The buyer’s inability to import any item into the United States or the European Union or any

other country as a result of these or other restrictions shall not justify cancellation or rescission

of the sale or any delay in payment. Please check with the specialist department if you are

uncertain as to whether a lot is subject to these import restrictions, or any other restrictions on

importation or exportation.

∞ Large quantity item

Lots with this symbol may, in our opinion, require special handling or shipping services due to

size or other physical considerations. Bidders are advised to inspect the lot and to contact

Phillips de Pury & Company Hong Kong Ltd prior to the sale to discuss any specific

shipping requirements.

2. BIDDING IN THE AUCTION

Bidding at Auction

Attending the auction is BY INVITATION only. If you wish to bid in person at the auction, please

contact the Bid Department by telephone on +44 20 7318 4035 or by email at bids@phillipsdepury.

com.

Bids may be executed during the auction in person by paddle or by telephone, or prior to the sale

in writing by absentee bid or through Live Auctioneers. Please see the front of the catalogue for

further details.

Proof of identity in the form of government-issued identification will be required,

as will an original signature. We may also require that you furnish us with a bank reference.

Phillips de Pury & Company Hong Kong Ltd will decide in their own discretion whether to accept

the participation of any bidder in the auction, and their decision is final. We recommend that if

you are a new client, you complete and return the pre-registration form or absentee or telephone

bid form in this catalogue in the manner required therein or contact Phillips de Pury & Company

Hong Kong Ltd at least 3 working days prior to the auction in order to process the pre-

registration. Please bear in mind that we are unable to obtain financial references over

weekends or public holidays.

Bidding in Person

To bid in person, you will need to register for and collect a paddle before the auction begins. To

register, please contact the Bid Department by telephone on +44 20 7318 4035 or by email at

[email protected].

All lots sold will be invoiced to the name and address to which the paddle has been registered.

Invoices cannot be addressed to a person other than the person who registered for the paddle,

at the address given on the in-person registration form. Please do not misplace your paddle. In

the event you lose it, please inform a Phillips de Pury & Company Hong Kong Ltd staff member

immediately. At the end of the auction, please return your paddle to the registration desk.

Bidding by Telephone

If you cannot attend the auction, you may bid live on the telephone with one of our multilingual

staff members. This service must be arranged at least 24 hours in advance of the start of the

auction and is available for lots whose low pre-sale estimate is at least HK$6,000. Please

contact the Bid Department by telephone on +44 20 7318 4035 or by email at bids@phillipsdepury.

com if you would like to register to bid on the telephone.

Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of

your conversation. We suggest that in advance of the auction, you leave a maximum bid,

excluding the buyer’s premium, which we can execute on your behalf in the event we are unable

to reach you by telephone.

Absentee Bids

If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury &

Company Hong Kong Ltd will be happy to execute written bids on your behalf. A bidding form

can be found at the back of this catalogue. This service is free and confidential. Bids must be

placed in Hong Kong dollars. Our staff will attempt to execute an absentee bid at the lowest

possible price taking into account the reserve and other bidders. Always indicate a maximum

bid, excluding the buyer’s premium. Unlimited bids will not be accepted. Any absentee bid must

be received at least 24 hours in advance of the start of the auction. In the event of identical bids,

the earliest bid received by Phillips de Pury & Company Hong Kong Ltd will take precedence.

Please contact the Bid Department by telephone on +44 20 7318 4035 or by email at bids@

phillipsdepury.com if you would like to submit an absentee bid.

Online Bidding

Online bidding will be available through Live Auctioneers. Please refer to the front of the

catalogue for further details.

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Employee Bidding

Employees of Phillips de Pury & Company Hong Kong Ltd and our affiliated companies,

including the auctioneer, may bid at the auction by placing absentee bids so long as they do not

know the reserve when submitting their absentee bids and otherwise comply with our employee

bidding procedures.

3. THE AUCTION

Conditions of Sale

The auction is governed by the Conditions of Sale and Authorship Warranty printed in the

catalogue. All prospective bidders should read them carefully. They may be amended by

saleroom notice or auctioneer’s announcement.

Interested Parties Announcement

In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot,

such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party

providing or participating in a guarantee on the lot, Phillips de Pury & Company Hong Kong Ltd

will make an announcement in the saleroom that interested parties may bid on the lot.

Consecutive and Responsive Bidding

The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.

The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing

consecutive bids or bids in response to other bidders.

4. AFTER THE AUCTION

Payment

Buyers are required to pay for purchases immediately following the auction unless other

arrangements have been agreed with Phillips de Pury & Company Hong Kong Ltd in writing in

advance of the auction. Payments must be made in Hong Kong dollars either by cash or wire-

transfers. It is our corporate policy not to make or accept single or multiple payments in cash or

cash equivalents in excess of HK$80,000.

Invoicing

All lots sold will be invoiced to the name and address to which the paddle has been registered.

Invoices cannot be addressed to a person other than the person registered to bid, at the address

given at the time of registration.

Collection

It is our policy to request proof of identity on collection of a lot. A lot will be released to the

buyer or the buyer’s authorized representative when Phillips de Pury & Company Hong Kong Ltd

has received full and cleared payment and we are not owed any other amount by the buyer. After

the auction, we will transfer all lots to Malca-Almit HK and will so advise all buyers. If you are in

doubt about the location of your purchase, please contact the Shipping Department prior to

arranging collection. We will levy removal, interest, storage and handling charges on

uncollected lots.

Loss or Damage

Buyers are reminded that Phillips de Pury & Company Hong Kong Ltd accepts liability for loss or

damage to lots for a maximum of five days following the auction.

Transport and Shipping

We do not provide packing, handling or shipping services directly. However, we will coordinate

with shipping agents instructed by you in order to facilitate the packing, handling and shipping

of property purchased at Phillips de Pury & Company Hong Kong Ltd. Please refer to Paragraph

7 of the Conditions of Sale for more information.

Export and Import Licences

Before bidding on a lot, prospective bidders are advised to make independent enquiries as to

whether a licence is required to export the property or to import it into another country. It is the

buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary

licences or permits. The denial of any required licence or permit or any delay in obtaining such

documentation will not justify the cancellation of the sale or any delay in making full payment for

the lot.

Endangered Species

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may

require a licence or certificate prior to exportation and additional licences or certificates upon

importation or exportation.. Please note that the ability to obtain an export licence or certificate

does not ensure the ability to obtain an import licence or certificate in another country, and vice

versa. We suggest that prospective bidders check with their own government regarding wildlife

import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any

necessary export or import licences or certificates as well as any other required documentation.

The denial of any required licence or certificate or any delay in obtaining such documentation

will not justify the cancellation of the sale or any delay in making full payment for the lot.

Important Notices for Prospective Buyers of Watches

Phillips de Pury & Company Hong Kong Ltd makes no representation or warranty that any watch

is in working order, and no catalogue description of any lot should be construed as so stating.

Prospective buyers are advised to have watches checked by a competent watchmaker before

use. As a service to prospective buyers, we may provide a description of the condition of

watches in the catalogue entry, including references to defects and repairs, and furnish a

condition report, but such information is not necessarily complete and may not specify all

mechanical replacements, restoration or defects. Please note that Phillips de Pury & Company

Hong Kong Ltd does not guarantee the authenticity of any individual component parts such as

wheels, hands, crowns, crystals, screws, bracelets and leather bands, since prior repairs and

restoration work may have resulted in the replacement of original parts. Prospective buyers

should inspect all watches prior to the auction to evaluate the condition of property offered for

sale.

Exportation of watch bands incorporating material from endangered species

Some of the watches offered for sale in this catalogue may have bands made of endangered or

protected animal materials such as alligator or crocodile and may not lawfully be exported or

imported without a CITES permit. These lots are marked with ∑ in the catalogue. Accordingly, for

purchased watches that are to be shipped out of the sale site for delivery, Phillips de Pury &

Company Hong Kong Ltd may need to remove and retain the band before shipping the watch

and buckle.

© Phillips de Pury & Company Hong Kong Limited, 2011

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CONDITIONS OF SALE

The Conditions of Sale and Authorship Warranty set forth below govern the relationship

between bidders and buyers, on the one hand, and Phillips de Pury & Company Hong Kong

Limited and sellers, on the other hand. All prospective buyers should read these Conditions

of Sale and Authorship Warranty carefully before bidding.

1. INTRODUCTION

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale

and Authorship Warranty; (b) additional notices and terms printed in other places in this

catalogue, including the Guide for Prospective Buyers, and (c) supplements to this

catalogue or other written material posted by Phillips de Pury & Company Hong Kong Ltd in

the saleroom, in each case as amended by any notice or announcement by the auctioneer

prior to the auction.

By bidding at the auction, whether in person, through an agent, by written bid, by telephone

bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as

so changed or supplemented, and Authorship Warranty.

These Conditions of Sale, as so changed or supplemented, and the Authorship Warranty

contain all the terms on which Phillips de Pury & Company Hong Kong Ltd and the seller

contract with the buyer.

In these Conditions of Sale and Authorship Warranty, Phillips de Pury & Company Hong

Kong Ltd, “we”, “our” and “us” shall mean Phillips de Pury & Company Hong Kong Limited.

2. PHILLIPS DE PURY & COMPANY HONG KONG LTD AS AGENT

Phillips de Pury & Company Hong Kong Ltd acts as an agent for the seller, unless otherwise

indicated in this catalogue or at the time of auction. On occasion, Phillips de Pury &

Company Hong Kong Ltd may own a lot, in which case we will act in a principal capacity as a

consignor, or we may have a legal, beneficial or financial interest in a lot as a secured

creditor or otherwise.

3. CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY

Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless

such description is changed or supplemented, as provided in Paragraph 1 above) and in the

condition that they are in at the time of the sale on the following basis.

(a) The knowledge of Phillips de Pury & Company Hong Kong Ltd in relation to each lot is

partially dependent on information provided to us by the seller, and Phillips de Pury &

Company Hong Kong Ltd is not able to and does not carry out exhaustive due diligence on

each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying

out inspections and investigations to satisfy themselves as to the lots in which they may be

interested. Notwithstanding the foregoing, we shall exercise such reasonable care when

making express statements in catalogue descriptions or condition reports as is consistent

with our role as auctioneer of lots in this sale and in light of (i) the information provided to

us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted

opinions of relevant experts, in each case at the time any such express statement is made.

(b) Each lot offered for sale at Phillips de Pury & Company Hong Kong Ltd is available for

inspection by prospective buyers prior to the auction. Phillips de Pury & Company Hong

Kong Ltd accepts bids on lots on the basis that bidders (and independent experts on their

behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own

expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to

both the condition of the lot and the accuracy of its description.

(c) Prospective buyers acknowledge that many lots are of an age and type which means that

they are not in perfect condition. As a courtesy to prospective buyers, Phillips de Pury &

Company Hong Kong Ltd may prepare and provide condition reports to assist prospective

buyers when they are inspecting lots. Catalogue descriptions and condition reports may

make reference to particular imperfections of a lot, but bidders should note that lots may

have other faults not expressly referred to in the catalogue or condition report. All

dimensions are approximate. Illustrations are for identification purposes only and cannot

be used as precise indications of size or to convey full information as to the actual condition

of lots.

(d) Information provided to prospective buyers in respect of any lot, including any pre-sale

estimate, whether written or oral, and information in any catalogue, condition or other

report, commentary or valuation, is not a representation of fact but rather a statement of

opinion held by Phillips de Pury & Company Hong Kong Ltd. Any pre-sale estimate may not

be relied on as a prediction of the sale price or value of the lot. Pre-sale estimates may be

revised from time to time by Phillips de Pury & Company Hong Kong Ltd at our absolute

discretion. Neither Phillips de Pury & Company Hong Kong Ltd nor any of our affiliated

companies shall be liable for any difference between the pre-sale estimates of any lot and

the actual price achieved at auction or upon resale.

4. BIDDING AT AUCTION

(a) Phillips de Pury & Company Hong Kong Ltd has absolute discretion to refuse admission

to the auction or participation in the sale. All bidders must register for a paddle prior to

bidding, and supply such information and references as required by Phillips de Pury

& Company.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury &

Company Hong Kong Ltd may, if so instructed by the bidder, execute written absentee bids

on a bidder’s behalf. Absentee bidders are required to submit bids on the ‘Absentee Bid

Form’, a copy of which is printed in this catalogue or otherwise available from Phillips de

Pury & Company Hong Kong Ltd. Bids must be placed in the currency of the sale. The bidder

must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s

premium. The auctioneer will not accept an instruction to execute an absentee bid which

does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at

the lowest possible price taking into account the reserve and other bidders. Any absentee

bid must be received at least 24 hours in advance of the start of the auction. In the event of

identical bids, the earliest bid received by Phillips de Pury & Company Hong Kong Ltd will

take precedence.

(c) Telephone bidders are required to submit bids on the ‘Telephone Bid Form’, a copy of

which is printed in this catalogue or otherwise available from Phillips de Pury & Company

Hong Kong Ltd. Telephone bidding is available for lots whose low pre-sale estimate is at

least HK$6,000. Phillips de Pury & Company Hong Kong Ltd reserves the right to require

written confirmation of a successful bid from a telephone bidder by fax or otherwise

immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded

and, by bidding on the telephone, a bidder consents to the recording of the conversation.

(d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder

accepts personal liability to pay the purchase price, as described more fully in Paragraph

6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing

with Phillips de Pury & Company Hong Kong Ltd before the commencement of the auction

that the bidder is acting as agent on behalf of an identified third party acceptable to Phillips

de Pury & Company Hong Kong Ltd and that we will only look to the principal for

such payment.

(e) Arranging absentee and telephone bids is a free service provided by Phillips de Pury &

Company Hong Kong Ltd to prospective buyers. While we undertake to exercise reasonable

care in undertaking such activity, we cannot accept liability for failure to execute such bids

except where such failure is caused by our wilful misconduct.

(f) Employees of Phillips de Pury & Company Hong Kong Ltd and our affiliated companies,

including the auctioneer, may bid at the auction by placing absentee bids so long as they do

not know the reserve when submitting their absentee bids and otherwise comply with our

employee bidding procedures.

5. CONDUCT OF THE AUCTION

(a) Unless otherwise indicated by the symbol •, each lot is offered subject to a reserve,

which is the confidential minimum hammer price agreed by Phillips de Pury & Company

Hong Kong Ltd with the seller. The reserve placed on a lot will not exceed the low pre-sale

estimate of the lot at the time of the auction.

(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a

lot for sale (including after the fall of the hammer) if he or she believes there may be error or

dispute and take such other action as he or she deems reasonably appropriate.

(c) The auctioneer will commence and advance the bidding at levels and in increments he or

she considers appropriate. In order to protect the reserve on a lot, the auctioneer may place

one or more bids on behalf of the seller up to the reserve without indicating he or she is

doing so, either by placing consecutive bids or bids in response to other bidders.

(d) The sale will be conducted in HK dollars and payment is due in HK dollars. For the

benefit of international clients, pre-sale estimates in the auction catalogue may be shown in

US dollars and Swiss Francs and, if so, will reflect approximate exchange rates.

Accordingly, pre-sale estimates in currencies other than HK dollars should be treated only

as a guide.

(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the

auctioneer will be the buyer. The striking of the hammer marks the acceptance of the

highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk

and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’, ‘withdrawn’,

‘returned to owner’ or ‘bought-in’.

(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of

Sale and Authorship Warranty as if sold in the auction.

6. PURCHASE PRICE AND PAYMENT

(a) The buyer agrees to pay Phillips de Pury & Company Hong Kong Ltd, in addition to the

hammer price of the lot, the buyer’s premium (together, the ‘Purchase Price’). The buyer’s

premium is 25% of the hammer price up to and including HK$400,000, 20% of the portion of

the hammer price above HK$400,000 up to and including HK$8,000,000 and 12% of the

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portion of the hammer price above HK$8,000,000. Phillips de Pury & Company Hong Kong

Ltd reserves the right to pay from our compensation an introductory commission to one or

more third parties for assisting in the sale of property offered and sold at auction.

(b) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately

following the auction regardless of any intention to obtain an export or import licence or

other permit for such lot. Payments must be made by the invoiced party in HK dollars either

by cash or wire transfer, as follows:

(i) Phillips de Pury & Company Hong Kong Ltd will accept payment in cash provided that the

total amount paid in cash or cash equivalents does not exceed HK$80,000.

(ii) Payment by wire transfer may be sent directly to Phillips de Pury & Company Hong

Kong Ltd. Bank transfer details will be provided on the invoice.

(c) Title in a purchased lot will not pass until Phillips de Pury & Company Hong Kong Ltd has

received the Purchase Price for that lot in cleared funds. Phillips de Pury & Company Hong

Kong Ltd is not obliged to release a lot to the buyer until title in the lot has passed and

appropriate identification has been provided, and any earlier release does not affect the

passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

7. COLLECTION OF PROPERTY

(a) Phillips de Pury & Company Hong Kong Ltd will not release a lot to the buyer until we

have received payment of its Purchase Price in full in cleared funds, the buyer has paid all

outstanding amounts due to Phillips de Pury & Company Hong Kong Ltd or any of our

affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and

the buyer has satisfied such other terms as we in our sole discretion shall require, including

completing any anti-money laundering or anti-terrorism financing checks. As soon as a

buyer has satisfied all of the foregoing conditions, he or she should contact us to arrange

collection of the purchased lots.

(b) The buyer must arrange collection of a purchased lot within five days of the date of the

auction. After the auction, we will transfer all lots to our fine art storage facility located at

Malca-Amit Far East Ltd, Hong Kong and will so advise all buyers. Purchased lots are at the

buyer’s risk, including the responsibility for insurance, from (i) the date of collection by the

buyer or (ii) five days after the auction, whichever is the earlier. Until risk passes, Phillips de

Pury & Company Hong Kong Ltd will compensate the buyer for any loss or damage to a

purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions

for loss or damage to property.

(c) We do not provide packing, handling, insurance or shipping services. We will coordinate

with shipping agents instructed by the buyer, whether or not recommended by Phillips de

Pury & Company Hong Kong Ltd, in order to facilitate the packing, handling, insurance and

shipping of property bought at Phillips de Pury & Company Hong Kong Ltd. Any such

instruction is entirely at the buyer’s risk and responsibility, and we will not be liable for acts

or omissions of third party packers or shippers.

(d) Phillips de Pury & Company Hong Kong Ltd will require presentation of government-

issued identification prior to release of a lot to the buyer or the buyer’s

authorized representative.

8. FAILURE TO COLLECT PURCHASES

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 5 days of

the auction, the buyer will incur a late collection fee of will incur a late collection fee of

HK$1,200 per day and pro rated insurance charges of 0.1% of the Purchase Price per month

on each uncollected lot. Additional charges may apply to larger lots.

(b) If a purchased lot is paid for but not collected within six months of the auction, the buyer

authorizes Phillips de Pury & Company Hong Kong Ltd, upon notice, to arrange a resale of

the lot by auction or private sale, with estimates and a reserve set by Phillips de Pury &

Company Hong Kong Ltd in our reasonable discretion. The proceeds of such sale will be

applied to pay for storage charges and any other outstanding costs and expenses owed by

the buyer to Phillips de Pury & Company Hong Kong Ltd or our affiliated companies and the

remainder will be forfeited unless collected by the buyer within two years of the

original auction.

9. REMEDIES FOR NON-PAYMENT

(a) Without prejudice to any rights the seller may have, if the buyer without prior agreement

fails to make payment of the Purchase Price for a lot in cleared funds within five days of the

auction, Phillips de Pury & Company Hong Kong Ltd may in our sole discretion exercise one

or more of the following remedies: (i) store the lot at Phillips de Pury & Company Hong Kong

Ltd’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the sale of the

lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject

future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge

interest at 12% per annum from the date payment became due until the date the Purchase

Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over

any of the buyer’s property which is in the possession of Phillips de Pury & Company Hong

Kong Ltd and instruct our affiliated companies to exercise a lien over any of the buyer’s

property which is in their possession and, in each case, no earlier than 30 days from the date

of such notice arrange the sale of such property and apply the proceeds to the amount owed

to Phillips de Pury & Company Hong Kong Ltd or any of our affiliated companies after the

deduction from sale proceeds of our standard vendor’s commission, all sale related

expenses and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with

estimates and a reserve set at Phillips de Pury & Company Hong Kong Ltd’s reasonable

discretion, it being understood that in the event such resale is for less than the original

hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall

together with all costs incurred in such resale; (vii) commence legal proceedings to recover

the hammer price and buyer’s premium for that lot, together with interest and the costs of

such proceedings; or (viii) release the name and address of the buyer to the seller to enable

the seller to commence legal proceedings to recover the amounts due and legal costs.

(b) The buyer irrevocably authorizes Phillips de Pury & Company Hong Kong Ltd to exercise a

lien over the buyer’s property which is in our possession upon notification by any of our

affiliated companies that the buyer is in default of payment. Phillips de Pury & Company Hong

Kong Ltd will notify the buyer of any such lien. The buyer irrevocably authorizes Phillips de

Pury & Company Hong Kong Ltd, upon notification by any of our affiliated companies that the

buyer is in default of payment, to pledge the buyer’s property in our possession by actual or

constructive delivery to our affiliated company as security for the payment of any outstanding

amount due. Phillips de Pury & Company Hong Kong Ltd will notify the buyer if the buyer’s

property has been delivered to an affiliated company by way of pledge.

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de Pury &

Company Hong Kong Ltd to instruct any of our affiliated companies in possession of the

buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third party

instructed by Phillips de Pury & Company Hong Kong Ltd to hold the property on our behalf

as security for the payment of the Purchase Price and any other amount due and, no earlier

than 30 days from the date of written notice to the buyer, to sell the property in such manner

and for such consideration as can reasonably be obtained on a forced sale basis and to

apply the proceeds to any amount owed to Phillips de Pury & Company Hong Kong Ltd or

any of our affiliated companies after the deduction from sale proceeds of our standard

vendor’s commission, all sale-related expenses and any applicable taxes thereon.

10. RESCISSION BY PHILLIPS DE PURY & COMPANY HONG KONG LTD

Phillips de Pury & Company Hong Kong Ltd shall have the right, but not the obligation, to

rescind a sale without notice to the buyer if we reasonably believe that there is a material

breach of the seller’s representations and warranties or the Authorship Warranty or an

adverse claim is made by a third party. Upon notice of Phillips de Pury & Company Hong

Kong Ltd’s election to rescind the sale, the buyer will promptly return the lot to Phillips de

Pury & Company Hong Kong Ltd, and we will then refund the Purchase Price paid to us. As

described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and

recourse of the buyer against Phillips de Pury & Company Hong Kong Ltd and the seller with

respect to such rescinded sale.

11. EXPORT, IMPORT AND ENDANGERED SPECIES LICENCES AND PERMITS

Before bidding for any property, prospective buyers are advised to make their own enquiries

as to whether a licence is required to export a lot from Hong Kong or to import it into

another country. Prospective buyers are advised that some countries prohibit the export

and import of property made of or incorporating plant or animal material, such as coral,

crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age,

percentage or value. Accordingly, prior to bidding, prospective buyers considering export

of purchased lots should familiarize themselves with relevant export and import regulations

of the countries concerned. It is solely the buyer’s responsibility to comply with these laws

and to obtain any necessary export, import and endangered species licences or permits.

Failure to obtain a licence or permit or delay in so doing will not justify the cancellation of

the sale or any delay in making full payment for the lot.

12. DATA PROTECTION

(a) In connection with the management and operation of our business and the marketing

and supply of auction related services, or as required by law, we may ask buyers and

prospective buyers to provide personal information about themselves or obtain information

about them from third parties (e.g. credit agencies). If buyers and prospective buyers

provide us with information that is defined by law as ‘personal data’, they agree that Phillips

de Pury & Company Hong Kong Ltd and our affiliated companies may use it for the above

purposes. Phillips de Pury & Company Hong Kong Ltd and our affiliated companies will not

use or process sensitive information for any other purpose without the buyer and

prospective buyer’s express consent. If you would like further information on our policies

on personal data or wish to make corrections to your information, please contact us at +44

20 7318 4010.

(b) In order to provide services, Phillips de Pury & Company Hong Kong Ltd may disclose

buyers and prospective buyers’ personal information to third parties such as shippers. By

agreeing to these Conditions of Sale, buyers and prospective buyers agree to such

disclosure. Not all countries offer the same legal protection of personal information. It is

Phillips de Pury & Company Hong Kong Ltd’s policy to require that any such third parties

respect the privacy and confidentiality of our clients’ information.

13. LIMITATION OF LIABILITY

(a) Subject to sub-paragraph (e) below, the total liability of Phillips de Pury & Company

Hong Kong Ltd, our affiliated companies and the seller in connection with the sale of a lot

shall be limited to the Purchase Price actually paid by the buyer for the lot.

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(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company

Hong Kong Ltd, any of our affiliated companies or the seller (i) is liable for any errors or

omissions, whether orally or in writing, in information provided to buyers and prospective

buyers by Phillips de Pury & Company Hong Kong Ltd or any of our affiliated companies or

(ii) accepts responsibility to any buyers and prospective buyers in respect of acts or

omissions, whether negligent or otherwise, by Phillips de Pury & Company Hong Kong Ltd

or any of our affiliated companies in connection with the conduct of the auction or for any

other matter relating to the sale of any lot.

(c) All warranties other than the Authorship Warranty, express or implied, including any

warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips

de Pury & Company Hong Kong Ltd, our affiliated companies and the seller to the fullest

extent permitted by law.

(d) Subject to sub-paragraph (e) below, none of Phillips de Pury & Company Hong Kong Ltd,

any of our affiliated companies or the seller shall be liable to the buyer for any loss or

damage beyond the refund of the Purchase Price referred to in sub-paragraph (a) above,

whether such loss or damage is characterised as direct, indirect, special, incidental or

consequential, or for the payment of interest on the Purchase Price to the fullest extent

permitted by law.

(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability

of Phillips de Pury & Company Hong Kong Ltd or any of our affiliated companies to the

buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in

respect of death or personal injury caused by our negligent acts or omissions.

14. COPYRIGHT

The copyright in all images, illustrations and written materials produced by or for Phillips

de Pury & Company Hong Kong Ltd relating to a lot, including the contents of this

catalogue, is and shall remain at all times the property of Phillips de Pury & Company Hong

Kong Ltd and, subject to the provisions of the Copyright Ordinance (Cap 528), such images

and materials may not be used by the buyer or any other party without our prior written

consent. Phillips de Pury & Company Hong Kong Ltd and the seller make no representations

or warranties that the buyer of a lot will acquire any copyright or other intellectual property

rights in the lot.

15. GENERAL

(a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1

above, and the Authorship Warranty together set out the entire agreement between the

parties with respect to the transactions contemplated herein and supersede all prior and

contemporaneous written, oral or implied understandings, representations

and agreements.

(b) Notices to Phillips de Pury & Company Hong Kong Ltd shall be in writing and addressed

to the department in charge of the sale, quoting the reference number specified at the

beginning of the sale catalogue. Notices to clients shall be addressed to the last address

notified by them in writing to Phillips de Pury & Company.

(c) These Conditions of Sale are not assignable by any buyer without our prior written

consent but are binding on the buyer’s successors, assigns and representatives.

(d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable

for any reason, the remaining provisions shall remain in full force and effect. No failure by

any party to exercise, nor any delay in exercising, any right or remedy under these

Conditions of Sale shall act as a waiver or release thereof in whole or in part.

(e) A translation of the Conditions of Sale and the Authorship Warranty in Chinese is

provided as a guide only. The English version of the Conditions of Sale and the Authorship

Warranty shall prevail in the event of a conflict with the Chinese translation.

16. LAW AND JURISDICTION

(a) The rights and obligations of the parties with respect to these Conditions of Sale and

Authorship Warranty, the conduct of the auction and any matters related to any of the

foregoing shall be governed by and interpreted in accordance with Hong Kong law.

(b) For the benefit of Phillips de Pury & Company Hong Kong Ltd, buyers and prospective

buyers agree that the Courts of Hong Kong are to have exclusive jurisdiction to settle all

disputes arising in connection with all aspects of all matters or transactions to which these

Conditions of Sale and Authorship Warranty relate or apply. Buyers and prospective buyers

agree that Phillips de Pury & Company Hong Kong Ltd shall retain the right to bring

proceedings in any court other than the Courts of Hong Kong.

(c) Buyers and prospective buyers irrevocably consent to service of process or any other

documents in connection with proceedings in any court by facsimile transmission, personal

service, delivery by mail or in any other manner permitted by Hong Kong law, the law of the

place of service or the law of the jurisdiction where proceedings are instituted, at the last

address of the buyer and prospective buyer known to Phillips de Pury & Company.

SPECIAL CONDITIONS APPLICABLE TO BIDDERS AND BUYERS OF WATCHES

Phillips de Pury & Company Hong Kong Ltd makes no representation or warranty that any

watch is in working order, and no catalogue description of any lot should be construed as so

stating. Prospective buyers are advised to have watches checked by a competent

watchmaker before use. As a service to prospective buyers, we may provide a description of

the condition of watches in the catalogue entry, including references to defects and repairs,

and furnish a condition report, but such information is not necessarily complete and may

not specify all mechanical replacements, restoration or defects. Phillips de Pury &

Company Hong Kong Ltd does not guarantee the authenticity of any individual component

parts such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since

prior repairs and restoration work may have resulted in the replacement of original parts.

Prospective buyers should inspect all watches prior to the auction to evaluate the condition

of watches offered for sale.

Exportation of watch bands incorporating material from endangered species

Watches offered for sale in this catalogue may have bands made of endangered or

protected animal materials such as alligator or crocodile and may not lawfully be exported

and imported without a CITES permit. These lots are marked with ∑ in the catalogue.

Phillips de Pury & Company Hong Kong Ltd may need to remove and retain the band before

shipping the watch and buckle from Hong Kong for delivery to the buyer.

AUTHORSHIP WARRANTYPhillips de Pury & Company Hong Kong Ltd warrants the authorship of property in this

auction catalogue for a period of five years from date of sale by Phillips de Pury & Company

Hong Kong Ltd, subject to the exclusions and limitations set forth below.

(a) Phillips de Pury & Company Hong Kong Ltd gives this Authorship Warranty only to the

original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship

Warranty does not extend to (i) subsequent owners of the property, including purchasers or

recipients by way of gift from the original buyer, heirs, successors, beneficiaries and

assigns; (ii) property where the description in the catalogue states that there is a conflict of

opinion on the authorship of the property; (iii) property where our attribution of authorship

was on the date of sale consistent with the generally accepted opinions of specialists,

scholars or other experts; (iv) property whose description or dating is proved inaccurate by

means of scientific methods or tests not generally accepted for use at the time of the

publication of the catalogue or which were at such time deemed unreasonably expensive or

impractical to use or likely in our reasonable opinion to have caused damage or loss in value

to the lot; or (v) there has been no material loss in value of the lot from its value had it been

as described in the heading of the catalogue entry.

(b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company Hong

Kong Ltd reserves the right, as a condition to rescinding any sale under this warranty, to

require the buyer to provide to us at the buyer’s expense the written opinions of two

recognized experts approved in advance by Phillips de Pury & Company Hong Kong Ltd. We

shall not be bound by any expert report produced by the buyer and reserve the right to

consult our own experts at our expense. If Phillips de Pury & Company Hong Kong Ltd

agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the

reasonable costs charged by the experts commissioned by the buyer and approved in

advance by us.

(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a

claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips

de Pury & Company Hong Kong Ltd in writing within three months of receiving any

information which causes the buyer to question the authorship of the lot, specifying the

auction in which the property was included, the lot number in the auction catalogue and the

reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to

Phillips de Pury & Company Hong Kong Ltd in the same condition as at the time of its

auction and is able to transfer good and marketable title in the lot free from any third party

claim arising after the date of the auction.

(d) The buyer understands and agrees that the exclusive remedy for any breach of the

Authorship Warranty shall be rescission of the sale and refund of the original Purchase

Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against

Phillips de Pury & Company Hong Kong Ltd, any of our affiliated companies and the seller

and is in lieu of any other remedy available as a matter of law. This means that none of

Phillips de Pury & Company Hong Kong Ltd, any of our affiliated companies or the seller

shall be liable for loss or damage beyond the remedy expressly provided in this Authorship

Warranty, whether such loss or damage is characterized as direct, indirect, special,

incidental or consequential, or for the payment of interest on the original Purchase Price.

© Phillips de Pury & Company Hong Kong Limited, 2011

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給准買家之指引

於拍賣會上購買下文旨在給予閣下有關如何在PHILLIPS DE PURY & COMPANY HONG

KONG LTD拍賣會上競買之資訊。我們的職員非常樂意協助閣下相關之事

宜。

業務規則拍賣會受本圖錄後所載的業務規則及保證書條款所規限。因該等資料明

晰了Phillips de Pury & Company Hong Kong Ltd、賣方與買家之間的法律

關係,以及釋明拍賣會上所購買拍賣品適用之規則,閣下務須詳閱該等

文件。並須注意Phillips de Pury & Company Hong Kong Ltd通常乃為賣方行

事。

買家支付之酬金PHILLIPS DE PURY & COMPANY HONG KONG LTD依照已售拍賣品

之“成交價”收取成功競投人之傭金或買家支付之酬金。拍賣品“成交

價”為400,000港元或以下,酬金以“成交價”之25%計算;超過400,000

至8,000,000港元之部分,則以20%計算;超過8,000, 000港元之部分,則

以12%計算。

1. 拍賣前

訂閱圖錄

閣下如欲訂閱本次拍賣或Phillips de Pury & Company Hong Kong Ltd其他拍

賣場次之圖錄,敬請致電+44 20 7318 4010 或 +1 212 940 1240。

拍賣前估價

拍賣前估價用意在於為准買家提供指引。本公司認為,介乎拍賣前高位與

低位元估價間之任何競投價均有成功機會。然而,拍賣品之成交價可能高

於或低於拍賣前估價。當“估價待詢”情況發生時,敬請閣下向專業部門

諮詢以獲得更多資訊。由於估價可予修改,因此閣下應在臨近拍賣時諮詢

本公司。拍賣圖錄所載之估價並不包括買家支付之酬金。

以美元和瑞士法郎計價的拍賣前估價

雖然拍賣時以港元計價,拍賣圖錄所載之拍賣前估價亦有可能以美元和/

或瑞士法郎計價。在此等情況下,匯率以圖錄印製之日,而非拍賣之日為

准。以美元或瑞士法郎計價的估價僅供閣下參考之用。

圖錄目錄

Phillips de Pury & Company Hong Kong Ltd可能於圖錄目錄中刊印拍賣品物

主之歷史,拍賣品之展覽歷史及其在藝術品著作中之索引。儘管我們在圖

錄編目時已盡謹慎,但仍可能無法詳盡其出處、展覽歷史和文獻索引。在

一定情形下,我們可能將拍賣品上手物主身份保密。敬請注意,圖錄目錄

中刊印拍賣品的尺寸非完全精准。

拍賣品之狀況

如果圖錄目錄中未說明拍賣品之狀況,並不表示該拍賣品沒有缺陷或瑕

疵。純為方便買家,經要求,Phillips de Pury & Company Hong Kong Ltd亦

會提供書面拍賣品狀況報告。本公司專家會以適合於拍賣品估價和其所屬

拍賣會性質之方式,評估拍賣品狀況並出具狀況報告。儘管狀況報告已盡

真實謹慎,但本公司之職員並非專業修復家或訓練有素之管理者。因此我

們建議所有准買家在拍賣前展覽時檢驗拍賣品。我們同時推薦准買家,尤

其在拍賣品價值不菲之情形下,聘任專業修復家或專業顧問在拍賣前就拍

賣品狀況提供報告。除非拍賣品狀況報告中另有說明,照片或印刷品出售

時一般未經裝裱,因而該類拍賣品的准買家通常更應取得其狀況報告。對

於已裝裱拍賣品,Phillips de Pury & Company Hong Kong Ltd對於裝裱之狀

況不承擔任何責任。對於所出售未裝裱之拍賣品,我們非常樂意向您推薦

專業的裝裱專家。

拍賣前展覽

拍賣品在拍賣前將會免費公開展覽。在展覽現場或通過預約,本公司專家

會提供諮詢意見以及拍賣品狀況報告。

電器及機械貨品

所有電器和/或機械貨品只按其裝飾價值出售,不應假設其可運作。電器

在作任何用途前必須經合資格電器技師檢驗和批核。

符號表示

以下為本圖錄所載符號之說明。

• 無底價

除以 • 符號另作注明外,所有在此圖錄之拍賣品均有底價。底價是由

Phillips de Pury & Company Hong Kong Ltd和賣家共同設定之價值,且絕對

機密。拍賣品不會以低於該價售出。底價通常以低位估價之一定比例來設

定。拍賣品之底價不會高於拍賣品拍賣前低位估價。

∑ 瀕危物種

附有∑ 符號之拍賣品表示須申領進口、出口或瀕危物種許可證或證書。

請參閱載於本給准買家之指引第4段和業務規則第11段。

買家即使因該等或其他限制而無法將任何物品進口至美國、歐洲或其他國

家,亦不得因此而取消或撒銷該買賣或延遲付款。如閣下不確定物品是否

受該等進口限制或任何其他進出口限制所規限,務請查詢專業部門。

∞ 大件拍賣品

附有該符號之拍賣品表示該拍賣片由於其規格或其他物理因素,可能需要

特殊處理或運輸服務。競投人應查驗該拍賣品並在拍賣前同Phillips de Pury

& Company Hong Kong Ltd商討特殊運輸需求安排。

2. 拍賣之競投

在拍賣會上競投

拍賣會僅限獲邀請人士參加。如若閣下意欲親臨拍賣會,敬請聯絡拍賣

部,電話:+44 20 7318 4035 或電子郵件:[email protected]

競投可以由個人親臨拍賣會上舉板進行,亦可通過電話參加,或在拍賣前

以書面形式缺席競投或通過Live Auctioneers網上競投服務進行競投。請參

閱本圖錄前頁以便獲得更多資訊。

須出示由政府發出證明身份之證明文件以及提供親筆簽名。我們同樣可能

要求閣下向我們提供一份銀行征信信函。Phillips de Pury & Company Hong

Kong Ltd將保留是否接受任何競投人參與拍賣會之權利,且其決定為最終

決定。如若閣下為新客戶,我們建議您按照要求完成本圖錄所附預先登記

表、缺席競投表或電話競投表,並將其返還。閣下也可於至少拍賣前3天

聯絡Phillips de Pury & Company Hong Kong Ltd,以便完成預先登記程序。

務請注意,我們在週末或公眾假期期間無法接獲取財務證明材料。

親身競投

親身競投之人士須在拍賣會開始前登記及領取號碼板。登記事宜,敬請聯

絡拍賣部,電話:+44 20 7318 4035 或電子郵件:bids@ phillipsdepury.com.

所有售出之拍賣品發票抬頭人均會為登記號碼板之人士及其地址,而不得

轉讓至他人及其他地址。請勿隨意放置閣下之號碼板;如有遺失,立即通

知Phillips de Pury & Company Hong Kong Ltd職員。拍賣完結時,請將號碼

板交回登記席。

電話競投 

如閣下未能出席拍賣會,可透過我們通曉多國語言之職員現場電話競投。

該項服務必須於拍賣前24小時提前安排,並僅適用於底位估價最低為

6,000港元之拍賣品。如閣下欲使用電話競投服務,敬請聯絡拍賣部,電

話:+44 20 7318 4035 或電子郵件:[email protected].

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電話競投可能會被錄音。使用電話競投服務,視為閣下同意錄音您的談話

內容。本公司亦建議閣下表明最高限價(不包含買家支付之酬金),以便

當本公司不能以電話聯絡閣下時可代表閣下競投。

缺席競投

如閣下未能出席拍賣會以及未能通過電話參加競投,Phillips de Pury &

Company Hong Kong Ltd 樂意代表閣下進行書面競投。本圖錄後部分附有

競投表格。此服務乃免費而且保密。競投需以港元進行。我們的職員將盡

力履行缺席競投,以相對於底價和其他競投價之最低價格得。請每一次均

列明“最高限價”(不包含買家支付之酬金)。無限價競投標將不獲接

納。請確保本公司在拍賣前最少24小時收到閣下確認缺席競投之指示。

倘競投價相同,則最先競投者有優先權。如閣下欲使用缺席競投服務,敬

請聯絡拍賣部,電話:+44 20 7318 4035 或電子郵件:bids@phillipsdepury.

com.

網上競投服務

可透過LiveAuctioneers網上競投服務進行網上競投。請參閱本圖錄前頁以便

獲得更多資訊。

僱員競投

Phillips de Pury & Company Hong Kong Ltd及關聯公司之僱員,包括拍賣

官,只可在競投時不知底價及遵守我們僱員競投之程序之情況下於拍賣會

上缺席競投。

3. 拍賣

業務規則

拍賣會受本圖錄後所載之業務規則及保證書條款所規限。任何准買家務須

詳閱該等業務規則及保證書條款。該等業務規則及保證書條款可經在拍賣

會場通告或由拍賣官作出公佈之方式進行修改。

有利害關係各方之公告

倘獲准競投拍賣品之人士直接或間接擁有該拍賣品之權益,如為出售拍賣

品之遺產受益人或執行人,或為拍賣品之共同擁有人,或提供或參與拍賣

品擔保人士,Phillips de Pury & Company Hong Kong Ltd 將會在拍賣會場發

表公告表示有利害關係各方可能競投拍賣品。

接連投標及競投

拍賣官可代表賣家為任何拍賣品叫第一口價以開始競投。拍賣官更可代表

賣家以接連投標或競投之方式,就拍賣品作出競投直至達到底價。

4 拍賣後

付款

除非拍賣前事先取得Phillips de Pury & Company Hong Kong Ltd書面同意其

他付款安排外,買家在拍賣後須即時付款。付款應通過現金或電匯以港元

進行支付。本公司之政策是不會接納以現金或現金等值形式逾80,000 港

元之一項或多項付款。

發票

所有售出之拍賣品發票抬頭人均會為登記號碼板之人士及其地址,而不得

轉讓至他人及其他地址。

領取

本公司政策要求收取拍賣品時應出示身份證明文件。僅在Phillips de Pury

& Company悉數收取全部結清之貨款且買家並未欠本公司其他款額時,

會將拍賣品交付予閣下或閣下所授權之代表。拍賣後,我們將全部拍賣品

運送至Malca-Almit HK,我們幷會通知所有買家。如若閣下對於您所購買

物品的位置不詳,敬請在安排收取物品前聯絡裝運部。對於未收取之拍賣

品,我們屆時將收取搬遷費、利息、儲存費和管理費。

損失或損壞

買家應注意,Phillips de Pury & Company Hong Kong Ltd對拍賣品損失或損

壞之責任期限最多為及至拍賣後五(5)天。

運輸及付運

我們並不直接提供包裝、搬運或運送服務。然而,我們將配合閣下指示之

運貨代理商,以便協助在Phillips de Pury & Company Hong Kong Ltd所購物

品之包裝、搬運或運送。請參閱業務規則第7段。

進出口許可證

在競投拍賣品之前,建議准買家就拍賣品進口或向他國出口是否需要獲得

許可證事宜,諮詢獨立意見。買家須單獨負責遵守全部進出口法律以及取

得任何有關之牌照或許可證。即使未能取得任何牌照或許可證,或延遲取

得該牌照或許可證等文件,均不能構成取消成交或任何延遲全額支付之理

由。

瀕危物種

由植物或動物材料(如珊瑚、鱷魚、象牙、鯨骨、玳瑁等)製成或含有植

物或動物材料之物品,不論其年份或價值,均可能須在出口前申領許可證

或證書,且在進出口時可能須申領其他許可證或證書。務請注意,能取得

出口許可證或證書並不能確保可在另一國家取得進口許可證或證書,反之

亦然。我們建議准買家向相關政府查核有關野生動植物進口之規定後再參

與競投。買家須單獨負責取得任何必需的出口或進口許可證或證書,以及

任何其他所需文件。即使未能取得任何牌照或許可證,或延遲取得該許可

證或任何其他文件,均不能構成取消成交或任何延遲全額支付之理由。

有關手錶的重要通知

Phillips de Pury & Company Hong Kong Ltd並無陳述或保證任何手錶仍處於

正常工作狀態,本圖錄任何拍賣品之描述亦不應做如上之解釋。准買家在

使用前應經由合資格之鐘錶匠檢查。作為向准買家提供的一項服務,我們

可以在圖錄目錄中提供手錶狀況描述,包括瑕疵和維修記錄,以及提供狀

況報告。但該等資訊可能並不完盡,可能不能涵蓋所有的機械替換、修復

部件或瑕疵。務請注意,因為原出廠零部件可能在先前修理和修復中被替

換,Phillips de Pury & Company Hong Kong Ltd 因而並不保證任何單獨零

部件的真實性,例如齒輪、指針、把頭、玻璃表面、螺絲、錶鏈和真皮錶

帶。准買家應在拍賣前檢查所有手錶以評估其出售狀況。

瀕危物種材質錶帶的出口

本圖錄中若干拍賣的手錶錶帶可能由瀕危或受保護動物材質製成,例如鱷

魚皮或鱷魚,若無《瀕臨絕種野生動植物國際貿易公約》(CITES)許可

證,可能無法合法進出口。本圖錄中該類拍賣品已用符號∑ 標注。相對

應的,對於向出售地以外運送已購買的手錶,Phillips de Pury & Company

Hong Kong Ltd可能在運付之前需要移除並留存該錶帶及帶扣。

本指引之中文譯本僅供參考之用,中文譯本如與英文原本有任何抵觸,將

以英文原本為準。

Copyright Phillips de Pury & Company Hong Kong Limited, 2011

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業務規則

下文所載業務規則及保證書條款規管競投人與買家,以 Phillips de Pury &

Company Hong Kong Limited和賣方之間的關係。所有准買家在競投前,須

仔細閱覽所列業務規則及保證書條款。

1 序言

本圖錄中任何出售之拍賣品受制於下列各項規管:(a)本業務規則和保證書

條款;(b)本圖錄所載之任何附加通知及條款,包括“給準買家指引”;及

(c)本圖錄之附錄或Phillips de Pury & Company Hong Kong Ltd在銷售處展示

之其他書面材料,以及在各情況下按任何銷售通告或拍賣官於拍賣前所公

佈之修訂。

在拍賣會上競投,無論是以親身競投、代理競投、缺席競投、電話競投還

是其他方式,競投人與買家同意受本業務規則及其修訂或增補和保證書條

款規管。

本業務規則及其修訂或增補和保證書條款為Phillips de Pury & Company

Hong Kong Ltd與買家所簽訂之所有條款。

本業務規則和保證書條款中,“Phillips de Pury & Company Hong Kong Ltd”,“

我們”及“本公司”均指Phillips de Pury & Company Hong Kong Ltd Hong

Kong Limited。

2. Phillips de Pury & Company Hong Kong Ltd之代理身份

除非本圖錄或拍賣時另有指示外,Phillips de Pury & Company Hong Kong Ltd

作為賣家之代理身份行事。Phillips de Pury & Company Hong Kong Ltd可能

擁有拍賣品,在該情況下以委託人之身份作為寄售人行事,或可能以抵押債

權人或其他身份擁有拍賣品之法律、實益或財務利益。

3. 圖錄和狀況報告

拍賣品的出售受制於本圖錄所載之保證書條款(除非該陳述如上文第1段

所述被修訂或增補)以及基於以下出售時拍賣品之狀況:

(a) Phillips de Pury & Company Hong Kong Ltd對各拍賣品之認識部份依賴

賣家向其提供之資料,Phillips de Pury & Company Hong Kong Ltd無法及不會

就各拍賣品進行全面盡職審查。准買家知悉此事,並承擔檢查及檢驗之責

任,以使彼等滿意彼等可能感興趣之拍賣品。除前述規定以外,我們在圖錄

描述或狀況報告作出之明示聲明,應以出售中有關拍賣品之拍賣官身份相

符之合理審慎態度作出;以及基於在作出明示聲明當時(i)賣家向我們提供

之資料;(ii)學術及技術知識;及(iii)相關專家普遍接納之意見。

(b) Phillips de Pury & Company Hong Kong Ltd提呈出售之各拍賣品於拍賣

前可供准買家檢查。在競投人(鑑於有關拍賣品之性質及價值及競投人

之專業知識而言屬合適者,以及代表彼等之獨立專家)已當作在投標前全

面檢驗拍賣品,並滿意拍賣品之狀況及其描述之準確性,Phillips de Pury &

Company Hong Kong Ltd方會接受競投人對拍賣品之投標。

(c) 准買家確認眾多拍賣品年代久遠及種類特殊,這意味著拍賣品並非完

好無缺。作為對準買家的禮遇,Phillips de Pury & Company Hong Kong Ltd

可能準備並提供狀況報告以協助准買家檢查拍賣品。圖錄描述及狀況報告

可用作拍賣品某些瑕疵之參考,然而,競投人應注意,拍賣品可能存在其他

在目錄或狀況報告內並無明確指出之瑕疵。拍賣品的規格非完全精准。解

說只供鑑定用途,不應視為規格之精確描述,亦不會當作為拍賣品真實狀況

之全部資料。

(d) 提供予准買家有關任何拍賣品之資料包括任何拍賣前估價(無論為書

面或口述)及任何目錄所載之資料、規則或其他報告、評論或估值,該等

資料並非事實之陳述,而是Phillips de Pury & Company Hong Kong Ltd所持

有之確實意見之聲明,故不應依賴任何拍賣前估價作為拍賣品售價或價值

之預測。拍賣前估價可由Phillips de Pury & Company Hong Kong Ltd不時全

權酌情決定修改。Phillips de Pury & Company Hong Kong Ltd及關聯公司均

無需對任何拍賣品之拍賣前估價和拍賣實際成交價或轉售價之差額承擔責

任。

4. 拍賣會上競投出價

(a) Phillips de Pury & Company Hong Kong Ltd可全權酌情決定拒絕參

與拍賣。競投人必須在競投前登記及領取號碼板,並提供Phillips de Pury &

Company Hong Kong Ltd所需資料及參考。

(b) 純為方便無法親身參與拍賣會競投人,在競投人的指示下,Phillips de

Pury & Company Hong Kong Ltd可代表競投人進行書面競投。缺席競投人

須通過“缺席競投表”(載於本圖錄後或可從Phillips de Pury & Company

Hong Kong Ltd處獲得)提交競價。競價須以拍賣中使用的貨幣出價。競投

人必須明確列明“最高限價”(不包含買家支付之酬金)。未列明該“最

高限價”之缺席競投標將不獲拍賣官接納。我們的職員將盡力履行缺席競

投,以相對於底價和其他競投價之最低價格得。請確保本公司在拍賣前最

少24小時收到競投人確認缺席競投之指示。倘競投價相同,則最先競投者

有優先權。

(c) 電話競投人須通過“電話競投表”提交(載於本圖錄後或可從Phillips

de Pury & Company Hong Kong Ltd處獲得)提交競價。電話競投僅適用

於底位估價最低為6,000港元之拍賣品。在拍賣官接受電話競投人競價

時,Phillips de Pury & Company Hong Kong Ltd保留即時要求電話競投人通過

傳真或其他方式提交成功競投標書面確認之權利。電話競投會被錄音,使

用電話競投服務,視為競投人同意錄音其談話內容。

(d) 出價時,無論是親身競投,缺席競投還是電話競投,競投人個人承擔支

付購買價款以及所有其他適用的收費(本規則規定6(a)闡述更為詳盡),除

非拍賣前取得Phillips de Pury & Company Hong Kong Ltd明確的書面同意:

競投人為Phillips de Pury & Company Hong Kong Ltd接受的“確定第三人”

之代理人行事。在此情況下,我們只要求委託人支付該費用。

(e) Phillips de Pury & Company Hong Kong Ltd為准買家提供的缺席競投和

電話競投安排均為免費服務。在提供該等服務過程中,我們將採取合理審

慎義務。但我們對於無法執行此類競投不承擔任何責任,除非該失誤是由

我們故意的不當行為所造成。

(f ) Phillips de Pury & Company Hong Kong Ltd及關聯公司之僱員,包括拍

賣官,只可在競投時不知底價及遵守我們僱員競投程序之情況下於拍賣會

上缺席競投。

5. 拍賣之行動

(a) 除以 • 符號另作注明外,否則所有拍賣品均有底價。該底價是由

Phillips de Pury & Company Hong Kong Ltd和賣家共同設定之最低價值,且絕

對機密。該底價不得高於拍賣時估計之預售低價。

(b) 拍賣官可隨時絕對酌情決定拒絕任何競投、撤回任何拍賣品、重新出

售拍賣品(包括在擊槌後)如他相信可能有錯誤或爭議,以及採取其合理地

認為是合適之其他行動。

(c) 拍賣官會在彼認為合適之水準及增幅下開始及進行競投。為了保護拍

賣品之底價,拍賣官可代表賣家作出一次或多次競投,惟以底價為限,而毋

須表示彼正進行該等行動及不論是以接連投標或競投之方式而作出。

(d) 拍賣將用港元計價,到期以港元付款。為國際客戶之利益,圖錄中拍賣

前估價可能以美元和瑞士法郎計價,在此情況下,拍賣前估價將考慮到合適

的匯率。相應的,非以港元計價的拍賣前估價應僅視為指引之用。

(e) 受制於拍賣官合理酌情決定權,拍賣官所接納之最高競投人為買家。

拍賣官擊槌意味著接納最高出價,以及買家及賣家之間買賣合約之訂立。

如本文第7段所示,拍賣品之風險和義務轉移至買家。

(f ) 若拍賣品未能成交,拍賣官將宣佈該拍賣品“流標”、“撤銷”、“

返還物主”或“買回”。

(g) 於拍賣會後出售任何在拍賣會上發售之拍賣品時應包括該等業務規則

和保證書條款,猶如已在拍賣會出售一樣。

6. 買入價和支付

(a) 除拍賣品成交價以外,買家同意支付Phillips de Pury & Company Hong

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Kong Ltd買家支付之酬金(共同為“買入價”)。拍賣品“成交價”

為400,000港元或以下,酬金以“成交價”之25%計算;超過400,000至

8,000,000港元之部分,則以20%計算;超過8,000,000港元之部分,則以12%

計算。Phillips de Pury & Company Hong Kong Ltd保留從我們補償裏向協助

出售拍賣品第三方支付介紹費之權利。

(b) 除非另有協定,否則不論取得拍賣品之出口、進口或其他許可證之任

何意圖為何,買家均必須於拍賣會結束後立即支付拍賣品之買入價。發票

抬頭方應以港元現金或電匯通過以下方式進行支付:

(i) Phillips de Pury & Company Hong Kong Ltd接納以現金或現金等值形式

不超過80,000港元的現金付款。

(ii) 電匯支付應直接匯至Phillips de Pury & Company Hong Kong Ltd。發票

會提供銀行匯款的詳細資訊。

(c) 所購拍賣品之擁有權將於Phillips de Pury & Company Hong Kong Ltd悉

數收取買入價後方可轉移。Phillips de Pury & Company Hong Kong Ltd概無

責任將拍賣品交給買家直至拍賣品之擁有權已轉移,且已獲提供適當確認

而提早交付不會影響擁有權之轉移或買家支付買入價之無條件責任。

7. 拍賣品的領取

(a) Phillips de Pury & Company Hong Kong Ltd僅在其悉數收取全部結清

之買入價時,會將拍賣品交付。買家須全部結清已到期未償還給Phillips de

Pury & Company Hong Kong Ltd或其關聯公司的欠款,包括根據本規則下面

第8(a)條款所應支付的費用。買家須符合我們所全權酌情要求的其他條款,

包括完成任何反洗錢或反恐的資金核實。一旦買家符合所有以上條件,其

應聯絡我們以安排領取拍賣品。

(b) 買家應安排在拍賣會後於五天內領取已購買之拍賣品。拍賣會後,我

們會將全部拍賣品運送至位於Malca-Almit HK的藝術品倉儲設施內,我們幷

也會通知所有的買家。已買之拍賣品由(i)買家領取之日起;或(ii)拍賣會

後第五天(以較早日期為準)起之風險由買家承擔(包括投保責任)。直

到風險轉移,Phillips de Pury & Company Hong Kong Ltd將就拍賣品之任何損

失或損毀向買家支付賠償,惟以所付之買入價為最高限額,幷受我們通常拍

賣品損失或損毀之豁免情況所限。

(c) 我們並不提供包裝、搬運、保險或運送服務。然而,我們將配合買家

所指示之運貨代理商(無論其是否由Phillips de Pury & Company Hong Kong

Ltd所推薦),以便協助在Phillips de Pury & Company Hong Kong Ltd所購物

品之包裝、搬運、保險或運送。任何該等指示均由買家承擔風險和責任,

我們對於第三方包裝商和托運人的行為或疏忽不承擔任何責任。

(d) 在將拍賣品交付予買家或買家所授權之代表之前,Phillips de Pury &

Company Hong Kong Ltd會要求其出示由政府發出之身份證明。

8. 未領取購置品

(a) 倘買家支付買入價之費用,但未於拍賣會後三十天內領取已購買之拍

賣品,買家將要承擔延遲領取費HK$1,200,及每件未領取拍賣品按比例分

配0.1%買入價之每月保險費用。 大件拍賣品可能需收取額外費用。

(b) 倘已支付所購拍賣品之費用,但未於拍賣會後六個月內領取該拍賣品,

則買家授權Phillips de Pury & Company Hong Kong Ltd(在通知買家後)安排以

拍賣或私人出售之方式重售該物品,而預測價格及底價將由Phillips de Pury

& Company Hong Kong Ltd合理酌情決定。該次出售的收益將用於支付買

家欠 Phillips de Pury & Company Hong Kong Ltd或其關聯公司的倉儲費和任

何其他未償付之費用和開支。除非買家於原拍賣會後兩年內領取該收益之

剩餘款項,否則該筆款項將會被沒收。

9. 欠繳款之補償辦法

(a) 在不影響賣家可能擁有之任何權利之情況下,倘買家在未預先協定之

情況下未能在拍賣會後五天內就拍賣品支付全數買入價,Phillips de Pury &

Company Hong Kong Ltd可全權決定行使以下一項或多項補救方法:(i)將

拍賣品貯存在Phillips de Pury & Company Hong Kong Ltd處所或其他地方,

風險及費用完全由買家承擔;(ii)取消拍賣品之買賣,幷保留已部分支付

之買入價作為違約賠償金;(iii)拒絕買家未來作出之競投或使其就未來之

競投須支付訂金;(iv)至帳款到期後收取12%之年利息,直至買入價全數付

清;(v)受制於通知買家,對買家由Phillips de Pury & Company Hong Kong Ltd

管有之任何物品行使留置權並指示我們的關聯公司將由其管有之任何物品

行使留置權。在所有情況下,在下發書面通知之日起30天後出售該物品,再

扣減銷售收入中我們標準的賣家傭金、所有相關花費和其他所適用之稅負

後,用於支付欠Phillips de Pury & Company Hong Kong Ltd或我們關聯公司的

款額;(vi)透過拍賣或私人出售重售拍賣品,幷由Phillips de Pury & Company

Hong Kong Ltd合理酌情決定預測價格及底價。倘該重售之價格低於該拍賣

品之初原本成交價及買家之費用,買家將仍須承擔該差額,連同該重售産生

之所有費用;(vii) 展開法律訴訟,以收回該拍賣品之成交價及買家之費用,

連同利息及該訴訟之費用;或(viii) 向賣家透露買家之名稱及地址,使賣家

可展開法律訴訟,以收回欠款及申索法律費用。

(b) 在我們關聯公司通知買家尚未付款之情況下,買家不可撤銷地授權

Phillips de Pury & Company Hong Kong Ltd可對其管有買家之物品行使留置

權。Phillips de Pury & Company Hong Kong Ltd會將該留置權行使之情況告

知買家。在我們關聯公司通知買家尚未付款之情況下,買家不可撤銷地授

權Phillips de Pury & Company Hong Kong Ltd可對其管有之買家物品(通過

向我們的關聯公司實際交付或推定交付)行使抵押權,以作爲支付到期欠

款之保證。倘買家之物品已通過抵押方式交付給任何關聯公司,Phillips de

Pury & Company Hong Kong Ltd會將此情況告知買家。

(c) 倘買家尚未付款,買家不可撤銷地授權Phillips de Pury & Company Hong

Kong Ltd指示管有買家物品之其關聯公司,由其作爲買家的代理人通過抵

押方式將物品交予第三方持有,用以作爲支付買入價和其他到期款項之保

證。該第三方由Phillips de Pury & Company Hong Kong Ltd指示幷代表我們

持有物品,在向買家下發書面通知之日起30天後,盡強制出售方式下合理的

價格出售物品,幷將受益扣減本公司標準的賣家傭金、所有相關花費和所

適用之稅負後,用於支付欠Phillips de Pury & Company Hong Kong Ltd或我們

關聯公司的款項。

10. Phillips de Pury & Company Hong Kong Ltd解決合約

如果我們合理相信存在實質違反賣方陳述和保證或保證書條款,或第三方

提起異議訴求,Phillips de Pury & Company Hong Kong Ltd有權無須通知買

家而解除拍賣合約。此項為權利而非義務。一旦Phillips de Pury & Company

Hong Kong Ltd發出解除拍賣合約通知,買家應恰當的將拍賣品歸還Phillips

de Pury & Company Hong Kong Ltd。我們之後將退回已支付的買入價。

下文第13段將更為詳盡的進行描述。退款是買家對抗Phillips de Pury &

Company Hong Kong Ltd和解除合約有關之賣家唯一的補救和追索方式。

11. 進出口和瀕危物種許可證和證書

在競投任何拍賣品之前,我們建議准買家應明晰是否需要許可證方可自香

港出口或由其他國家進口。准買家應瞭解一些國家禁止進出口由植物或動

物材料(如珊瑚、鱷魚、象牙、鯨骨、玳瑁等)製成或含有植物或動物材

料之物品,不論其年份、含量或價值。相應的,競投前,考慮出口所購拍賣

品的准買家應熟悉相關國家有關的進出口法規。買家須單獨負責遵守該等

法律並取得任何必需的出口、進口或瀕危物種許可證或證書。即使未能取

得任何牌照或許可證,或延遲取得該許可證或任何其他文件,均不能構成取

消成交或任何延遲全額支付之理由。

12. 資料保障

(a) 基於管理、經營業務、市場推廣以及提供拍賣相關之服務或按法律規

定之用途,我們可能向買家和准買家要求提供其個人資料或向第三方索取

有關資料,如信貸資料等。如買家和准買家所提供予我們的資料在法律定

義下為“私人資料”,他們同意Phillips de Pury & Company Hong Kong Ltd

及其關聯公司可能把該等資料用作以上用途。Phillips de Pury & Company

Hong Kong Ltd及其關聯公司在未獲得買家或准買家明確同意前將不會將該

等敏感資料作其他用途。客戶如欲查詢更多有關我們對個人資料之政策或

更改個人資料,請致電+44 20 7318 4010。

(b) 為提供服務,Phillips de Pury & Company Hong Kong Ltd有可能向第三

方,如船務公司披露買家和准買家的私人資料。買家和准買家同意該等業

務規則,即同意有關披露。並非所有國家提供相同之個人資料法律保障。

根據Phillips de Pury & Company Hong Kong Ltd的公司政策,將要求該第三方

尊重客戶之私隱。

13. 責任限制

(a) 受制於下文(e) 條款,Phillips de Pury & Company Hong Kong Ltd、我們

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的關聯公司和賣方有關拍賣品的全部責任應限於買家實際支付的拍賣品買

入價。

(b) 除非第13段另有規定外,Phillips de Pury & Company Hong Kong Ltd、

我們的關聯公司或賣方均毋須:(i) 對Phillips de Pury & Company Hong Kong

Ltd或我們的關聯公司向買家和准買家以口述或書面提供之資料之任何錯

誤或遺漏負責;或(ii) 就Phillips de Pury & Company Hong Kong Ltd或我們的

關聯公司有關拍賣或有關出售任何拍賣品之任何事宜之行動或遺漏,無論

是由於疏忽或其他原因引致,而向任何買家和准買家負責。

(c) Phillips de Pury & Company Hong Kong Ltd、我們的關聯公司和賣家在

法律允許之最大範圍內排除所有除保證書條款以外的其他保證條款(包括

任何符合品質和適合用途的保證條款),無論該條款是明示或默示條款。

(d) 受制於下文(e),Phillips de Pury & Company Hong Kong Ltd、我們的關聯

公司或賣方對買家的損失和損壞超出上文(a)中提及之買入價(而不論該

等損失或損壞是直接或間接,特別、附帶還是隨之發生),或買入價的利息

在法律最大允許範圍內無須承擔責任。

(e) 該業務規則條款概無免除或限制Phillips de Pury & Company Hong Kong

Ltd或我們的關聯公司有關我們向買家作出之任何具欺詐成份之失實聲明,

或有關我們的疏忽行為或遺漏而導致之人身傷亡之責任。

14. 版權

Phillips de Pury & Company Hong Kong Ltd有關拍賣品之全部影像、解說和

書面材料,包括本圖錄之內容,均屬且應為Phillips de Pury & Company Hong

Kong Ltd之財產,並受《版權條例》(第528章)規管。在未取得我們事先書

面同意外,買家或他人不得使用該等影像和材料。Phillips de Pury & Company

Hong Kong Ltd和賣方未作任何買家可獲得拍賣品任何版權或其他知識產權

權利的陳述或保證。

15. 一般資料

(a) 本業務規則及本文第1段所述之修訂或增補,以及保證書條款共同組成

雙方之間有關此交易的所有協議。所有先前及同時形成的書面、口頭、默

示理解、陳述和協議均歸於無效。

(b) 給予Phillips de Pury & Company Hong Kong Ltd之通知應以書面發出,

註明出售之負責部門及銷售圖錄開端指定之參考號碼。給予客戶之通知應

以彼等正式書面通知Phillips de Pury & Company Hong Kong Ltd之最新位址

為收件位址。

(c) 未經我們之事先書面同意前,任何買家不得轉讓該等業務規則,但對買

家之繼承人、承付人及遺產執行人具有約束力。

(d) 倘因任何理由使之無效及無法執行該等業務規則之任何條文,則餘下

條文應仍然具有十足效力及作用。任何一方之未履行、延遲履行,以及本

業務規則下任何權利或補救均不應視為豁免或解除其全部或部分權利。

(e) 本業務規則及保證書條款之中文譯本僅供參考之用,中文譯本如與英

文原本有任何抵觸,將以英文原本業務規則及保證書條款為準。

16. 法例及司法管轄權

(a) 雙方有關本業務規則及保證書條款的權利和義務,拍賣之行動及其有

關所有事宜須受香港法例規管並按其詮釋。

(b) 就Phillips de Pury & Company Hong Kong Ltd之利益而言,買家及准買家

同意香港法院擁有專有司法權,調解所有因與該等業務規則和保證書條款

有關或適用之所有事宜或交易之各方面而產生之紛爭。各方均同意Phillips

de Pury & Company Hong Kong Ltd將保留權利在香港法院以外之任何法院

提出訴訟。

(c) 買家及准買家不可撤回地同意透過傳真、面送方式、郵寄或香港法

例、送達地點之法例或提出訴訟之司法權區之法例允許之其他方式,將有

關任何法院訴訟之法律程序文件或任何其他文件送發至買家及准買家知會

Phillips de Pury & Company Hong Kong Ltd之最新位址。

適用於競投人和手錶買家的特殊條款

Phillips de Pury & Company Hong Kong Ltd並無陳述或保證任何手錶仍處於

正常工作狀態,本圖錄任何拍賣品之描述亦不應做如上之解釋。准買家在

使用前應經由合資格之鐘錶匠檢查。作爲向准買家提供的一項服務,我們

可以在圖錄目錄中提供手錶狀況描述,包括瑕疵和維修記錄,以及提供狀況

報告。但該等資訊可能幷不完盡,可能不能涵蓋所有的機械替換、修復部

件或瑕疵。因爲原出廠零部件可能在先前修理和修復中被替換,Phillips de

Pury & Company Hong Kong Ltd 因而並不保證任何單獨零部件的真實性,

例如齒輪、指針、把頭、玻璃表面、螺絲、錶鏈和真皮錶帶。准買家應在

拍賣前檢查所有手錶以評估其出售狀況。

瀕危物種材質錶帶的出口

本圖錄中拍賣的手錶錶帶可能由瀕危或受保護動物材質製成,例如鱷魚皮

或鱷魚,若無《瀕臨絕種野生動植物國際貿易公約》(CITES)許可證,可能

無法合法進出口。本圖錄中該類拍賣品已用符號∑ 標注。對於向香港以外

運送已購買手錶至競買人,Phillips de Pury & Company Hong Kong Ltd可能在

運付之前需要移除並留存該錶帶及帶扣。

保證書條款Phillips de Pury & Company Hong Kong Ltd自拍賣品成交之日起五年內保證

拍賣會上圖錄中拍賣品作者出處爲真實的,但受制於以下所列除外條款和

限制。

(a) Phillips de Pury & Company Hong Kong Ltd保證書保證僅針對於拍賣

品記錄在案的原始買家(例如,已註冊登記的得標人)。本保證書不適用

於: (i) 拍賣品後續物主,包括購買者或原始買家贈與之人、繼承人、受益

人和受讓人;(ii) 本圖錄陳述已指出對於拍賣品出處存在衝突意見之拍賣

品; (iii) 在拍賣日時,我們有關拍賣品出處的陳述與被普遍接受的專業人

士、學者或其他專家意見一致之拍賣品;(v) 能正確地鑒定拍賣品陳述或

日期的科學鑒定方法在本圖錄刊登時不爲一般所接受,或在本圖錄刊登時

此方法過分昂貴或不實際或我們合理的認爲可能因此而導致拍賣品價值損

失或損毀的情況;或 (v)本圖錄目錄所陳述之價值與拍賣品價值幷無重大

損失之拍賣品。

(b) 在所有針對違反保證書條款的索償中,Phillips de Pury & Company

Hong Kong Ltd保留要求買家自費向我們提供兩名Phillips de Pury & Company

Hong Kong Ltd事先認可專家書面意見之權利,在此情況下我們可解除本保

證下之買賣合約。買家提供專家之意見對我們幷無約束力,本公司保留自

費咨詢我們自身專家意見之權利。若Phillips de Pury & Company Hong Kong

Ltd同意在保證書條款下解除買賣合約,我們將償付買家聘任幷經我們事先

同意專家之合理費用。

(c) 受制於上述 (a) 條款之除外條款,買家可提供以下資料以提請違反保證

書條款之訴 (i)獲知任何導致買家對拍賣品出處存疑之資訊後三個月內,他

應向Phillips de Pury & Company Hong Kong Ltd提供書面通知,該書面通知具

體說明拍賣品所屬之拍賣會場次、拍賣品於拍賣圖錄之編號和拍賣品出處

存疑之理由;以及(ii) 買家應將拍賣品以拍賣時同等狀況原封不動返還給

Phillips de Pury & Company Hong Kong Ltd,且保證拍賣品産權在拍賣日之後

可被自由轉讓且免予任何第三方之索償。

(d) 買家明晰幷同意,違反任何保證書條款時買家所能獲得的唯一而排

他的補救,爲解除該項拍賣及取回原本已付的原始買入價之金額。該補救

爲買家對Phillips de Pury & Company Hong Kong Ltd、任何我們關聯公司

和賣方之唯一追索權。而該補救也將取代法律上所有其他可行的補救方

式。Phillips de Pury & Company Hong Kong Ltd、我們的關聯公司或賣方對

買家的損失和損壞超出本保證書條款明確提供的補救(而不論該等損失或

損壞是直接或間接,特別、附帶還是隨之發生),或原本買入價的利息支付,

無須承擔責任

Copyright Phillips de Pury & Company Hong Kong Limited, 2011

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PHILLIPS de PURY & COMPANY

Advisory Board

Maria Bell

Janna Bullock

Lisa Eisner

Lapo Elkann

Ben Elliot

Lady Elena Foster

H.I.H. Francesca von Habsburg

Marc Jacobs

Ernest Mourmans

Aby Rosen

Christiane zu Salm

Juergen Teller

Princess Gloria von Thurn und Taxis

Jean Michel Wilmotte

Anita Zabludowicz

Directors

Sean Cleary

Finn Schouenborg Dombernowsky

Patricia G. Hambrecht

Alexander Payne

Olivier Vrankenne

Chairman

Simon de Pury

Chief Executive Officer

Bernd Runge

Senior Directors

Michael McGinnis

Dr. Michaela de Pury

INTERNATIONAL SPECIALISTS

Berlin Shirin Kranz, Specialist, Contemporary Art +49 30 880 018 42

Brussels Olivier Vrankenne, International Senior Specialist +32 486 43 43 44

Bérénice Chef, Specialist +32 473 12 27 06

Buenos Aires & London Brooke Metcalfe, International Specialist, Contemporary Art +44 777 551 7060

Geneva Katie Kennedy Perez, Specialist, Contemporary Art +41 22 906 8000

London Dr. Michaela de Pury, International Senior Director, Contemporary Art +49 17 289 73611

Los Angeles Maya McLaughlin, Contemporary Art +1 323 791 1771

Milan Laura Garbarino, International Senior Specialist, Contemporary Art +39 339 478 9671

Moscow Svetlana Marich, Specialist, Contemporary Art +7 495 225 88 22

Paris Thomas Dryll, Specialist, Contemporary Art +33 1 42 78 67 77

GENERAL COUNSEL

Patricia G. Hambrecht

MANAGING DIRECTORS

Finn Schouenborg Dombernowsky, Europe/Asia

Sean Cleary, New York

NEW YORK

450 Park Avenue, New York, NY 10022, USA

tel +1 212 940 1300 fax +1 212 940 1227

NEW YORK

450 West 15 Street, New York, NY 10011, USA

tel +1 212 940 1200 fax +1 212 924 5403

HONG KONG

Phillips de Pury & Company Hong Kong Limited

c/o Withers Worldwide, Suite 2005-7, 20th Floor,

Gloucester Tower, The Landmark, 15 Queen’s Road

Central, Hong Kong

WORLDWIDE OFFICES

LONDON

Howick Place, London SW1P 1BB, United Kingdom

tel +44 20 7318 4010 fax +44 20 7318 4011

LONDON

45–47 Brook Street at Claridge’s, London W1K 4HN,

United Kingdom, tel +44 20 7318 4010 fax +44 20 7318 4011

PARIS

6 avenue Franklin D. Roosevelt, 75008 Paris, France

tel +33 1 42 78 67 77 fax +33 1 42 78 23 07

MOSCOW

TSUM, Petrovska str., 2, office 524, 125009 Moscow, Russia

tel +7 495 225 88 22 fax +7 495 225 88 87

BERLIN

Auguststrasse 19, 10117 Berlin, Germany

tel +49 30 8800 1842 fax +49 30 8800 1843

GENEVA

23 quai des Bergues, 1201 Geneva, Switzerland

tel +41 22 906 80 00 fax +41 22 906 80 01

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SPECIALISTS AND DEPARTMENTS

MODERN AND CONTEMPORARY EDITIONS

NEW YORK

Cary Leibowitz, Worldwide Co-Director +1 212 940 1222

Kelly Troester, Worldwide Co-Director +1 212 940 1221

Audrey Lindsey +1 212 940 1333

Jannah Greenblatt +1 212 940 1332

PHOTOGRAPHS

Vanessa Kramer +1 212 940 1243

Worldwide Director, Photographs

LONDON

Lou Proud, Head of Photographs, London +44 20 7318 4018

Sebastien Montabonel +44 20 7318 4025

Alexandra Bibby +44 20 7318 4087

Rita Almeida Freitas +44 20 7318 4062

Emma Lewis +44 20 7318 4092

NEW YORK

Shlomi Rabi +1 212 940 1246

Caroline Shea +1 212 940 1247

Deniz Atac +1 212 940 1245

Carol Ehlers, Consultant +1 212 940 1245

Sarah Krueger +1 212 940 1245

JEWELS

NEW YORK

Nazgol Jahan, Worldwide Director +1 212 940 1283

Joanna Bengoa +1 212 940 1302

Brittany Gersh +1 212 940 1365

LONDON

Ardavan Ghavami, Head of Jewels, Europe +44 20 7318 4064

Rose Curran +44 20 7318 4032

Lane McLean +44 20 7318 4032

Stephen Gilbert +44 20 7318 4104

THEME SALES

Henry Allsopp, Worldwide Director +44 20 7318 4060

LONDON

Arianna Jacobs +44 20 7318 4054

Lisa de Simone +44 20 7318 4090

Eleanor Crabtree +44 20 7318 4040

Tamila Kerimova +44 20 7318 4085

NEW YORK

Corey Barr +1 212 940 1234

Steve Agin, Consultant +1 908 475 1796

Laura González +1 212 940 1216

Stephanie Max +1 212 940 1301

PRIVATE SALES

Matt Langton +44 20 7318 4074

CONTEMPORARY ART

Michael McGinnis, Senior Director +1 212 940 1254

and Worldwide Head, Contemporary Art

LONDON

Peter Sumner, Head of Evening Sale +44 20 7318 4063

George O’Dell, Head of Day Sale +44 20 7318 4093

Matt Langton +44 20 7318 4074

Raphael Lepine +44 20 7318 4078

Karen Levy +44 20 7318 4082

Ivgenia Naiman +44 20 7318 4071

Paul de Bono +44 20 7318 4070

Henry Highley +44 20 7318 4061

Helen Rohwedder +44 20 7318 4042

Charlotte Salisbury +44 20 7318 4058

NEW YORK

Zach Miner, Head of Part I +1 212 940 1256

Sarah Mudge, Head of Part II +1 212 940 1259

Roxana Bruno +1 212 940 1229

Jean-Michel Placent +1 212 940 1263

Peter Flores +1 212 940 1223

Winnie Scheuer +1 212 940 1226

Alyse Serrell +1 212 940 1303

Amanda Stoffel +1 212 940 1261

Roxanne Tahbaz +1 212 940 1292

Jonathan Winter +1 212 757 0190

PARIS

Thomas Dryll +33 1 42 78 67 77

Edouard de Moussac +33 1 42 78 67 77

DESIGN

Alexander Payne, Director +44 20 7318 4052

and Worldwide Head, Design

LONDON

Domenico Raimondo +44 20 7318 4016

Ben Williams +44 20 7318 4027

Marine Hartogs +44 20 7318 4021

Marcus McDonald +44 20 7318 4014

Megan McGee +44 20 7318 4023

NEW YORK

Alex Heminway, New York Director +1 212 940 1269

Marcus Tremonto +1 212 940 1268

Meaghan Roddy +1 212 940 1266

Allison Condo +1 212 940 1268

Alexandra Gilbert +1 212 940 1266

LONDON

Mark Hudson, Deputy Art Director

Andrew Lindesay, Sub-Editor

Tom Radcliffe, Production Director

NEW YORK

Andrea Koronkiewicz, Studio Manager

Steven Mosier, Graphic Designer

Orlann Capazorio, US Production Manager

ART AND PRODUCTION

Mike McClafferty, Consultant Art Director

LONDON

Giulia Costantini, Head of Communications

Fiona McGovern, Communications Assistant

Alex Godwin-Brown, Communications Assistant

NEW YORK

Trish Walsh, Marketing Manager

Anne Huntington, Communications Manager

MARKETING & COMMUNICATIONS

PRIVATE CLIENT SERVICES

Judith Hess, Director, London +44 20 7318 4075

Simon Tovey, Assistant +44 20 7318 4084

OFFICE OF THE CHAIRMAN

Anna Furney, New York +1 212 940 1238

Harmony Johnston, London +44 20 7318 4099

MUSEUM SERVICES DEPARTMENT NEW YORK

Lauren Shadford +1 212 940 1257

Cecilia Wolfson +1 212 940 1258

EDITORIAL

Karen Wright, Senior Editor

Lynn Sivanand, Assistant to the Editor

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AUCTION DATE

Thursday 24 November 2011, 9pm

(Please see the important notice at the front of this catalogue)

VIEWING

Thursday 24th November 2011, 10am – 6pm

VIEWING & AUCTION LOCATION

Four Seasons Hotel

Grand Ballroom

8 Finance Street

Central

Hong Kong

ENQUIRIES

如欲查詢,請聯絡眾智企業傳訊:

林嘉雯小姐

電話:+852 3678 0105

電郵: [email protected]

Ms. Carmen Lam

Tel: +852 3678 0105

Email: [email protected]

CATALOGUES

Nolan Browne + 44 207 318 4024

[email protected]

CLIENT SERVICES

Charlotte Salisbury +44 20 7318 4058

BIDS DEPARTMENT

Anna Ho +44 20 7318 4044

[email protected]

CLIENT ACCOUNTS

Buyer and seller account enquiries +44 20 7318 4010

SALE DESIGNATION

When sending in written bids or making enquiries, please refer

to this sale as HK080111 or Swatch Sale

WAREHOUSE & COLLECTION LOCATION

Malca-Amit Far East Ltd

Suite 1108-8, Tower 3

China Hong Kong City

33 Canton Road

Tsim Sha Tsui

Kowloon

Hong Kong

SALE INFORMATION

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PLEASE RETURN THIS FORM BY FAX TO +44 20 7318 4035 OR SCAN AND EMAIL TO [email protected] AT LEAST 24 HOURS BEFORE THE SALE

ABSENTEE AND TELEPHONE BID FORM

SALE Swatch Blum Collection SALE NO. HK080111 SALE DATE 24 November 2011

Please select the type of bid you wish to make with this form (please select one):

� ABSENTEE BID

� TELEPHONE BID

Please indicate in what capacity you will be bidding (please select one):

� AS A PRIVATE INDIVIDUAL

� ON BEHALF OF A COMPANY

Client number (if known)

Title First name Surname

Company name (complete this only if you are bidding on behalf of a company)

Address

City State/County

Postcode/zip code Country

Phone Mobile Fax

Email

Phone (for phone bidding only)

Lot number

in numerical

order

Brief description Maximum Hong Kong $ price* Absentee bids only

In order to bid on ‘Premium Lots’, you must complete the required Lot pre-registration application and deliver to Phillips de

Pury & Company Hong Kong Ltd such necessary financial references, guarantees, deposits and/or such other security as

Phillips de Pury & Company Hong Kong Ltd may in its absolute discretion require for your bid. Phillips de Pury & Company

Hong Kong Ltd’s decision whether to accept any preregistration application shall be final. We recommend you complete and

return the Lot pre-registration form in this catalogue in the manner required therein or contact Phillips de Pury & Company

Hong Kong Ltd at least 3 working days prior to the relevant sale in order to process the pre-registration. Please bear in mind that

we are unable to obtain financial references over weekends or public holidays. If all lots are in the catalogue are ‘Premium

Lots’, a Special Notice will be included to this effect and the paddle symbol will not be used. The Live Auctioneers online

bidding service is not available for premium lots.

* Excluding Buyer’s Premium and VAT

FINANCIAL INFORMATION

For your bid to be accepted, we require the following information for our reference only. Please note that

you may be contacted to provide a bank reference:

Credit card type Credit card number

Expiration date

For anyone wishing to bid on lots with a low pre-sale estimate of above HKD $80,000, please provide the

following information for our reference only:

Bank name Contact

Telephone / fax Account number

I hereby authorise the above references to release information to Phillips de Pury & Company Hong Kong Ltd. Please bid on my

behalf up to the limits shown for the indicated lots. I agree to be bound by the Conditions of Sale and Authorship Warranty

printed in the catalogue, additional notices or terms printed in the catalogue and supplements to the catalogue posted in the

salesroom, and the above statements and conditions.

Signature Date Date

Phillips de Pury & Company Hong Kong Limited

c/o Withers Worldwide

Suite 2005-7,

20th Floor, Gloucester Tower

The Landmark

15 Queen’s Road Central

Hong Kong

www.phillipsdepury.com

• If you buy as a private individual, we require proof of

identity in the form of government-issue

identification. If you buy on behalf of a company we

require a copy of government-issued identification

(such as the certificate of incorporation) to verify the

status of the company.

• CONDITIONS OF SALE All bids are placed and

executed, and all lots are sold and purchased subject

to the Conditions of Sale printed in the catalogue.

Please read them carefully before placing a bid. Your

attention is drawn to Paragraph 4 of the Conditions of

Sale.

• All bids made on your behalf by us will be done so

confidentially

• Please note that our buyer’s premium is 25% of the

hammer price up to and including HKD$400,000, 20%

of the portion of the hammer price above HKD$400,000

and up to and including HKD$8,000,000 and 12% of

the portion of the hammer price above HKD$8,000,000

on each lot sold.

• “Buy” or unlimited bids will not be accepted.

Alternative bids can be placed by using the word “or”

between lot numbers.

• For absentee bids, indicate your maximum limit for

each lot, excluding the buyer’s premium. Your bid will

be executed at the lowest price taking into account the

reserve and other bidders.

• Your bid must be submitted in the currency of the

sale and will be rounded down to the nearest amount

consistent with the auctioneer’s bidding increments.

• If we receive identical bids, the first bid received will

take precedence.

• Telephone bidding is available for lots whose low pre-

sale estimate is at least HKD$6,000.

• Arranging absentee and telephone bids is a free

service provided by us to prospective buyers. While we

will exercise reasonable care in undertaking such

activity, we cannot accept liability for errors relating to

execution of your bids except in cases of willful

misconduct. Agreement to bid by telephone must be

confirmed by you promptly in writing or by fax.

Telephone bid lines may be recorded.

• Please submit your bids to the Bid Department

by fax at +44 20 7318 4035 or scan and email to

[email protected] at least 24 hours before the

sale. You will receive confirmation by email within one

business day. To reach the Bid Department by phone

please call +44 20 7318 4045.

• Payment for lots can be made by cash up to HKD

$80,000.

• Lots cannot be collected until payment has cleared

and all charges have been paid.

• By signing this Bid Form, you agree to the processing

of your personal information and also to the disclosure

and transfer of such information to any associated

company of PHILLIPS DE PURY & COMPANY HONG

KONG LTD and to third parties involved in the auction

anywhere in the world, including in countries which

11_Swatch_UK_Nov11_Backmatter_282-299.indd 297 20/10/11 19.15

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PHILLIPSDEPURY.COM

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