suzuki harunobu. shimizu , from seven komachi, c.1767, woodblock
DESCRIPTION
Kitagawa Utamaro. The Fancy-Free Type , from Ten Types of Female Physiognomy , c. 1792-93, color woodblock with mica ukiyo-e (floating world)/ “iki,” the idea of “stylish chic”. - PowerPoint PPT PresentationTRANSCRIPT
![Page 1: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/1.jpg)
Kitagawa Utamaro. The Fancy-Free Type, from Ten Types of Female
Physiognomy, c. 1792-93, color woodblock
with mica
ukiyo-e (floating world)/ “iki,” the idea
of “stylish chic”
![Page 2: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/2.jpg)
Suzuki Harunobu. Evening Bell at the Clock, from Eight
Views of the Parlor series, c.1765,
woodblock
brocade prints/ haiku clubs in Edo/
diminutive features/ suggestion of voyeurism/ architecture composed of
diagonals
![Page 3: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/3.jpg)
Suzuki Harunobu. Shimizu, from Seven Komachi, c.1767,
woodblock
![Page 4: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/4.jpg)
a courtesan and her teenage apprentice/
inscribed verse suggests a melancholy mood/ the knots of an obi/ mitate
(parody)
![Page 5: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/5.jpg)
Sakai Hoitsu. Kosode with
blossoming plum tree, early nineteenth
century, hand-painted ink and pigment on silk
satin
![Page 6: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/6.jpg)
Furisode with scenes of tea cultivation,
early nineteenth
century, paste-resist dye on
habutae
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Katabira with garden landscape,
mid-eighteenth century, paste-
resist and indigo dyeing, silk and metallic thread
embroidery, and pigment on plain-
weave ramie
![Page 8: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/8.jpg)
Suzuki Harunobu. Pilgrimage on a Rainy Night, late
1760s, color woodblock print
![Page 9: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/9.jpg)
Suzuki Harunobu. Whispering, c. 1766-68, color woodblock
![Page 10: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/10.jpg)
Katsukawa Shuncho. Two Young Men by the Riverside, c. 1780s, hanging scroll, ink and color on
silk
![Page 11: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/11.jpg)
kabuki actors/ wakashu/ gesture of greeting/ suggestion of male
innocence and sexuality
![Page 12: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/12.jpg)
Katsukawa Shunsho. The Actor Ichikawa Danjuro in Shibaraku
Role, c. 1777, woodblock
archetypal aragoto role
![Page 13: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/13.jpg)
Utagawa Kunisada. Hour of the Monkey, 1816-7,
oban
depiction of the onnagata/ oban
woodblock
![Page 14: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/14.jpg)
Katsushika Hokusai. The Greave Wave off Kanagawa, from Thirty-six Views of Mount Fuji, c. 1826-33, woodblock print oban, ink and colors on
paper
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influence of Western
perspective/Mount Fuji/ nature as an
active force/ meishoe/ Manga
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Katshshika Hokusai. Mount Fuji in Clear Weather from the series Thirty-six Views of Mount Fuji,
1830-2, oban woodblock print
![Page 17: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/17.jpg)
Katsushika Hokusai. Amida Waterfall on the Kiso Highway
from A Tour of Waterfalls in Various Provinces, c.1883-4,
color woodblock print
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Amida waterfall/ geometry of nature
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Ando Hiroshige. Fireworks over Ryoguku
Bridge, from One Hundred Famous Views of Edo, 1856, woodblock
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Ando Hiroshige. Sudden Shower over Ohashi
Bridge, from One Hundred Famous Views
of Edo, 1856, color woodblock print
Famous views of Edo
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Ando Hiroshige. Scattered Pines, Tone River, from
One Hundred Famous Views of Edo, 1856, color woodblock print
![Page 22: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/22.jpg)
Ando Hiroshige. Plum Garden at Kameido, from One Hundred
Famous Views of Edo, 1856, color woodblock
![Page 23: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/23.jpg)
the Sleeping Dragon Plum / emphasis on
negative space
![Page 24: Suzuki Harunobu. Shimizu , from Seven Komachi, c.1767, woodblock](https://reader035.vdocuments.us/reader035/viewer/2022062221/568147e5550346895db51e19/html5/thumbnails/24.jpg)
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