Sutansu SuitchiA sword fighting style in which the wielder of the katana switches from a backhand to forehand grip with the katana, and sheath, which is used for impact, not edge.

The first stance, the double-backhanded grip, is a defensive grip and the two backhanded grips allow for slightly larger mistakes in defense. However, a drawback is that the double backhanded style sometimes obscures vision due to the sword arms reaching the other side of the body to block or to go on small offensives.

The Foreback handed grip is where the katana is gripped with a forehand style and the sheath is still maintained in a backhanded grip. This style allows for more offensive swordplay, allowing the forehanded grip to use more force, and then follow up with an impacted back handed grip. Another drawback is that, after using the double strike, it leaves your stomach and sometimes neck, out for a strike if the double strike did not take out the enemy. This style also looks very similar to the iaido style as the sword is constantly sheathed and drawn for maximum power.

The last style, which is the most offensive style of Sutansu Suitchi, is the double forehanded grip. This grip is the most reckless grip, and the grip with the most power. Using this style allows the user to go for a more brute force approach. Using the two forehanded grips, the user can beat down the opponent, or hack and slash until the opponent is no more.

Sutansu Suitchi Displazamiento

This is a style of fighting developed secretly by the Spanish based on the ForeBackhanded style of Sutansu Suitchi. Displazamiento means displacement. This style has the name Displazamiento due to the discovery of the power behind the ForBackhanded grip. If the user draws the sword with enough force from the sheath in one swift motion, the user of the style is able to create displacement between the object they are striking and the sword itself. This displacement only occurs when the sword is completely drawn in less than a second, with much force. The displacement made in the air by the force of the action of drawing the sword allows the user to strike objects around four or five swords lengths away from the sword. The longer the sword, the longer the displacements distance. The more speed and force put into the drawing of the sword the more power and distance of the pulse. This technique is best used with a sword that the user is able to draw quickly, and is the right length to fight with.