Issue - 4Vol - 6 Pages : 8RNI No. KARBIL/2010/31617 | CPMG/KA/BGS/107/2015-2017REGISTERED :

April 2015 K¦æ¯ï 2015

April 2015

Chaitanya Tamhane: Indian cinma's new voice of subversionby Sohini Mitter

At only 27, Chaitanya Tamhane has made a feature-length documentary, a short fiction film,

a live-interactive play and a much-acclaimed multilingual feature film. He now wants to

make a sitcom. This irreverence for any particular medium—theatre, documentary or

film—is one of his defining traits. “It is expression, and not the medium, that matters,” he

says.

His debut feature Court, which he calls a “complete subversion of the courtroom genre”, is

perhaps one of the finest expressions of Indian cinema in recent times. It takes on the

country’s broken judicial system with a Dalit singer-activist in the centre, and has been

filmed with a largely non-professional cast and crew painstakingly handpicked from streets,

government offices, hospitals, banks and so on. The film has bagged a dozen awards already,

including Best Film at the coveted Venice Film Festival last September. It also won writer-

director Tamhane the Lion of the Future award for Best First Feature.

“It is an incredibly outstanding debut and the best Indian film of 2014. It is on par with the

finest in contemporary world cinema,” says Mayank Shekhar, film critic and owner of the

pop-culture website TW14.com.

…Continued on Page 7

Centre for Film and Drama & Suchitra Film Societypresent

Inside

Obituary: Andrew Lesnie

Event Calendar : May

Know your Director: Chaplin

Shakespeare and Kurusawa –Article

Documentary screenings

Closing Ceremony

Suchitra SUMMER CAMP

Saturday 9 May 2015

5.30 PM

HN Kalakshetra

All are Welcome!

Dates: May 29-31, 2015

Venue: Suchitra

Course Director: Prakash BelawadiContact: 080 26711785 | 9742572100

Fees: Rs.1000, Rs. 750 (students)

2April 2015

Obituary: Andrew Lesnie | 'master of light' finely tuned into both nature and people

“I’d never worked with him or even met him before,” Mr. Jackson

said, “but he’d shot the ‘Babe’ films. and I thought they looked

amazing, the way he’d used backlight and the sun and natural light

to create a very magical effect. ‘Babe’ had that larger-than-life feel

about it that I wanted.”

For the “Lord of the Rings” trilogy, Mr. Lesnie managed nine camera

units that filmed primary photography in New Zealand for all three

movies over 16 months while often battling the elements. (The films

were released on a staggered schedule.) He shot from a special

perspective to make the actors playing the diminutive hobbits

appear smaller than the other cast members, an impression later

enhanced by special-effects technicians.

“I just try to understand the character’s emotional state and to look

at what we are trying to say with the scene,” he said in an interview

with International Press, “and then I design the lighting

accordingly.”

Mr. Lesnie was born in Sydney, Australia, in 1956 and began his

career as a camera assistant on the horror film “Patrick” in 1978

while still a student at the Australian Film, Television and Radio

School. After graduating, he worked on other films and on television

shows in Australia and made a documentary in 1980, “The

Comeback,” about Arnold Schwarzenegger ’s return to

bodybuilding.

In 1993, he was named cinematographer of the year by the

Australian Cinematographers Society for the film “You Seng,” or

“Temptation of a Monk.”

Mr. Lesnie won the Oscar in 2002 for “The Lord of the Rings: The

Fellowship of the Ring,” the first film in the trilogy. He dedicated the

award to his partner, Bronwen, and his sons, Jack and Sam, who

survive him. - SAM ROBERTS (NY Tmes)

Andrew Lesnie, the Oscar-

winning cinematographer

who filmed Peter Jackson’s

“Lord of the Rings” trilogy and

three “Hobbit” movies, died

on Monday in Australia. He

was 59.

His death was announced by

Ron Johanson, president of

the Australian Cinemato-

graphers Society, who said Mr.

Lesnie had had “a serious

heart condition.” He did not

give further details.

Mr. Lesnie also filmed Mr. Jackson’s remake of “King Kong,” and his

crime drama “The Lovely Bones”; “Rise of the Planet of the Apes,”

directed by Rupert Wyatt; the Will Smith film “I Am Legend,”

directed by Francis Lawrence; and “The Last Airbender,” directed by

M. Night Shyamalan.

He had recently completed work on “The Water Diviner,” Russell

Crowe’s directorial debut, which opened in American theaters last

week.

Mr. Lesnie was best known for the epic “Lord of the Rings” fantasy

trilogy, adapted from the J. R. R. Tolkien books and released from

2001 to 2003, and their prequels, the three “Hobbit” films, released

from 2012 to 2014.

Mr. Jackson said in a 2004 interview with digitalproducer.com that

he had been impressed by Mr. Lesnie’s technique in shooting

“Babe,” the 1995 film about a talking pig who preferred to be a

sheepdog, and its sequel, “Babe: Pig in the City.”

1956-2015

• 18-April-15 : Sandeep Kumar – Director of CHURUKUMARA talking with the audience after the screening

• 19-April-15: The team of HARIVU talking with the audience after the screening

• 11-April-15: Salil Lal Ahamed - Director and Sandeep Kumar – Cinematographer of Kalton Towers in discussion with the audience after the screening of their movie.

Date Time Movie/Country/Duration

Friday, May 01, 2015 6:00 PMGRANDAD (Belarus,7mins)

OLD MAN (Kazakhstan, 102mins)CHILDREN OF LIGHT (India, 50 mins)

Saturday, May 02, 2015

5:00 PM Sahitya Sanje

7:00 PMSNOWHITE AND THE RED ROSE (Belarus, 13mins)

HOW TO (India, 13 mins)

Sunday, May 03, 2015 10:00 AM

LITTLE MOUSE (Belarus, 12 mins)GILLI DANDA (India, 152 mins)

SHINING TAJIKISTAN (Tajikistan, 20 mins)ONCE AGAIN (India, 48 mins)

Monday, May 04, 2015 6:00 PMTHE GOOSE GIRL AT THE WELL ( (Belarus, 13 mins)

HAPPY NEW YEAR, MOTHERS (Russian, 80 mins)OVERDUE LIFE (Uzbekistan, 80 mins)

Tuesday, May 05, 2015 6:00 PM

PILIPKA ((Belarus, 7 mins)THE SUNRISE AND THE DAY AHEAD (Armenia, 27 mins)

MYN BALA (Kazakhstan, 100mins)MAANAV (India, 12 mins)

Wednesday, May 06, 2015 6:00 PMMY BOYFRIEND IS AN ANGEL (Russia, 87 mins)THE WEDDING CHEST (Kyrgyzstan, 90 mins)

Saturday, May 09, 2015 5:00 PM

Sahitya Sanje Tagore Jayanti Celebration

Short Story by TagoreTalk by Dr. C Chandrasekhar Artisti on his experience of Tagore's

ShantinikethanDocumentary on Rabindranath Tagore,

(Dir: Satyajit Ray, 54 mins, 1961) (courtesy : Films Division)

Sunday, May 10, 2015 11:00 AMGHARE BAIRE

(Dir: Satyajit Ray, 140 mins, 1985)

Friday, May 15, 2015 6:30 PMGerman Movie: WHOLETRAIN

(Dir: Florian Gaag, 82m, 2006, Germany)

Saturday, May 16, 20155:00 PM Sahitya Sanje

7:00 PMTHE INTERNET'S OWN BOY: THE STORY OF AARON SWARTZ

(Director: Brian Knappenberger, 65m,2014)

Sunday, May 17, 201511:00 AM Creating Communities

5:00 PM Kannada Chintane

Saturday, May 23, 20155:00 PM

Sahitya Sanje

7:00 PM BATTLE FOR HAITI(Director: Dan Reed, 2011, Documentary)

Sunday, May 24, 2015 11:00 AM Creating Communities Friday, May 29, 2015 4:00 PM

Changing Trends in Cinema | Film Appreciation CourseInaguration of HN Narahari Rao's DVD on World Cinema

Saturday, May 30, 2015Full Day

Sunday, May 31, 2015

Sunday, May 31, 2015 5:00 PM Kannada Chintane

Friday, June 05, 2015 6:30 PM World Environment Day: Documentary

3April 2015

Suchitra Event Calendar : May 2015

4April 2015

Know your Director : Charlie Chaplin | Srikanth SrinivasanWHO is he?

Iconic Hollywood film director, actor, producer, screenwriter, music

composer and editor who directed over 60 feature and short length

films and acted in several more between the early 1910s and the mid-

sixties. Chaplin had a most extraordinary life, having his childhood

truncated before time, migrating to the U.S., achieving international

renown and finally being persecuted and forced to leave America.

WHAT are his films about?

Themes

Chaplin is most associated with the legendary tramp character he

created. Clumsily dressed, the tramp is a misfit in every sense of the

word. He functions in a rhythm that is at odds with that of the world

and this mismatch is what both marginalises and ennobles him. Mute

and maladroit, the tramp came to represent entire humankind facing

off with the bureaucratic machinery. Chaplin’s films became

increasingly political and, so to speak, vocal, as though asserting that

the world the tramp inhabits could no longer be neutrally gazed at.

Style

The bulk of Chaplin’s cinema is silent. The comedy in his earliest films is

purely slapstick, involving much physical movement played out against

an unchanging set piece. Chaplin’s aesthetic refined itself

progressively, with his feature length ventures pushing the boundaries

of expression in silent cinema. There is barely any lyricism of camera

movement in his films, but it is more than compensated by the poetry

of action, which is typically structured around repeated gestures,

gymnastic endeavours and, of course, the tramp’s own unforgettable

physical eccentricity.

WHY is he of interest?

Perhaps the greatest artist cinema has produced, Chaplin is to film what

Mozart was to music and Shakespeare was to English literature. A name

known in even the most remote corners of the planet, Chaplin, it

seemed, was loved by all. Even the fiercest cultural critics like Theodore

Adorno and Walter Benjamin acknowledged his genius. The tramp

remains one of the most recognisable and influential figures of the 20th

century.

WHERE to discover him?

The Gold Rush (1925) follows a pair of lone prospectors out in the

snowy mountains in search of gold who get more than what they signed

up for. Chaplin’s film consists of one indelible sequence after another —

the shoe meal, the dinner table dance and, of course, the memorable

climax with the seesawing cabin — and has been endlessly imitated in

movies around the world. (Source: The Hindu | OUTTAKES)

For Tamhane, though, the immense appreciation for the film in the

festival circuit (it is yet to get a theatrical release) has come as a surprise.

“I have been really lucky,” he says. “This film is very culture-specific. We

had very little hopes of the international audience even getting it.”

Court was acquired by Artscope, the art-house label of Paris-based

Memento Films, ahead of its premiere in Venice, making it one of the

rare first features to be distributed and released worldwide by the

banner. “I was born in a chawl near Century Bazar [central Mumbai]. I

don’t know anyone in the industry. I have been plain lucky to get such a

response,” says Tamhane.

As a child in a middle-class Maharashtrian household, he would

accompany his mother to watch Marathi plays. He wanted to be an

actor “because that was the most immediate, accessible form of

expression”. It was only when he was 17-18 and working as a daily soap

writer at Balaji Telefilms (a job he landed up with courtesy a man who

directed him in college plays) that he discovered world cinema. “There

were people from the National School of Drama working at Balaji to

make ends meet. And they introduced me to films that opened up a new

world of ideas for me. I was fascinated that there were films so different

from what one was used to seeing here,” says Tamhane. “I also realised

that most Indian films were completely ripped off from Western

cinema.”

That became the subject of his first documentary Four Step Plan (2005).

Funded by friends and family, the film chronicled plagiarism in Indian

cinema since the 1940s. It received a fair amount of press attention and

Tamhane had met many “interesting people” in the course of his

research. One of them included filmmaker Anand Gandhi who would go

on to produce his play Grey Elephants in Denmark in 2009.

Tamhane scripted and directed the play tracking the life of a magician

through several decades. “It had a lot of magic and live interaction with

the audience,” he says. He concedes that he’s a practising magician

himself. “I’ve trained in magic and mentalism for seven years now. It is

my first love,” he says.

Though the play opened to full houses at the National Centre for the

Performing Arts in Mumbai and was well-regarded, it wasn’t performed

widely owing to the lead actor’s (Vivek Gomber) unavailability. A year

later, Tamhane went on to direct a short film Six Strands (based on the

life of a tea estate owner in Darjeeling) which travelled to the world’s

most prestigious film festivals, including Clermont-Ferrand, Slamdance,

Edinburgh and Rotterdam.

“But nothing was yielding any money. I did not feel like doing a

conventional job because that would really suck my soul. I was broke

and depressed,” he says. That was the time, in 2011, that the idea of

Court started germinating. He had visited some courts in Mumbai and

realised that they were nothing like what was depicted on screen. “My

idea was to do something like a Bong Joon-ho [Korean filmmaker]

courtroom drama,” he says.

Urged by friend-collaborator Gomber, Tamhane started writing the film

chiefly to “sustain myself”. Gomber later went on to produce Court, and

even play the defence lawyer in the film. He says, “Chaitanya is

exceptionally gifted and has got great drive. He never went to film

school or assisted anyone. He’s an entirely self-taught and self-made

man. And I hope he never gets corrupted by the film world and is

allowed to work with his own sensibility.”

And that’s a sentiment most genuine film aficionados would echo.

Chaitanya Tamhane……

5April 2015

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6April 2015

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"... ̧ ÀAzÉñÀ ªÁºÀPÀgÀÄ ¥Àæw¨Áj ¥ÀæªÉò¸ÀĪÀ «ªÀgÀ«®èzÉ, M§â£À ªÀiÁvÀÄ ªÀÄÄVzÀ PÀÆqÀ¯Éà CzÉà ¸ÀܼÀzÀ°è (ªÉÊ¥ïªÀÄÆ®PÀ) ªÀÄvÉÆÛ§â£À£Àß vÉÆÃj¸ÀĪÀ ªÀÄÆ®PÀ PÀÄgÁ¸ÀªÀ PÀxÀ£ÀPÁ®zÀ°è ¹¤ªÀiÁ£ÀÄ ̈ sÀªÀPÉÌzsÀPÉÌ §gÀzÀ ºÁUÉ PÀxÀ£À®AiÀĪÉÇAzÀ£ÀÄß ¸ÀȶָÀÄvÁÛ£É. ªÉÆzÀ® ¸ÀAzÉñÀ ªÁºÀPÀ£À ¤gÁ±ÉAiÀÄ ¸ÀĢݬÄAzÀ ªÀÄÄA¢£À ¸ÀAzÉñÀªÁºÀPÀgÀÄ vÀgÀĪÀ ¸ÀAvÉÆõÀzÀ ¸ÀĢݬÄAzÀ D¸ÁÜ£ÀzÀ°èzÀݪÀgÀÄ dAiÀÄWÉÆõÀ ºÉÆgÀr¸ÀĪÀÅzÀ£ÀÄß PÁtÄvÉÛêÉ. E°è "ªÉÊ¥ï" JA§ vÀAvÀæªÀÅ DAiÀiÁPÁ®zÀ vÀÄwðUÉ ¸ÀªÀiÁ£ÀAvÀgÀªÁV D ¸ÁÜ£ÀzÀ°ègÀĪÀªÀgÀ ªÀÄ£À¹ì£À ªÉÄïÁUÀĪÀ §zÀ¯ÁªÀuÉAiÀÄ£ÀÄß zÁR°¸ÀĪÀ ¥ÀjAiÀÄÄ C¥ÀgÀÆ¥ÀzÀ avÀæt."E°èAzÁZÉUÉ µÉÃPïì¦AiÀÄgï£À £ÁlPÀzÀ ªÀiÁzÀjAiÀÄ°èAiÉÄà PÀÄgÁ¸ÉÆêÀªÀiÁvÀÄPÀlÄÖvÁÛ£É. £ÁlPÀzÀ°è qÀAPÀ£ï ¥ÁvÀæªÀÅ DqÀĪÀ ªÀiÁvÀ£ÀÄß PÀÄgÁ¸ÀªÀ£À PÀxÀ£ÀzÀ°è£À gÁd lÄdÄQ ¥ÁvÀæªÀÇ DqÀÄvÀÛzÉ.

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7April 2015

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Obituary

Manoel de OliveiraPortuguese cinema legend

1908-2015

Leonard Nimoy

1931-2015

Westernized Hindu in colonial East Bengal, feels compelled to test the love of his wife, Bimala. He introduces her to his friend Sandip, a politician agitating against British rule, and Bimala is equally taken with both Sandip's anti-colonial fervor and the man himself. Personal and political tensions subsequently flare as the now assertive Bimala has to make a crucial decision

A biography of the poet Rabindranath Tagore, prepared with the help of live shots, sketches, photographs and a dramatic impersonation of his early life. This program is part of T a g o r e J a y a n t i ( C o u r t e s y : F i l m s Division)

8

Owned, Printed & Published by N Shashidhara (President) Suchitra Film Society; Printed at Suchitra Printers & Publishers;36, 9th Main (B.V. Karanth Road), Banashankari 2nd Stage, Bangalore-560070 Ph: 080-26711785

Editor: Prakash Belawadi, suchitrafilmsociety@gmail.comPosted at Bangalore PSO, Mysore Road, Bangalore 560026. on the last day of every month.

Sat, 9 May 2015 | 7:00 PM

RABINDRANATH TAGORE Dir: Satyajit Ray (54 mins, 1961)

Sun, 10 May 2015 | 11:00 AMSat 02 May 2015 | 3:00 PM

Clara And The Secret Of The Bears

Dir: Tobias Ineichen(90m, 2013, Switzerland)

13-year-old Clara lives with her mother and stepfather on a remote farm in the Swiss Alps. She lives in close touch with nature and can see and sense things that others are incapable of perceiving. Clara’s discovery of an ancient girl’s shoe leads to contact with Susanna, a girl who had lived on the same farm 200 years ago. Susanna is very worried: about a curse placed on the house. Together the two girls attempt to break the curse and redress the balance of nature. (Source: Karnataka Chalanachitra Academy)

GHARE BAIRE Dir: Satyajit Ray

(140m, 1985, Bengali, India)

April 2015

Films are subject to change or cancellation without prior noticeFilm screenings are for members of Suchitra.

Fri 15 May 2015 | 6:30 PM

Florian Gaag tells the story of a crew of four “writers” – David, Tino, Elyas und Achim – who observe the hierarchies, the values, the rules and the codes of the graffiti scene. Night after night they make off for the subway stations of the city, intent on leaving opulent images behind. But as another crew appears on the scene, and the four feel challenged, a creative battle ensues, one that will change the lives of these young people for ever. Courtesy: Goethe Institut

WHOLETRAINDir: Florian Gaag

(82m, 2006, Germany)

Sat 16 May 2015 | 7:00 PM

The story of programming prodigy and information activist Aaron Swartz. From Swartz's help in the development of the basic internet protocol RSS to his co-founding of Reddit, his fingerprints are all over the internet. But it was Swartz's groundbreaking work in social justice and political organizing combined with his aggressive approach to information access that ensnared him in a two year legal nightmare. It was a battle that ended with the taking of his own life at the age of 26. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to our civil liberties.

THE INTERNET'S OWN BOY: THE STORY OF AARON SWARTZ

Dir: Brian Knappenberger(65m,2014, Documentary)

Sat 23 May 2015 | 7:00 PM

In the chaos of the e a r t h q u a k e t h a t d e v a s t a t e d H a i t i , thousands of the country's worst criminals seized the opportunity to stage a mass escape from the National Penitentiary. One year later, the gang leaders are re-asserting control in the capital, threatening the country's stability.

BATTLE FOR HAITIDir: Dan Reed

(60m, 2011, Documentary)

VK Murthy Retrospective