study images for ap art history
TRANSCRIPT
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Study Images for AP Art History
Ancient and Classical Worlds
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Stele of Naram-Sinc. 2254-2218 BCE
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Lamasu. Human-headed winged bull facing. Bas-relief from King Sargon II's palace at Dur Sharrukin in Assyria (now Khorsabad in Iraq), c. 713–716 BCE.
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Assyrian Art
Lamassu• Guardian figure protects
entrances into palaces• Combination man and animals• Winged, hoofed• Has five legs: two if you look from
the front, four as you look from the side
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Audience Hall at Persepolis (c. 500 BCE)
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Portion from the Egyptian Book of the Dead
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Temple of Queen Hatshepsut, Deir al-Bahrri c1490-1460 bce
“The Place of the Northern Monastery”
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Karnak Temple Complex
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Funerary Krater
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Grave Stele of Hegeso
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Nike Adjusting Her Sandal
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Nike of Samothrace
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The Temple of Athena Nike
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447 B.C. – 438 B.C. Classical Period
Iktinos and Kallikrates – architectsPheidias - Sculptor
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Hellenistic SculptureLaocoön and His Sons• Negative space• Many viewpoints, eyes wander
everywhere• Laocoön trying to tell the Trojans
that the Greek horse was booby-trapped
• Strangling of figures by snakes sent by the gods to silence them
• Deep cutting into stone to create shadows
• Extreme musculature• Agonizing expressions • Figure to the right added later
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AraPacis c. 13 – 19 BCE
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Ara Pacis, South Wall
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Ara Pacis, 13 – 9 BCE, RomeFertility and Fecundity
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Trier, Basilica of Constantine (audience hall)
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Audience Hall of Constantine at Trier, early 4th century
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Wall Paintings from Pompeii
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Second Style – 1st century BCE
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Pompeii,
60 – 50 BCE
Villa of the Mysteries
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Villa of the Mysteries
Dionysiac Mystery Frieze•Fresco, Foreshortening•2nd Pompeian Style painting•Large figures in a frieze-like format•Initiation rites into the female cult of Dionysos•Figures act out mystery rites•Painted marble panels at bottom, from the First Pompeian style of painting•Bright Pompeian red background pushes figures forward•No linear perspective, but three dimensional illusionism•Figures interact with each other on adjacent wall spaces
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Ixion Room•Fresco, linear perspective, atmospheric perspective•Foreshortening•Ixion murdered his father-in-law and planned to seduce Hera•Zeus struck him with a thunderbolt and ordered him to be tied to a wheel in hell•Scheme of red and white fields•On bottom painted to resemble marble slabs•On top, architectural vistas that do not align to a single viewpoint•Thin delicate motifs alternate with framed mythological scenes
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Atrium, House of the Silver Wedding
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