studio bcelemony melodyne 4 studio fabfilter total bundle izotope rx 7 advanced vocalsynth 2 vinyl...

CONSOLE• NEVE 88R, 60 CHANNELS, WITH ENCORE AUTOMATION

- EQUIPPED FOR 5.1 MONITORING - GENELEC 1032A SURROUND SYSTEM

MONITORING• WESTLAKE AUDIO BBSM-15 WITH GENELEC 7070A ACTIVE• SUBWOOFER ATC SCM45A PRO• YAMAHA NS-10

*ALTERNATIVE MONITORING AVA ILABLE

DAW• AVID PRO TOOLS HDX(X2) 56 INPUTS 56 OUTPUTS

PERSONAL MONITOR MIXERS• FURMAN HRM-16

PIANO• YAMAHA C7 GRAND PIANO

STUDIO B

MIC PRES & EQUALIZERS

D E M E T E R V T M P - 2 T U B E M I C P R E - A M P

M A N L E Y D U A L M O N O M I C P R EE N H A N C E D P U L T E C E Q U A L I Z E RM I D - F R E Q U E N C Y E Q U A L I Z E R

N E V E 2 2 5 4

S U M M I T A U D I O E Q F - 1 0 0 F U L L R A N G E E Q U A L I Z E R ( X 2 )T P A - 2 0 0 D U A L T U B E P R E A M P

T U B E - T E C H M P 1 A

DYNAMICS

C H A N D L E R L I M I T E D T G 1 L I M I T E R

D R A W M E R D F 3 2 0D S 2 0 1

F O C U S R I T ER E D 3 D U E L C O M P R E S S O R / L I M I T E R

J O E M E E KS C 2 C O M P R E S S O R

M A N L E Y E L E C T R O - O P T I C A L L E V E L L I N G A M P L I F I E R H I G H F R E Q U E N C Y L I M I T E R M O N O B L O C KV A R I A B L E M U

N E V E 3 3 6 0 9

R I D G E F A R M B O I L E R

S U M M I T A U D I O D C L - 2 0 0T L A - 1 0 0 A T U B E L E V E L I N G A M P L I F I E R

U R E I L A - 4 ( X 2 )1 1 7 8

REVERBS, DELAYS & FX PROCESSORS

A D R P A N S C A N

B E L E L E C T R O N I C S F L A N G E R B F 2 0

L E X I C O N P C M 7 0

P R I M E T I M E I I3 0 09 6 0

R O L A N D S D E - 2 0 0 0 D I G I T A L D E L A Y ( X 2 )S D E - 3 3 0 D I M E N S I O N A L S P A C E D E L A Y S R V - 3 3 0 D I M E N S I O N A L S P A C E R E V E R B

T C E L E C T R O N I C T C 1 2 1 0 S P A T I A L E X P A N D E RT C 2 2 9 0 D Y N A M I C D I G I T A L D E L A Y ( X 2 )

OUTBOARD

T H E R A N G E O F O U T B O A R D L I S T E D B E L O W I S D E D I C A T E D T O S T U D I O B .

I C P R E C O R D I N G S T U D I O S4 1 , A V E N U E É M I L E D E B E C O – 1 0 5 0 B R U S S E L S – B E L G I U M

+ 3 2 ( 0 ) 2 6 4 7 1 8 1 8 – I N F O @ I C P S T U D I O S . C O M

STUDIO B

A N T A R E S A U T O - T U N E P R O

A U D I O E A S E A L T I V E R B 7

A V I D P R O T O O L S F I R S T B U N D L E

C E L E M O N Y M E L O D Y N E 4 S T U D I O

F A B F I L T E R T O T A L B U N D L E

I Z O T O P E R X 7 A D V A N C E D V O C A L S Y N T H 2 V I N Y L

PLUGINS

T H E R A N G E O F P L U G I N S L I S T E D B E L O W A R E D E D I C A T E D T O S T U D I O B .



FLOOR PLAN

N A T I V E I N S T R U M E N T S K O M P L E T E 1 2 U L T I M A T E

S L A T E D I G I T A L F G - X

S T E V E N S L A T E D R U M S T R I G G E R 2 P L A T I N U M

O E K S O U N D S O O T H E 2 S P I F F

S E R A T O P I T C H ' N T I M E P R O

S O U N D T O Y S 5

W A V E SA B B E Y R O A D R E V E R B P L A T E SA P I C O L L E C T I O NC L A C L A S S I C C O M P R E S S O R SM A N N Y M A R R O Q U I N S I G N A T U R E S E R I E SP L A T I N U MS M A C K A T T A C KS S L 4 0 0 0 C O L L E C T I O NT U N E R E A L - T I M E3 6 0 S U R R O U N D T O O L S

S P E C T R A S O N I C S O M N I S P H E R E 2

S Y N C H R O A R T S V O C A L I G N P R O 4 D E L A Y

V A L H A L L A F R E Q E C H OP L A T ER O O MS H I M M E RS P A C E M O D U L A T O RS U P E R M A S S I V EU B E R M O DV I N T A G E V E R B

MIC PRES & EQUALIZERS

A M E K C H A N N E L I N A B O X ( X 2 )P U R E P A T H D M C L ( X 2 )

A P I 5 1 2 C ( X 2 )5 5 0 S A U L W A L K E R E D I T I O N ( X 2 )5 6 0 ( X 2 )

A V A L O N A D 2 0 2 2

B L U E R O B B I E

B S SD P R - 9 0 1 D Y N A M I C E Q U A L I Z E R ( X 2 )

C A D A C G 2 6 8 - E ( X 6 )

C H A N D L E R T G 1 2 3 4 5 C U R V E B E N D E R R E D D . 4 7 M I C A M P L I F I E R ( X 2 )

D . W . F E A R N V T - 2

E A R 8 2 3 M Q

F O C U S R I T E R E D 2 S T E R E O E Q U A L I Z E R

G M L 8 2 0 0

J O E M E E K V C 1 T H E B R I C K ( X 2 )

M O O G M K P E 3 B A N D P A R A M E T R I C E Q U A L I Z E R

N E U M A N N O E D U O E Q ( X 3 )V 4 7 6 B

N E V E 1 0 7 3 L B ( X 2 )1 0 7 3 D P X

P U L T E C H L F - 3 C ( X 2 )

S I E M E N S V 7 2 ( X 6 )V 7 6 ( X 2 )

U R E I 5 4 6 D U A L P A R A M E T R I C E Q

DYNAMICS

A L T E C 1 5 9 1 A1 6 1 2 B

A N T H O N Y D E M A R I A L A B S 1 0 0 0

A U D I O D E S I G N F 7 6 9 X - R V O C A L S T R E S S E R

C A D A C G 2 5 5 C O M P R E S S O R ( X 2 )

C H A N D L E R T G 1 2 4 1 3 Z E N E R L I M I T E R

D B X 1 6 0 X C O M P R E S S O R / L I M I T E R ( X 2 )

E M P I R I C A L L A B S D I S T R E S S O R ( X 2 )

E M T 1 5 6 P D M C O M P R E S S O R ( X 2 )2 5 6 C O M P R E S S O R ( X 2 )2 6 0 F I L T E R L I M I T E R ( X 2 )2 6 1 C O M P R E S S O R / L I M I T E R ( X 2 )

F A I R C H I L D M O D E L 6 6 0M O D E L 6 7 0 M K I I

G A T E S S A - 3 9 B ( X 2 )

G Y R A T E C X ( X 2 )

L I S S O N G R O V E A R - 1 ( X 2 )

N E U M A N N U 4 7 3 ( X 4 )

N E V E 3 2 2 5 4 E ( X 2 )

P Y E C O M P R E S S O R / L I M I T E R S T E R E O P A I R ( X 2 )

R A Y T H E O N M O D E L R L - 1 0

R C A M O D E L 8 6 - B

R E T R O S T A - L E V E L

S M A R T R E S E A R C H C 2 C O M P R E S S O R

T E L E T R O N I X L A - 2 A ( X 2 )

T R I - T R O N I C S C A - 1 7 8 2 ( X 2 )

T U B E - T E C H C L - 1 A

U R E I 1 1 7 6 L N ( X 3 )

V A L L E Y P E O P L E G A I N B R A I N I I ( X 2 )K E P E X I I N O I S E G A T E ( X 4 )4 4 0 C O M P R E S S O R / L I M I T E R 6 1 0 S T E R E O D Y N A M I C P R O C E S S O R

W S W 6 0 1 4 3 0 S C O M P R E S S 0 R / L I M I T E R

REVERBS, DELAYS & FX PROCESSORS

AMS D M 2 - 2 0 T A P E P H A S E S I M U L A T O R

APHEX A U R A L E X C I T E R

APHEX A U R A L E X C I T E R T Y P E BA U R A L E X C I T E R T Y P E C

BBE S O N I C M A X I M I Z E R 8 2 2 ( X 2 )

BINSON E C H O R E C ( X 2 ) E C H O R E C P E 6 0 3 - T U

BRICASTI M 7

ECHOPLEX ( X 2 )

EVENTIDE H 3 0 0 0 S E

FULLTONE T U B E T A P E E C H O

HH ELECTRONIC M U L T I - E C H O

KORG 1 3 P E R F O R M A N C E S I G N A L P R O C E S S O R

LEXICON P C M 7 0 D E L T A - T M O D E L 1 0 2 ( X 2 )

MOOG M K P H 1 2 S T A G E P H A S E R

MXR M 1 2 9 P I T C H T R A N S P O S E R

ROCKMAN S T E R E O C H O R U S / D E L A Y S U S T A I N O R

ROGER MAYER 4 5 6 H D ( X 2 )

ROLAND R E - 3 S P A C E E C H O S D D - 3 2 0 D I M E N S I O N - D S B F - 3 2 5 S T E R E O F L A N G E R S P H - 3 2 3 P H A S E S H I F T E R S R E - 5 5 5 C H O R U S E C H O S V C - 3 5 0 V O C O D E R

SONY M U - R 2 0 1 S T E R E O D I G I T I A L R E V E R B

SPLS X 2 P S Y C H O A C O U S T I C P R O C E S S O R

SYNTON2 0 3 P H A S E R

T.C. E L E C T R O N I C F I N A L I Z E R E L E C T R O N I C F I R E W O R XE L E C T R O N I C T C 2 2 9 0

TECH 21 S A N S A M P P S A - 1

THERMIONIC C U L T U R E V U L T U R E

WATKINS C O P I C A TC O P I C A T S U P E R S H A D O W ( X 2 )

YAMAHA R E V - 1R E V - 7 ( X 2 )

ZOOM 9 0 1 0 A D V A N C E D S O U N D P R O C E S S O R

FLOATING OUTBOARDO U R O U T B O A R D E Q U I P M E N T S P A N S T H E H I S T O R Y O F T H E I N D U S T R Y , F R O M G E A R Y O U H A V E H E A R D O F A N D S E E N T O U L T R A - R A R E I T E M S .

P L E A S E N O T E F L O A T I N G O U T B O A R D I S S U B J E C T T O A V A I L A B I L I T Y ..



CONDENSOR MICS

A K G C 4 1 4 BC 4 1 4 B - U L SC 4 1 4 E B ( X 4 )C 4 1 4 X L I I ( X 3 )C 4 1 4 X L I I B ( X 2 )C 4 5 1 E B ( X 4 )4 6 0 B ( X 4 )5 3 5 E B ( X 3 )C 3 4

A S T O N S T A R L I G H T S T E R E O P A I R

A U D I O - T E C H N I C A A T 5 0 4 0

B E Y E R D Y N A M I C M C 7 4 0 N M P C 5 0 ( X 2 )

B R U E L & K J A E R 4 0 0 6 ( X 2 )4 0 1 1

C R O W N P Z M - 3 1 5S A S S - P

D P A 4 0 0 6 A ( X 2 / S T E R E O P A I R )

E L E C T R O V O I C E R E 2 0 0 0 ( X 2 )

G E F E L L M 7 1 S ( X 2 )M 3 0 0 ( X 2 / S T E R E O P A I R ) M 9 0 0M 9 3 0 ( X 2 / S T E R E O P A I R ) P M 8 6 0 ( X 2 / S T E R E O P A I R )P M 7 5 0 ( X 2 / S T E R E O P A I R )

M I L A B D C - 6 3 ( X 2 )M P - 3 0 H E M I ( X 4 )V I P - 5 0

N E U M A N N K M 8 4 ( X 7 ) K M 1 8 4 ( X 2 ) T L M 1 7 1U - 4 7 F E T ( X 4 ) U - 8 7 ( X 4 )

S H U R E K S M 9S M 8 1 ( X 2 )S M 9 1 A ( X 2 )

S O N Y C - 4 8C - 1 0 0

V ALV E MICS

A K G C 1 2 V R ( X 3 )

B L U E B O T T L E ( X 2 )

G R O O V E T U B E S M D 1

M A N L E Y B A B Y T U B ER E F E R E N C E C A R D O I D T U B E

N E U M A N N M V 6 9 0 P M V 6 9 1 P ( X 2 / S T E R E O P A I R ) U - 4 7U - 4 7 PU - 4 8 C M V - 3 AC M V - 4 ( X 2 )C M V - 4 A ( X 2 )C M V - 5C M V - 5 AC M V - 5 B ( X 2 )C M V - 5 5 1C M V - 5 6 1C M V - 5 6 2C M V - 5 6 3 ( X 2 )C M V - 5 6 4C M V - 5 8 2 ( X 2 / S T E R E O P A I R ) + M 9 4C M V - 5 8 3 ( X 4 / S T E R E O P A I R S ) M 1 4 - B ( X 3 / S T E R E O P A I R ) M 4 9 M 5 8 2 ( X 4 / S T E R E O P A I R S ) M 5 8 2 - HS M 2U M 5 7 ( X 2 / S T E R E O P A I R ) U 6 4 ( X ! / S T E R E O P A I R S ) U 6 7 R E V I V A L E D I T I O N ( X 2 ) Z U M 6 4

S C H O E P S M 2 2 1 F ( X 2 / S T E R E O P A I R )

S E N N H E I S E R M K H 4 0 - P 4 8 ( X 2 )

T E L E F U N K E N E L A M 2 ( X 2 ) M 2 6 0 M 2 2 1 B

DYNAMIC MICS

A K G D 1 2 V RD 1 2 E ( X 2 )D 1 2 E G O L DD 2 0

A U D I X D 6

B E Y E R D Y N A M I C M 3 8 0 T G ( X 2 )M 8 8 T G ( X 2 )

B L U E T H E B A L L ( X 2 )

C A D K B M 4 1 2 ( X 2 )

E L E C T R O V O I C ER E 2 0 ( X 3 )

S E N N H E I S E R B L A C K F I R E4 2 1 ( X 3 )4 2 1 U - 4 ( X 7 )M D 5 0 4 ( X 4 )E 6 0 9 ( X 2 )E 6 0 4 ( X 2 )

S H U R E 5 5 7 5 L EB E T A 5 2B E T A 5 6B E T A 5 7 ( X 4 )S M 7 ( X 2 )S M 5 7 ( X 1 3 )S M 5 8 ( X 3 )5 4 5 ( X 2 )5 4 5 S ( X 2 )

S T A N D A R D E L E C T R I C 4 0 2 1 C ( B A L L & B I S C U I T ) ( X 6 )

T E L E F U N K E N D 1 9 B K

Y A M A H A S K R M 1 0 0 S U B K I C K

RIBBON MICS

A E A R 8 4 ( X 2 )

A U D I O - T E C H N I C A A T 4 0 8 0 ( X 2 )

B E Y E R D Y N A M I C M 1 6 0 N

C O L E S B B C 4 0 3 8 ( X 4 )4 0 4 0 ( X 2 )

E X T I N C T A U D I O B M 9B M — B B L A C K O P S L M T 3 6 3 9

O K T A V A M L 5 2 - 0 2

R C A 4 4 - B XB K - 5 B6 3 9 B ( X 2 / S T E R E O P A I R )

R O Y E RR - 1 2 2 ( X 4 )

S O N T R O N I C S A P O L L O 2

MIC LOCKER W E H A V E O N E O F T H E M O S T U N I Q U E A N D H I S T O R I C A L C O L L E C T I O N S O F M I C R O P H O N E S I N T H E W O R L D ; A L L R E G U L A R L Y S E R V I C E D .

P L E A S E N O T E M I C R O P H O N E S A R E S U B J E C T T O A V A I L A B I L I T Y .



ALTERNATIVE MONITORINGP L E A S E N O T E A L T E R N A T I V E M O N I T O R I N G I S S U B J E C T T O A V A I L A B I L I T Y

A D A M A U D I O S 3 H

A T C S C M 4 5 A P R O

A U R A T O N E 5 C S U P E R S O U N D C U B E

F O C A L T W I N 6 B E

G E N E L E C 1 0 2 9 A1 0 3 0 A1 0 3 1 A1 0 3 2 A

K R K E X P O S E 8 B

P R O A C S T U D I O 1 0 0

Y A M A H A N S - 1 0

studio bcelemony melodyne 4 studio fabfilter total bundle izotope rx 7 advanced vocalsynth 2 vinyl...

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