streaming video in academic libraries – survey results and copyright information by deg farrelly...
Post on 21-Oct-2014
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DESCRIPTION
Jane Hutchison and deg farrelly present their findings based on a yearlong research project about streaming video in academic libraries. See the survey results, especially pertinent if you work with video in your library.TRANSCRIPT
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STREAMIN
G VID
EO IN
ACADEMIC LI
BRARIES
RE
SU
LTS
FR
OM
A N
AT
I ON
AL S
UR
VE
Y
ProQuest
January 22, 2014
deg
farre
lly, A
rizon
a St
ate
Unive
rsity
Jane
Hut
chiso
n, W
illiam
Pat
erso
n
Unive
rsity
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QUESTIONS
What is the current state of streaming video in academic libraries?
How prevalent is streaming video in academic libraries?
Who has primary responsibility for streaming video?
What hosting platforms are used?
How do users discover and access streaming videos?
How much staff time does streaming video demand?
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LITERATURE REVIEW
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METHODOLOGY
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Sent draft survey to trusted professional colleagues for testing
Revised (5 revisions) Distributed widely through library and media
discussion and mailing lists VideoLib Video Roundtable - ALA Media-L ACQNet CCUMC Charleston Conference CollDev CollLib Digital Copyright
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Short completion time Opt-in responses Included incentive to complete survey
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Short completion time Opt-in responses Included incentive to complete survey
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THE SURVEY
tinyurl.com/SurveyASV
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DEFINITIONS
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VIDEO
Commercially produced and distributed academic, educational, documentary and/or feature content.
Locally produced, repository, institutional advancement/publicity, tutorials, or similar content not included.
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STREAMING VIDEO
Video content delivered to computer desktops via an Internet connection.
Openly accessible sources such as YouTube or Hulu are not included.
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SUBSCRIPTION STREAMING VIDEO COLLECTION A packaged group of videos distributed by a single company that also hosts the content.
Libraries do not individually select titles in a subscription collection. Such collections may cover a single subject area, or may be multi-disciplinary.
Consumer entertainment streaming subscriptions such as Netflix are not included.
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TECHNICAL INFRASTRUCTURE & HOSTINGTechnical Infrastructure
The computer systems and processes for ingesting, hosting, and serving digital video files.
Hosting System
Similar in meaning to "technical infrastructure", the commercial or locally developed interface for housing and streaming digital video files. Often referred to by specific product name, such as Kaltura, Sharestream, Ensemble, etc.
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RESPONSES
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336 valid responses Limited to one response per institution
42 ARL institutions 48 U.S. States 6 Canadian Provinces 2 Non-North American responses
Australia and Pakistan
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DEMOGRAPHICS
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CARNEGIE CLASSIFICATION
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ENROLLMENT
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PUBLIC OR PRIVATE
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ONLINE COURSES
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WHO’SSTREAMING
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DOES YOUR INSTITUTION STREAM VIDEO
70 %
30%
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COMPARISON BY CARNEGIE CLASSIFICATION
70 %70 %
56% 44%
Baccalaureate
8%
92%
70%
30%
Associate
78%
22%33%
68%
Masters
ARL
Doctorate
92%
8%
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PLAN TO STREAM W/IN 3 YEARS
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MEDIA COLLECTION&
CONVERSION
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PHYSICAL MEDIA COLLECTION SIZE
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FORMAT SHIFT - PHYSICAL TO DIGITAL
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FORMAT SHIFT - PHYSICAL TO DIGITAL
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INTENTION TO FORMAT SHIFT W/IN 3 YEARS
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INTENTION TO FORMAT SHIFT W/IN 3 YEARS
Have already shifted format Have not shifted format
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HOW SHIFTED
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MEDIA SELECTION
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WHO SELECTS PHYSICAL VIDEO
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PRIMARY SELECTOR FOR PHYSICAL VIDEO
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PRIMARY SELECTOR FOR STREAMING VIDEO
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MEDIA FUNDING
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FUNDING SOURCES FOR PHYSICAL VIDEO
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PRIMARY FUNDING FOR PHYSICAL VIDEO
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PRIMARY FUNDING FOR STREAMING VIDEO
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IS STREAMING VIDEO INSTITUTIONALLY FUNDED
87%
13%
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HOW DOES YOUR INSTITUTION FUND STREAMING Departments for course-related work
Online instruction funds
Incorporated into the Media Services budget
Site license paid by University IT
Continuing Education / Distance Learning
Grant money
Consortium divides the funding between member schools
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WHO SELECTS INSTITUTIONALLY FUNDED Faculty with direction from Media Services Library recommends with support from
Academic Depts Streaming library acquisitions librarian Media Services specialist Department chairs/Deans Information Technology Teaching faculty work with Head of Extended
Programs Center for Distributed Learning/Distance
Education Consortium Don’t know
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TOTAL VIDEO EXPENDITURES LAST FISCAL YEAR
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TOTAL VIDEO EXPENDITURES LAST FISCAL YEAR
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ANTICIPATED SPENDING IN NEXT FISCAL YEAR
Hard Copy Video Formats
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ANTICIPATED SPENDING IN NEXT FISCAL YEAR
Streaming Videos – Individually Licensed
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ANTICIPATED SPENDING IN NEXT FISCAL YEAR
Streaming Video Subscriptions
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ANTICIPATED SPENDING IN NEXT FISCAL YEAR
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LICENSINGMODELS
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SUBSCRIPTION COLLECTIONS
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PURCHASED/LICENSED IN PERPETUITY COLLECTIONS
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PURCHASED/LICENSED IN PERPETUITY TITLES
44%
56%
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TERM LICENSED TITLES
66%34%
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LICENSE TITLES FOR COURSE RESERVE
29%
71%
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DIGITIZATIONON
REQUEST
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DIGITIZE & STREAM ON FACULTY REQUEST
41%
58%
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PRIMARY POLICY FOR DIGITIZATION ON REQUEST
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LIMITS APPLIED TO DIGITIZATION ON REQUEST
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WRITTEN POLICY STATEMENTS ON DIGITIZING
22%
78%
22%
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WRITTEN POLICY STATEMENTS ON DIGITIZING
78%61%
39%10%
90%
StreamDigitize on Request
StreamDon’t digitize on Request
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GUIDING DOCUMENTS
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DISCOVERY&
ACCESS
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DISCOVERY & ACCESS TO STREAMING VIDEO
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PRIMARY ACCESS POINT TO STREAMING VIDEO
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TITLE LEVEL CATALOG RECORDS
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TITLE LEVEL CATALOG RECORDS
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CATALOG RECORD SOURCES
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TECHNICALINFRASTRUCTURE
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TECHNICAL INFRASTRUCTURE
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PRIMARY RESPONSIBILITY FOR INFRASTRUCTURE
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HOSTING FOR STREAMING VIDEOS
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PERCENTAGE OF COLLECTION HOSTED
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HOSTING PLATFORMS
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WORKLOAD
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LICENSE NEGOTIATION
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STAFF TIME DEVOTED TO STREAMING
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HINDSIGHT
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QUESTIONS NOT ASKED
Does your library have a media librarian? Does your institution have a media unit
separate from the library? What is the size of your streaming video
collection? Do your collection development policy
documents specifically address streaming video?
You indicated you do not catalog your streaming videos. Why not?
How satisfied are you with you with the catalog records / meta data provided by vendors?
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OBSERVATIONS
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Streaming video has become a common vehiclefor content delivery in academic libraries.
Regardless of Carnegie classification libraries have primary funding, operational, and decision-making roles in providing streaming video content to their institution.
Libraries prefer, and for the most part provide, title level access to streaming videos in their collections.
BUT, video remains an outlier in the day-to-day treatment of content in academic libraries.
Catalog records for streaming videos depend largely on vendors providing the records or metadata.
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There is no dominant model for acquisition of streaming videos. Subscription plans appear to be emerging as the dominant approach.
Librarians are largely unaware of the technological infrastructure used to serve streaming video.
Staffing needs for managing streaming videos appears to be low, but many libraries do notknow what the actual staffing commitment is.
Librarians employ multiple approaches to meet the challenges streaming video presents regarding copyright.
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SUMMARY of KEY FINDINGS
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Streaming video in academic libraries has reached a tipping point.
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Streaming video in academic libraries has reached a tipping point.
Responsibility for streaming video may be distributed across the institution, but regardless of the distribution, libraries have primary responsibility.
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Streaming video in academic libraries has reached a tipping point.
Responsibility for streaming video may be distributed across the institution, but regardless of the distribution, libraries have primary responsibility.
There is no clear pattern of key responsibilities in the library for streaming video content. These roles are widely distributed within the library.
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Streaming video in academic libraries has reached a tipping point.
Responsibility for streaming video may be distributed across the institution, but regardless of the distribution, libraries have primary responsibility.
There is no clear pattern of key responsibilities in the library for streaming video content. These roles are widely distributed within the library.
Video formats in academic library collections are changing.
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Streaming video in academic libraries has reached a tipping point.
Responsibility for streaming video may be distributed across the institution, but regardless of the distribution, libraries have primary responsibility.
There is no clear pattern of key responsibilities in the library for streaming video content. These roles are widely distributed within the library.
Video formats in academic library collections are changing.
Patterns of video acquisition and expenditure are changing.
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There is no dominant acquisition model for streaming video.
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There is no dominant acquisition model for streaming video.
Most libraries do not digitize from their collections on request.
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There is no dominant acquisition model for streaming video.
Most libraries do not digitize from their collections on request.
Libraries employ a wide array of discovery and access tools for streaming video.
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There is no dominant acquisition model for streaming video.
Most libraries do not digitize from their collections on request.
Libraries employ a wide array of discovery and access tools for streaming video.
Libraries employ multiple solutions for hosting streaming video.
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There is no dominant acquisition model for streaming video.
Most libraries do not digitize from their collections on request.
Libraries employ a wide array of discovery and access tools for streaming video.
Libraries employ multiple solutions for hosting streaming video.
Librarians are largely unaware of many factors related to streaming video.
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GUIDING DOCUMENTS
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Association of Research Libraries & Center for Social Media. (January 2012). Code ofbest practices in fair use for academic and research libraries. Washington, DC,American University.
http://www.arl.org/pp/ppcopyright/codefairuse/
Besser, Howard et al. (December 2012) Video at risk: Strategies for preserving commercial Video Collections in Libraries. NY: NYU.
http://www.nyu.edu/tisch/preservation/research/video-risk/
Brewer, Michael & ALA Office for Information Technology Policy. (2008). Fair use evaluator.
http://librarycopyright.net/resources/fairuse/
Center for Social Media. (June 2008). Code of best practices in fair use for online Video.
http://centerforsocialmedia.org/fair-use/best-practices/code-best-practices-fair-use-online-video
Crews, Kenneth D. Fair use checklist.
http://copyright.columbia.edu
U.S. Copyright Office. Copyright law of the United States of America, Circular 92.
http://www.copyright.gov/title17/92chap1.html
U.S. Copyright Office. TEACH Act, 17 USC § 110(2).
http://www.copyright.gov/title17/92chap1.html#110
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AREAS FOR ADDITIONALRESEARCH
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Case studies for work flow and personnel demands
Use data Return on Investments – cost per use Quality of and satisfaction with vendor-
provided catalog records and meta data Impact of proliferation of vendor interfaces /
analysis of those interfaces Integration of streaming video metadata
with discovery tools
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QUESTIONS
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CONTACTS
deg farrellyMedia Librarian / Share Stream AdministratorArizona State University [email protected]
Jane HutchisonAssociate Director Instruction & Research
Technology William Paterson [email protected]
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