storyboard final

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1 1) ESTABLISHING SHOT PAN (Jessie alone in room applying make –up. 2) Focus into Jessie –SLOW ZOOM INTO OVER THE SHOULDER SHOT of Jessie applying her make- up. 3) ESTABLISHING SHOT – Chris sat in parked car on a country road. 4) SLOW ZOOM – MID-CLOSE UP of Chris in the car looking suspiciously around to make sure no one is around. 5) SLOW ZOOM – EXTREME CLOSE UP of Chris retrieving a small baggy from glove box in car. 6) ZOOM OUT TO MEDIUM CLOSE UP of Chris dipping finger into bag.

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Page 1: Storyboard final

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1) ESTABLISHING SHOT PAN (Jessie alone in room applying make –up.

2) Focus into Jessie –SLOW ZOOM INTO OVER THE SHOULDER SHOT of Jessie applying her make- up.

3) ESTABLISHING SHOT – Chris sat in parked car on a country road.

4) SLOW ZOOM – MID-CLOSE UP of Chris in the car looking suspiciously around to make sure no one is around.

5) SLOW ZOOM – EXTREME CLOSE UP of Chris retrieving a small baggy from glove box in car.

6) ZOOM OUT TO MEDIUM CLOSE UP of Chris dipping finger into bag.

Page 2: Storyboard final

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7) ZOOM INTO EXTREME CLOSE UP of Chris rubbing substance on gums.

8) ZOOM OUT TO MID SHOT –Chris looks around suspiciously and puts baggie back into the glove box.

9) MID LONG SHOT of Jessie walking towards Chris’s car.

10)POINT OF VIEW SHOT FROM CHRIS – MID SHOT of Jessie getting into his car and greeting him.

11) EXTREME CLOSE UP of Chris wiping over his mouth in a subtle but suspicious way.

12- MID TWO SHOT of Chris starting car engine and couple driving off

Page 3: Storyboard final

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13) VARIOUS ESTABLISHING SHOTS AND ANGLES of car driving through forest.

14)TWO SHOT CLOSE UP of Jessie and Chris in car driving.

15) POV FROM JESSIE MID SHOT of Chris Driving.

16) MID CLOSE UP of Jessie opening a can of alcohol and drinking.

Page 4: Storyboard final

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Chris! What the hell! You’re driving, you can’t drink yet! Do you want to kill us?!

17) TWO SHOT MID CLOSE UP of couple in car laughing and dancing to music.

18) EXTREME CLOSE-UP of speed dial in car increasing.

19) POINT OF VIEW FROM JESSIE – MID SHOT of Chris grabbing a can and opening it.

20) POINT OF VIEW SHOT FROM CHRIS – MID SHOT of Jessie arguing with Chris on drinking and driving.

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21) POINT OF VIEW FROM JESSIE MID – CLOSE UP of Chris telling Jessie to calm down.

22) POINT OF VIEW FROM CHRIS – MID – CLOSE UP of Jessie ordering Chris to stop the car.

23) POINT OF VIEW SHOT FROM JESSIE – MID – CLOSE UP of Chris still continuing to attempt to reassure Jessie.

24) POINT OF VIEW FROM CHRIS MID – CLOSE UP of Jessie getting angry and refusing to calm down.

25) EXTREME CLOSE UP of Jessie pulling the hand-break and stalling the car.

26) POINT OF VIEW FROM JESSIE MID – CLOSE UP of Chris trying to restart the car, but not having any luck.

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27)MID – LONG SHOT of couple getting out of the car.

28) SLOW ZOOM MEDIUM CLOSE UP LOW ANGLE of Chris opening the bonnet and checking the car.

29) CONTINUED MID CLOSE UP LOW ANGLE of Chris slamming the car bonnet down in anger.

32)TILT CAMERA UP TO EYE LEVEL MID SHOT as Jessie walks into the shot to apologise.

33) MEDIUM CLOSE UP of Jessie on phone trying to find reception in the forest.

Great! I have no bloody reception!

34) MID SHOT of Chris looking annoying TRACKING MID SHOT of Chris getting GPS out of glove box in car.

Page 7: Storyboard final

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35) ZOOM INTO EXTREME CLOSE-UP of GPS showing the distance between their current location and where the party is located.

36) ZOOM OUT TO POINT OF VIEW SHOT FROM JESSIE - CLOSE UP explaining that the party isn’t that far for walking distance.

37) MID CLOSE UP TWO SHOT FROM BEHIND of couple walking into forest together holding hands.

38) MID CLOSE UP TWO SHOT of couple from in front walking through forest.

39) EXTREME CLOSE UP of Jessie’s expression being frightened and panicked.

40) EXTREME CLOSE UP of Chris’s expression being calm and collected.

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41) POINT OF VIEW ESTABLISHING SHOT of the forest.

42) MID CLOSE UP SHOT of Jessie asking Chris if he knows where he is going

43) MID CLOSE UP SHOT of Chris re-assuring Jessie that he does know where he is going.

44) As a mysterious tune starts to play a PAN from the COUPLES POINT OF VIEW occurs.

45) CLOSE UP of Jessie asking Chris what the noise is and where it’s coming from.

46) MEDIUM CLOSE-UP of Chris telling Jessie that he doesn’t know what it is, but it’s coming from a place in the forest.

Page 9: Storyboard final

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47) POINT OF VIEW FROM CHRIS AND TORCH of the forest – focuses on a small box object (Jack in the box).

48) POINT OF VIEW FROM COUPLE walking over to object TRACKING SHOT (Jack in the box not open yet).

49) CLOSE – UP of Chris picking up the Jack in the box and wiping the dirt off of it (box not supposed to be open yet!)

50) EXTREME CLOSE UP of box (not opened!) showing how old and tattered box is.

51) SLOW ZOOM into MEDIUM CLOSE UP of Chris becoming fascinated by the box.

52) MID CLOSE UP of Jessie becoming worried and asks Chris to carry on walking.

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53) MEDIUM CLOSE UP of Jessie trying to hit box out of Chris’s hands.

54) CLOSE UP of Chris admiring the box and starting to turn the handle.

55) ZOOM IN TO EXTREME CLOSE UP of Chris turning the handle and Jessie’s voice in the background telling him to stop.

56) ZOOM OUT TO CLOSE UP of Chris sniggering, Jack in the box half covering his face.

57) CONTINUE CLOSE UP, PANNED to the side of Chris when the box pops open and splatters blood all over Chris’s face.

58) EXTREME CLOSE UP of Chris coughing up like he just swallowed something nasty.

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59) EXTREME CLOSE UP of Chris’s face starting to deteriorate.

60) EXTREME CLOSE UP of Chris’s face becoming a clown face identical to the one in the Jack in the box.)

61) POINT OF VIEW FROM CHRIS MID SHOT of Jessie screaming and running off into the forest.

62) VARIOUS SHOTS of Jessie running through forest, EXTREME CLOSE UP’S of her facial expression, MID SHOTS to show her posture whilst she’s running and LONG SHOTS to show her whereabouts.

Page 12: Storyboard final

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63) EXTREME CLOSE UP of Jessie getting caught in some branches but then freeing herself.

64) MEDIUM SHOT POINT OF VIEW PAN of Jessie finding a tree to stand behind and taking in her surroundings around her.

65) EXTREME CLOSE UP of Jessie looking confused and scared as she tries to work out what has just happened.

66) EXTREME CLOSE UP FLOOR SHOT of Chris’s feet crunching in the leaves.

67) CUT BACK TO EXTREME CLOSE UP OF JESSIE then a POINT OF VIEW PAN of the forest.

68) MEDIUM CLOSE UP of Jessie peering round the tree.

Page 13: Storyboard final

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69) POINT OF VIEW MEDIUM CLOSE UP of Jessie peering round and seeing Chris stood there.

70) LONG SHOT of Chris taking a step towards Jessie.

71) CUTS BETWEEN EXTREME CLOSE UPS of Jessie and Chris’s face.

72) CUTS BETWEEN EXTREME CLOSE UPS of Jessie and Chris’s face.

73) MEDIUM CLOSE UP of Jessie turning round and running away.

74) MEDIUM CLOSE UP of Chris sluggishly walking in the same direction as Jessie was.

Page 14: Storyboard final

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75) CLOSE UP POINT OF VIEW SHOT FROM JESSIE, telling Chris that this better not be a joke.

76) VARIOUS FAST PACED SHOTS of Jessie running through forest.

77) POINT OF VIEW SHOT FROM Jessie running through the forest and her surroundings whilst running.

78) POINT OF VIEW SHOT FROM Chris of Jessie running in front of him.

79) POINT OF VIEW SHOT of Jessie of Chris stepping in front of her path.

80) POINT OF VIEW SHOT from Chris, showing Jessie’s reaction to him stepping in her way.

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81) POINT OF VIEW SHOT FROM JESSIE of her falling over FLOOR SHOT OF CHRIS’S FEET IN FRONT OF HER.

82) POINT OF VIEW SHOT FROM CHRIS – HIGH ANGLE of Jessie fallen on the floor in front of him.

83) Jessie gets back up, starts running , but Chris slumps into her path again POINT OF VIEW SHOT FROM JESSIE.

84) POINT OF VIEW FROM CHRIS of Jessie scared and shocked and asking Chris what the matter with him is .

85) POINT OF VIEW SHOT FROM CHRIS watching Jessie spin round and run again.

86) POINT OF VIEW SHOT FROM JESSIE of a house in the distance, ESTABLISHING SHOT.

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87) POINT OF VIEW TRACKING SHOT OF JESSIE running up the path to the house.

88) MID SHOT of Jessie banging on door asking for help.

89) POINT OF VIEW FROM JESSIE of Chris standing in the door way.

90) EXTREME CLOSE REACTION SHOT of Jessie’s face.

CUT TO BLANK.