STORY BOARDINGBY BRADLEY WHITE

SHOT 1THIS FIRST SHOT WILL BE WHEN THE SONG FIRST STARTS AND IT WILL BE A WIDE STILL SHOT OF THE TOP OF THE HILL AND SHOWING THE TREE THAT THE MAIN ARTIST SAM WILL BE SITTING IN BY HIMSELF THINKING OF THE GIRL HE LOVES. IT WILL ALSO BE WHERE THE TITLE OF THE SONG WILL APPEAR. IT WILL BE THE ESTABLISHING SHOT. SAM WILL NEED HIS COSTUME WHICH WILL CONSIST OF JEANS, A T – SHIRT AND A DENIM JACKET

SHOT 2THIS SECOND SHOT WILL BE WHEN THE LYRICS START AND HE WILL BE IN THE TREE ON TOP OF THE HILL CONTEMPLATING IF HE SHOULD TELL THE GIRL HE LOVES HOW HE FEELS. IT WILL BE A STILL, MEDIUM SHOT FROM A SIDE ANGLE. IT WILL SHOW HIS FACIAL EXPRESSION BEING DESPERATE AND STRESSED.

SHOT 3THIS WILL BE ANOTHER SHOT IN THE TREE WHICH WILL ACTUALLY BE WHERE THE FIRST FEW SHOTS WILL TAKE PLACE AS IT SHALL CHANGE ANGLES SHOWING HIS FACIAL EXPRESSION FROM DIFFERENT ANGLES AND HIM IN DIFFERENT POSITIONS AS HE IS STRESSED. IT WILL BE A CLOSE UP FROM THE SIDE AGAIN BUT SHOWING HIS FACIAL EXPRESSION AND HOW HE FEELS.

SHOT 4THIS SHOT WILL BE A STRAIGHT ON MEDIUM CLOSE UP SHOWING SAM WITH HIS HEAD IN HIS HAND AND HIM TAKING A DEEP BREATH SHOWING AGAIN HIS STRESS.

SHOT 5THIS SHOT WILL BE SAM IN A DIFFERENT POSITION LEANING UP AGAINST A BRANCH LOOKING OUT INTO THE DISTANCE SHOWING HIM IN DEEP THOUGHT.

SHOT 6FIRST LOT OF MEMORIES SHOWING THEM MEETING UP IN A SUPERMARKET, SHE WOULD HAVE JUST HAD AN ARGUMENT WITH HER BOYFRIEND AND THEN SAM GOES TO SEE IF SHE IS OKAY AND THEN THEY GO SHOPPING. THE FIRST SHOT WILL BE SAM WALKING ALONG THE ROAD BY HIMSELF. IT WILL BE A LONG SHOT, HAVING HIM WALKING TOWARDS THE CAMERA.

SHOT 7THIS NEXT SHOT WILL BE A MEDIUM SHOT OR A MEDIUM LONG SHOT, JUST BEING CUT FROM THE LONG SHOT. HE WILL HAVE HIS HEAD DOWN UNTIL HE HEARS AN ARGUMENT OCCURRING SO HE LOOKS UP AND THEN THE CAMERA ANGLE WILL SWITCH TO WHAT HE IS LOOKING AT (EYE LINE MATCH).

SHOT 8IT WILL BE A COUPLE ARGUING AND THEY JUST GOT OUT THE BOYFRIENDS CAR. THIS WILL BE A LONG SHOT OF THEM GETTING OUT THE CAR AND SLAMMING THE DOOR THEN WALKING TOWARDS EACH OTHER. THE BOYFRIEND WILL SEEM AGGRESSIVE AND CONTROLLING.

SHOT 9THIS WILL CONTINUE ON FROM THE LAST SHOT. IT WILL THEN BE A CLOSE UP OF THEM ARGUING AND THEN HERE THERE WILL BE MULTIPLE SHOTS SWITCHING FROM OVER THE SHOULDER SHOTS AND THEN CLOSE UPS OF THERE FACES BEING FRUSTRATED AND ARGUING.

SHOT 10

THIS WILL BE A MEDIUM LONG SHOTS OF THE BOYFRIEND PUSHING HIS GIRLFRIEND TO THE FLOOR.

SHOT 11

IT WILL BE A CLOSE UP OF HER FALLING ONTO THE FLOOR AS A SIDE ON ANGLE SHOWING HER IMPACT ONTO THE FLOOR.

SHOT 12

YOU WILL SEE A POINT OF VIEW SHOT SHOWING THE BOYFRIEND GETTING INTO THE CAR AND DRIVING OFF

SHOT 13THIS SHOT WILL BE A CLOSE UP OF SAM’S HANDS LETTING GO OF A BRANCH AND IT WILL SPARK THE START OF HIS JOURNEY TO THE GIRL HE LOVES WHO WILL BE PLAYED BY POPPY. HE WILL DROP OUT OF THIS TREE AFTER HIS THOUGHTS ABOUT POPPY AND DECIDES HE IS GOING TO CONFESS HOW HE FEELS ABOUT HER.

SHOT 14THIS NEXT SHOT WILL BE A STILL SHOT WHERE SAM WILL DROP INTO THE CAMERA AND THEN RUN OFF TO THE LEFT BEHIND THE TREE. IT WILL BE A MID SHOT, AND IT WILL BE VERY QUICK CONTINUITY EDITING AND CUTS GENERALLY QUICK CUTS TO GO WITH THE QUICK TEMPO OF THE CHORUS.

SHOT 15THIS SHOT WILL BE A MID SHOT FROM SHOULDERS TO KNEES AND BE OF HIM RUNNING FROM THE RIGHT OF THE SCREEN AND OUT OF THE LEFT OF THE SCREEN. IT AGAIN WILL BE A STILL SHOT.

SHOT 16THIS WILL BE A STILL SHOT WHERE THE CAMERA IS POSITIONED ON THE FLOOR AND SAM WILL RUN AND JUMP OVER THE CAMERA. THIS WILL GIVE A VERY COOL EFFECT AND MAKE IT SEEM MORE LIKE AN ACTION SEQUENCE WHICH I WAS GOING FOR IN THE CHORUS.

SHOT 17

THIS NEXT SHOT WILL BE A SIDE ANGLE, STILL SHOT WILL A MEDIUM LONG SHOT SHOWING SAM RUNNING INTO THE DISTANCE.

SHOT 18

THIS NEXT SHOT WILL ALSO BE ON THE FLOOR, SAM WILL RUN STRAIGHT PAST THE RIGHT SIDE OF THE CAMERA RUNNING OFF INTO THE DISTANCE TOWARDS THIS POINT ON TOP OF THE HILL. AGAIN IT WILL BE A STILL SHOT.

SHOT 19THIS NEXT SHOT WILL BE SIMILAR TO ONE OF THE SHOTS I USED IN MY PRACTICE VIDEO. IT WILL BE A DIAGONAL ANGLE FACING SAM AS HE RUNS STRAIGHT PAST THE CAMERA. THEN IT SHALL QUICKLY CUT TO SHOT 20.

SHOT 20

SHOT 20 WILL BE THE SAME SHOT AS THE LAST ONE BUT A DIFFERENT ANGLE SWITCHING TO HIM RUNNING AWAY FROM THE CAMERA.

SHOT 21

THIS NEXT SHOT IS QUICK AND SHORT. IT IS A WAIST AND BELOW SHOT WITH A SIDE ANGLE.

SHOT 22 THIS NEXT SHOT IS A SIDE ANGLE OF A BENCH THAT SAM WILL BE JUMPING OVER, IT WILL BE A STILL SHOT. IT WILL SHOW HIM OVERCOMING A OBSTACLE, AND THIS SHOWS HIM GETTING CLOSER TO HIS GOAL OF TELLING POPPY (THE GIRL HE LOVES) HOW HE FEELS.

SHOT 23THIS SHOT WILL BE A MEDIUM LONG SHOT COMING IN FROM A SIDE ANGLE AND AGAIN LIKE ANOTHER SHOT I HAVE ALREADY USED IT WILL BE HIM RUNNING FROM THE RIGHT SIDE OF THE SCREEN TO THE LEFT.

SHOT 24

THE NEXT SHOT WILL BE A LOW ANGLE STRAIGHT ON SHOT OF SAM APPROACHING A FENCE THAT HE IS GOING TO JUMP OVER. IT WILL AGAIN BE A STILL SHOT.

SHOT 25THIS SHOT WILL BE A SIDE ANGLE LONG, STILL SHOT OF SAM JUMPING OVER THE GATE. IT WILL CUT AS HE IS IN THE AIR TO THE NEXT SHOT. THIS SHALL END THIS SEQUENCE OF THIS ACTION PACKED CHORUS. THE NEXT CHORUS WILL AGAIN HAVE THIS SHOT IN TO REMIND THE AUDIENCE WHERE SAM IS PHYSICALLY ON HIS JOURNEY TO POPPY, AND THE NEXT CHORUS IS WHERE THIS SHALL RESUME.

SHOT 26THIS SCENE WILL CUT STRAIGHT BACK INTO WHERE THE MEMORIES LEFT OFF. IT WILL BE WHERE THEY ARE AT TESCO AND BUYING CAKE INGREDIENTS. THIS WILL BE FILMED IN A VERY CINEMATIC WAY AND A VERY HAPPY POP WAY CONTRASTING FROM THE CHORUS WHICH IS A VERY SERIOUS MISSION TO GET TO HER. THIS FIRST SHOT WILL BE THEM WONDERING UP THE AISLES, HAVING FUN.

SHOT 27

IN THIS SHOT IT WILL BE A TIME LAPSE VIDEO OF THEM SHOPPING AND THEY WILL BE HAVING A LAUGH AND HAVING GOOD FUN APPEALING TO THE POP GENRE.

SHOT 28

SHOT 28 WILL BE A DIRECT SHOT FROM THE LAST CHORUS. IT WILL BE THE LAST SHOT YOU SEE OF THE CHORUS AGAIN TO MAKE IT FLOW EASIER.

SHOT 29THIS SHOT WILL BE A VERY LONG SHOT AND HAVE HIM JUMPING OVER THE GATE WHILST HE IS ALREADY IN MID AIR AND THEN IT WILL HAVE HIM RUNNING INTO THE CROPS AS FAST AS HE CAN.

SHOT 30THIS SHOT WILL BE A MID SHOT FROM WAIST DOWN OF HIM RUNNING THROUGH THE CROPS BUT AS HIM RUNNING OFF INTO THE DISTANCE THIS TIME. IT WILL BE A STILL SHOT AND A VERY QUICK CUT.

SHOT 31 + FOR CHORUSCONTINUING IN THE CHORUS OF HIM RUNNING TO HER AS THE USE OF HAVING A BIKE IN THE FIRST IDEA WAS CREATIVE BUT TOO MUCH HASSLE TO GET UP THE HILL. SO THE NEXT FEW SHOTS WILL BE HIM RUNNING AND JUMPING OVER OBSTACLES AGAIN TO TRY AND REACH POPPY TO TELL HER HOW HE FEELS. THE SHOTS WILL INCLUDE HIM RUNNING AND TRIPPING OVER AND ALSO JUMPING THROUGH A FENCE.

SHOTS 32 + FOR VERSETHIS VERSE WILL HAVE MULTIPLE DIFFERENT ANGLES AND STILL SHOTS HAVING POPPY AND SAM FLIRTING AND ENJOYING EACH OTHERS COMPANY WHILST BAKING A CAKE WHICH WILL BE QUITE ROMANTIC. I HAVEN’T DECIDED WHAT ANGLES I WILL BE DOING YET OR SHOT TYPES WHICH IS WHY I HAVE NOT GONE INTO DETAIL.

SHOTS 33 + FOR FINAL CHORUSIN THIS FINAL SCENE I BELIEVE IT WILL START WITH SAM JUST FINISHING HIS JOURNEY TO GET TO POPPY WHICH WILL BE A STILL SHOT OF HIM RUNNING TOWARDS HER AND THEN A CLOSE UP OF HIS FACE AS HE STOPS AND SHOUTS HER NAME. THEN IT WILL CUT TO POPPY TURNING ROUND AND AS SHE DOES SO HER SKETCH BOOK FALLS INTO THE WATER. THEN IT WILL CUT TO SAM HAVE A POINT OF VIEW SHOT AS HE JUMPS INTO THE MUGGY WATER AND SWIMS OVER TO GET IT (GOOD USE OF THE WATER PROOF GO PRO CAMERA. NEXT HE WILL GET OUT AND GIVE HER THE SKETCH PAD WHICH WILL THEN BE THE CLOSE UP OF HER DRAWING OF THERE NAMES SHOWING THEY BOTH LOVE EACH OTHER. FINALLY THERE WILL BE TWO SHOTS ONE OF THEM WALKING AWAY FROM THE CAMERA INTO THE DISTANCE AND THEN WALKING TO THE CAMERA IN THE DISTANCE (BOTH STILL SHOTS).

SHOTS 33 + FOR FINAL CHORUS