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Page 1: Stereo -

Stereo

Page 2: Stereo -

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Page 3: Stereo -

Simple instr.uctions ar.e given on thenext four pages. These instr.uctionstell you how to use youl camera onbright sunny days. These instruc-tions give you the basic facts of ste-leo picture taking; for more detailedinforrnation, read farther in themanual.

Page 4: Stereo -

load

Load in subdued light only.

0pen the camera by pressingthe latch.

Push out the rewind knob.

camera andrewind knob.

Pull out just enough film to extendrver the take-up drum. Close the camera.

Turn the winding knob in thedirection of the arrow until it locks.

Press the exposure release. Wind l0 astop again and press the exposure

release. Wind to a stop and press theexposure release for the third time.

Wind to a stop once more' l

Put film in thepush in the

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Turn the film counter lo 20.The mark on the fllm counter oppositethe potnter shows you the number of

pictures remaining on the frlm,

t h e a b c a d j u s t m e n t s

Shutter speed_lvlove the shutter speed slideso the red 50 is opposite the red Index mark.

Lens opening_lvl0ve the p0inter uniil it linesup with (BRIGHT SUN) between 5.6 and g.

Distance setting_R0iate eiiher lens until thearrow 0n the left lens is opposite CLOSE_UpS,GROUPS, or SCENES. When in doubt use GROUpS.

tlrt 3f i . . ,

,ail*ti-

l ] tOSE.UPS GRl]I] PS S C I N I S

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take the picture

View the picture thr0ugh the finder.

When you have taken 20 pictures,and the film counter is at 0:

Press the rewind lever in thedirection of the arrow

and hold it there.

Turn the rewind knob by its crankin the direction of the arrow.

When the wind knob stops turning,the film is rewound. 0pen thecamera and remove the film.

Center the bubble to hold thecamera level.

Squeeze the exposure release.

That's all there is t0 taking a picture.Wind to a stop for the next Picture.

unload

)il '@l

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Page 7: Stereo -

tips

1. Hold the cantera s teady.

2. D0n' t cut Of f y0ur sublect 's heacl .

3 . Dor ' t turn the camefa ver t ica l y .

4. Do/r ' t e t the sun shineinto the le fses.

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stereo photography is old but IS NEW

Color stereos are lts elsy to tnke as

olclinarv srltpshots. No sltcrial skillslre neccssilr-v,

Your Kocirrk Stereo CLtrrera is cle-

signecl so that it cnn lle used \\'ith the

ut"rnost sinplicity. Yet it obtrrils results

tlrrt give rvonclel ancl cleJight.Niv steleo mlgicris yotris. Ancl u'ith

it comes the th,.ill of splenclicl thrce-

climension trrnslluencics of vour orvll

creation. Yours is the ftrn of tnking.\ i . \ \ i ng , i n , l p ro r r , l l l sh , , r t i ng s l i J c 'thrt hive the r ir l j ty of l j le. i tself .

Beforc taking any imPort.rnt Pictrues

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Page 9: Stereo -

(,1)

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-x tr i l l , solnc special evcnt, or any pic-{urcs e\pccted to pr.olc valuable

_r,ou

shoulcl sl toot a rolL or t to of f i l r andiakc a fcs' i lasl i picttrr.es. This u, i l l givc,

\ou prlct ice and provicle a check orrr r)ru cquipnrcnt. l l l ou havc any qucs-::r,ns. 1'6111 6o,i . ,L , lcaler n' i l l alrvavs bc:l .rd to hclp you i l any n ly he can,

7

rne easy wayKodak Stereo Film

complete story on loadingthree easy seltings

the exposure selectorlens opening

shutter speeddistance indicator

range of sharp focustaking the pjcture

flashlong exposures

stereo making aidslps 0n siereo

2I

l0

l6l82022242630

3638

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Kodachrome Film K335 is designed for

stereo cameras. It makes 20 stereopairs, 23 x 24mm, in full color with

standard spacing between pictures.Kodachrome Fi lm Doyl ight Type K335-for daylight use

*Kodochrome Fi lm Type A K335 A-for clear flash and floodTranspat'enc' ies are relulned. proc-

essed ana mounted in Kodaslide Stereo

\lounts for hand vierving. The prot 'ess-ing and mouniing costs ure included rn

thF purchase price of the f i lm'If you are

-unable to obtain Koda-

chrome Film K335, You can use the

regular 35mm miniature camera film,

Kddachrome K135. If you wish to have

K135 film mounted in Kodaslide Stereo

Mounts. see your dealer about the ad-

ditional cost ior mounting.

8

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DAYLIGHT

FLASH

*_Kodachrome Film Type A can be used inluutjgn! u'ith the Kodak Daulieht Filterf.or Ko_dak Tape 4 -Color Films"(Wiaiiini\i o. d,t/ oaer each lens. Reler to the filminstruction sheet,

Page 12: Stereo -

loa d

W.##+s

Press the release catch in the

clirection of the arrow. OPen the

camera back.

Push the shaft of the rewind

knob as far as it rvill go torvard

the top of the camera'

Place the ftlm magazine in the

recess as illustrated. Press down

on the film magazine and Pushin the rervind kn;b. I I necessary'trrrn the knob sl ightlY 1o engagethe slot in the shaTt with the web

in the magazine.

10

l i gh t on ly

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Page 14: Stereo -

Draw out iust enough f i lm to extend over the take-up dlum'

as i l lustraied; then close the camera back' The latch wil l

automatically lock.

Turn the winding knob in the direction of the arrow until it

locks. The pin in"the take-up drum will automatically catch

one of the-perforations in lhe film' Press the exposure re-

lease{', indiiated by arrow. Wind to a stop again arrd press

the erposure release' Wind to a stop and press the expo-

,.r." ,"il"or" for the third time. Wind to a stoP once more'

Your film is now in a position to take your first stereo picture'

Turn the fflm counter dial in the direction of the arrow

until 20 is oPPosite the Pointer.The counfui dial will ioov" ott" mark each time the wind

knob is rotated to a stoP' The mark opposite the -pointershows vou the number oi "tpot.tt"t remaining on the film'

TurJ the film type indicatbr dial until the mark for the

tvoe of f i lm you aie using is opposite the pointer" The dial

i( '.J"a fJr Kodachrofre l"yligttt and'Type A films'

lIt i, coort rtractice to coaer the lens each time the exposure

releas7 is operated during loading procedure'12

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' 'm type indicator also has a mark to indicate when::mera is empty, and one for black-and-white f i lm.

For Kodachrome Fi lm K135 set the dial as fol lows:red diamond

' for 36 exposures (2g stereo pairs)

red dot for 20 exposures (15 stereo pairs)

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Any sel t ing made for . .one lens or,s l t t i t ter is Tutomal ical l t l mude lorthe other; the lenses and slt'uttet rte

accuratelg coupled.

The shutler sPeed.

The shutter sPeed controls the

length of time ihe film is exPosed'

ThJ shutter speed is set bY mov-

ing the snurinn seeru sr-rou bY

on'e of the pins to the sPeed

desired.

The lens open ing '

The lens opening controls the

amount of light that reaches the

film. The len1 opening is set bY

moving the lens oPening eorN'rnn'

The Distonce Indicqlor.

Distance setting controls the

sharpness of youi Picture. Set the

rl ist ince indicator bY rotat ing

either lens until cr-osE-uPs,cRouPS, OR SCENES is opposite

the arrow on the left lens mount.

L4note :

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l

'ffi :ffi 3if :!f #Y"triy;#Y!{ffiWf #:ffii

Page 18: Stereo -

Under the three most common lighting

conditions, you can make the _Ptopelsetting for the lens opering quickly and

eirsi lv. These sett ings have been cleter-

-inJd for subjects"of average bright-

ness. For very light-colored or very

dark-colored subjects, see the instruc-

tions'nvith yor,rr film.

Exposure Selector.

Make your shutter sPeed setting.For most snaps use l /50. \ ' lovethe lens opening Pointer until itlines up ,i'lttt tl.i mark for thelight condition.

Notice when You change thc

shutter speed, the mark for the

light condition moves with it.

T'he lens oPening Pointer must be

moved accordinglY.

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@l @l wHAZY CLOUDY BRIGHT

Page 20: Stereo -

For most pictures you rviil use the ex-

posure selector. For flash and special

iiehting conditions, the lens openings

rl f t rrra*tked as fol lorvs: 3'5, 4, 5.6,8, 11,

16 and 22. The lens opening is largest

and allorvs the most amount of light to

enter r t 3 .5 . The lens open ing is smnl l -

est ancl al lorrs the lerrst amount of l ight

to enter at 22.The numbers are calibrated so that

et each successive opening fLom 22 to

4 . t rv ice as much l igh t en te ls the lens :

for example, trvice as much light enters

the lens at 5.6 than at 8'Exposure instructions are included

with films.

1 8

LIote the pointer to the selected lens

i ' t to- t r i "s. i t ie pointcr - s to l 's ut eucl t

o j 'ening- but- i t m:tg be sel beluecn

openings i f desirecl .

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The short focal length 35mm lenses onyour camera give your pictures an ex-iremely large range oT sharp focus(that's the distance from the nearest tothe farthest object from your camerathat will be sharn). Decide whetheryour picture is a close-up. a grouP,,orl scene. l \ lake the setl ing on vour dis-lance indicator nnd thafs i t . Noexact measuring needed. Don't worryabout accurate focusing because set-t ing the lens in this rvay gives verysharp pictures; see page 24.

When making flash exposures, usethe distance scale on the right lensmount, becnuse the distance from theflash lamp to the subject is impoltantto obtain-the proper exposure. See theguide on the Kodak Flasholder.

22

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W.@@n&.'ry

fi dw*$M:

' ff$l{rll

Ct OSE-U PS4-7 teel

GROUPS/ - 1 J I e e l

SCENISbeyond 15 feet

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The rieht lens also has a scale r'r'hichmeasures the range of sharp focus. Onthe red scale are trvo sets of lens open-ing nun-rbers, one set on each sicle ofali:olv. When vou set the distance indi-cator at crorulun, and the lens openingbetween 5.6 and 8, you can read therange of sharpness on the oppositelens. One dot betr.veen 5.6 and 8 is atabout 3]6 feet u'hile the other is atabofi7)L feet. Therefore. rvith the lensset for closE-ups, everytl-ring is sharpfrom 3)}6 to7l5 feet. When the lens is setfor cnoups anci the lens opening be-trveen 5.6 and 8, everything from about5 feet to 25 feet is sharn. When the lensis set for scENEs and ihe lens openingbetween 5.6 and 8, everything fi'omrrbou l 8 l i lee l lo in f in i t y i s iharp .

A,II distances are computecl to th,e fiIm plune marker,

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25B r0

8 5 6 5.6 B