stay sick fanzine issue 9

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  • 8/2/2019 STAY SICK fanzine issue 9

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    forad

    ult

    sand

    juven

    ile

    d

    elinquen

    ts

    only

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    Well,thingshavebeenquietintheStaySick

    batcaveafterakillerdillershowlastmonthwith

    KingSalami&theStompinRiffRaffs,tearingit

    upatourbusiestStaySickever.AndaftergoingontourwiththeWildEvelTrashbonefrea

    ktrain,

    spinnin6Tsgaragetunesfortheeurotrashersin

    Austria(morelater).

    Wehavebeenplottingsomenewandexciting

    stuffforallyoufreaksoutthere.Timestheyare

    achangin,wearelookingtogetTheeOh-Sees

    backthisyear,alongwithouroldcrampsfriend,

    MrKidCongo.Wehavestartedapodcastfullof

    screwballgarage,surfandrevveduprockabilly,

    whichyoucanfindoniTunes&mixcloudunder

    theStaySickRadioShow.Thebignewsisthat

    STAYSICKisventuring,likesomanyfoolhardy

    beforeup(orshouldthatbefools?),intothecut-throatworldoftherecordbusiness.Weareplan

    ningto

    releasea7VinylEP(inlimitededitionmidnight

    black)ofourfavouriteunsignedbandsthatwe

    haveputonoverthepast4years.

    WealsomournthelossofEttaJames,the

    originalR&Bwigger,JohnnyOtis(moreaboutthisguylateron)andMichaelDavis,the

    bassist

    ofinfluentiallate1960srockband

    MC5.

    RestInPieces

    ChrisSick&NeilSick

    Welco me to t he Sinful wor ld o f S TA Y SICK ! ! !

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    Its mid-February. Englandis freezing. So what better place to

    go to than Austria? The week before

    it was -9C there. Had we lost our

    minds? Nah, that was years ago.

    Stay Sick have been invited to the

    land of Mozart, Schnapps and, er,

    Red Bull (?), as tour Djs by Austrias

    6ts primitive caveman punk craziesWild Evel and The Trashbones.

    Were picked up at the airport, a tad

    whiskeyd up and driven into snowy

    Vienna, and Evels downtown cave.

    You know how the next fve days aregonna go when youre introduced and

    sat next to, a full keg of beer that hasbeen, ahem, acquired along with a

    chilled draught system

    for your drinking pleasure. Oh, AND

    to a guy who used to play sax with

    Screamin Lord Sutch! Kicks are

    never far away if Evel and his gang

    are involved.

    T h e

    frst show is at The Chelsea, in theheart of the sleazy go-go dancing

    world of vice that is Viennas red light

    area. A trashy, dark tunnel of inequity

    beneath the arches of the rumbling

    under(over)ground. The place is

    noisy, sweaty and the air thick with

    the haze of smoke and stage lights.

    Yep, cigarette smoke, at a venue.Remember that?

    Im roped into compering somehow,

    and before you know it, thrust

    onstage.

    First up, I introduce the beautiful

    young burlesque performer, Bayou

    Mystere, who teased, delighted andmesmerised a full house with her

    performances to Link Wrays The

    Rumble and Eddie Burams Riot in

    Thunder Alley.

    By Neil Sick

    wildevelandthe

    trashbonesaustriato

    ur

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    Next up,

    the tours

    supporting

    a c t ,

    Switzerlands femme fronted

    garage-beat trio The Jackets.

    Woah! Screw Toblerone, cuckoo

    clocks and penknives for Swiss

    exports, and who said they just siton the fence all neutral and all? The

    Jackets do not. This was a Swiss

    invasion!

    Led by singer/guitarist Jackie

    Torera, all white shades, hiding thick

    eye linered doll-like hypnotic eyes,

    Uma Thurman Pulp Fiction hair,

    (and donning a monster handle bar

    moustache!) the simplicity of their

    matching b&w dress and collars

    was as effective as their no messin,

    pounding killer beaten up 6Ts fuzz

    and beat.

    Thankfully the crowd were

    tolerant to my drunken ramblings

    introducing the bands. Now the

    headliners and our hosts took to

    the stage. Wild Evel is a modern

    day savage. Taking no time he

    whips the crowd up with his

    b-movie sci-f monster poses,

    three fnger Farfsa stabbings andNeanderthal-teenpunk antics.

    Backed by The Trashbones, AKA

    king of fuzz Murphy Morphine,

    the youthful Powl Howl on lead,

    the sultry Miss Bloody Mary on

    bass and the unmerciful caveman

    clubbed skin hitting, Vikinghelmeted rhythms of Bernado,

    their Keith Moon of a secret

    weapon. This bone necklaced,

    striped teenage-shutdown t-shirt

    wearing band are as tight sonically

    as they are trouser-ed. Not to

    mention onstage guests from The

    Jailbirds and the honking andgrowling of ex- Screaming Lord

    Sutch sax man Buddy Grabner.

    Still having his rock n roll cake

    and eating it at 72!

    They scream and holler through

    tracks from Tales From The Cave,

    launching their debut album,

    for which this

    rock n roll circus

    of musicians,

    burlesque and

    disc jockeys was

    assembled. High

    lights have to be

    the awesome teen

    anthem, Lets Go

    Right Now, the

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    blistering Oh Yeah! and harmonica

    laden, I Wanna Be Your Caveman.

    Evel treats his red vintage Farfsawith as little respect as you dare

    imagine. One second its falling intothe front row, the next its upside

    down on his shoulder as he punches

    chords. The fact this keyboard is

    still alive after a song, let alone the

    years its been in Evels possession

    is a miracle.

    It feels late as they depart leavingtrash(boned)equipment all over the

    stage. However, in this part of the

    world the night is still young and

    we almost forget, we havent even

    started playing records! Alongside

    Stay Sick, there are three more dee-

    jays ripping it up. Viennas own Phil

    Vega$, Germanys fnest, Traxel,wax spinning heavyweight and

    founder of SoundFlat Records,

    plus DJ Lemon Squeezer, a self

    confessed Cramps addict.

    We spin, the bar plies us with rum,

    the bar spins! The rider seemingly

    never ends and the crowd doesnt

    thin out. Stay Sick is in love with

    Austria. I lean and shout in Chris

    ear, Things just dont get much

    better than this! followed forgetfully

    by, Whats that? Oh fuck. yeah,

    as he reminds me this is ONLY the

    start and weve got two more

    dates to go in Graz and Aenz!!!England maybe freezing but

    Austria is on fre!

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    Releasedin68, thesameyearas2001:aSpaceOdyssey. ThisvastlysuperiorB-moviewinsoverthebloatedKubrickfartfor5good

    reasons:1. 90minutesvs139 minutes

    2. Dialoguewrittenbytheco-creatorofthesixtiesBatmantvseries

    3.ABondgirl DominofromThunderballwascast, notforheractingchopsbutforherabilityto

    wearbaco-foildressesasherroleascosmic-nurse

    4.AnAcidPsychGaragetheme.WritenbyCharlesFoxandlatercoveredbytheFuzztones,thisfuzz&fluteclassic rivals the BlobforbestB-movietune.

    5. CheapmodelsspaceshipsthataremoreThunderbirdthan StarWars

    6.Properaliensvsamonotonousstandbylight

    FilmedinJapan withamostlyAmericancast(many oftheextraswereUSsoldie

    rsfromYokataAirbase), thissci-fi base-under-siegehasmoreplot-holesthanplot.The story is-anasteroid isonacollisioncourseforEarth,likeintheBruisedWillisfilmArmegedeon.Ateamissentup todrillaholeinthemeteor, likeinthe filmArmegedeon,and putanuclear

    chargeinandblowitup, like inthefilwellyougetthepicture.ButwherethisfilmsdiffersfromthebigA,isgreenslime wibblymidget

    aliens(perhapsinthesequel,huhMrBruckheimer?).Theastro-heroesreturntoSpacestationGamma3, bringingbackgreenalienspunk. Itmutates

    intoangryspacesquid,hungryforelectricitydadadaaaaahhh

    TheresalovetrianglebetweenBondGirl, hernewBF:Vincethelugheaded stationcommander, andherex:Jackanarrogant,ginger-quiffedCuprinolsupermanwithapenchantforinappropriatethumbs-ups.

    With dialoguesostiltedandactingsowoodeditmightaswellbe inthegardenfurnitureisleatB&Q.For example,BondGirlstaresatablackenedsmokingcorpse andannouncesherprofessionaldiagnosishesdead. Noshit!

    Aridiculousplanofgettingridofthe

    one-eyedocto-blobsinvolvingagiantMag-litegoeshorriblywrong(who-da-thunk-it?)soanepiczero-gravspacefirefightensues. EPICSTUFF!!!

    B -M O V I E O F T H E M O N T HGreen Slime

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    R.I.P. Johnny Otis28/12/21 17/01/12

    Johnny Otis; bandleader,drummer, vibes-man, DJ, T.V.host, preacher: Otis is creditedas the Godfather of R&B, andnot without reason. Get this;

    beside his own considerablecontributions to rock androll history, Johnny Otis isresponsible for turning upenough talent to keep anyreasonably sized record labelhappy for at least a decade, ortwo.Born in 1921 to a family of

    Greek immigrants and growing up innorthern California, Otis soon decidedhe felt a closer connection to the localblack community than he did to his ownwhite neighbours. Learning the drumsand playing with local jazz bands led Otis

    to put his own band together. By the timeWWII was over, Otis had a successful

    outfit, playing blues inflected jazz andswing, with a band stripped down by thenew economic necessity a blueprint formany R&B bands to come.

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    Otis struck gold in the late40s when he recruiteda 13 year old singer,Little Ester Phillips, tohis orchestra (the band

    could also boast a certainWynonie Harris at the time).As a talent scout for labelssuch as Cincinnatis Kingrecords, Otis continued tomine a rich seam of talentover the coming decade,unearthing Jackie Wilson,Big Jay McNeely, Little

    Richard, Little Willie Johnand Etta James (who was

    neitherbignorlittle,apparently),

    tonameafew.

    In1951,Otis introducedalittlek

    nownsingertoapairof

    buddingsongwritersBigMam

    aThornton,meet Leiber

    andStoller.ThepairlikedBigMa

    maand,decidingtowrite

    a dittyfor her, penned Hound Dog in 15 minutes!The

    recordingsessionwassettobep

    roducedbyJohnnyOtis,

    butthedrummerthatwasbooke

    dwasnotuptoscratch.

    Otissatinondrumsforwhatwas

    tobecomeacornerstone

    ofrockandroll,allowingLeiber&

    Stollertheirfirstchance

    behindthedesk.Historywasmad

    e.

    OtisbandscoredR&Bhitsthrou

    ghoutthefiftiesandinto

    theearlysixties,hisbiggestbeing

    WillieandtheHandJive.

    Hecontinuedtomakerecordsintothe70

    s,whiledabbling

    inlocalpoliticsandreligion,butitisforhisoutputfrom

    the

    mid-fortiestothelatefiftiesthat

    werememberhimmost

    fondly.Checkoutthew

    onderfulmusicofthe

    JohnnyOtisOrchestraontheDoxy

    records

    compilationTheJohnnyOtisSho

    w.

    RockonJohnny.

    ShamblinSexton

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    raquelwelch

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    These

    are notthe

    officialviewsofStay Sick,justabitterlittlewhinger.

    1.LUXURYFood: Asparagus expensiveandleavesyouwith abland

    soapyflavourinyourmouthmmmm?

    Oh, andthe finalstinginthetailis

    pissthatsmellsofburntrubber,

    howisthatpossible? Samegoes withexpensiveversionsofnormalveg,

    theyareeithersmaller,likeshallots

    orchantenaycarrots, oradifferent

    colour likeblue potatoesandpurple

    sproutingbroccoli guesswhat?

    stilltastesofbroccoli.Chocolate

    girlsgoloopyforit, apparentlyit

    releasesthesame endorphinsasthe

    onesafter sex. Illtake thelatter

    everytimeover aCadburysfinger(nudge nudgewinkwink)

    2.TheRollingStones Iknow. Itsbeenhangingover meall

    mylife,timeto confess.TheStones

    donothingforme.Theyrippedof

    classic blues songsbadly (andIlove

    theoriginalChessrecords)take

    HowlinWolfsLittleRedRoosterfor

    example, eventheirnameis ripped

    offfromaMuddyWaterssong. Even

    coveringtheBeatles IWannabe

    yourManfortheirsecondsingle,

    clearingupthatage oldBeatlesvs

    Stonesdebate. Comparingthemis

    likecomparingEinsteinwithanape

    scratchinghisnuts. Anythingafter

    BeggarsBanquet isabsolutetosh.They dontevenhavethedecencyto

    die(exceptBrian, Iguess)

    3.WillFerrellcomedygeniusorunfunnychancer,

    renownforad libbingbarelyamusing,infantile,flaccid banter. Sticktothescript,jackass!4.Psych Ilovethe sixties:garage, beat,mod, frat butthat psychedelicLSD wish-washofsitar, reverb-drenchedgirlysingingand tripped outlyricsabouttheicecreamsuncrying cosmictearsintoabucketofpeace,justgrateson mewhichleadsmeto

    5.PinkFloyddarksideofthemoonis6thformpoetry settoanover-workedsoundtrack,alltheearlystuffistweenonsenseandohsovery, veryBritish,whatwhat.NowonderSydwentmental. Itallleaves meuncomfortablenumb(apartfromLuciferSam, I will givethemthat)

    6.Football Ineverhad ateamwhenI wasakidsowithoutsomeonetoback, itsjust aloadofoverpaidapesplayingasimplegameofluck.2-1, 1-0,0-0draw, eventhescoresareboring.Ifyou hangaroundmusicians(like Ido),conversationwillalwaysendupwithachataboutfootieandIend upfeeling aswelcome asaleperatapicnic.

    10ThingsIJust

    DontGet

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    7. Twitter I have tried fora month now, and I have no ideawhat its for. An inferior versionof facebook, which is an inferiorversion of real life. People raveabout it but I just dont have thatmuch to say. It just highlights how

    boring and self-obsessed people are.But if you are into it then find me at#staysickuk

    8. 2001: a Space

    Odyssey- living on a greasydiet of B-movie sci-fi trash may havetainted my views on this pretentious

    swollen 3 hour snorefest. If RogerCorman had produced it he wouldhave sliced it down to 90mins andadded a cyber space squid attack.And Russ Meyer would have addedsome anti-grav boobage. You mightas well string up your Airfix models,and spend an evening watching themslowly spin whilst muttering Dave

    under your breath. Its 2012 now, sowheres my spaceship, Mr Kubrick?

    9. The Eighties- what the fuckhappened between Punks implosionand Grunges explosion? A wash ofdreary new romantic bullshit andthe colourful meaninglessness ofMTV, which was like being shot in

    the face with a glitter gun. I nowknow it wasnt all bad, the birthof hip-hop, Joy Division, Gang ofFour, the Cramps (obviously), theViolent Femmes, Aussie Rockers RadioBirdman & The Saints, Psychobilly,the Garage revivalists like BillyChildish and Thee Milkshakes, TheMummies & The Fuzztones, The Gun

    Club. And the awesome goth voodooblues of THE BIRTHDAY PARTY whichsingle-handedly makes up for all theMadonna, Michel Jackson, Fame, shitsynth & sparkle and pop music ofthat decade.

    10.Champagne/Sparkling

    Wine Irealisedat theripeoldage of25,that sparklingwine isthe

    pissofthe Devil.Itis suchashow

    offanddeliversnothing buta dry

    (orshouldI sayBrut-al) aftertastesimilar tobleach,andthemost unfair

    hangovers-to-drinks-drunkratio

    knownto man.People(bywhichImean

    girls)seeitasA BITOFFUN.When

    did drinkingthisshit becomefun?

    Becauseofthebubbles?Youmightas

    welldownabottleofMatey.Youd

    bebetteroffstickingaMarlborough

    SauvignonBlancinaSodaStream

    (othercrushinglymediocre80s

    crazesare available). Istillhaveso

    many friendswhowakeupthenext day,

    sickintheirhairand aheadache like

    arapist onredbullisskull-fucking

    them, andnotblametheonethingthey

    dontusuallydrink:

    Ihad acouple ofbeers(asusual), 3

    glassesofProsecco(cos itwasAnnas

    birthday), andhalfabottleofwhitewine(asusual).SowhydoIfeelso

    bad? CaseClosed!

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    Th e sh a d o ws wer e clo s in g i n , a n d I co u l d se e t h r o u g h t h e

    mis t , t he ir br u i sed, bl eeding bod ies . The ir f ea t u r es o oz ing

    down t he ir f aces , s t a ined wit h a mix o f

    con g eal ed bl oo d an d pus s . They inched

    cl o s e r a n d cl o s er . Hu n d r ed s o f t h em, a n d

    t hey meaned bus ines s , i f t he ir bus ines s

    wa s t ea r in g f o l k s l i mb f r o m l i mb. I s wu n g

    a p u n ch a t o n e a n d my h a n d j u s t p a s s ed

    t h r o u g h h im, l i k e t e a t h r o u g h a vica r . I h a d

    a f is t f u l l o ' g u t s , bu t I k ep t o n s win g i n g

    an d t hey k ept 'a comin '. Cl awing a t I vy an d

    me, h u n d r ed s o f bo n y f in g e r s s cr a t ch in g

    a n d p u l l in g . On e g o t me r o u n d t h e n eck a n d

    I h ea r d I vy s cr ea m. I wa s p in n ed t o t h e

    g r o u nd an d j u s t a s o n e o f t h es e g o of ba l l s

    wa s a bo u t t o bit e, t h e Ch u r ch bel l s s t a r t ed

    r in g in g .

    If you want to live,you must die!!!a punk noir periodical

    episode 4:

    Myn ame's Chris Sick,a man

    who

    whistl es his own tun es and

    h er e's

    th es ong s o far .I 'vebeen f

    r amed

    for th emur der ofa girl ca

    ll ed

    Ivy,a girl a s dang er ous a s

    a tig er

    with a h ang over ,anda s bea

    utiful

    a s a warmwhiskeyin wint er .I g o

    t o a Speakea syt o cl ear my

    h ea d

    with a fewshot s ofrum.S o

    me

    g oon kn o cks meout andI

    end

    up wearin g a coffin .I g et b

    u st ed

    out ,andcr awl fr omth egr

    ave,

    andwh adya kn owit ! it 's Iv

    ywith

    th eshovel .But th er e'sn o timet o

    fin dout h owa girl can g o

    fr om

    corp s et o a 60mph in onen

    ight .

    Wewer esurroundedbysh a

    dows ,

    andth eywer eg ettin g cl o s e

    r ."th e

    Endis comin g"Ivyex cl aime

    d,I

    ju st h opedshewa s wr ong e

    r th an

    midg et porn .Th at 's myst or

    y,you

    g ot a bett er on e!

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    Thema s s es

    r et r ea t ed,l ike

    kids being ca l l ed

    in fo r din er , g o ing

    ba ckt o a g r a ve,

    ea ch s t a r t edbur r owing with

    their bl eeding

    fing er s ,a nd

    ba th ing deep in t o themud l ikes wines

    in s ummer . I l o okedover t o I vywho

    wa s s ca r edbu t a l ive.

    "comeon , weg o t t a g et o u t t a her e"a ndI wa s n 't g onna a r g uewith tha t .

    Ico u l ds eet h el ig h t s o fa t ruckin t h edis t a nce,coming s t ra ig h t fo ru s .Wit h a n appet is erl iket h a t ,Iwa s n 't g o ing t o wa it fo rt h ema in cou rs e.

    S o wes t a rt edrunn ing awayfromt h echu rch .No t knowing wheret o g o weendedup in a dea dend,t h eh ig h churchya rd wa l l s bl o cking o u rp a t h .Thet rucks creechedt o a h a l t a nda do zen p ries t s j umpedou t ,t h eirfa ces

    cover ed likeninj a s ,ninj a s

    with s emi- aut omatics .

    I

    kn ewwhat wa s coming

    ,I

    h a dpl ayedthis g ameb

    ef or e.

    With a dea dlysil en ce,t

    h ey

    a dvanced,If elt th ech

    illin g

    bl owof a crucifix t o t

    h e

    ba ckof myn eckan dI wa s

    out col der th an a p enguin's

    p ecker (I mean beakyo

    u

    bun ch o'p ervert s !) .

    S O WHO ARE THE NI NJ AVI CARS ?

    WHO'S CONTROLLI NG THE

    ARMY OF UNDEAD?

    WHAT WI LL HAP P EN TO

    S I CK AND I VY?

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    RoycePorteratTheBostonArmsRockabillyClub03/03/12

    It'sSaturdaynightandthe15thAnniversaryPartyoftheBostonArmsRockabillyClubatTufnell

    ParkLondon.UpstairsattheDomethevenueispackedfullofrockersfromfarandwide,anticipatinganightofwildmusicandthechancetoseerockabillylegendRoycePorter.GuestDJskickthenightoffasthe

    placellsup,followedbytheRhythmRiverTriowhoplayagreatsettowarm

    uptheexcitedcrowd.TheAudienceishushedascompereSteveStackO'WaxannouncesRoycePortertothestage,backedbyanallstarbandincludingmembersofCarlosandtheBandidos,legendaryguitaristDarrelHighamandImeldaMay!ThisrockabillystarfromSweetwaterTexasis72yearsoldbutbeltsouth

    issongsincludingclassics'YesIDo','Lookin'and'AWomanCanMakeyouBlue'likeit's1956!HisvoicesoundsgreatandthebandcomplimenthimperfectlywithDarrelandImeldaalsotakingturnstoperformsongs.

    Roycerecordedhis1stsingleagedjust17andearned$350anightforhisliveshowstravellingaroundinhis1949Ford.HehasplayedalongsideElvisPresley,metmostoftheearlySunrecordingartistsandhasbeenfriendswithDollyParton,WaylonJennings,WandaJackson,DeanBeardandJohnnyCashtonameafew.Hehasalsowritten13no.1singlesandproducedvariousrecordingsartists.AshissetdrawstoacloseresidentDJsDaveCrozierandCosmicKeithkeepthepartygoingplayinghotboppers,jiversandstro

    llersonoriginal45s.ThedanceoorisbusyasMrPortersignsautographsandtalkstofansforwelloveranhour.Atruegentlemanandwellworthseeinglive. ThenightcomestoanendintheearlyhoursofSundaymorning,afantasticshowandgreatatmosphere.IfhereturnstotheUKdoIplanonseeinghimagain?..YesIDo!

    Rockin'Ratman

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    the bettie page

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