speed seduction 3 disc one

Speed Seduction 3.0

Program Transcript:

Disc One

Created By

Ross Jeffries

Getting Some

Website: http://www.speedseduction.biz

The Guru of

For the smart guy who refuses

to resort to bullying, begging,

Copyright 2008, Ross Jeffries. All Rights Reserved.

This transcript may not be duplicated without written permission

buying, bs or booze, in his pursuit of happiness.

from the author.

Disclaimer This program may contain viewpoints that may be considered controversial by certain audiences. It is intended as a powerful guide for self-respecting, intelligent men who are looking to avoid from "real-hate-shun-ships by default" and instead claim the happiness that they deserve. I, Ross Jeffries, Ghita Services., Inc, and/or SpeedSeduction.biz (or any of our other websites or entities) cannot and will not be held responsible in any way for your actions, and will not be held liable for any and all claims from you or any other third party. You alone are responsible for your decisions and actions, even if they have an impact on others. This information is meant for "entertainment" purposes only. While this transcript contains information, tips, tools, and strategies that are recommended by us and, in most cases, have succeeded when applied by others, this product and its contents carry no warranty or guarantee (either explicit or implied) that the purchaser or reader will achieve success with women, or in any other endeavor for which they may be used.

Ross: Here are some rules for patterns. Just look up here and then you write it

down. I want you to understand.

I want them to demonstrate understanding before I allow them to write. I

keep interrupting that pattern of having them write without understanding

it. They want to write so they can memorize later. I want them to pay

attention and understand so they dont have to memorize ever.

When you understand, you dont need to remember the exact words. You

can always write it out in your own words. If youre looking at your notes,

writing it word for word, you cant understand, so look up here first.

Rule 1 is you have to use the right theme. Remember what I said, if you

can put it on a chart, graph or prospectus, its the wrong theme. They have

to use the right theme.

Im going to start teaching this to women. Id rather have a room full of 50

women, sorry guys. Are you enjoying this? You need to have the right

theme or topic.

Another element is that patterns should address the emotional processes

and states and subjective experiences that you want her to go through. Its

the feeling of attraction and whatever you want her to feel. It should

address the feelings, state of the mind and emotions that you want her to

undergo.

Patterns should also be delivery vehicles for suggestions and commands.

You use weasel and ambiguity as to who is being referred to.

Speed Seduction 3.0 | Program Transcript Disc One Copyright 2008, Ross Jeffries. All Rights Reserved. Website http://www.speedseduction.biz

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Patterns should also be delivery vehicles you can run in the moment.

Patterns can also be delivery vehicles for suggestions and commands and

ambiguity as to who is being spoken about.

Suggestions and commands take the form of Feel that, do that, feel that

happening, recognize thats happening. Feel, do recognize, realize.

Those are the commands. Feel that, do that, recognize that. Suggestions

take the form of Thats whats happening. Thats taking place.

I also said there is ambiguity as to who youre referring to. I can realize

that its happening. Is it happening to the people youre describing or

between you and the girl? Do you understand?

A good pattern also uses ambiguity as to who youre referring to. Are you

referring to the people youre telling the story about or whats going on

between you and the woman? Do you understand that ambiguity? Do you

understand the difference between that and the wrong way to do it? The

wrong way to do it, which is when you realize thats whats happening

between you and me right now, thats being specific. Here you want to be

vague.

Look here. I want you to demonstrate understanding. When youre vague,

what happens? The unconscious mind goes on a search and tries to find

all available meaning and applies all of those meanings.

The unconscious mind says, Is he talking about the people in the story, or

is he talking about him and me? The unconscious mind says theyre all

true. Its both true about the people in the story and its also happening to

us. This takes place unconsciously. Theyre not aware of it.


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If you understand how the tool works, then you understand how to apply

the tool. You see how Im not just letting you write and memorize?

Patterns should also be delivery vehicles for commands, suggestions and

ambiguity as to who is being referred to.

Patterns should also require her participation and incorporate her trans-

words. Lets discuss that. Jack and Tony, I want to make you explain to

me what that means. Youll have to participate if you want to learn. What

do I mean by that? Why is it important to incorporate her trans-words and

require her participation? What happens if we dont incorporate her trans-

words?

Participant: You dont open up the safe door.

Ross: You dont open up the safe door if you dont use the combination.

Participant: Trans-words are like pre-wired words.

Ross: Trans-words are like pre-wired fishing lines right down in the level of her

mind that responds to this stuff. Its like a trail of bread crumbs. You want

to use her trans-words because they open up those paths in her mind

where there is no resistance. Its her word. Youre feeding her word back

to her. How can there be resistance? Its like youre mentally throwing your

voice into her head.

Participant: Are you saying thats when you should also, in terms of rapport, deliver it

how she says it?

Ross: You dont even have to go there. You just use her words. I use her words

now online. How did you understand me? Well, I read your profile and


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picked out your trans-words and sent them back to you, Debbie. It took me

one minute and 30 seconds.

Ill show you the email Im getting. Its remarkable how well you

understand me. How do you do it? I read a profile. I knew what to look

for. I ignored everything else. Those three words popped out at me and

got bigger. Ill use those, end of story.

I even title my email, Passion, compassion and joy. She used those

words. Those are her trans-words. My email said, Passion, compassion

and joy.

Its amazing to see a woman who really wants to experience passion,

compassion and joy with me. I think about what it would be like to meet

someone you could really cherish. Wouldnt that be a wonderful thing to

experience? Im curious to learn more about the person wrapped inside all

of the pretty. Find me. Is this fair?

Participants: Yes.

Ross: Who gives a fuck! Thats the wrong answer. Is it manipulative?

Participants: Yes.

Ross: Of course it is. Just looking at my picture they would never give me a

second look. Why should I allow their first response to fuck up their

chance to be with someone like me? Thats not fair. Im not kidding. Its

funny, but its serious. Is that fair to them?

Participants: No.


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Ross: Its not fair to them either. You can rationalize anything, but its not fair.

Participant: I have a question around your conscious.

Ross: Stop a minute. One of the things I always watch to see is who interrupts

themselves with too many questions. Over time I will begin to reshape that

pattern. Initially I take every question and then by listening I begin to see

what their pattern is of asking questions.

Do they want too much detail? Do they want me to provide a lot of

reassurance that, yes, they can do it? Are they asking a question to just

demonstrate to me how much they already know? Are they confused? If

theyre confused is it because they dont understand or they have ideas up

here that conflict? I dont know yet. Go ahead with your question.

Participant: I can talk with a woman. I can sit down. I can say, This man or woman

over here, I can talk about how good they may be.

Ross: Stop. Im not describing. Im talking about something I saw two weeks ago.

Im not talking about something Im actually observing because it may not

fit.

Participant: Okay. My moral conscious is listening to my story. Its just gone into her

head. Shes not saying it or directly talking about it.

Ross: Thats right, because she doesnt know consciously. Unconsciously she

thinks, Hes talking about me and him.

Participant: Basically this unconscious mind is about build up.

Ross: I dont know if its about build up. Yes, you do understand.


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Participant: Do all of these patterns require that youre alone with her? Lets say that

youre at a party or there are people interrupting.

Ross: No, once you start communicating with her like this, you may as well be

alone. No one else will matter. You dont need to take the girl into physical

isolation. Youre so fascinating that no one else exists in that room. You

see how theyre not thinking at the right level?

Eric, how is your comic going?

Participant: Volume 2 is coming out in three weeks. You said to play a fun game and

then you followed that by going into something deeper and more

meaningful. You talked about fractionating that.

Ross: A good pattern requires her investment and involvement. If we get her into

us, then first of all its more real for her. Second, shell be giving us words

that we can feed back. A good pattern gets her to invest and incorporates

her answers.

A good pattern also fractionates back and forth between you. A good

pattern should be preceded and followed by something that fractionates

around it. Its usually something not as serious. These are the basic

building blocks.

Participant: If you use that pattern you start interacting. What if she interrupts you and

starts talking about something?

Ross: Its not an interruption. Usually its her wanting to participate.

Participate: Would you?


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Ross: Stop. This is an example of you not hearing my answer. He set his head.

You need to be able to see them. Its not an interruption. Its her

participating and giving you information thats flowing out of that deep part

of her mind. Thats not an interruption. Thats her feeding you the

answers.

Her unconscious likes the whole thing. Its not an interruption, usually. Are

you talking about her changing the topic completely? What do you mean

by interruption?

Participate: Yes, basically she interrupts you and changes the topic as well. Would

you try to recover?

Ross: Ive never had it happen. Not once, Ive had women show no interest in

the topic to begin with. Ive had women not participate. It was like pulling

teeth, so I walked away. Ive had women show a bad attitude. Theyre not

worth the time to me. Good bye.

Im not open minded enough to give a gift to someone who is not open

minded enough to eagerly and gratefully accept it. Im not kidding.

Participant: I have a question about the fractionating. You brought up the example of

candy and the girl. Could it be anything from the three other levels of the

mind? It could it be something less personal?

Ross: Yes, a good pattern is preceded and followed by a fractionation of

something that is lighter in tone. A good pattern, usually, not always, is

preceded by something that is lighter in tone and followed by something

that is lighter in tone. Does everyone know what I mean by the word

precede? It means to come before.


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A good pattern is something before it that is light in tone. It is followed

usually by something after it that is lighter in tone. Its fractionating back

and forth overall. These are the elements of a good pattern, but you need

to have the right topic so there are connections.

That is just one topic. I havent given you the other five. There are five

more, so I have a big overall loop of topics and themes. Within that I have

to work with their understanding. I have to answer their questions. I have

to get them to participating, demonstrating and understanding.

Participant: Do I suggest Pattern 1 then fractionation, Pattern 2 then fractionation?

Ross: Yes, but fractionation is a pattern of seduction, even though it doesnt

require a lot of language. Anything that moves the transaction along is a

pattern. Touching their arm is a pattern.

It is language pattern, fractionation and then Language Pattern 2.

Language Pattern 2 will appropriate all of the responses we got from

Language Pattern 1. Were not just going to leave them behind.

Think of the metaphor of an avalanche. To create an avalanche, you dont

have to shake the whole mountain. You just have to know the vulnerable

spot and make sure the snowball starts from there and keeps rolling down

the hill.

The next pattern youll use will incorporate all of those juicy responses,

verbal and nonverbal, she gave us for the first one and all of the

information you gain about her seduction map of the world.


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At each point youre tugging the safe door, if its ready to spring open after

the first pattern, will we keep talking? Yes or no?

Participants: No!

Ross: Youre not answering, yes or no?

Participants: No!

Ross: Remember one of the metaphors to carry along with you is opening the

safe. Youre opening the safe. Youre tugging that safe.

Participant: Could you fractionate two or three times on each thing so its connection is

what youre fractionating about?

Ross: I cant give you an exact number. Im always fractionating. Thats how I do

this.

Participant: Can you give an example of fractionating?

Ross: You can fractionate back and forth between a more hypnotic topic and

actually doing something ridiculous like saying, When you were a little

girl, was there some kind of candy that was the king of your candy castle?

Ill go into that pattern later. To fractionate you could say, Look at those

guys over there. I bet that guy farts in bed.

Anyway, its something like that. You point to something in the

environment. Remember you start off by looking at the environment. Then

you look back at the environment. You can fractionate to the focus of

attention.


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The focus of attention is you and her speaking, then focus outwardly. You

can fractionate whether its paying attention to each other or paying

attention to the environment. You can fractionate between being serious

and being funny. You can fractionate inside of the pattern. You can

fractionate what vibe youre coming from. You can fractionate intensity.

How intense are you?

There are all sorts of levels. Fractionation is huge. It is the F word. You

notice how Im taking the general principle of fractionation and talking

about incorporating it into another broad topic, which is themes and tying it

back to specific pieces within that pattern. Im training them to teach.

Participant: When embed a command, can it be any question? Would you fractionate

that by slowing down and then on the path of what youre saying speed up

somewhat?

Ross: No, hes thinking of a very small chunk. Its not. Now thats a fixed way of

learning. Its not useful. You would do better by chunking up and focusing

on the broader principles rather that being so detailed.

Remember, youre dealing with very chaotic systems. Youre dealing with

women, who are chaotic. I dont mean that in a negative way. Chaos is

sexy to me. It is. But theyre chaotic.

I specifically mean that theyre complex and at any given moment any of

the elements can control all of the other elements, even if it seems to be a

very small interplay. It can take over and control the whole system.

Its like a butterfly flaps its wings in Margaret Thatchers crotch and a

thunderstorm develops. Its my imagery thats funny. You wont forget that.


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Before you walked in that door, you didnt even know to think about

fractionation, most of you. Now youre asking me questions about where

you apply it. That tells me youre starting to get it.

Another theme is indulgence. There are connections and indulgence.

What kind of things do we indulge in? We indulge in things we like.

Indulgence, escape, fantasy and adventure, as one theme. Heres another

one. I clump them into one theme category. Thats another.

Indulgence, escape, fantasy and adventure. Would these be useful things

to get a woman talking about? Oh yes. Do you think? This is a good one.

Participant: Is it useful to talk about the past sexual experience of the girl with other

guys or lovers?

Ross: I dont know. You have to put it in context. At what point in the seduction,

and in what context is it being brought up?

Participant: At the start of the seduction.

Ross: No, absolutely not. Usually you dont go there.

Participant: Might it arouse her when thats my choice?

Ross: I wouldnt do it. Leave it alone.

Heres a good question I like to ask. Look up here. You have to kill your

initial autopilot response, which is to look down as soon as they start

talking. Thats the wrong response. Thats like putting your pants on when

she says, I want to fuck you.


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My metaphors are shocking. I know.

Heres a really good question. Whos going to look down and write it? If

you could go somewhere where no one knew who you were and nothing

you did would ever get back to anyone who did know you, what kind of

experiences would you like to try? What kind of feelings? What kind of

person?

Thats a good question because in order to answer the question, what part

of her mind does he have to reach deep down into? Whether she answers

you verbally or not doesnt matter. Ask me about that tomorrow. Ill tell you

what to say to get her thinking about that whether she answers verbally or

not.

It may actually help for not to answer verbally. If she doesnt answer

verbally and starts thinking that way, you can give her suggestions to start

looping them.

You can say, I find that when I let those thoughts run through your mind,

keep seeing the pictures and feeling the feelings, for whatever mysterious

reason, your mind moves in a new direction. Its like theres another part

that you want to take on. Now I have that anchor so when I want to fire off

those looping thoughts, I do that. She didnt even have to answer me

verbally.

If she answers me verbally, so much the better.

Participant: If she gives you a nonverbal response when you ask that question, do you

mirror back what she responds? Would that be a good thing to do as well?


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Ross: The kind of nonverbal responses that I want you to mirror back are the

ones she does just before she starts talking. For instance, if she takes a

deep breath.

Participant: I should ask the question just before she starts responding.

Ross: Yes, but Im saying she doesnt even have to respond verbally for this to

work because shes going to be thinking about it. Then you can give her

commands to loop all of this stuff.

Just because she runs the suggestion once doesnt mean it has power. If

you can install a looper she keeps ruminating on, then it has power. You

have to give those commands for her to ruminate on it by saying, I find

that when I let those thoughts run through your mind Do you feel that

temporary little shift to confusion? I find that when I let me teaching run

through your mind You have to do that. Then you can anchor it and

theyll keep running those thoughts.

Would it be useful for a woman within the first 20 minutes of talking to you

to be running all sorts of sexual fantasies of things she would do if no one

would ever catch her? You say to her, It almost seems like youre looking

at those thoughts as something you have to have. Theres another part

you have to take on. Now not only is she looping those thoughts, shes

looking at you through those thoughts.

Then you talk to her saying, Theres another part you want to take on, a

much bigger part that you want to take on tonight. That ambiguity means

she wants to take your penis.

Debbie, Im going to bring up a topic that would cause you to think about

your most exciting, vulgar and vile sexual fantasies. Im going to arrange it


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so that you not only have those thoughts obsessively whenever I fire off a

post-hypnotic suggestion, but youre going to look at me through all of

those lustful thoughts. Youre going to imagine my penis as being the end

reward for all of it. Thats what youre really saying, but youre saying it to

the unconscious mind.

Youre really appreciating this at a very deep level, arent you? Yes. This

is masterful, isnt it? Yes.

Im not telling them to look into my eyes. Its all going in, but it wont go in if

you dont use your own words. If shes not participating, youre not putting

it in your own words, youre not keeping her safe and comfortable and

youre not fractionating, its not really going to go into effect. It might.

Maybe 10% to 20% of the population are somnambulists. Any suggestion

you give them will go right in and utterly make it their world. The problem

with people like that is they can have a very loose grip on reality. They

may suddenly decide one day that they hate your guts when a moment

before they were madly in love with you.

Their reality is not very stable. Theyll accept whatever reality you put in

there. The next minute, you dont know whats going to happen. You dont

want that. You want someone whos participating and investing. Youre

fractionating.

Heres the other cool thing. Youre learning about her world. When she

talks and brings this stuff up, you really are truly learning about her. When

you do this M&M candy shit, you dont learn anything because youre

doing all the talking. Youre not listening to her answers anyway. Thats

not fun for me.


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This is fun, isnt it? Someone said that this is manipulative. Hold out your

hands like this. What is the most important digit on these hands? If you

lose it, youre in trouble.

Participant: The thumb.

Ross: Right, because the thumb allows you to manipulate. The thumb works

through both opposition and cooperation by moving in a way thats

opposing to the other fingers and yet in coordination and cooperation with

them. It enables us to move the world unlike any other animal. Chimps

have opposing thumbs, too.

My cats have made it very clear to me telepathically that if they woke up

one morning and had opposing thumbs, theyd kill me. They could open

the cans.

I had a cat that was lying on my chest one morning. She looked at me and

said, You know, Dad, if you woke up one morning the size of a mouse, I

would torture you greatly before I killed you and ate you. Its nothing

personal.

Participant: Thats the way it works.

Ross: Another thing is games, quizzes, tests and demonstrations. Who has the

Gold Walkup DVD with the twin brothers snap quiz? Well go over them

tomorrow. Someone remind me.

Participant: The cube.

Ross: The cube. Someone remind me tomorrow to do the twin brothers and the

snap quiz. SRT, signal recognition, is when you have them imagine whats


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the first flow of feeling you get. Hand-writing analysis is one of them, as is

the cube.

Remember, theyre all delivery vehicles for suggestions and commands.

Were not doing it for academic curiosity. If you start doing the cube and

she starts talking about sexual stuff, fuck the rest of the cube. Do you

understand?

Poems, jokes, demonstrations, games, tests.

Participant: Are they all part of the same group?

Ross: They are all a part of the same group. Games, poems, stories, tests, and

jokes, I have some great jokes to get her hot as hell. You dont want to

hear them. Youre tired. I may just go until midnight. Are you sleepy?

Participants: No.

Ross: That says poems as another example. Poems are great.

Participant: How about if I use palmistry?

Ross: Palmistry, any of these chick crap things.

A guy has a thing for Paris Hilton. He worships her. He finds out that Paris

Hilton has booked a cruise on this very exclusive luxury yacht. Theres

only her cabin and one other cabin. It sells for $300,000. He sells his

house and car and raids his kids college trust funds. He sells a kidney. He

sells his retarded child into slavery in China. He pays the $300,000 and

gets that cabin right next to Paris Hilton.


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Have you ever really wanted something? You work up your appetite for it.

You think about how good it will be to finally get this. The more you think

about it, the more you want it. The more you want it, the more you think

about it. You start looking at the world through this kind of fuzz, like theres

another part of you.

Theyre on the ship. It gets tossed into the rocks by a storm. The ship

sinks. Everyone dies, or so it seems. He washes up on shore. Who else

washes up on the shore but Paris Hilton? Shes sub-drowning. He rips

open her shirt, pumps her heart and gives her CPR. She coughs up all this

water and survives.

She says, Oh my god, you saved my life! Here we are on this desert

island. Theres no one around. Theres no reason at all that we cant just

drop all inhibitions because nothing we do will ever get back. We can do

anything we want, and things we never knew we wanted to try. Ill do

anything for you. Youre my master. What do you want?

The guy looks at her and says, Can I be honest with you? She says,

Youre my master, anything. He says, Ive never in my life wanted to

fuck anybody the way I want to fuck you. I want to fuck you like you are

the last woman on earth and Im the last man. All the fucking we ever want

to do is going to happen right now.

Who am I really talking to?

She says, Anything you want, master. For the next six weeks, they fuck

like crazy. You dont believe me? Fuck somebody like its the last fuck

youre ever going to get.


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For six weeks, she fucks him like crazy. She does everything for him. She

scours the island for coconuts. Apparently she learned a lot on The

Simple Life. She goes fishing for him and brings fresh fruit. After six

weeks, hes starting to look like a little mongrel boy.

She says, Master, whats the matter? How can I make you happy? He

says, Paris, do you still have your makeup kit? She says, Of course,

master. He says, I want you to paint a mustache and a beard on yourself

with your eyebrow pencils. She says, I understand that youre my

master. Your wish is my command. Of course I will. He hits her. Paris,

you see my suit jacket and tie we salvaged from the wreck. Id like you to

put those on. Of course master. Anything you say.

Paris, I want you to go take a walk by the beach. Just keep walking along

the ocean. She does. He comes running up to her, tags her suit jacket,

pulls on it, and says Dude. Dude. Youll never guess who Im fucking?

So anyway, when you were a little girl.

You can use a joke. Do you see how? My method is I hear a joke, then I

embellish it. I think, Heres the standard joke. How can I embellish that

with verbal commands and descriptions that will get her really hot?

It could be a joke or a demo. A demo is like SRT or the blammo pattern.

Do you know my famous blammo pattern? Thats a demo.

A quiz could be something like, Are you a roller, folder or thrower? They

say, What? Okay. Were on vacation. Were going to finally go away on

your ideal vacation. Our suitcases are all empty. Do you roll your clothes,

fold them or just throw them in? In America I say, Are you a roller, folder


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or tosser? I understand that tossing has a different meaning. Its a fun

thing. They always bite down on that. Thats your little quiz.

The next topic is Sex, but not Necessarily Sex.

What do you think makes for a really fantastic kisser? Sex, desire, or

sometimes its directly sex if theyre really into it. You can bring it up. For

me, the next topic I talk about sometimes is what I teach. It can be very

fascinating to them. You can talk about what you learned at this wacky

seminar. Do you understand? Its being didactic, which means taking the

role of a teacher.

You could say, Its so interesting. You learned so much about people.

How people learn about themselves, thats a topic. For me, its about what

I teach. Do you get it?

Participant: Can you give us a quick example of that one?

Ross: Of what I teach?

Participant: The sex one.

Ross: If theyre into it and starting to get really sexual with you, just go blatantly

into it. If theyre getting really sexual with you, you can say, So, whats the

wildest thing youve ever done? if they start with the topic. I never

introduce sex. I let them bring it up. If they bring it up, Ill talk to them about

it. They have to bring it up first.

You can also talk about things that are sort of sexual. So what do you

think makes for an absolutely fantastic kisser? As they describe it, theyre

going to go through what it would feel like to kiss that person.


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If they bring it up right away, I know theyre a tease so I dont do it. Deep

into the conversation, if they brought it up and said something like, You

know what? I think that girls just need a really good fucking sometimes,

how do you think Id start? Do you understand? If they bring it up, Ill bring

it up. You can bring up kissing and that sort of thing.

I bring up what I teach sometimes because its useful to me. You could

bring up how you learned so much about people. I learn so much about

people by learning how they connect with their desires. Do you get it?

The final thing is observations, intuitions or challenges that I throw their

way. I could say, Boy, that doesnt look very interesting! Do you notice

what I did? I did a little thing where as I was walking away from them, I

said, That doesnt look too interesting.

speed seduction 3 disc one

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