spanish art. 1- intro; prehistory

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“The use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others” ART? “The quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, a ppealing, or of more than ordinary significance” The expression or application of human creative skill and imagination There is no single definition of art

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Page 1: Spanish Art. 1- Intro; Prehistory

“The use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with

others”

“The use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with

others”

ART?

“The quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of

more than ordinary significance”

“The quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of

more than ordinary significance”

The expression or application of human creative skill and imagination

The expression or application of human creative skill and imagination

There is no single definition of art

Page 2: Spanish Art. 1- Intro; Prehistory
Page 3: Spanish Art. 1- Intro; Prehistory

Is this art?

Page 4: Spanish Art. 1- Intro; Prehistory

And in 10,000 years ahead?

Page 5: Spanish Art. 1- Intro; Prehistory

ART has not always been what we think it is today

These objects may have been appreciated and often admired, but not as "art" in the current sense

These objects may have been appreciated and often admired, but not as "art" in the current sense

Page 6: Spanish Art. 1- Intro; Prehistory

The idea of an object being a "work of art" emerges, together with the concept of the Artist, during the Renaissance in the 15th and 16th centuries in Italy.

The idea of an object being a "work of art" emerges, together with the concept of the Artist, during the Renaissance in the 15th and 16th centuries in Italy.

Page 7: Spanish Art. 1- Intro; Prehistory

The first manifestation of Hispanic Art

Page 8: Spanish Art. 1- Intro; Prehistory

PALEOLITHIC ART

Paleo (Greek) = OldLithic (Greek) = Stone

Paleolithic = Old Stone Age

40,000 BCE – 8,000 BCE in Near East40,000 BCE – 4,000 BCE in Europe

Page 9: Spanish Art. 1- Intro; Prehistory

Evidence of the beginning of abstract thought

CAVE ART

Page 10: Spanish Art. 1- Intro; Prehistory

CAVE ART THEORIES

Used to ensure a successful hunt?

Ancestral animal worship?

Shamanism? A religion based on the idea that forces of nature can be controlled by a highly regarded religious figure called a shaman

Page 11: Spanish Art. 1- Intro; Prehistory

Animals represented are not always the animals they used to hunt…Animals represented are not always the animals they used to hunt…

A successful hunt (sympathetic magic)?A successful hunt (sympathetic magic)?

Page 12: Spanish Art. 1- Intro; Prehistory

Animal worship?Animal worship?

Page 13: Spanish Art. 1- Intro; Prehistory

Shamanism?Shamanism?

Page 14: Spanish Art. 1- Intro; Prehistory

Caves were not dwellingsPrehistoric people lived migratory lives following herds of animals

CAVE PAINTING: CHARACTERISTICS

Page 15: Spanish Art. 1- Intro; Prehistory

Paintings are inhard to reach places

CAVE PAINTING: CHARACTERISTICS

Page 16: Spanish Art. 1- Intro; Prehistory

Continually paint in the same areas, even over long periods of time;

paint over pre-existing images

CAVE PAINTING: CHARACTERISTICS

Page 17: Spanish Art. 1- Intro; Prehistory

CAVE ART

Technics:

Engraving

Paint (one, two or several colors)

Relief (sometimes using the rock itself)

Page 18: Spanish Art. 1- Intro; Prehistory

between 11,000 and 19,000 years ago

CANTABRIA

Page 19: Spanish Art. 1- Intro; Prehistory

Marcelino Sanz de Sautuola

"¡ Papá, mira, toros pintados¡“(“look daddy, painted bulls!”)

María de Sautuola

Page 20: Spanish Art. 1- Intro; Prehistory

Marcelino Sanz de Sautuola

Emille Cartailhac

FORGERY?

“Mea culpa d'un sceptique”“Mea culpa d'un sceptique”

Page 21: Spanish Art. 1- Intro; Prehistory

THE CAVE

Page 22: Spanish Art. 1- Intro; Prehistory

THE CAVE

270 meters long

Polychrome Ceiling

Page 23: Spanish Art. 1- Intro; Prehistory

THE CAVE

Animals at the Polychrome Ceiling

BISON

HORSE

WILD BOAR

GOAT

DOE

Page 24: Spanish Art. 1- Intro; Prehistory

THE CAVE

Animals at the Polychrome Ceiling

Page 25: Spanish Art. 1- Intro; Prehistory

THE CAVE

Use of

Page 26: Spanish Art. 1- Intro; Prehistory

THE CAVE

Page 27: Spanish Art. 1- Intro; Prehistory

TECHNIQUEHow did they paint?

Page 28: Spanish Art. 1- Intro; Prehistory

TECHNIQUE

Engraving

Page 29: Spanish Art. 1- Intro; Prehistory

Drawing

TECHNIQUE

Page 30: Spanish Art. 1- Intro; Prehistory

And then, painting

TECHNIQUE

Page 31: Spanish Art. 1- Intro; Prehistory

What did they used to paint?

TECHNIQUE

Page 32: Spanish Art. 1- Intro; Prehistory

The Venturi effect

TECHNIQUE

Page 33: Spanish Art. 1- Intro; Prehistory

PORTABLE ART

Decoration on some utilitarian objects.

Objects used in rituals

Page 34: Spanish Art. 1- Intro; Prehistory

MESOLITHIC-NEOLITHIC

In “open” places (rock shelters, not deep in caves anymore) No glacial fauna = no Paleolithic

Three types of styles: Levantine Schematic Macro schematic

10,000 BCE – 1,000 BC

Page 35: Spanish Art. 1- Intro; Prehistory

LEVANTINE ART

• Importance of the human figure.

• Representation of clothes, genitals (phallic representations) and weapons (arrows, sticks, quivers, etc.).

• Animals depicted are identifiable as belonging to species we can see in the present day (deer, goat, dog, cattle).

Page 36: Spanish Art. 1- Intro; Prehistory

LEVANTINE ART Importance of the human figure

•Frequently the main theme, and when it appears in the same scene as animals, the human figure runs towards them.

•People performing other activities typical of their time such as: hunting, fighting, carrying out agricultural tasks, domestication of animals, gathering honey

Page 37: Spanish Art. 1- Intro; Prehistory
Page 38: Spanish Art. 1- Intro; Prehistory
Page 39: Spanish Art. 1- Intro; Prehistory

SCHEMATIC ART

Page 40: Spanish Art. 1- Intro; Prehistory

SCHEMATIC ART

• Associated with the first metallurgical cultures

• Only the basic fragments of each figure are represented

• Very simple and stylized figures

• Monochromatic (red ochre)

Page 41: Spanish Art. 1- Intro; Prehistory

SCHEMATIC ART

Page 42: Spanish Art. 1- Intro; Prehistory

SCHEMATIC ART

Page 43: Spanish Art. 1- Intro; Prehistory

Basically paintings but engravings and pottery too

TECHNIQUE

Page 44: Spanish Art. 1- Intro; Prehistory

MACRO SCHEMATIC ART

Big paintings in rock shelters

Wide lines

Use of dark red

Human figures and geometric symbols

Probably the oldest

Page 45: Spanish Art. 1- Intro; Prehistory
Page 46: Spanish Art. 1- Intro; Prehistory

NEOLITHIC ARCHITECTURE

From hundreds of thousands of years, humans lived following herds of animals

Agriculture changed everything = sedentism, sedentariness houses

Neolithic funerary rites MEGALITHS mega=big lithos=stone Places of worship were built to last!

Page 47: Spanish Art. 1- Intro; Prehistory

MENHIR

simple

Vertical

Unknown rituals?

(Menhir Cantabria)

Page 48: Spanish Art. 1- Intro; Prehistory

DOLMEN

Group tomb made up of huge stones

Page 49: Spanish Art. 1- Intro; Prehistory

CROMLECH

A circle of megaliths with lintels placed on top