space and sense
DESCRIPTION
colors, planes, volumesTRANSCRIPT
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JOSEPH KOON
Floor 32007 - 2012Portfolio
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v Contemporarycultureconfrontsuswithanoverwhelmingquantityofinformation.Themediaannexiscomposedofaseriesofarticulatedmembranestofilterthebehavioralinformationofitsoccupants.TheinterioroftheadjacentPalazzo becomes accessible as the surfaces disrupt and intersect its facade. The curvatures are regulated by the expansionofthefloorplatesinrelationtoprogrammaticconstraints.Circulationelementsareplacedbetweentheselayerstoproduceanexperienceofdynamic,spatialporosity.
MediaAnnex
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level 4m
eeting, gallery, storage12’ = 1”
level 3gallery, servers, internet, bar 12’ = 1”
level 2m
eeting, projection, library, cafe, kitchen12’ = 1”
level 1event, cinem
a, lobby, info, retail, admin, bath
12’ = 1”
Floor 3
Perforations Perform as Spatial Filter
Floor 3Modulation of Surfaces to Program
Floor 3
Vertical Surfaces Layered Betweem Circulation
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Perforated Surfaces Filter Interaction Between Programmatic Layers
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ALFRED LERNER HALL
BERNARD TSCHUMI
1999
DETAIL: GLASS RAMP/ WALL
Detailing ArchitectureSpring 2011Instructor: Gerard DamianiDrawn: Joseph Koon
1. Tube Railing With Threaded Wire Guard2. Laminated Glass Heat Strengthened 30mm 3. Steel Edge Plate4. Adjusting Turning Buckle5. Lighting Tube6. Steel Facade Column7. Exterior Laminated Glass 8mm with Internal 15mm Toughened Film Interlayer
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v
ALFRED LERNER HALL
BERNARD TSCHUMI
1999
DETAIL: GLASS RAMP/ WALL
Detailing ArchitectureSpring 2011Instructor: Gerard DamianiDrawn: Joseph Koon
1. Tube Railing With Threaded Wire Guard2. Heat Strengthened Laminated Glass 30mm3.SteelEdgePlate4. Adjustable Turning Buckle5. Lighting Tube6.SteelFacadeColumn7.ExteriorLaminatedGlass8mmwithInter-nal 15mm Toughened Film Inner layer
ExplodedAxonometricFacadeRampDetail,LernerHallAssembledAxonometricFacadeRampDetail,LernerHall
Detailing Lerner Hall
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Grand Palais
1897-1900
Henry Deglane and Albert
Thomas Grand Palais
1897-1900Henry Deglane Albert Thomas
Biblioteque Saint
Genevieve
1850
Henri
Labrouste
Biblioteque Saint Genevieve1850Henri Labrouste
Grande Halle, Drawn in ParisBiblioteque Saint Genvieve, Drawn in Paris
v Structural Ornamentation
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v Theprocessofwaterfiltrationisintegratedintoanexperienceofsmoothspace.Lightisfilteredthroughtheexposedtubingthatcarriesliquidfromtheriverbelow.Thepretreatment,flocculation,sedimentationandsandfiltrationofthewaterisexpressedinthecontinuousmodulationofthesteelframes.Acontinuumofspatialcompressionsandexpansionsareenhancedbythegraduallyalteringqualityof light. Theprojectwasrefinedthroughan iterativeprocessofformalexperimentation.
FilterBridge
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Weeks1-2/SpatialExpansions Weeks 3-4 / Surface Fluctuations Week 5 / Aperatures and Periodic Frames
DetailingLerner Hall
FormalRefinementProcess
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Weeks6/SegmentedEnclosure Weeks 7 / Ruled Surfaces Weeks 8 / Continuous Structural Variation
Week 9 / Final Iteration
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v CUNYLaboratory
The lab building is conflicted by the historical character of the City University of New York campus and thetechnological requirements of its program. The building utilizes poche to integrate mechanical systems into circula-tion.Publicmovementisfilteredthroughlargestonevolumesplacedbetweenprivatelabvolumesandacentralizedatrium.Within thesemasses, radiantfloorheating isconditionedbysolarhotwatercollectorson the roof.Theenclosure is composed of operable, prismatic louvres.
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Fluid Distribution
Integrated Poche
Lab Mass with Atrium
Sculpted Ground
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v MattressFactory
InstallationArtat theMattressFactorynotablefor itssitespecificity, temporalityandthe inclusionof theviewer.Artists are granted residency in the building to incorporate aspects of the interior into their work. The proposed annexprovidesstudiospacewheretheprocessoftheartistsisexposedasspectacleontheexterior.Inthisway,the viewer directly engages with the artist as a performer. As if folded, the form of the enclosure appears to be in continual transformation. The architecture remains incomplete.
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Surface Folded Over Program
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Fold
Cut
Feel
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v FauxBois
Steel is wood.
The barge was to be renovated as a gallery space for historical artifacts. As if made of wood, the steel envelope decays with a gradation of perforations.
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MDF, Gold Paint on Foam, Gold Paint on Chipboard
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v Memorial InFrancisBacon’spaintings,thebodyisnotrepresentationalbut ‘goesthroughintensivelyrealdeformation.Asfluidsescape,thebodydiscoversthematerialityfromwhichitiscomposed.’Toevokethematerialmemorialoflostrelatives, the surfaces of the memorial are in constant change. The wooden skin is clad to a structure of steel frames braced into the landscape. Visitors descend and progress through a series of spaces elevated above the stream. Over time, the substance of the wood cladding decays into the water.
Deleuze, Gilles. Francis Bacon : The Logic of Sensation. New York : Columbia University Press, 2003.
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Material Memory Site Analysis
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Frames Braced into Landform
Variable Sectional Relation to Landscape
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v PlazaEdit
CamilloSitte,in‘CityPlanningAccordingtoArtisticPrinciples’,emphasizesthesignificanceoftheplazaindefiningdistincturbanexperiences.Throughthemanipulationofsurroundingsurfaces,historicalspacescanberefreshed.Theprojectstrategically layerspublicprogramaroundtheedgesofvacant lotsalongPittsburgh’swaterfront. Aseries of landscape elements, structural follies and surface articulations incite moments of intensity along the promenade.Eachplazaisdifferentiatedbyitsscale,programmaticcontent,andrelationtopre-existingforms.
Sitte, Camillo. City Planning According to Artistic Principles (1889). Translated by George R. Collins and Christiane Crasemann Collins. London: Phaidon Press, 1965.
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Historical Plaza Precedents from Sitte
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Articulated PocheLandscapeElementStructural ArtifactSurface Folly
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v HousingParcel
The schematic design resolves tight mechanical systems, square footage, and circulation constraints into a singular spatialexperience.The750squarefootapartmentunitsarestackedandshiftedtodefineaninternalvoid.Variationin plan is produced as each apartment is rotated around a centralized utility core. Circulation is carved from the volumes and detailed in raw plywood. The entire assemblage is clad in a diaphanous trellis to condition light and support plant growth. The project was completed in collaboration at Rice + Lipka Architects in New York.
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v ArtFactory
The iridescent building volume is sited within a vacant property in a distressed Pittsburgh neighborhood. The facility expands theadjacent rowhouseandprovidesnecessaryutilities for thearea’sdevelopingartscommunity.Therenovations include a sawtooth ceiling with an integrated photovoltaic array and an escape stair to satisfy egress requirements. The project was presented to the community through a town meeting and included a business and event plan.
Section with Roof and Stair Renovations
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211
flexi
ble
wor
kspa
ce
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com
pute
rla
b
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phot
ost
udio
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utili
ty
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met
al
shop
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outd
oor
terr
ace
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fire
stai
rs
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corr
idor
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elev
ator
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wc
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corr
idor
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corr
idor
3.0
3.0
3.01
3.01
3.023.02
5.02
3.72
1.124.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
4.00
3.56
3.78
4.00
4.00
4.00
4.00
4.00
28.28 66.17
2.54
3.00
3.50
3.00
3.50
3.00
2.00
7.69
11.69
1.00
17.33
31.67
11.1
7
19.3
4
5.08
3.13
15.1
6
7.50
9.67
3.25
11.1
1
8.19
24.14
23.90
7.008.00
4.40
7.50
13.30 3.00
23.13
70.55
21.43
15.38
7.50
23.90
23.78
8.19
5.00
5.01
W5
4
1. NEW STRUCTURAL STEEL MEMBERS2. EXISTING BRICK WALL WITH NEW CONCRETE BLOCK BACKUP3. NEW GLASS WINDOWS4. NEW GYPSUM PARTITION WALLS5. NEW PREFABRICATED CONCRETE WALL PANEL WITH PRECAST COLUMNS 6. EXISTING WINDOWS WITH NEW ALUMINIUM FRAME7. NEW POLYCARBONATE CURTAIN WALL8. NEW CONCRETE FLOOR9. NEW ELEVATOR10. NEW METAL STAIRS11. NEW STEEL HOLLOW DOORS12. NEW CONCRETE PARAPET13. NEW FIRE-PROOF CURTAIN GLASS WALL14. NEW SIGN PLACED ON THE OUTERMOST LAYER OF THE POLYCARBON-ATE WALL SYSTEM
W1- CURTAIN GLASS WALL [ 084413100150 , 088410102100 ]W2- IMPROVED BRICK WALL [ 040120200320 , 042210140300 , 072123200200 , 072510100401 ]W3- POLYCARBONATE WALL ASSEMBLY [ 051423050100 , 051516500550 , 055316500020 , 088130100280 , 088410101000 , 088723132010 , 051223050020 , 088420101500 ] REFER TO IP 5.00, IP5.01 & IP5.02W4- PREFABRICATED CONCRETE WALL PANELS [ 072113130700 , 072510100401 , 034513500210 , 034105150700 ]W5- PARTITION WALLS [ 092113100600 ]W6- STOREFRONT GLASS [ 079213200060 , 084113200250 ]
8
KEY NOTES
GENERAL NOTES
WALL ASSEMBLY LEGEND
W5
W5
1
2
14
3
3
7
2
W5
1
6
12
5
11
9
13
10
W1
W2
W3
W4
W6
5
W4
5
5.03
5.05
IP5.0 POLYCARBONATE WALL ASSEMBLYIP5.01 POLYCARBONATE AND GLASS ASSEMBLYIP5.02 POLYCARBONATE CORNER ASSEMBLYIP5.03 FIRE STAIR DETAILIP5.05 SIGNAGE DETAIL
Section with Roof and Stair Renovations
1.17
6.69
7.32
28.12
26.2
5
4.05
28.61
4.25
12.2
5
11.50
3.33
1.00
10.0
0
0.50
1.00
27.44
34.6717.31
13.7
5
2.41
1.50
15.5
8
66.51
0.50 15.50 0.50 12.5036.50
1. NEW STRUCTURAL STEEL MEMBERS2. EXISTING BRICK WALL WITH NEW CONCRETE BLOCK BACKUP3. NEW GYPSUM PARTITION WALLS4. NEW PREFABRICATED CONCRETE WALL PANEL WITH PRECAST COLUMNS 5. EXISTING WINDOWS WITH NEW ALUMINIUM FRAME6. NEW POLYCARBONATE CURTAIN WALL7. NEW CONCRETE FLOOR8. NEW METAL STAIRS9. NEW FIRE-PROOF CURTAIN GLASS WALL10. EXISTING WOOD SIDING WITH NEW INSULATION AND DRYWALL BACKUP11. NEW METAL ROOFING DECK WITH CONCRETE12. NEW SAWTOOTH ROOF13. CONCRETE PARAPET14. NEW GARAGE15. NEW STOREFRONT TYPE DOOR16. NEW STRUCTURAL STEEL MEMBERS
W1- CURTAIN GLASS WALL [ 084413100150 , 088410102100 ]W2- IMPROVED BRICK WALL [ 040120200320 , 042210140300 , 072123200200 , 072510100401 ]W3- POLYCARBONATE WALL ASSEMBLY [ 051423050100 , 051516500550 , 055316500020 , 088130100280 , 088410101000 , 088723132010 , 051223050020 , 088420101500 ] REFER TO IP 5.00, IP5.01 & IP5.02W4- PREFABRICATED CONCRETE WALL PANELS [ 072113130700 , 072510100401 , 034513500210 , 034105150700 ]W5- PARTITION WALLS [ 092113100600 ]W6- STOREFRONT GLASS [ 079213200060 , 084113200250 ]W7- WOODSIDING WALL [ 072123200600 , 072113130600 , 061636100105 , 072510100401 , 074623103200 , 092910300350 ]W8- SKYLIGHTS, INSULATED SAFETY GLASS WITH ALUMINIUM FRAME [ 086213202300 ]
F1- METAL DECKING FLOOR WITH CAST IN PLACE CONCRETE [ 033053402150 , 033543100210 , 053113505100 , 054113305120 ]
R1- METAL ROOF DECKING WITH CAST IN PLACE CONCRETE [ 053123502400 , 071616200020 , 072216101932 ]R2-
E1- RAINWATER SYSTEMS AND COMPONENTS [ 221455102080 ]E2-SOLAR HEATING COMPONENTS [ 235619503080 ]
KEY NOTES
ASSEMBLY LEGEND
3
W1
3
3
2
2
4
5
5
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777
8
9
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1314
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7
8
W1
W1
W3
W4
W4
W5
W5
W6
W7
W8
F1
F1
F1
R1
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v Arbitare Exhibtion
ThealuminumandfabricstructurewasthecenterpiecefortheannualArbitaredesignexhibitioninHeslinki,Finland.Asonemovesaroundthestructure,thelayeredfigureselicitdifferentexpressions.Thelight-absorbingmaterialityiscarriedthroughtheexhibitionasasetofsuspendedplanesplacedbetweenthedisplaysofexhibitors.Thesys-temofmodular,minimalsurfacessimplifiedfabricationandassembly.Theprojectwascompletedincollaborationat Sotamaa in Helsinki, Finland.
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A1.1 B1.2
B1.2A1
.1
6. Unit A - Unit B
bottom
138.76°
Ahead!Marimekko Forum
Suomen Messut
SUUNNITTELIJA
SOTAMAA
Tallberginkatu 1C 7100180 Helsinki
t. +358 50 511 2642t. + 358 50 530 9831
Päivämäärä: 24.8.2011Mittakaava: ei
ARK - 6.5
Kommentteja / Muutokset:
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FE2
E1
D2
D1
C2
C1B1
B2A2
A1
3173
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6276 5661
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5340
6000
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108.58
37.10
35.2
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32.98
65.84
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123.91
60.06
32.39
63.1
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83.84
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59.12
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57.06
54.94
63.96
61.1
0
74.5261.8
5
43.63
51.24
32.63
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57.66
112.51
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Ahead!Marimekko Forum
Suomen Messut
SUUNNITTELIJA
SOTAMAA
Tallberginkatu 1C 7100180 Helsinki
t. +358 50 511 2642t. + 358 50 530 9831
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ARK - 3.0
Kommentteja / Muutokset:
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C2.1B2.1A2.1
D2.1 E2.1
B1.1A1.1 C1.1
D1.1 E1.1
B1.2
A1.2
C1.2
D1.2E1.2
E2.2D2.2
B2.2
A2.2
C2.2
F1.2F1.4
E2.3D2.3
A2.3
B2.3
C2.3
E1.3D1.3
C1.3
A1.3
B1.3
F1.1
F1.3
B
13500
4899
1500
3822
3278
2056 5926
4191
5484
7702
6484
11000
1. Unit B
Ahead!Marimekko Forum
Suomen Messut
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Aluminium Fabrication
Component Position
Component Assembly
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v MarimekkoFolding Fabrics
Furniture dressed in seasonal Marimekko Fabrics create an atmosphere of color and pattern. The set is developed fromasinglegeometryscaledtobecomeastool,table,andbartable.Eachpiecewascutfromapieceofcard-board which was then folded and wrapped in the fabrics.
‘FoldingFabrics’waspublishedintheFinnishDesignYearbook.
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CNC Cut Folded Board
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v Porous Screen Panelized Formed Plastic
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v Porous Brick Lacquer on Cast Ceramic
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v ElaineScarry,in‘TheBodyinPain’,describesourinabilitytoreflectandintellectualizewheninpain.Thesepow-erful, internal sensations demarcate the limitations of language. In a medical setting, patients are left powerless without the ability to communicate. A selection of words used to describe varying intensities of pain are distributed throughout the corridors of the hospital. At these moments, the patients are confronted by colorful resin topologies. Throughthesequenceofdifferentiatedspaces,thepatientexperiencescatharsis.
Thesis:Clinic Scarry, Elaine. The Body In Pain : TheMaking and
UnmakingoftheWorld.OxfordUniversityPress,1985.
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numb11.25s
scalding11.25s
dreadful
exhausting3.75s
terrifying3.75s
shooting7.5s
throbbing11.25s
wrenching7.5s
unbearable7.5s
pricking3.75s
pinching3.75s
rasping7.5s
tearing11.25s
dull11.25s
cruel3.75s
tingling7.5s
wretched3.75s
cold7.5s
lacerating11.25s
sickening
Floor 1
Floor 2
Floor 3
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Dull, Scalding, NumbSickening, Rasping, ShootingLacerating, Searing, Throbbing
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Dull, Scalding, NumbTingling, Unbearable, WrenchingCruel,Pricking,Exhausting
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Plastic and Colored Filters
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Resin and Pigment