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  • 8/10/2019 Source Factors NEW

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    Source, message and channel

    factors - controllable variablesin the communication process

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    Source Attributes and

    Receiver Processing Modes

    Source attribute Process

    CompliancePower

    IdentificationAttractiveness

    InternalizationCredibility

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    Source Credibility: 2 components

    The extend to which the source isseen as having: Knowledge

    Skill

    Expertise

    And the source is perceived asbeing: Trustworthy

    Unbiased

    b!ective

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    Dell Computer uses its founder and

    CEO as an advertising spokesperson

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    Source Attractiveness: 3 components

    Si"ilarity #ese"blance between the source and

    recipient o$ the "essage

    %a"iliarity Knowledge o$ the source through repeated or

    prolonged exposure

    &ikeabilityA$$ection $or the source resulting $ro" physical

    appearance' behavior' or other personal traits

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    Te !se of Celebrities

    Endorsements

    The celebrity, whether an expert or not,merely agrees to the use of his or hername and image in the promotion of theproduct

    Testimonials The celebrity, usually an expert with

    experience with the product, attests to itsvalue and worth

    !ramatizations

    Celebrity actors or models portray thebrand in use during dramatic enactmentsdesigned to show the goods

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    "epsi used pop star #rittany Spears

    as an endorser for several years

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    $isks of !sing Celebrities

    The celebrity "ay overshadow the product

    The celebrity "ay be overexposed whichreduces his or her credibility

    The target audience "ay not be receptive tocelebrity endorsers

    The celebrity(s behavior "ay pose a risk to theco"pany

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    %essage &actors: 2 components

    )* +essage Structure rder o$ presentation ,pri"acy vs* recency-

    .onclusion /rawing ,open vs* closed end-

    +essage sidedness ,one vs* two0sided-

    #e$utation

    1erbal vs* visual

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    2' %essage appeals:

    $ational

    Emotional

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    Advertising Appeals

    Informational/Rational AppealsInformational/Rational Appeals Emotional AppealsEmotional Appeals

    Two Broad Categories of AppealsTwo Broad Categories of Appeals

    Focuses on the consumers

    practical, functional,orutilitarian need for the productor service

    Emphasizes the features orbenefits

    Messages emphasize factsand logic

    Focuses on the consumers

    practical, functional,orutilitarian need for the productor service

    Emphasizes the features or

    benefits

    Messages emphasize factsand logic

    Relate to consumers

    social and/or psychologicalneeds for purchasing aproduct or service

    Many advertisers believe

    consumers emotions workbetter at selling brandsthat do not differ markedlyfrom competing brands

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    $ational Appeals %eature appeals

    %ocus on the do"inant traits o$ the product

    .o"petitive appeals +akes co"parisons to other brands

    %avorable price appeals +akes price o$$er the do"inant point

    2ews appeals 2ews or announce"ent about the product

    Product3service popularity appeals Stresses the brand(s popularity

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    (nformational)$ational Appeals

    .o"$ort

    .onvenience

    Econo"y 4ealth

    5uality

    /ependability

    /urability

    Per$or"ance

    E$$iciency

    Rational MotivesRational Motives

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    Emotional Appeals

    Achieve"ent 3Acco"plish"ent

    Actuali6ation

    A$$ectionA"bitionArousal 3 sti"ulation

    .o"$ort Excite"ent %ear 4appiness

    7oy &ove 2ostalgia

    Pleasure Pride Sa$ety Security

    Sel$0estee" Senti"ent Sorrow3grie$

    Personal MotivesPersonal Motives

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    Emotional Appeals

    Acceptance Approval A$$iliation 3 belonging E"barrass"ent 8nvolve"ent #ecognition #e!ection #espect Status Sophistication

    Social MotivesSocial Motives

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    Types of Emotional Appeals

    %ear Appeal

    4u"or

    Sex

    Agony

    Pleasant +oral

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    Advertising E*ecution Tecni+ues

    Straight0sell or $actual

    "essage Science 3 technical evidence

    /e"onstration

    .o"parison Slice o$ li$e

    Testi"onial

    Ani"ation

    Personality Sy"bol

    %antasy

    /ra"ati6ation

    Proble" solving

    .o"binations

    reative e!ecution" #he way an advertisingappeal is presented$

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    "ros and Cons of !sing ,umor

    Advantages Aids attention and

    awareness "ay aid retention of the

    message Creates a positive mood

    and enhancespersuasion

    "ay aid name and simple

    copy registration "ay serve as a distracterand reduce the level ofcounter arguing

    !isadvantages !oes not aid persuasion

    in general "ay harm recall and

    comprehension "ay harm complex copy

    registration !oes not aid source

    credibility

    Is not effective inbringing about sales

    "ay wear out faster

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    UNFAVORABLE TOWARD

    HUMOR

    #esearch directors

    !irect mail, newspapers

    Corporate advertising Industrial products

    $oods or services of a

    sensitive nature

    Audiences that are%

    &lder 'ess educated !own(scale )emale *emi( or +nsilled

    FAVORABLE TOWARD

    HUMOR

    Creative personnel

    #adio and television

    Consumer non(durables -usiness services

    Products related to the

    humorous ploy

    Audiences that are%

    .ounger -etter educated +p(scale "ale Professional

    !se of ,umor

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    Cannel &actors

    Personal versus non personal channels

    E$$ects o$ alternative "ass "edia

    Externally paced "edia ,broadcast-

    8nternally paced "edia ,print' direct "ail' 8nternet-

    E$$ects o$ .ontext and Environ"ent

    5ualitative "edia e$$ect

    +edia environ"ent ,"ood states-

    .lutter