some tips on type from before & after: graphics for business

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Some tips on type From Before & After: Graphics for Business By John McWade

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Some tips on type From Before & After: Graphics for Business By John McWade. Vocabulary Serif Sans serif Legibility Readability Type and typeface X-height Counters Mirrors. Serif – a small cross stroke at the end of a main stroke of a letter - PowerPoint PPT Presentation

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Page 1: Some tips on type From          Before & After:           Graphics for     Business

Some tips on type

From

Before & After: Graphics for Business

By John McWade

Page 2: Some tips on type From          Before & After:           Graphics for     Business
Page 3: Some tips on type From          Before & After:           Graphics for     Business

Vocabulary

Serif

Sans serif

Legibility

Readability

Type and typeface

X-height

Counters

Mirrors

Page 4: Some tips on type From          Before & After:           Graphics for     Business

Serif – a small cross stroke at the end of a main stroke of a letter

Sans serif – a letter without serifs

S S

Page 5: Some tips on type From          Before & After:           Graphics for     Business

SerifSans Serif

S

Page 6: Some tips on type From          Before & After:           Graphics for     Business

For large amounts of text—a solid page or more—serif type is easier than sans serif for the reader to deal with. There are a few theories why.

1. It’s what we’re most accustomed to

2. It’s more organic and graceful

3. Letters create a bridge from one letter to the next

Page 7: Some tips on type From          Before & After:           Graphics for     Business

The hallmarks of good type are legibility and readability.

Legibility refers to clarity. It’s how readily one letter can be distinguished from all others.

Readability refers to how well letters interact to compose words, sentences and paragraphs.

Page 8: Some tips on type From          Before & After:           Graphics for     Business

To flow most smoothly, an alphabet’s characters should have similar widths. Reading has a natural rhythm; an alphabet such as Futura (top left) with widely varying character widths, disrupts it.

Page 9: Some tips on type From          Before & After:           Graphics for     Business

We identify letters by their physical characteristics—stems, bars, loops, curves, and so on; the clearer they are the more legible the letter. Expanding or compressing letters makes them harder to read.

Page 10: Some tips on type From          Before & After:           Graphics for     Business
Page 11: Some tips on type From          Before & After:           Graphics for     Business

X-height is the height of the lowercase characters in a typestyle

Page 12: Some tips on type From          Before & After:           Graphics for     Business
Page 13: Some tips on type From          Before & After:           Graphics for     Business

Counters are the enclosed spaces inside letters. Avoid typestyles whose counters are very large in relation to the stroke weight.

Page 14: Some tips on type From          Before & After:           Graphics for     Business

Geometric typestyles are so uniform, their letters are often mirror images. For text, this is not ideal—the more distinct each letter is, the more legible whole words will be. Look for typestyles that don’t mirror, such as Gill Sans (bottom).

Page 15: Some tips on type From          Before & After:           Graphics for     Business