solos for young violinists 3

VOLUME 3 ano Part

TNTRODUCTION

Solos for Young Wolinists is a six-volume series of music books with companion CDs fea-turing more than 50 pieces for violin and piano. Many of the works in this collection havelong been recognized as stepping stones to the major violin repertoire, while others arenewly published pieces that offer further choices for study; most are recorded in this seriesfor the very first time. Compiled, edited, and recorded by violinist Barbara Barber, Solosfor Young Wolinists is a graded series of works ranging from elementary to advanced lev-els and represents an exciting variety of styles and techniques for violinists. The collec-tion has become a valuable resource for teachers and students of all ages. The piano trackrecorded on the second half of each CD gives the violinist the ôpportunity to practice withaccompaniments.

Abbreviations and Symbols

L.H. - Lower HalfU.H. - Upper HalfFr. - FrogTip - TipMid. - Middle,^. - Half Step* - Left Hand Pizziçl1s1- - Finger remains on string

- Finger covers 2 strings

Contents . .g,, ,, ,T e m p o d e M i n u e t t o . . . . ' K r e i s l e r . . . . . . : . r . " . ' . . . . , ' . r . ' . , ; . 4A i r v a r i é , O p . 8 9 , N o . 5 . . . . . D a n c l a . - r i . . : . ' . , . . . . . . . . . . . 6Mazurka .M lynarsk i . . . . . . 9Perpetuo Mobile,

f rom L i t t leSui te ,No.6 . . . .Bôhm

âïHî"il*;;" : : : : : : : : : : : : : : :3fiT"ïïll : : : : : : : : : : : : : : : : : : liC o n c e r t o N o . l i n A M i n o r . . . A c c o l a y . . . . . . . 1 8

;,=, 'o

, ' :a,t ' " l i

Tempo di MinuettoIn the style of Pugnani

f

- p

--- :-

|.lI

Ftrtr"tr

4

L

J

molto cresc. lT'. t t

v l Ï

? semplice

V, 4 F l

FI2

u û '0 3

V It i p o '

Itb

20

\ ,2

p\-----l

n v l p vÊrl + t I

mid.

V

0

\-/

I-f

+.-f

-

cresc. -

-=-- Âoho cresc.

- - - G t PJJ '-J

V 'allargando

It

6

sth Air Variéon a Theme by Weigl

Op. 89, No. 5

Moderato J = 104

Charles Dancla

t 4

--

VAR. 1FI

f

/ .oôo\. !

VAR.2Brillante

Ft

spiccato 44

l'lJ

l'1

3

I Ët l

z -

rlJ

L

2 -

F t , ; F l I F l

I00 0

20

2/^>

t l . , n n ! n

A { i i Fr.V F I v r F t ^

MazurkaTempo di mazurk" J = nS E. Mlynarski

v v v i

Ppoco rit,

V , n

przLtr-

--------

F ! { {

5 4arc?- \,

p congrazia

)

4-0 4

0

--poco rit.

'aJa tempo3-,

P

40 V

PT' 3 rr i-r,

+ 4'--r tsa - b è -q>lê'

û" --n*^

f=-q_ ?v a tempo

0

:, ,,?r ____ p

l0

fr

p

J

40

accel. e cresc.

l 03 l

1 1 1

121

'.-J -J \J -g lfa-J

-\-, \J \-, <J -J \-,

123 sempre 6

V , nmoltu r t t .V r | . l - l . f ' f i l )

l l

a tempo| 2 Fl

ir, "?f Pn

---:-

l'lorco34}.

pcon grazia

9. 11

-lt160 poco nt.

Te;nno Ih'

molto dimin. e rit. - PP 3 "tr4

t

>.---_

t

)

t t æà | i fir*-*-:-A- >{-. Ie 'ê =J - |

' {

a tempo n V

t84 Poco riî.

-.._

t2

Perpetuo Mobilefrom Little Suite, No. 6

Rapidlyn

) = 1 7 2Carl Bohm

3

I(poco rit.)

decresc.

2---;-) ) J

fi ço,"*pj

L - L - 3 - za

Z t 0 3 _

0 4 3 2 4

f

-

t4

Ave MariaMeditation on the lst Prelude of J. S. Bach

Andante semplice J =66 Bach-Gounod

? A 3

FI3

molto

' î ! * t ) r^- 4

i t \ 7 =

33più f

dim.

TtJ

Allegretto J,=@

Souvenir de SarasateFantasia Espagnole

" f7

15

Wm H. Potstock

33

FI

2cnf

J e 3

16Meno mosso e tranquillo

2 2I

n1 V

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p

A ?r l l l 4 à

+ 4 .r . \ r r r E

2 - L + l ^ l + V _ - l - t y r r r l

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rit.

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fii

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Tempo I

f 3 3

f 3 3

F I Y F1

l 8

Concerto No. Lin A Minor

AliegromoderatoJ=106

J. B. Accolay

^ 3z^.

. , , 1 â i € f

3

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l9

>

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a tempoâ r r 3

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20

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89

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Sul A

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f largamante

176 "f

t ,G.z 2

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23

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ContentsTempodeMinuetto.. Kreisler . . .4A i r v a r i é , O p . 8 9 , N o . 5 . . . . D a n c l a . . . . . . . 8Mazurka . .Mlynarsk i . . . .14Perpetuo Mobile,

f r o m L i t t l e S u i t e , N o . 6 . . B ô h m . . . . . . 2 4A v e M a r i a . . . . B a c h - G o u n o d . . . . . 2 8SouvenirdeSarasate .Potstock ...31C o n c e r t o N o . l i n A M i n o r . . . A c c o l a y . . . . . . 3 6

Tempo di MinuettoIn the style of Pugnani

Fritz KreislerMartiale J =96

û-

7 .T l\___/\-/l Icresc, -

- " f

!-/

//-È

çrI

allargando

t . /l"---/I cresc.

.JTC

sth Air Variéon a Theme by Weigl

Op. 89, No.5Charles Dancla

Moderato J = 104

10

VAR.2 Ilrillante

l r

VAR.3 Cantabile

t2

Æ\ Æ\

--

--.t - \.,,ê

l 3\

fl ., {*'F " /

ir CODA* Tempo animato

t4

MazurkaE. Mlvnarski

Tempo di mazurka J - 138

Violin

€tÊ' Sù.

poco rit.

l 5

-P-.\

P con grazia

a rcmpoô.

poco rit. ?-

molto dim. e rit.

t'-y

l 6

s1 çù. €!Ê *à. t(, *a

__!_ P

poco it. .f

êrE r;. *

çà. I ep

t-

ef

a

€tê çù.

1 8

accelerando poco a Poco

19

sempre Jr

20

çù.€lÊ

Pi4z.çù. se

*h..

P con graua

\-----.-/

2r

a tempo

-

û-

l--j

22

m'i -

s* .1[. *s

ii}\

brillante

"tr-\ "G> ,

p-ts-,-n

24

Perpetuo Mobilefrom Little Suite, No. 6

Rapidly J =172Ft

decresc.

P (a tempo)

(poco rit) 1 , . -e i

t F i , î , î

26

'l

p

' l Ê )

V È' r * 1 *

V V

P (a tempo)

(poco rit)7 f t i

P \o t"^po1

'l -fî )/ c

7 î ' / ï ' t * ' t *V V

27

dii:: tr

\ e Ésempre gf---z

v v

28

Ave MariaMeditation on the l.st Prelude of J. S. Bach

Andantesemplice J=66Bach-Gounod

Violin

Piano

çù. sù. *ù. *

FF-Ep

- , t a , t

a - a -c ? ç ?

= : 7 -

+ - ?

1e çà.

tuttaforza

3r

Souvenir de SarasateFantasia Espagnole

Allegretto J. = 64

n \ !ûr,Jr

Meno mosso e tranquillo

33

-- ,r?f

,tfft

34

,nf \!

\ {nlf -

36

4 t i r

Allegro moderato.l = L06

âa +

Concerto No. Iin A Minor

i---................-r----

-

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r3a -!

3

r--l --r 3

= d e S- -

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t t

1 6 p

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r 3 r , f - 3 - r

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l . J l

r -3- r

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c r e - - L-3 r 3 f

r

41 L_3 J

f =.--_,3

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--/-< > - < : > < : > < >

poco u poco rit.P con espressivo

a tempo

a...--......--'-- ,.,,.,---- ' r . , -

- z I

t---------...--- i---.-.->

a ) = i j FJ -t esDr'

\ I lc. l . / . .-l - l .211'1 .

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y1-- <J-\ za-c a:>

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4 tempo

L : -)-

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4l

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J ! 2

a) a t

t t t t * *

3

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101

3

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104 4l J '

42

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a)

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1 1 1

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cresc. - -

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< >

/1

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t .

a 3 t * *_ ' - j i : . cresc.

+ i l i l ; >T

\

1 i ' ' r t t

< [ J , "

=t

-> -> -^ /---à,, -> -)

f poro apoco rit.

poco rit,

---- ----/-

î largamante

= \\J

^

cresc.-

Addition al M ateri als by

Solos for Young Violinists andSolos for Young Violists are grad-ed series of works, rangingfrom elementary to advancedlevels, that represent an excitingvariety of styles and techniquesfor violinists and violists. Theseseries are valuable resources forteachers and students of allages. Many of the works inthese collections have longbeenrecognized as stepping-stonesto the major violin and violarepertoire, while others arenewly published pieces for fur-ther choices of study.

t s B N 0 - 8 7 4 8 7 - 9 9 0 - 6

" iluxt|[ttlil[|lllilliltlI n78087 4il8799021

Volume 1Volume 2Volume 3Volume 4Volume 5

Scales forAdvanced Violinists

(8010x)

CD(8018)(801e)(8020)(8021)(8022)

Other Titles by Barbara Barber:

TwinkleVariations

FestivalAnangement

(8017)

The practice of scales need never be monotonous! ftales for Advanced Violinists andScales for Advanced Violists are "user-friendly" scale books with each of the twelvekeys complete on two facing pages. Dozens of bowings and rhythmic variants areoffered to develop and improve evenness, clarity, agrlity, speed and intonation. Aninnovation introduction to double-stops takes the guess-work out ofthis important technique. TheCircle of Sths explains k.ysignatures. The books include threeoctave major, melodic minor,harmonic minoç alpeggios, broken3rds and chromatic scales. Double-stops in octaves, thirds, sixths andharmonics are presented in twooctaves. These are the only scalebooks that most violinists andviolists will ever need!

SUMMY-BIRCHARD INC.Distributed byAlfred Publishing Co., Inc.15320 Roscoe Blvd., Suite 10OP.O. Box 10O03Van Nuys, CA 9141(Hn03

alfred.com

lllllll||lllililU[llll 'H

Barbara Barber:Solos forYoung ViolinistsVolume 1Volume 2Volume 3Volume 4Volume 5Volume 6

Book(0e88)(0e8e)(Oeeo)(Oee1)(0ee2)(0ee3)

CD(8011)(8012)(8013)(8014)(801s)(8016)

Solos forYoung Violists

Book(18400)(185e0)(1,8670)(18750)(18830)

Scales forAdvanced Violists

(8023)

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solos for young violinists 3

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