socialism & communism€¦ · 16a. emergency quota act 16a. jazz • jazz combined themes and...
TRANSCRIPT
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SOCIALISM & COMMUNISM• IN THE LATE 1800S, SOCIALISM WAS BORN OUT OF WORKERS’
CALLS FOR BETTER LIVES
• COMMUNISM EVOLVED OUT OF SOCIALISM
• ABOLISH PRIVATE OWNERSHIP
• SOCIAL CLASSES WOULD BE LEVELED ACROSS THE BOARD
• ALL PROPERTY IS OWNED BY THE GOVERNMENT
• CAPITALISM WILL BE DESTROYED
• RUSSIA BECAME THE SOVIET UNION AFTER A COMMUNIST
(BOLSHEVIK) REVOLUTION
• WHY WERE AMERICANS AFRAID OF COMMUNISM?
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RED SCARE• THE FEAR OF INTERNATIONAL COMMUNISM FLOODING OVER
AMERICAN BORDERS
• (RED = THE COLOR OF THE SOVIET FLAG)
• THE US GOVERNMENT STARTED TO AN EXPANDED SEARCH FOR
SUSPECTED COMMUNISTS & SOCIALISTS HERE AT HOME
• WHO WOULD YOU GUESS WERE THE MAIN TARGETS OF THE
GOVERNMENT’S SEARCHES?
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IMMIGRATION RESTRICTIONS• NATIVISM WAS REBORN AGAIN IN THE 1920S
• SO WAS THE KU KLUX KLAN, AND NOT JUST IN THE SOUTH
• AMERICANS FELT SUPERIOR TO IMMIGRANTS
• THEY FELT THEIR CULTURE WAS BETTER AND HAD TO BE
PROTECTED FROM OUTSIDE INFLUENCES
• CATHOLICS, JEWS, IMMIGRANTS, ETC.
• THE GOVERNMENT RESPONDED TO THIS WITH IMMIGRATION
RESTRICTION ACTS LIKE THE EMERGENCY QUOTA ACT
• WHAT IS A “QUOTA”?
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EMERGENCY QUOTA ACT
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JAZZ• JAZZ COMBINED THEMES AND PATTERNS DEVELOPED BY
SLAVES, NEW ORLEANS MUSICIANS, AND MANY OTHER SOURCES
• IT ALSO EMPHASIZED IMPROVISATION
• IT BROUGHT AFRICAN AMERICAN WRITERS AND ARTISTS TO THE
MAINSTREAM QUICKLY
• WHAT THEMES SHOULD WE EXPECT TO FIND IN JAZZ MUSIC?
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HARLEM RENAISSANCE• THE GREAT MIGRATION HAD BROUGHT AFRICAN AMERICANS TO
NORTHERN CITIES, CROWDED INTO THESE NEIGHBORHOODS,
AFRICAN AMERICAN CULTURE BECAME BLENDED IN
MAINSTREAM AMERICAN CULTURE
• A BLOSSOMING OF AFRICAN AMERICAN CULTURE AND ARTS IN
THE 1920S
• WHERE IS HARLEM?
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LOUIS ARMSTRONG
• “SATCHMO”/“POPS” PLAYED THE TRUMPET
• ONE OF THE MOST FAMOUS JAZZ MUSICIANS OF THE 1920S
• BORN IN NEW ORLEANS, BEGAN PLAYING WITH THE CREOLE
JAZZ BAND
• MOVED TO CHICAGO & NEW YORK TO PLAY
• HOW DOES ARMSTRONG’S LIFE MIMIC THE GREAT MIGRATION?
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LANGSTON HUGHES
• THE HARLEM RENAISSANCE’S MOST FAMOUS POET, WROTE
ABOUT THE LIVES OF WORKING-CLASS AFRICAN AMERICANS
• SOMETIMES SET HIS WORDS TO THE TEMPO OF JAZZ OR THE
BLUES
• WHAT COULD HIS VOICE ACTUALLY DO FOR AFRICAN AMERICANS
DURING THE 1920S?
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HARLEM SPEAKS A LIVING HISTORY OF THE HARLEM RENAISSANCE
• LANGSTON HUGHES “THE WEARY
BLUES”
• LANGSTON HUGHES “MOTHER TO
SON”
• LANGSTON HUGHES “DREAM
VARIATION”
• ZORA NEALE HURSTON “UNCLE BUD”
• BESSIE SMITH “MEAN OLD BED BUG
BLUES”
• LOUIS ARMSTRONG “I’M NOT ROUGH”
• DUKE ELLINGTON “THE CREEPER”
• ETHEL WATERS/JAMES P. JOHNSON
“DO WHAT YOU DID LAST NIGHT”
• WEB DUBOIS ON HIS ROLE & HIS
DESIRES
• MARCUS GARVEY ON THE
OBJECTIVES OF THE UNIA
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I, TOOBY LANGSTON HUGHES
I, TOO, SING AMERICA.
I AM THE DARKER BROTHER.
THEY SEND ME TO EAT IN THE
KITCHEN
WHEN COMPANY COMES,
BUT I LAUGH,
AND EAT WELL,
AND GROW STRONG.
TOMORROW,
I'LL BE AT THE TABLE
WHEN COMPANY COMES.
NOBODY'LL DARE
SAY TO ME,
"EAT IN THE KITCHEN,"
THEN.
BESIDES,
THEY'LL SEE HOW BEAUTIFUL
I AM
AND BE ASHAMED--
I, TOO, AM AMERICA.
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NASI CAN
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18TH AMENDMENT• SOCIAL CHANGES BORN OUT OF WWI HAD BIG IMPACTS ON THE
ROARING TWENTIES
• THE 18TH AMENDMENT BROUGHT SOMETHING MANY AMERICANS HAD WANTED FOR A LONG TIME --- PROHIBITION
• “THE MANUFACTURE, SALE, OR TRANSPORTATION OF INTOXICATING LIQUORS ILLEGAL”
• AMERICANS WILL RESIST THE LAW
• WHO MIGHT BENEFIT FROM THIS NEW LAW THAT THE GOVERNMENT HAD NOT INTENDED?
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19TH AMENDMENT• RATIFICATION OF THE 19TH AMENDMENT ALSO HAD BEEN A LONG
FIGHT
• WOMEN WERE FINALLY GIVEN THE RIGHT TO VOTE, IN PART THANKS TO THEIR ECONOMIC CONTRIBUTIONS DURING WWI
• WHAT HAD WOMEN DONE DURING WWI?
• WHERE DID THE FIGHT FOR THIS AMENDMENT START IN 1848?
• WHAT SHOULD WE EXPECT OF THE “TWENTIES WOMAN”?
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HENRY FORD
• THE AUTOMOBILE WOULD TRULY REPLACE THE HORSE IN THE
1920S
• THE FORD MOTOR COMPANY’S MODEL T WAS THE MOST
POPULAR AUTOMOBILE
• IT WAS AVAILABLE IN ANY COLOR, SO LONG AS THAT COLOR
WAS BLACK
• WHAT OTHER MAJOR INDUSTRIES WOULD BENEFIT FROM
AMERICA’S NEW-FOUND OBSESSION WITH THE AUTOMOBILE?
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MASS PRODUCTION• THE ASSEMBLY LINE IS WHAT MADE THE AUTOMOBILE AND SO
MANY OTHER INDUSTRIES SO PROFITABLE IN THE 1920S
• AMERICAN BUSINESSES WERE ABLE TO PRODUCE MORE…MORE
EFFICIENTLY, MORE QUICKLY & MORE CHEAPLY THAN BEFORE
• IF AMERICA IS PRODUCING MORE THAN EVER BEFORE, WHAT
DOES THAT MEAN ABOUT AMERICAN CONSUMPTION OF GOODS?
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POPULAR CULTURE
• RADIOS BROUGHT NEWS, SPORTS, AND ENTERTAINMENT
STRAIGHT TO MILLIONS OF AMERICAN HOMES
• MOVIES HELPED CREATE THE FIRST EXTREMELY POPULAR MEDIA
STARS (AND LIFESTYLES)
• HOW CAN MOVIES AND RADIOS FEED THE AMERICAN TREND
TOWARD CONSUMERISM?
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TIN PAN ALLEY• A MUSICAL MOVEMENT RISING IN NYC
• “TIN PAN ALLEY” REFERRED NOT ONLY TO A PLACE IN
MANHATTAN, BUT THE GROUP OF MUSIC WRITERS WHO WORKED
THERE
• IRVING BERLIN WAS ONE OF THE MOST FAMOUS COMPOSERS,
WRITING HUNDREDS OF POPULAR SONGS, INCLUDING “WHITE
CHRISTMAS,” “THERE’S NO BUSINESS LIKE SHOW BUSINESS,”
AND “GOD BLESS AMERICA”
• WHAT DOES THIS ALL TELL US ABOUT LIFE DURING THE 1920S?
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CAUSES OF THE GREAT DEPRESSION
• OVER PRODUCTION
• UNDER CONSUMPTION
• STOCK MARKET CRASH
• EASY CREDIT AND LOAN HAPPY BANKS
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STOCK MARKET CRASH
• BANKS ISSUES LOANS TO PEOPLE TO BUY STOCKS, FALSELY INFLATING THE MARKET
• PEOPLE PAID FOR STOCKS AT FRACTIONS OF FULL-PRICE, AND THE IRRESPONSIBLE MARKET ALLOWED IT
• BUYING STOCKS ON MARGIN
• OCTOBER 29, 1929 (BLACK TUESDAY) THE STOCK MARKET CRASHED
• $30 BILLION IN A WEEK
• ?
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THE GREAT DEPRESSION
• THE STOCK MARKET CRASH TRIGGERED OTHER ECONOMIC
WEAKNESSES
• 80% OF US BANKS SHUT DOWN
• 90,000 BUSINESSES DECLARED BANKRUPTCY
• FAMILIES FELL APART, CHILDREN WENT WITHOUT EDUCATION
AND PROPER NOURISHMENT
• THEFT & VIOLENCE WERE ON THE RISE
• ?
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HOOVERVILLES
• AMERICANS FOUND THEMSELVES HOMELESS, LIVING IN SEWER
PIPES AND PARK BENCHES
• SHANTYTOWNS, CAMPS OF SHACKS AND TENTS, CAME
TOGETHER AND WERE RENAMED FOR THE PRESIDENT WHO GOT
THE BLAME
• ?
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UNEMPLOYMENT
• WHEN CORPORATE PROFITS FELL, BUSINESSES HAD TO CUT
WORKERS
• UNEMPLOYMENT ROSE FROM 3% TO 25% BY 1932
• 300,000 HOBOES TRAVELED THE COUNTRYSIDE IN SEARCH OF
WORK AND RELIEF
• ?
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DUST BOWL
• IN MANY WAYS, THE FOLKS ON FARMS WERE BETTER OFF THAN THOSE IN CITIES
• HOWEVER, THE EXTREME DROUGHT THAT CARRIED THE GREAT PLAINS REGION FROM 1933-1936 WAS TRULY BRUTAL
• DRY CONDITIONS & HIGH WINDS MADE IT IMPOSSIBLE TO FARM
• OVER FARMING OF SOIL LED TO DEPLETION AND RUINED SOIL
• TENANT FARMERS AND SHARECROPPERS WERE EVICTED FROM THEIR LANDS, AND HEADED WEST TO CALIFORNIA FOR WORK
• ?
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HIGH TIMES AND LOW TIMES
• BESSIE SMITH
“NOBODY KNOWS YOU WHEN YOU’RE
DOWN AND OUT”
• BIGGIE SMALLS
“JUICY”
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FDR & THE NEW DEAL
• AMERICAN VOTERS REJECTED HERBERT HOOVER AND VOTED IN
FRANKLIN D. ROOSEVELT
• ROOSEVELT DELIVERED HIS “NEW DEAL” FOR THE AMERICAN
PEOPLE, TO HELP END THE DEPRESSION
• HE PROMISED RELIEF, RECOVERY & REFORM
• WHAT ARE THREE SPECIFIC PROBLEMS OF THE DEPRESSION
THAT FDR MUST FACE?
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RELIEF, RECOVERY, REFORM• FDR’S NEW DEAL DID NOT CURE ALL OF AMERICA’S
ECONOMIC PROBLEMS RIGHT AWAY
• THE “THREE R’S” CAME IN WAVES THROUGHOUT THE 1930S, FDR WAS CONSTANTLY TRYING NEW THINGS
• THE FIRST HUNDRED DAYS OF THE NEW DEAL
• THE SECOND NEW DEAL
• WWII MOBILIZATION
• WHY WOULD A PRESIDENT’S “FIRST HUNDRED DAYS” MATTER TO PEOPLE?
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TENNESSEE VALLEY AUTHORITY
• THE VERY LARGE TVA PUT PEOPLE TO WORK IN 1933 BUILDING DOZENS OF DAMS AND POWER PLANTS ALONG THE TENNESSEE RIVER
• CONTROLLING THE ENVIRONMENT BY PREVENTING DISASTROUS FLOODS
• BRINGING ELECTRICITY TO MANY IN RURAL REGIONS THAT HAD NOT PREVIOUS HAD IT
• EMPLOYING HUNDREDS
• WHAT ARE THE THREE WAYS IN WHICH THE TVA HELPED?
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WAGNER ACT• UNIONS HAD SUFFERED IN THE 1920S DUE TO PRO-BUSINESS
PRESIDENTS AND RED SCARE DISTASTE FOR THEM
• THE WAGNER ACT (NLRA, 1935) ESTABLISHED THE RIGHT OF UNIONS TO BARGAIN COLLECTIVELY AND PROHIBITED EMPLOYERS’ ABUSIVE TACTICS
• THE OLD AFL LEFT MANY UNSKILLED INDUSTRIAL WORKERS OUT, AND SO THE CONGRESS OF INDUSTRIAL ORGANIZATIONS WAS FORMED
• HOW POPULAR WERE LABOR UNIONS IN THE GILDED AGE? PROGRESSIVE ERA? ROARING TWENTIES? 1930S?
(they will later merge into the AFL-CIO in 1955)18b
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SOCIAL SECURITY ACT
• PASSED IN 1935 AS ANOTHER IMPORTANT PART OF THE
SECOND NEW DEAL, TO CREATE THREE IMPORTANT
PROGRAMS
• OLD-AGE INSURANCE
• UNEMPLOYMENT COMPENSATION
• FINANCIAL AID FOR THE DISABLED
• VERY RELEVANT STILL TODAY
• DOES THE SSA QUALIFY AS RELIEF, RECOVERY, OR REFORM?
WHY?
18c
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FDR’S NEW DEAL• TENNESSEE VALLEY AUTHORITY
• WAGNER ACT
• SOCIAL SECURITY ACT
• CIVILIAN CONSERVATION CORPS
• EMERGENCY BANKING RELIEF ACT
• WORKS PROGRESS ADMINISTRATION
• FEDERAL DEPOSIT INSURANCE CORPORATION
• AGRICULTURAL ADJUSTMENT ACT
• HOME OWNERS LOAN CORPORATION
18a,c
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ELEANOR ROOSEVELT• FDR’S WIFE ELEANOR WAS THE FIRST VERY INFLUENTIAL, VERY
VOCAL FIRST LADY
• VERY INTERESTED IN HUMANITARIAN AND SOCIAL PROGRESS
• INVOLVED IN FDR’S DOMESTIC AFFAIRS
• SHE TRAVELED ALL OVER THE US AND REPORTED DIRECTLY TO FDR ON WHAT SHE SAW AROUND THE DEPRESSED NATION
• HELPED ENCOURAGE FDR TO APPOINT FRANCES PERKINS TO CABINET
• WAS ELEANOR’S ROLE THAT OF A FOREIGN POLICY ADVISOR, ECONOMIC ADVISOR, POLITICAL ADVISOR, OR SOCIAL ADVISOR?
18d
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OPPOSITION TO THE NEW DEAL
• SOME CONSERVATIVES THOUGHT FDR MADE THE GOVERNMENT TOO LARGE & TOO STRONG
• SOME LIBERALS THOUGHT FDR HAD NOT GONE FAR ENOUGH NOR DONE ENOUGH
• HUEY LONG OF LOUISIANA MAY HAVE BEEN HIS LOUDEST CRITIC AND PROPOSED A PROGRAM OF SHARE OUR WEALTH CLUBS THAT WOULD GUARANTEE A HOME, AN EDUCATION, A JOB, FOOD AND CLOTHES FOR EVERY AMERICAN
• IF THERE ARE CHALLENGERS SAYING THAT FDR ISN’T DOING ENOUGH, DOES THAT MEAN THE NEW DEAL ISN’T WORKING?
18e
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Upper Middle Class
Comfortable Middle class
Getting By
Impoverished
Super Super Rich (Rockefeller/Gates Rich)
Big Time CEOs & Entertainers
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Super Super Rich (Rockefeller/Gates Rich)
Upper Middle Class
Comfortable Middle class
Huey Long’s Share Our Wealth Program
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COURT PACKING SCHEME
• IN 1937, FDR TRIED TO RESTRUCTURE THE SUPREME COURT
• FDR WANTED TO ADD SUPPORTERS TO THE COURT SO HIS NEW
DEAL PROGRAMS WOULD NOT BE IN JEOPARDY
• CONGRESS DID NOT MEET FDR’S DEMANDS
• HOW WOULD MORE JUSTICES KEEP FDR’S PROGRAMS OUT OF
DANGER?
18e
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• WHAT IS THE SETTING OF THIS CARTOON?
• WHO IS THE MAIN CHARACTER?
• WHO IS THE SECONDARY CHARACTER?
• DESCRIBE THE ACTION IN THE CARTOON.
• WHAT IS THE CARTOONIST TRYING TO ARGUE?
• IS THIS CARTOON SHOWING FDR IN A POSITIVE OR NEGATIVE LIGHT?