social and culture context of modern european drama - copy

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    SOCIAL AND CULTURECONTEXT OF MODERN

    EUROPEAN DRAMA

    TINCY SIMON

    II M.A.ENGLISH

    ROLL NO:17

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    MODERNISM modern thought,

    character, or practice. began in the 1890s and

    lasted till about 1945.

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    SOCIAL CONTEXT the development of modern

    industrial societies. the rapid growth of cities.

    horror of World War I and II.

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    rejection of the ideology

    of realism . rejected the lingering

    certaintyof Enlightenment thinking.

    A salient characteristic -self-consciousness.

    http://en.wikipedia.org/wiki/Realism_(arts)http://en.wikipedia.org/wiki/Age_of_Enlightenmenthttp://en.wikipedia.org/wiki/Age_of_Enlightenmenthttp://en.wikipedia.org/wiki/Realism_(arts)
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    the 20th century writers

    thinkers, and artists madethe break with traditional

    means of organizingliterature, painting, and

    music.

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    Symbolist Drama-movement in France in the 1880s.-Symbolists called for"detheatricalizing" the theatre.

    -symbolic imagery .-Strong Symbolist elements can befound, however, in the plays of Chekhov and the late works of Ibsenand Strindberg.

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    Expressionist Drama -movement was popular in the 1910s and

    1920s, largely in Germany.-explored the more violent, grotesque

    aspects of the human psyche, creating anightmare world onstage.

    -Other movements of the first half of thecentury, such as Futurism, Dada, andSurrealism, sought to bring new artisticand scientific ideas into theatre.

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    Absurdist Theatre -The most popular and influential nonrealistic genre

    of the 20th century was absurdism.-"man as lost in the world, all his actions becomesenseless, absurd, useless.

    -Absurdist drama tends

    *to eliminate much of the cause-and-effectrelationship among incidents*reduce language to a game and minimize itscommunicative power

    *reduce characters to archetypes*make place nonspecific and view the world asalienating and incomprehensible.

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    Contemporary Drama

    - realistic plays.- European drama was not muchinfluenced by psychological realismbut was more concerned with playsof ideas, as evidenced in the works

    of the Italian dramatist LuigiPirandello.

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    CULTURE CONTEXT By 1930, Modernism had entered popular

    culture the basic bondings of the nuclear, rather than

    extended, family. The Freudian tensions of infantile sexuality and

    the raising of children became more intense,because people had fewer children, andtherefore a more specific relationship with eachchild: the theoretical, again, became thepractical and even popular.

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    THANK YOU