social and culture context of modern european drama - copy
TRANSCRIPT
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SOCIAL AND CULTURECONTEXT OF MODERN
EUROPEAN DRAMA
TINCY SIMON
II M.A.ENGLISH
ROLL NO:17
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MODERNISM modern thought,
character, or practice. began in the 1890s and
lasted till about 1945.
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SOCIAL CONTEXT the development of modern
industrial societies. the rapid growth of cities.
horror of World War I and II.
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rejection of the ideology
of realism . rejected the lingering
certaintyof Enlightenment thinking.
A salient characteristic -self-consciousness.
http://en.wikipedia.org/wiki/Realism_(arts)http://en.wikipedia.org/wiki/Age_of_Enlightenmenthttp://en.wikipedia.org/wiki/Age_of_Enlightenmenthttp://en.wikipedia.org/wiki/Realism_(arts) -
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the 20th century writers
thinkers, and artists madethe break with traditional
means of organizingliterature, painting, and
music.
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Symbolist Drama-movement in France in the 1880s.-Symbolists called for"detheatricalizing" the theatre.
-symbolic imagery .-Strong Symbolist elements can befound, however, in the plays of Chekhov and the late works of Ibsenand Strindberg.
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Expressionist Drama -movement was popular in the 1910s and
1920s, largely in Germany.-explored the more violent, grotesque
aspects of the human psyche, creating anightmare world onstage.
-Other movements of the first half of thecentury, such as Futurism, Dada, andSurrealism, sought to bring new artisticand scientific ideas into theatre.
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Absurdist Theatre -The most popular and influential nonrealistic genre
of the 20th century was absurdism.-"man as lost in the world, all his actions becomesenseless, absurd, useless.
-Absurdist drama tends
*to eliminate much of the cause-and-effectrelationship among incidents*reduce language to a game and minimize itscommunicative power
*reduce characters to archetypes*make place nonspecific and view the world asalienating and incomprehensible.
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Contemporary Drama
- realistic plays.- European drama was not muchinfluenced by psychological realismbut was more concerned with playsof ideas, as evidenced in the works
of the Italian dramatist LuigiPirandello.
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CULTURE CONTEXT By 1930, Modernism had entered popular
culture the basic bondings of the nuclear, rather than
extended, family. The Freudian tensions of infantile sexuality and
the raising of children became more intense,because people had fewer children, andtherefore a more specific relationship with eachchild: the theoretical, again, became thepractical and even popular.
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