singapore cultural statistics 2011

8/2/2019 Singapore Cultural Statistics 2011

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SingaporeCultural

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Editorial TeamStrategic Planning DepartmentOrganisation Management DivisionMinistry of Information,Communications and the Arts

Designed by

InkEngineers

Printed and bound in Singapore

Fourth Edition 2011

Ministry of Information,Communications and the Arts

140 Hill Street #02-02MICA Building Singapore 179369 Tel: (65) 6270 7988Fax: (65) 6837 9480Website: www.mica.gov.sg

National Heritage Board61 Stamford Road #03-08Stamford Court Singapore 178892

Tel: (65) 6338 0000Fax: (65) 6332 3568Website: www.nhb.gov.sg

National Library Board100 Victoria StreetSingapore 188064

Tel: (65) 6332 3133Fax: (65) 6332 3233Website: www.nlb.gov.sg

National Arts CouncilGoodman Arts Centre

90 Goodman Road, Blk A #01-01Singapore 439053 Tel: (65) 6346 9400Fax: (65) 6346 1837Website: www.nac.gov.sg

Published by

Copyright 2011, Ministry of Information, Communications and the Arts

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic,mechanical, photocopying, recording or otherwise, without the written permission of the publisher. All rights reserved.

ISSN: 1793-866X


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SingaporeCultural

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iii. M s m V s sh 33Chart B-5: Museum Roundtable Visitorship 33Chart B-6: Visitorship to NHB museums 34

iV. l b y V s sh d S v c s 35Chart B-7: Physical Visitorship and Library Loans 35Chart B-8: Digital Visitorship, E-retrievals and E-books 36Chart B-9: NLB Library Membership 37Chart B-10: Research and Re erence 38

Enquiries at Libraries

C. artS eDuCation anD partiCipation in SCHoolS 39

i. a s ed c 40Chart C-1: Full-time Enrolment in Tertiary Arts Courses 40Chart C-2: Enrolment in School o the Arts 42Chart C-3: Students in Arts-related 43

Co-curricular ActivitiesTable C-1: Breakdown o Full-time Enrolment in Tertiary Arts Courses

Table C-2: Breakdown o Students in Arts-related Co-curricular Activities

D. FinanCial Support For artS anD Culture 45

i. a s d C ph h y 46

Chart D-1: Contributions to Arts and Culture 46ii. g v m F d 47

Chart D-2: Government Funding 47

iii. F c S a s s 48Chart D-3: Financial Support by Art Form ($mil) 48Chart D-4: Financial Support by Art Form (Recipients) 49Chart D-5: Financial Support by Function ($mil) 50Chart D-6: Financial Support by Function (Recipients) 51

e. eConoMiC ContriBution oF 53tHe artS anD Cultural SeCtor

i. a s d C M w 54 Chart E-1: Total Employment 54

ii. ec m c V h a s d C S c 55 Chart E-2: Total Nominal Value-added 55 Chart E-3: Total Operating Receipts 56

anneX a liSt oF national MonuMentS 57

anneX B artS anD Cultural CluSter DeFinition 59

oVerVieW 04

a. artS anD Cultural SCene 05

i. a s d C ac v s 06Chart A-1: Per orming Arts and Visual Arts Activities 06Chart A-2: Type o Per ormances 07Chart A-3: Museum Activities 08Chart A-4: Library Activities 09

ii. a s d C o s s 10Chart A-5: Arts Companies 10Chart A-6: Arts Societies 11

iii. H 12Chart A-7: Museums in Roundtable 12Chart A-8: National Monuments 13

S c F th n a s g y by 14 n H B d

iV. l b y r s c s 17

Chart A-9: Library Collections 17Chart A-10: Legal Deposits 18

B. artS anD Cultural engageMent 19

i. a d c a s d C ev s 20Chart B-1: Ticketed Attendance 20

at Per orming Arts EventsChart B-2: Ticket Sales or Per orming 21

Arts Events

Chart B-3: Non-Ticketed Attendance at 22Arts and Cultural Events

Chart B-4: Percentage o Singaporeans 23who have attended at leastone arts event in the past year

Table B-1: Most popular types o Arts and Cultural Events Table B-2: Percentage o Singaporeans who have attended at least

one arts event in the past year

S c F D v s d B s 26

Y h p c h a s by n a s C c

ii. aw ss d a c a s d C 32Attitude towards Arts and Culture 32Heritage Awareness Index 32

CONTENTS


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SINGAPORECULTURALSTATISTICS2011

4

OVERVIEW OVERVIEW

The aim o the Singapore Cultural Statistics 2011 is to provide an update on the Singapores arts andcultural sector through the analysis o Singapores cultural statistics over the past years. The arts andcultural sector reviewed in this publication include arts and cultural per ormances o various genres(e.g. Dance, Music, Theatre and Literary Arts), heritage activities like exhibitions in museums as wellas usage o library resources.

1Statistics in the past publications o the Singapore Cultural Statistics were based on the Financial Year, starting rom 1 Apr to 31 Mar.From 2009, statistics collected will be based on the Calendar Year, starting rom 1 Jan to 31 Dec. All statistics in this report are basedon the Calendar Year unless stated otherwise. Some statistics are however, only available based on the Financial Year and they will beindicated as such. Statistics published in the previous editions may be di erent due to this change or updated due to a recent revision inthe data series.


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1More than 92

arts and culturalactivities aretaking placein Singaporeevery day.

ARTS ANDCULTURALSCENE


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6

A. ARTS ANDCULTURALSCENE

I. Arts and Cultural Activities

A. ARTS AND CULTURAL SCENE

This section presents charts and statistics on cultural activities and players in the cultural eco-system.Collectively, these statistics provide an indication o the vibrancy o Singapores cultural scene.

i. a s d C ac v s

The number o arts activities has increased rom 15,911 in 2003 to 33,884 in 2010 (Chart A-1). Thistranslates to an average o more than 92 arts activities taking place every day in 2010. The 16% growthin the number o arts activities rom 2009 to 2010 was largely driven by growth in the total number o exhibition days, which reached 26,266 in 2010.

Chart A-1: Per orming Arts** and Visual Arts ^ Activities

Source: National Arts Council* Arts activities are measured by number o per ormances and visual arts exhibition days.** Per orming arts re ers to olk, traditional, classical and contemporary orms o dance, music, theatre and other per ormances.

Popular genres o music like pop and rock music are not included. Per ormances classi ed under Others include acrobatic arts,cultural concerts and multi-disciplinary per ormances.# Per ormances re er to the number o shows or each production, including both ticketed and non-ticketed per ormances.^ Visual arts re ers to public exhibitions o abstract or representational art objects such as painting, sculpture, pottery, ceramics,

creative photography, installation art and multi-media art. Applied arts such as lm, graphic design, ashion design, jewellery designand handicra ts are excluded.

^^ Exhibition days re er to the total number o days over which all exhibitions are held.

3,500

3,000

2,000

1,000

2,500

1,500

500

0

35,000

30,000

20,000

10,000

25,000

15,000

5,000

0

N u m

b e r o f a c

t i v i t i e s

N u m

b e r o f

P r o

d u c

t i o n s

/ E x h

i b i t i o n s

2003 2004 2005 2006 2007 2008 2009 2010

Total Arts Activities* 15,911 18,132 19,016 21,495 27,504 30,580 29,286 33,884

No. o per ormances # 4,531 4,945 6,102 6,049 6,819 6,240 7,807 7,618

Exhibition days ^^ 11,380 13,187 12,914 15,446 20,685 24,340 21,479 26,266

No. o Productions 1,439 1,862 2,279 3,025 2,907 2,921 3,294 3,106

No. o Exhibitions 535 532 568 665 832 968 915 999


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SINGAPORECULTURAL

STATISTICS2011

7

There were a total o 7,618 per ormances in 2010, sustaining the level o vibrancy in the per ormingarts sector. Total ticketed per ormances increased rom 2,363 in 2003 to 3,378 in 2010, while totalnon-ticketed per ormances increased rom 2,168 in 2003 to 4,240 in 2010. Per ormances o all genreshave also generally increased rom 2003 to 2010 (Chart A-2).

Chart A-2: Type o per ormances

A. ARTS ANDCULTURAL

SCENE


Source: National Arts Council# Per ormances re er to the number o shows or each production, including both ticketed and non-ticketed per ormances.

Per ormances that require a ticket or entry.^ Non-ticketed per ormances re er to per ormances or which no tickets are issued.

0

7,000

8,000

6,000

4,000

2,000

5,000

3,000

1,000

N u m

b e r o f p e r f o r m a n c e s

2003 2004 2005 2006 2007 2008 2009 2010

No. o per ormances # 4,531 4,945 6,102 6,049 6,819 6,240 7,807 7,618

Music 1,855 1,912 2,073 2,442 2,660 2,141 2,528 2,418

Dance 456 710 991 719 908 836 1,096 1,572

Theatre 1,819 1,924 2,181 1,976 2,408 2,623 3,163 2,421

Others 401 399 857 912 843 640 1,020 1,207

Ticketed per ormances 2,363 2,631 2,626 2,858 3,234 3,267 3,414 3,378

Non-ticketed per ormances ^ 2,168 2,314 3,476 3,191 3,585 2,973 4,393 4,240


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The total number o changing exhibits at National Museums increased rom 13 in 2004 to 30 in 2010(Chart A-3). Some o the popular exhibits in 2010 include Pompeii: Li e in a Roman Town 79CE,Supermighty Heroes o Asia and Ramayana Revisited: A Tale o Love and Adventure.

Chart A-3: Museum Activities

Source: National Heritage Board* National museums re er to Asian Civilisations Museum, Peranakan Museum, National Museum o Singapore and Singapore Art Museum.** The Asian Civilisations Museum is located at Empress Street. The Asian Civilisations Museum 1 was located Armenian Street and it

was closed or renovation works rom 2006 to 2007, or preparation o the Peranakan Museum.*** The Peranakan Museum opened on 25 April 2008.^ Known as Singapore History Museum be ore 2006.^^ Includes 8Q SAM which opened on 15 August 2008.Figures rom 2003 to 2008 are based on Financial Year.

50

45

35

25

40

30

20

15

10

5

0

N u m

b e r o f

C h a n g

i n g E x h

i b i t i o n s

2003 2004 2005 2006 2007 2008 2009 2010

Total Changing Exhibitionsat National Museums* 13 13 17 18 19 39 46 30

Asian Civilisations Museum** 7 5 9 5 3 5 7 5

Peranakan Museum*** - - - - - 2 2 1

National Museumo Singapore ^ 2 2 2 7 11 12 17 8

Singapore Art Museum ^^ 4 6 6 6 5 20 20 16




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9

The number o library activities increased to 6,731 in 2010 a ter a decline in 2008 to 5,070 rom a higho 7,995 in 2007 (Chart A-4).

Chart A-4: Library Activities

Source: National Library Board* Library activities re er to programmes which include outreach, talks, expressions, per ormances, workshop, roadshows and assembly

talks held at schools and non-school organisations such as community clubs and childcare centres.

A. ARTS ANDCULTURAL

SCENE


10,000

8,000

6,000

4,000

2,000

0 N u m

b e r o f

L i b r a r y

A c t

i v i t i e s

2007 2008 2009 2010

Total Library Activities* 7,995 5,070 6,336 6,731


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ii. a s d C o s s

The arts and cultural sector in Singapore saw a doubling in the number o arts companies rom 302 in2003 to 720 in 2010 (Chart A-7).

Chart A-5: Arts Companies


II. Arts and CulturalOrganisations

Source: National Arts Council* Commercial ( or-pro t) and non-pro t companies registered with the Accounting and Corporate Regulatory Authority.

700

500

800

600

400

300

200

100

0

N u m

b e r o f

A r t s

C o m p a n

i e s

2003 2004 2005 2006 2007 2008 2009 2010

Total Arts Companies* 302 321 359 428 477 595 672 720

Music 24 25 28 35 66 79 84 83

Dance 15 13 19 21 26 27 28 28

Theatre 78 86 96 110 107 128 134 134

Visual Arts 153 158 174 211 212 273 328 362

Others 32 39 42 51 66 88 98 113


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11

The number o arts societies ormed has also increased rom 247 in 2003 to 336 in 2010 (Chart A-8).

Chart A-6: Arts Societies

Source: National Arts Council** Societies registered with Registry o Societies.

A. ARTS ANDCULTURAL

SCENE

II. Arts and CulturalOrganisations

350

250

400

300

200

150

100

50

0

N u m

b e r o f

A r t s

S o c

i e t i e s

2003 2004 2005 2006 2007 2008 2009 2010

Total Arts Societies** 247 267 288 302 317 327 332 336

Music 72 81 87 90 99 103 103 102

Dance 20 20 23 24 26 26 26 26

Theatre 60 60 61 62 64 68 68 70

Visual Arts 47 48 50 52 53 54 55 53

Literary Arts 16 17 19 22 22 23 24 23

Others 32 41 48 52 53 53 56 62


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iii. H

The number o museums in Singapore has also increased steadily rom 28 in 2004 to 53 in 2010(Chart A-9). More museums will be added to the heritage scene in Singapore with the recent openingo the ArtScience Museum in 2011 and the National Art Gallery in 2015.

Chart A-7: Museums in Roundtable*

Source: National Heritage Board* The Museum Roundtable was ormed in 1996 with the aim o growing the heritage ecosystem by bringing more museums and

heritage galleries closer to the public. Chaired by the National Heritage Board, the Roundtable comprises both public and private museums.^ This category was known as Hobby in 2007. Examples include Mint Museum o Toys and Red Dot Design Museum.

Figures rom 2004 to 2008 are based on Financial Year.


III. Heritage

50

60

40

30

20

10

0

N u m

b e r

o f M u s e u m s

2004 2005 2006 2007 2008 2009 2010

Total Museums 28 36 44 46 52 53 53

De ence & community - - - 10 10 10 10

History - - - 8 10 10 12

Li estyle - - - 3 5 5 3

Art - - - 7 7 5 4

Healthcare - - - 5 5 5 5

Science & innovation - - - 5 6 8 10

Culture - - - 8 9 10 9


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SINGAPORECULTURAL

STATISTICS2011

13

The number o National Monuments in Singapore has risen steadily rom 18 in the 1970s to 63 in 2010(Chart A-10).

Chart A-8: National Monuments*, 1970s to 2010

Source: Preservation o Monuments Board* Monuments o historic, traditional archaeological, architectural or artistic interest are preserved by the Preservation o

monuments Board. A list o national monuments is provided in Annex A.

A. ARTS ANDCULTURAL

SCENE

III. Heritage

70

50

60

40

30

20

10

0

N u m

b e r o f n a

t i o n a

l m o n u m e n

t s

1970s 1980s 1990s 2000s 2010

Number o National

Monuments18 21 43 55 63


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SPECIALFEATURE BYNATIONALHERITAGEBOARD

The National ArtGallery, Singapore

Come 2015, Singaporeans and visitors will have a chance to visit the new National Art Galle ry, Singaporeat the ormer Supreme Court and City Hall buildings. At a total gross loor area o approximately60,000 square metres, it will be the largest visual arts institution in Singapore, rivalling establishedmuseums such as Musee dOrsay (France) and Tate Modern (UK) in size. This new institution willhelp position Singapore as an international hub or Southeast Asian visual arts, and contribute to ourambition o becoming a global city or the arts.

Re lecting Singapores unique heritage and geographical location, the Gallery will eature Southeast

Asian art rom our national collection one o the largest o its kind in the world. The Gallery will alsoeature blockbusters and high pro ile artworks rom Asia and the world. Establishing itsel as a leading

authority in Southeast Asia, it will add much buzz to the Civic District as a new icon or visual artswhere Singaporeans and visitors alike can enjoy, learn and be engaged in art.

Artist impression o the National Art Gallery, Singapore


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SINGAPORECULTURAL

STATISTICS2011

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SPECIALFEATURE BY

NATIONALHERITAGE

BOARD

Occupying two important heritagebuildings symbolic o Singaporesnationhood, the Gallery will be aleading civic and cultural destination.

These beloved monuments will betrans ormed into an art museum o international stature while maintaininga deep respect or their originalarchitecture.

Construction o icially began in January2011 with an estimated 44 months o

extensive preservation, remodellingand building works or the two 80year old buildings. When ready, theGallery will showcase permanent andtemporary galleries displaying local,regional and international works o art, alongside specially-designedinteractive and programming spaces.

Within its spaces, the SingaporeGallery will present an authoritativecollection o Singapore art rom the19th Century and colonial period topresent day. Visitors can look orwardto a showcase o artworks by pioneerlocal artists such as Chen Chong Swee,Georgette Chen, Liu Kang, Chen WenHsi and Cheong Soo Pieng.

Artist impression o the Gallerys main entrance


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SPECIALFEATURE BYNATIONALHERITAGEBOARD

The Art Education Centre is a unique space specially designed and programmed or school childrenand amilies. It will provide un, multi-sensory learning opportunities or children o all ages, houseplaygrounds or toddlers and young children, wet/dry activity workshops, interactive media rooms, aswell as learning spaces or secondary and tertiary students. The Building History Gallery celebratesthe rich histories behind the iconic buildings. Its narrative will involve various key architectural andbuilding eatures throughout the complex, and recount the many signi icant unctions and events overthe decades.

Special programming spaces will also be opened throughout the day. Visitors can enjoy talks andseminars on art-related topics, workshops, art demonstrations, ilm screenings, art appreciationclasses, and many more exciting activities.

In addition, visitors can also marvel at the spectacular views o the city and Marina Bay at the openroo top plaza and garden. Designed to accommodate a variety o restaurants, creative art installations,

and mass appeal public programmes, the roo top plaza will be a ree access area with programmespaces that will be open both day and night.

Artist impression o the roo top plaza

All images courtesy o National Art Gallery, Singapore


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SINGAPORECULTURALSTATISTICS

2011

17

iV. l b y r s c s

In terms o library resources, total collections have been stable between 8.3mil to 8.6mil rom 2004 to2010 (Chart A-5). There was a decline in 2009 arising rom a review to retain only titles that are relevantand use ul so as to optimise display and storage spaces.

Chart A-9: Library Resources

Source: National Library Board* Collections re er to the library materials owned by the National Library Board. These include books, serials and special materials.

10,000,000

9,000,000

7,000,000

5,000,000

8,000,000

6,000,000

4,000,000

3,000,000

2,000,000

1,000,000

0

T o t a l C o l

l e c t

i o n s

2004 2005 2006 2007 2008 2009 2010

Total Collections* 8,309,792 8,305,962 8,447,251 8,602,815 8,631,171 7,880,115 8,446,717

English 5,169,575 5,100,796 5,203,592 5,278,610 5,289,239 5,137,132 5,563,088

Chinese 1,939,234 1,976,472 1,978,283 1,996,475 1,940,824 1,584,172 1,653,311

Malay 611,077 598,549 605,123 631,658 649,184 504,148 529,896

Tamil 275,659 304,229 296,423 313,005 353,023 317,258 335,928

Special Materials 314,247 325,915 363,830 383,067 398,901 337,405 364,494

A. ARTS ANDCULTURAL

SCENE

IV. LibraryResources


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IV. LibraryResources

Chart A-10: Legal Deposits

Source: National Library Board

14,000

10,000

16,000

12,000

8,000

6,000

4,000

2,000

0

N u m

b e r o f

L e g a

l D e p o s

i t s

2004 2005 2006 2007 2008 2009 2010

Total 8,844 9,081 8,778 14,490 11,930 12,608 10,498

English 6,275 6,172 6,594 11,426 9,407 8,814 8,222Chinese 2,174 2,525 1,964 2,805 2,026 3,058 1,874

Malay 287 260 114 143 277 316 166

Tamil 108 124 106 116 220 244 166

Others - - - - - 176 70

6 9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 6


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7 3 3 0 2 9 2 4 4 8 5 6 7 4 1 9 8 0

6 9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 0

3 8 6 1 8 9 7 5 9 1 2 5 8 7 4 1 3 6

9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 6 8

8 5 2 2 4 9 1 3 8 6 8 8 1 9 7 4 3 7

3 3 0 2 9 2 4 4 8 5 6 7 4 1 9 8 0 0

3 8 6 1 8 9 7 5 9 1 2 5 8 7 4 1 3 6

9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 6 8

8 5 2 2 4 9 1 3 8 6 8 8 1 9 7 4 3 7

3 3 0 2 9 2 4 4 8 5 6 7 4 1 9 8 0 0

3 8 6 1 8 9 7 5 9 1 2 5 8 7 4 1 3 6

9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 6 8

8 5 2 2 4 9 1 3 8 6 8 8 1 9 7 4 3 7

3 3 0 2 9 2 4 4 8 5 6 7 4 1 9 8 0 0

3 8 6 1 8 9 7 5 9 1 2 5 8 7 4 1 3 6

9 1 5 9 8 7 6 3 0 1 2 6 9 8 7 8 6 8

2 Attendance onon-ticketedarts and culturalevents hit a higho more than20mil in 2010.

ARTS AND

CULTURALENGAGEMENT


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B. ARTS ANDCULTURALENGAGEMENT

I. Attendanceat Arts andCultural Events

B. ARTS AND CULTURAL ENGAGEMENT

This section presents statistics on the di erent aspects o community engagement and participation inarts and cultural activities, as well as visitorship to museums and libraries.

i. a d c a s d C ev s

Total ticketed attendance o per orming arts events has increased rom 971,600 in 2003 to 1,377,900in 2010, with per ormances o all genres generally increasing rom 2003 to 2010. In particular, therewas a doubling o ticketed dance attendance rom 2009 to 2010 (Chart B-1).

Chart B-1: Ticketed Attendance at Per orming Arts Events

Source: National Arts Council* Re ers to attendance at per orming arts events that require a ticketed or entry. Includes tickets sold and complimentary ticketed issued.

Total ticketed attendance per year might not add up as ticketed attendance or each art orm was rounded o to the nearest hundred.

1,400,000

1,600,000

1,200,000

800,000

400,000

1,000,000

600,000

200,000

0

T i c k e t e d

A t t e n

d a n c e

2003 2004 2005 2006 2007 2008 2009 2010

Ticketed

Attendance*971,300 1,057,000 1,190,000 1,263,500 1,427,300 1,468,000 1,400,000 1,377,900

Music 382,800 455,200 408,100 464,500 531,900 499,100 423,700 447,200

Dance 108,200 115,900 126,100 122,100 126,500 144,400 127,800 243,200

Theatre 422,300 456,200 522,300 561,000 681,900 773,800 630,700 615,200

Others 58,400 29,700 133,400 116,000 87,100 50,700 217,900 72,200


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2011

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B. ARTS ANDCULTURAL

ENGAGEMENT

I. Attendanceat Arts and

Cultural Events

Total tickets sold or per orming arts events increased rom 652,400 in 2004 to 845,500 in 2010.Correspondingly, total gross takings increased rom $32.79mil in 2004 to $50.53 mil in 2010 (Chart B-2).

Chart B-2: Ticket Sales or Per orming Arts Events

Source: National Arts Council

* 2004 gures refect ticketed sold through SISTIC only. 2007 gures refect tickets sold through SISTIC and Gatecrash. Gatecrash wasestablished in 2005. The gures do not include tickets sold through Ticketcharge/Tickets.com and other site-speci c or independentticketing service providers.

Per orming arts re ers to olk, traditional, classical and contemporary orms o dance, music, theatre and other per ormances. Populargenres o arts events like Pop and Rock music and Film are not included.

700,000

500,000

800,000

900,000

1,000,000

600,000

400,000

300,000

200,000

100,000

0

T i c k e t s s o l

d

2004 2007 2008 2009 2010

Total tickets sold 652,400 775,200 675,200 820,200 845,500

Music 243,100 239,700 198,400 262,600 252,900

Dance 46,800 61,700 69,800 72,900 56,700

Theatre 303,500 443,200 401,900 479,800 526,700

Others 59,000 30,600 5,100 4,900 9,200

Total GrossTakings* ($mil) 32.79 48.16 37.54 42.58 50.53

G r o s s

T a k i n g s

( $ m

i l )

10

20

40

50

60

30

0


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22



Total non-ticketed attendances increased rom 10,907,183 in 2006 to 20,483,788 in 2010 (ChartB-3). Some o the larger non-ticketed events included the Singapore HeritageFest (attendance:1.3mil). For non-ticketed attendances at arts events, growth in attendances grew the most stronglyin activities organised and supported by Esplanade and Peoples Association. There was a largeincrease in non-ticketed arts attendance in 2009 as NAC organised a number o large scale events

such as the Singapore Arts Show 2009 (attendance: 272,242) and Singapore Arts Festival 2009(attendance 754,414).

Chart B-3: Non-ticketed Attendance at Arts and Cultural Events

Source: National Arts Council, National Heritage Board and National Library BoardFigures or Heritage events rom 2006 to 2008 are based on Financial Year and gures rom 2009 are based on Calendar Year.* Re ers to attendance at outreach events organised and supported by the National Arts Council, Esplanade, National Heritage Board

and the National Library Board. These events do not require a ticket or entry.** Re ers to attendances at outreach events organised and supported by the Peoples Association, National Arts Council

and Esplanade.*** Re ers to attendances at outreach events organised by the National Heritage Board. These events include community outreach

activities organised by NHB institutions and museums, including Singapore HeritageFest.**** Re ers to attendances at outreach events organised by the National Library Board.

2006 2007 2008 2009 2010

Total non-ticketedattendance* 10,907,183 14,267,865 15,247,825 19,055,641 20,786,827

Arts Events** 2,537,400 2,761,100 2,511,600 2,748,200 2,605,000

Heritage Events*** 2,929,700 4,355,900 6,311,400 7,058,200 8,787,900

Library Events**** 5,440,083 7,150,865 6,424,825 9,249,241 9,393,927

25,000,000

20,000,000

15,000,000

10,000,000

5,000,000

0

T o t a l a t t e n d a n c e


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23

B. ARTS ANDCULTURAL

ENGAGEMENT


Cultural Events

The percentage o Singaporeans who have attended at least one arts event in the past year hasincreased rom 27% in 2002 to 33% in 2005 to 40% in 2009 (Chart B-4).

Chart B-4: Percentage o Singaporeans who have attended at least one arts event in the past year

Source: Population Survey o the Arts 2002, 2005 & 2009

2002 2005 2009

% o Singaporeans attendingat least one arts event 27% 33% 40%

35%

25%

40%

45%

30%

20%

15%

10%

5%

0%

% o

f S i n g a p o r e a n s a t

t e n d i n g a t

l e a s

t o n e a r

t s e v e n

t


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The most popular arts and cultural events in 2009 are Musical (17%), Street Art Per ormances (12%),and Popular, Rock, Indie/Alternative Music (9%) (Table B-1).

Table B-1: Most popular types o Arts and Cultural Events

Source: Population Survey o the Arts 2009

Type o Arts and Cultural Event Arts Attendance Rate (%)

Musical 17%

Street Art Per ormances 12%

Popular, Rock, Indie/Alternative music 9%


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B. ARTS ANDCULTURAL

ENGAGEMENT


Cultural Events

Source: Population Survey o the Arts 2009Note: The gures denote the percentage o Singaporeans in that demographic group that attended at least one arts event in the pastyear. For example, 64% o Singaporeans aged between 15-19 years old attended at least one arts event in 2009.

Arts attendance is higher among the 15-19 age group, PMETs and students. The breakdown o artsattendees by di erent demographic groups is as ollows (Table B-2).

Table B-2: Percentage o Singaporeans who have attended at least one arts event in the past year

Year 2002 2005 2009

Overall 27% 33% 40% a15-19 years old20-34 years old25-49 years old50-64 years old

43%34%20%21%

50%38%31%24%

64%42%42%29%

g dMaleFemale

26%28%

31%35%

34%46%

r cChineseMalayIndian & Others

29%12%34%

32%33%43%

41%34%42%

M S sSingleMarried w/o childrenMarried with children

36%36%20%

43%34%28%

45%29%40%

occPMETsClerical, sales & serviceProduction, transport & cleanersStudentHousewi eOthers

40%25%9%

44%17%28%

46%24%18%50%22%26%

46%41%16%62%36%23%

H sPrivate housingHDB 5-room or biggerHDB 4-roomHDB 1 to 3 room

49%29%20%19%

53%37%28%28%

54%47%34%30%

M h y H s h d c m Above $8,000$4,001 - $8,000$2,001 - $4,000Up to $2,000

57%37%20%15%

51%40%34%21%

62%46%36%25%

ed c vDegree & above

Diploma/A Level/Pre universityITE/O level and below

50%

35%16%

54%

43%25%

49%

54%32%


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SPECIALFEATURE BYNATIONAL

ARTS COUNCILDrivers and Barriers or

Youth Participation in the Arts


26

B ck d

The National Arts Councils (NAC) mission is to Nurture the Arts, and Make it a Part o the Lives o thePeople o Singapore. In line with this, NAC works to develop, sustain and deepen the populationsengagement with the arts. Previous studies as well as anecdotal evidence have borne out that alarge percentage o youths 1, who participate 2 in the arts at school, generally cease participating upongraduation. In the 2009 Population Survey o the Arts commissioned by the NAC, or instance, itwas observed that only 22% o those between the ages o 20 to 29 participated in the arts. This wascompared to a 42% participation rate or those in the typical school going age range o 15 to 19 years.

To better understand the actors surrounding this trend, in November 2010, the NAC commissioned aqualitative research study to:

Identify and assess perceived drivers and barriers towards continued arts participation amongnonschooling youths who were active arts participants in their earlier schooling days;

Ascertain reasons for youths discontinuing participation in the arts (attrition) following tertiaryeducation; and

Test reception to new ideas and ways that could be put in place to encourage continued participationin the arts amongst this group.

M h d y

Approximately 80 young working adults who were active participants in the arts during their tertiaryeducation were interviewed over the course o six months. There was air representation amongst themo individuals who, at the time o interview, were actively participating in the arts (Continuers) as well asthose who had given up their involvement in the arts (Discontinuers). In addition, the views o severalarts instructors and mentors were sought or their insights into perceived key motivations and barriers

or participation and progression o youths they work with in the arts. The research was conductedin two phases. In Phase I, respondents were asked to post online diary entries and were interviewedat their homes. The main objective at this stage was to understand the broad infuences that led to

these youths participating in the arts at school as well as environmental actors which encouraged / 1 De ned as young people ranging in age rom 18 to 35.2 Participation in the arts includes attending an arts class or seminar, volunteering or the arts, creating an art work or per orming in an arts production,

reading an arts magazine.


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SPECIALFEATURE BY

NATIONAL ARTS COUNCIL

SINGAPORECULTURAL

STATISTICS2011

27

discouraged continued active participation. Subsequently, in Phase II, ocus group discussions wereconducted to build upon the initial ndings and obtain eedback to potential solutions that could beintroduced.

p f C s v s--v s D sc s

Interestingly, the majority o respondents could not be categorised strictly as either Continuers orDiscontinuers. Instead, they tended to the middle o the continuum spanning non-involvement toactive participation. Many o those de ned as Discontinuers were still in touch with the arts at somebasic level (i.e. as consumers o the arts) and open to re-engaging with the arts at a later stage. On theother hand, many o those classi ed as Continuers saw their participation and passion in the arts asdiminishing and were considering disengaging at some point.

That said, there were some clear di erences between the two groups in terms o attitudes andexperience with the arts. While Continuers saw the arts as a hobby and derived strong enjoyment romparticipation, Discontinuers elt that participation in the arts had to be at a pro essional level.


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ARTS COUNCIL

D v s d B s a s p c m s Y hs

As anticipated, the study revealed that continued participation in the arts was a ected by a mix o bothintrinsic (e.g. the degree o inherent passion or the arts) and external actors (e.g. opportunities or socialinteraction and bonding, competing demands on available resources, amilial and societal support orparticipation in the arts, the infuence o mentors and the availability o mentorship opportunities andaccess to plat orms or continued participation). These same set o actors could alternately encourageor deter continued participation in the arts. For instance, while work commitments were a commonexplanation given by respondents or dropping out o arts participation, those who still participatedactively cited nancial independence that enabled them to pursue the arts.

28

SPECIAL


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SPECIALFEATURE BY


It was also observed that particular sets o actors exerted a stronger infuence at certain stages o li e. In their ormative years, exposure to the arts at school (e.g. through arts co-curricular activities),and a supportive social milieu including (i) amily members, (ii) role models such as seniors at schools,arts instructors or arts activities in which they participated outside o school and (iii) local community;were actors that played a decisive role in shaping individuals attitudes towards the arts. As individualsgraduate and enter the work orce, new commitments such as increased amily responsibilities andgreater independence had more o an impact on the level o arts participation. While there were many

actors that appeared to contribute to levels o involvement amongst youths, certain actors wereound to have played a deciding role as youths move on a ter graduating rom tertiary education.

These actors are examined in greater depth, in the ollowing section.

Ch s dd ss h K y F c s C d a s p c

K y F c (1): C d M S c C c s

Youths seemed to want participation in the arts to meet their need or social interaction and bonding.However, while there were ample opportunities or groups o likeminded peers to come together in theschool context through such orums as co-curricular, school and hall activities, youths ound it hardto sustain these bonds upon graduation. Moreover, they had di culty orging new bonds with others

who shared similar interests outside o the school setting.and obtain eedback to potential solutionsthat could be introduced.

To this end, interest groups comprising school alumni o ten disband a ter a ew years, while privateinterest groups have di culty recruiting new members as they are disconnected rom school networks.

This point was echoed by art teachers and mentors who also appeared to struggle to organise plat ormsor groups to band together (e.g. networking sessions) on account o most players being separated by

sel -interests and divergent objectives.

The ndings rom the study indicate that there is a need to acilitate the creation and maintenance o communities o interest able to uel amongst its members, continuing arts participation even a tergraduation rom tertiary education.

SPECIAL


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ARTS COUNCIL


30

K y F c (2): av s p c h F d r q l w C mm m

The majority o youths did not think they met pro essional standards in terms o being able to stage aper ormance or exhibition. Instead, a ar greater number o respondents desired only to be involvedon a casual basis and sought simply to derive personal enjoyment rom what they were doing. It wasimportant that they were able to participate in the arts and have un at it, without any stress.

Related to this, given the demands on their time and their disinclination to disappoint their contemporaries,they expressed a pre erence or programmes/initiatives that required low levels o commitment.

The local social dancing scene was cited by teachers and mentors as a success ul example o this,with enrolment numbers seen to be fourishing amongst the young working adults segment.

Many existing plat orms or participation in the arts (e.g. arts events, estivals and workshops) do notappeal to youths. The perception is that these require participants to be pro essionals, or at the very

least, semi-pro essionals. This is in line with the perception amongst discontinuers that the arts areonly or serious artists and cannot be pursued as a hobby. There is a necessity to re ormulate theseplat orms or participation to allow easy access and fexibility or individuals to participate at theircom ort level.

SPECIAL


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STATISTICS2011

31

SPECIALFEATURE BY


K y F c (3): C d b i m d t d C mm c

The study revealed that this internet-savvy generation o ten relied on the internet or help in decision-making with regard to arts participation. While opportunities or arts participation are widely publicisedon orums, social networking websites and other online plat orms, youths ound the available in ormationto be overwhelming and elt ill-equipped to ascertain its credibility to make in ormed decisions.

Furthermore, the marketing strategies o plat orms or arts participation tended to be directed at thegeneric youth category, ignoring the complexity o this group. Seeing as the majority in this age group

did not identi y with the label youths, which they saw as a re erence to teenagers, such approachesinadvertently alienated many in this segment.

A key challenge or organisers o these plat orms as well as other stakeholders is to customise theirmarketing and outreach strategies to account or the diversity within this group. Furthermore, there is aneed to develop tailored and credible in ormation tools to aid potential and current arts participants intheir decision making process. Some ideas that were raised in the study included customised mailinglists and a centralised in ormation resource, possibly integrated with a central arts acility.

The NAC had commissioned Blackbox Research Pte Ltd to conduct this study. This article provides a summaryo the key ndings o the study. The ull report will be published on the NAC website under the section o Statistics and Resources by end July at the ollowing address: http://www.nac.gov.sg/sta/sta02.asp

B. ii aw ss d a c a s d C


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32

ARTS ANDCULTURALENGAGEMENT

II. Awareness and Appreciation o Arts and Culture

ii. aw ss d a c a s d C

Attitude towards Arts and Culture

Attitude towards arts and culture has generally been positive in Singapore. The Population Survey o the Arts conducted in 2009 revealed that 47% o Singaporeans agreed that arts enriches their quality

o li e while 52% o Singaporean agreed that arts and culture broadens their minds and encouragescreativity.

In the Heritage Awareness Survey conducted in 2008, 92.5% o Singaporeans agree that it is importantto gain a good understanding o Singapores history and heritage and 88.7% agree that having a betterunderstanding o Singapores history and heritage would increase their sense o belonging.

Heritage Awareness Index

The Heritage Awareness index is a multi-indicator index that takes into account our actors:

Con dence in imparting heritage knowledge

Personal involvement in heritage activities

Personal interest in cultural traditions, customs and practice

Valorisation of the role of local heritage

The HAI went up rom 5.24 (out o a 10-point scale) in 2003 to 6.25 in 2006 and 6.34 in 2008.

B.iii. M s ms V s sh


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STATISTICS2011

33

ARTS ANDCULTURAL

ENGAGEMENT

III. Museums Visitorship

. V

Total Museum Roundtable Visitorship in Singapore has more than trebled rom 1.98mil in 2003 to7.61mil in 2010 (Chart B-5).

Chart B-5: Museum Roundtable Visitorship

Source: National Heritage Board* Total visitorship includes visitorship to NHB and non-NHB museums.

Figures or 2010 are estimates as visitorship data or some museums were not available.

7,000,000

5,000,000

8,000,000

6,000,000

4,000,000

3,000,000

2,000,000

1,000,000

0

N u m

b e r o

f V i s i t o r s

2004 2005 2006 2007 2008 2009 2010

Total MuseumRoundtablevisitorship*

2,134,100 2,712,100 4,262,700 5,207,300 6,584,300 6,648,500 7,609,000

B. Similarly, visitorship to NHB museums has increased rom 707,100 in 2004 to 2,717,500 in 2010


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34


III. Museums Visitorship

y p(Chart B-6).

Chart B-6: Visitorship to NHB Museums

Source: National Heritage Board

* NHB museums visitorship rom 2003 to 2006 does not include visitorship or Singapore Philatelic Museum,Memories o Old Ford Factory and Refections at Bukit Chandu.** The Peranankan Museum opened on 25 April 2008.*** Includes 8Q SAM which opened on 15 August 2008.**** Visitorship to TNAGS was due to the TNAGS Open House held at the ormer Supreme Court building.

Figures rom 2004 to 2008 are based on Financial Year and gures rom 2009 are based on Calendar Year.

2,500,000

3,000,000

2,000,000

1,500,000

1,000,000

500,000

0

M u s e u m

V i s i t o r s

h i p

2004 2005 2006 2007 2008 2009 2010

NHB Museums*Visitorship 707,100 833,400 1,134,500 1,855,600 2,618,100 2,815,400 2,717,500

Asian CivilisationsMuseum 240,800 450,400 537,100 614,400 683,700 739,000 777,300

Peranakan Museum** - - - - 244,400 270,800 224,800National Museumo Singapore 87,700 84,600 292,900 753,800 811,400 858,000 847,100

Singapore Art Museum*** 378,600 298,400 304,500 309,500 665,300 743,600 639,700

Singapore PhilatelicMuseum - - - 92,500 99,000 107,400 105,100

Memories atOld Ford Factory - - - 27,300 25,500 26,000 30,100

Refections atBukit Chandu - - - 58,100 88,800 70,600 53,400

The National ArtGallery, Singapore****(TNAGS)

- - - - - - 40,000

B.ARTS AND

iV. l b y V s sh d S v c s


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35

ARTS ANDCULTURAL

ENGAGEMENT

IV. Library Visitorshipand Services

Physical visitorship to the libraries has risen rom 31.2mil in 2003 to 36.9mil in 2010 (Chart B-7). The number o library loans has increased rom 27.5mil in 2003 to 33.2mil in 2010 while loans percapita has remained stable between 5.7 and 6.6 rom 2003 to 2010.

Chart B-7: Physical Visitorship and Library Loans

Source: National Library Board* Refects visitorship to national and public libraries. Includes Lee Kong Chian Re erence Library which opened in 2005.** Re ers to loans at public libraries.

35.0

40.0

45.0

30.0

20.0

10.0

25.0

15.0

5.0

0 0.0

1.0

2.0

3.0

4.0

5.0

6.0

7.0

9.0

8.0

P h y s i c a

l V i s i t o r s

h i p

& L i b r a r y

L o a n s

( m i l )

L o a n s p e r

C a p

i t a

2003 2004 2005 2006 2007 2008 2009 2010

PhysicalVisitorship*(millions)

31.2 30.5 31.7 36.2 38.2 37.1 38.7 36.9

LibraryLoans**(millions)

27.5 26.3 27.7 28.6 28.8 27.8 31.5 33.2

Loans percapita 6.6 6.3 6.5 6.5 6.3 5.7 6.3 6.5

B.ARTS AND

Digital visitorship increased rom 5.75mil in 2008 to 7.86mil in 2010 (Chart B-8). E-retrievals have


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36



also increased rom 26.7mil in 2008 to 47.7mil in 2010 in tandem with the increase in the number o e-books rom 0.77mil in 2008 to 1.22mil in 2010.

Chart B-8: Digital Visitorship, E-retrievals and E-books

Source: National Library Board* Digital visitorship or 2008 measures the unique logons to the National Library Board websites. From 2009, this is de ned as the

number o unique sessions initiated by all visitors. I a user is inactive on the site or 30 minutes or more, any uture activity willconstitute a new session. Users that leave the site and return within 30 minutes will be counted as part o the original session.

** An e-retrieval is access to NLB digital resources and services on the NLB websites or viewing, printing or copying. The guredoes not include searches but is inclusive o total page views.

50.00

60.00

40.00

30.00

20.00

10.00

0.00

D i g i

t a l V i s i t o r s

h i p a n

d

e - r e

t r i e v a

l s ( m i l )

N u m

b e r o f e -

b o o

k s ( m i l )

0.000.20

0.40

0.60

0.80

1.00

1.20

1.40

2008 2009 2010

Digital Visitorship* (mil) 5.75 5.82 7.86

E-retrievals** (mil) 26.7 44.6 47.7

Number o e-books (mil 0.77 0.91 1.22

B.ARTS AND

NLB Library membership has increased steadily rom 1.81mil in 2004 to 2.04mil in 2010 (Chart B-9).


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SINGAPORECULTURAL

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ARTS ANDCULTURAL

ENGAGEMENT


Chart B-9: NLB Library Membership

Source: National Library Board* With e ect rom 2004, data exclude members who have no library transactions in the past 5 years.

With e ect rom 2005, data include membership rom public libraries only.

2003 2004 2005 2006 2007 2008 2009 2010

NLB Library membership* (mil) 2.19 1.81 1.92 1.91 1.95 1.99 2.02 2.04

2.0

1.0

2.5

1.5

0.5

0.0 N L B L i b r a r y

M e m

b e r s h

i p ( m i l )

B. ARTS AND

The number o research and re erence enquiries has increased rom 42,630 in 2006 to 46,010 in 2010(Ch t B 10)


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38

CULTURALENGAGEMENT


(Chart B-10).

Chart B-10: Research and Re erence Enquiries

2006 2007 2008 2009 2010

Research andre erence enquiries 42,630 41,276 44,715 47,808 46,010

50,000

60,000

40,000

30,000

20,000

10,000

0 R e s e a r c h a n

d R e f e r e n c e

E n q u i r i e s

1 4 7 2 5 8 3 6 9 5 1 7 5 3 9 2 6 7

3 6 9 2 5 8 7 5 3 9 1 7 7 9 5 3 8 5


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3 7 7 0 9 1 4 6 9 2 9 8 4 4 6 3 6 6

9 5 6 3 7 4 5 1 8 0 1 6 9 1 2 0 1 7

9 2 9 1 5 5 9 6 7 1 8 2 9 8 4 7 8 2

1 3 0 2 3 5 7 2 0 9 5 7 5 0 1 7 7 5

2 5 3 8 8 0 1 3 6 4 8 2 3 7 2 4 8 0

5 2 8 5 1 1 2 9 8 3 0 8 1 0 9 1 6 3

9 5 9 4 5 2 6 2 3 7 1 9 4 0 6 5 2 1

6 2 6 6 4 9 3 0 1 6 8 6 2 8 3 0 1 6

7 8 4 6 5 0 8 1 8 6 3 2 0 1 9 6 7

2 3 6 7 0 1 3 8 0 4 7 9 7 4 3 4 1 8

5 7 4 1 9 3 4 3 3 9 1 8 3 6 1 0 2 6

7 1 9 6 4 0 1 3 2 8 0 5 4 2 6 7 1 9

0 4 7 8 6 5 4 2 1 2 5 3 4 5 9 1 5 9

2 7 0 2 5 0 1 6 5 2 4 2 8 1 6 8 5 1

7 0 4 5 9 4 2 3 7 6 8 1 5 7 8 9 4 3

9 2 4 0 6 4 5 1 6 7 5 3 8 8 2 5 6 0

3 ARTS EDUCATION AND PARTICIPATIONIN SCHOOLS

Number ostudents enrolledin tertiary artscourse hasalmost doubledsince 2004.

C. ARTS EDUCATION AND PARTICIPATION IN SCHOOLSC. ARTS EDUCATIONAND PARTICIPATION


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40

This section presents statistics on student enrolment in arts education programmes as well as studentsparticipation in arts activities.

i. a s ed c

Total enrolment in ull-time tertiary arts courses has increased steadily rom 1,860 in 2004 to 3,637 in2010 (Chart C-1 and Table C-1).

Chart C-1: Full-time Enrolment in Tertiary Arts Courses

AND PARTICIPATIONIN SCHOOLS

I. Arts Education


2,500

3,000

3,500

4,000

2,000

1,500

1,000

500

0

E n r o l m e n

t

2004 2005 2006 2007 2008 2009 2010

Total Enrolment 1,860 2,157 2,631 3,086 3,173 3,407 3,637

Enrolment indiploma arts courses 817 999 1,379 1,784 1,851 2,029 2,267

Enrolment inundergraduate art courses 970 1,092 1,154 1,189 1,180 1,177 1,165

Enrolment inpost-graduate art courses 73 66 98 113 142 201 205

Table C-1: Breakdown o Full-time Enrolment in Tertiary Arts Courses C. ARTS

EDUCATION AND


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EDUCATION ANDPARTICIPATION

IN SCHOOLS

I. Arts Education


Year 2004 2005 2006 2007 2008 2009 2010

Total Enrolment 1,860 2,157 2,631 3,086 3,173 3,407 3,637

e m d m s c s sMusicDanceTheatreVisual ArtsMulti-disciplinary

Arts Administration Arts Education

817217113141135

0107104

99924899

124147124136121

1,37940282

137119277197165

1,78450083

133211389292176

1,85149968

115284371350164

2,02953384

131312431381157

2,26759194

142329510446155

e m d ds c s s

MusicDanceTheatreVisual ArtsEnglish LiteratureMulti-disciplinary

Arts Administration

970133

023723

5623

12

1,092172

428425

5916

10

1,154206

031645

5554

28

1,189219

733762

5362

26

1,180234

431892

5050

27

1,177243

5309112468

040

1,165265

0251112494

043

e m s - ds c s s

Visual ArtsEnglish Literature

Arts AdministrationOthers

736

6700

66135102

989

597

23

11313646

30

1429

919

33

20111

1421236

20512

1526

35

C. ARTS EDUCATIONAND PARTICIPATION

The enrolment o the School o the Arts (SOTA) rose rom 239 in 2008 to 386 in 2009 and 593 in 2010(Chart C-2).


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SINGAPORE

CULTURALSTATISTICS2011

42

AND PARTICIPATIONIN SCHOOLS

I. Arts Education

( )

Chart C-2: Enrolment in School o the Arts*

Source: School o the Arts, Singapore* School o the Arts was opened in January 2008.

500

600

700

400

300

200

100

0

N u m

b e r o f s t u d e n

t s e n r o

l l e d

2008 2009 2010

Enrolment in SOTA 239 386 593

C. ARTS

EDUCATION AND

The number o students involved in art-related CCAs increased rom 132,583 in 2007 to 142,139 in2010 (Chart C-3 and Table C-2).


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43

PARTICIPATIONIN SCHOOLS

I. Arts Education

Chart C-3: Students* in Arts-related Co-curricular Activities

Source: Ministry o Education* Comprises o students rom primary and secondary schools, junior colleges and centralised institutes.

Total Student Enrolment in Primary, Secondary, Junior Colleges and Centralised Institutes during the period o 2007 - 2009were approximately 520,000 to 530,000. At the time o printing, 2010 student enrolment numbers were still being compiled.(Education Statistics Digest 2010).

2007 2008 2009 2010

Total no. o students 132,583 124,095 135,559 142,139

Music 70,154 68,217 75,224 75,275

Dance 33,542 30,508 32,365 36,528

Theatre 11,154 8,999 11,139 11,034

Visual Arts 17,733 16,371 16,831 19,302

N o . o f s t u d e n

t s i n v o l v e

d i n A r t s - r e

l a t e d C C A s

100,000

120,000

140,000

80,000

60,000

40,000

20,000

0

160,000

Table C-2: Breakdown o Students in Arts-related Co-curricular ActivitiesC. ARTS EDUCATION AND PARTICIPATION


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44

IN SCHOOLS

I. Arts Education Year 2007 2008 2009 2010

Total no. o students* 132,583 124,095 135,559 142,139

M s cMilitary/ Brass bandChinese OrchestraChoir/ Xin YaoInstrumental groups

70,15422,65011,97019,38916,145

68,21722,39611,04018,02016,761

75,22423,11513,67720,00818,424

75,27523,75411,39619,99420,131

D c 33,542 30,508 32,365 36,528

th 11,154 8,999 11,139 11,034

V s a s Art & Cra tCalligraphy

17,73316,1391,594

16,37114,8731,498

16,83114,7412,090

19,30217,1252,177

Source: Ministry o Education* Comprises o students rom primary and secondary schools, junior colleges and centralised institutes.

6 1 9 2 3 8 5 2 3 7 6 4 1 2 3 6 5 0

7 8 4 3 7 6 9 7 3 1 4 2 8 3 7 0 7 9


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5 2 5 6 8 0 1 0 3 6 9 4 9 2 1 7 8 5

6 8 3 8 1 6 2 9 3 8 4 8 5 4 7 0 4 1

9 2 8 0 2 9 7 4 5 6 7 0 6 2 7 9 4 3

5 9 7 1 4 6 8 9 1 5 9 7 5 3 0 1 4 7

0 2 5 8 0 3 6 9 5 8 4 0 6 2 5 3 6 3

3 1 7 6 7 2 0 8 9 3 8 5 7 1 8 6 7 2

1 3 1 0 1 5 4 7 3 4 5 2 8 0 3 7 1 3

6 5 3 6 7 5 1 9 4 3 8 4 7 3 2 5 7 9

2 1 7 4 3 0 2 6 1 7 5 3 4 0 6 3 4 0

3 7 1 3 9 9 1 5 1 0 4 2 3 4 5 1 8 0

1 4 9 3 6 2 2 1 9 2 7 4 8 4 6 0 9 3

4 2 8 7 1 7 0 2 7 1 8 5 6 0 3 5 9 1

9 0 8 0 5 6 3 7 2 9 6 1 9 1 7 2 0 1

5 8 1 0 5 3 7 8 4 2 0 1 7 8 9 3 9 0

6 7 2 4 3 6 9 7 8 0 4 7 1 5 6 4 0 3

9 0 1 6 9 3 5 2 7 9 0 1 8 6 7 4 3 2

4Financial support toarts and culture has

continued to growover the years.

FINANCIALSUPPORTFOR ARTS AND CULTURE

D.FINANCIALSUPPORTFOR ARTS

D. FINANCIAL SUPPORT FOR ARTS AND CULTURE

This section presents statistics on the private and public nancial resources available to the arts and


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FOR ARTS AND CULTURE

I. Arts and CulturePhilanthropy

This section presents statistics on the private and public nancial resources available to the arts andcultural sector.

i. a s d C ph h y

Contributions to Arts and Culture fuctuated between $29.5mil in 2004 to $107.1mil in 2009 (Chart D-1). The high contribution in 2009 was due to a donation o 113 works rom China artist Wu Guanzhongwith an appraised value o $73.8mil.

Chart D-1: Contributions to Arts and Culture

Source: National Arts Council, National Heritage Board and National Library Board* Includes cash and in-kind sponsorship and donations as well as arte act donations to arts, heritage and libraries.** Figures or 2010 are estimates.

All gures are based on Calendar Year, except or 2004 to 2007 data where contribution to heritage was computedbased on Financial Year.

120

80

40

100

60

20

0

C o n

t r i b u t

i o n s

( $ m

i l )

2003 2004 2005 2006 2007 2008 2009 2010 **

Total contributions* (S$mil) 77.7 29.5 52.8 46.0 47.9 92.3 107.1 46.8

Arte act Donations (S$mil) 26.5 2.4 1.6 1.8 2.5 21.4 75.6 5.0

Cash & in-kind donationsand sponsorship (S$mil) 51.2 27.1 51.2 44.2 45.3 70.9 31.5 41.8

ii. g v m F d a s d C

Government unding or arts and culture has increased steadily rom $230.2mil in 2005 to $419.1mil

D.FINANCIAL

SUPPORTFOR ARTS


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g yin 2010 (Chart D-2).

Chart D-2: Government Funding


II. GovernmentFunding or

Arts and Culture

Source: Ministry o In ormation, Communications and the Arts.* Refects operating expenditure only.** Refects operating expenditure o National Arts Council, The Esplanade Co. Ltd and School o the Arts.^ Refects operating expenditure o National Heritage Board and Preservation o Monuments Board.^^

Refects operating expenditure o National Library Board. All gures are based on Financial Year.

300.0

350.0

400.0

450.0

500.0

200.0

100.0

250.0

150.0

50.0

0.0

G o v e r n m e n

t F u n d

i n g

( $ m

i l )

2005 2006 2007 2008 2009 2010

Total GovernmentFunding (S$mil)* 230.2 260.2 284.4 339.6 355.2 419.1

Arts** 55.1 60.8 67.8 110.3 98.9 112.4

Heritage ^ 47.1 58.6 69.0 79.8 94.2 107.7

Library^^ 128.0 140.8 147.6 149.5 162.1 199.0


iii. F c S a s s

NACs nancial assistance to 501 practitioners and organisations totalled $16.37mil in 2010 (Chart D-3


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III. FinancialSupportto Artists

and Chart D-4). A large percentage at $4.69mil (29%) was awarded to 91 practitioners and organisationsin the theatre sector. Out o the $16.37mil, the majority o unds at $10.88mil (66%) were awarded insupport o the creation, production and presentation o artistic programmes and projects (Chart D-5).

Chart D-3: Financial Support by Art Form ($mil)

Source: National Arts Council2 This re ers only to the direct unding provided to practitioners and organisations through NACs grants, arts spaces scheme, scholarships,

bursaries and awards. A more holistic picture o the nancial support provided will be available in the National Arts Councils AnnualReport 2011. This does not include the unding provided to Singapore Symphony Orchestra and Singapore Chinese Orchestra whichtotals $10mil.

* Includes NACs operating grant o $2 Million to The Old Parliament House Ltd, a not- or-proft organisation incorporated by NAC.

Literary Arts1.08m (7%)

Visual Arts3.49m (21%)

Dance2.49m (15%)

Music2.25m (14%)

Others2.38m (15%)

Theatre4.69m (29%)

Art Form Financial Support ($mil) Percentage o Total

Music 2.25 14%

Dance 2.49 15%

Theatre 4.69 29%Visual Arts 3.49 21%

Literary Arts 1.08 7%

Others* 2.38 15%

t 16.37 100%

Chart D-4: Financial Support by Art Form (Recipients) D.FINANCIAL

SUPPORTFOR ARTSOthers


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AND CULTURE

III. FinancialSupport

to Artists

Visual Arts

143 (29%)

Theatre91 (18%)

Music134 (27%)

Others7 (1%)

Literary Arts77 (15%)

Dance49 (10%)

Art Form Number o Recipients Percentage o Total

Music 134 27%

Dance 49 10%

Theatre 91 18%

Visual Arts 143 29%

Literary Arts 77 15%

Others* 7 1%

t 501 100%

* Includes NACs operating grant o $2 Million to The Old Parliament House Ltd, a not- or-proft organisation incorporated by NAC.


Chart D-5: Financial Support by Function ($mil)

International Presentationo Local Artistic Works and


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AND CULTURE

III. FinancialSupportto Artists

Source: National Arts Council* Refects unding provided or the creation, production and distribution o artistic projects and programmes

(i.e. Presentation and Promotion Grants, Arts Creation Grant)^ Refects unded in artists and arts groups to develop their artistic and organisational capabilities

(i.e. Scholarships and Bursaries, Arts Pro essional Development Grant)~ Refects unding provided or the interntional presentation o local artistic projects as well as interntional

collaborations (i.e. International Development Grant, International Collaboration Grant)# Refects rental subsidies provided to Arts Housing Tenants

Function Financial Support ($mil) Percentage o Total

Arts Creation, Productionand Presentation* 10.87 66%

Talent and CapabilityDevelopment ^ 1.85 11%

International Presentationo Local Artistic Works andInternational Collaborations ~

0.75 5%

Rental Subsidies # 2.90 18%

t 16.37 100%

Arts Creation, Production and Presentation10.87m (66%)

Rental Subsidies2.90m (18%)

o Local Artistic Works andInternational Collaborations

0.75m (5%)Talent and Capability

Development1.85m (11%)

Chart D-6: Financial Support by Function (Recipients) D.FINANCIAL

SUPPORTFOR ARTS

AND CULTURERental SubsidiesInternational Presentation


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AND CULTURE

III. FinancialSupport

to Artists

Function Number o Recipients Percentage o Total Arts Creation, Productionand Presentation* 291 48%

Talent and CapabilityDevelopment ^ 103 17%

International Presentationo Local Artistic Works andInternational Collaborations ~

122 20%

Rental Subsidies # 96 16%

t 612 100%

Source: National Arts Council* Refects unding provided or the creation, production and distribution o artistic projects and programmes

(i.e. Presentation and Promotion Grants, Arts Creation Grant)^ Refects unded in artists and arts groups to develop their artistic and organisational capabilities

(i.e. Scholarships and Bursaries, Arts Pro essional Development Grant)~ Refects unding provided or the interntional presentation o local artistic projects as well as interntional

collaborations (i.e. International Development Grant, International Collaboration Grant)# Refects rental subsidies provided to Arts Housing Tenants

As recipients may receive unding under 2 or more categories and counted the corresponding number o times,the number o recipients refected are not unique. There ore, the number o recipients is higher than 501.

Arts Creation, Production and Presentation291 (48%)

Rental Subsidies96 (16%)o Local Artistic Works and

International Collaborations122 (20%)

Talent andCapability

Development103 (17%)


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9 0 1 6 9 3 5 2 7 9 0 1 8 6 7 4 3 25

The arts and

cultural sectoremploys more than24,000 people andcontributes morethan $1.2bil wortho Value-Addedto the economy.

ECONOMICCONTRIBUTIONOF ARTS ANDCULTURE

E. ECONOMIC CONTRIBUTION OF THE ARTS AND CULTURAL SECTOR

This section provides statistics on the contribution o the arts and cultural sector 3 to Singaporeseconomy

E.ECONOMICCONTRIBUTIONOF THE ARTS

AND CULTURAL


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economy.

i. a s d C M w

Employment in the arts and cultural sector has increased rom 20,677 in 2003 to 24,795 in 2009 (Chart E-1).Chart E-1: Total Employment

Source: Department o Statistics* 2009 gures are preliminary3 Data is based on the Cluster De nition or Arts and Culture provided in Annex B.

SECTOR

I. Arts and CulturalManpower

2003 2004 2005 2006 2007 2008 2009*

Total Employment 20,677 20,282 21,154 20,911 21,107 22,827 24,795

Visual Arts 9,536 8,222 8,376 8,461 7,863 8,685 8,918

Fine Art, Crafts & Collectibles 3,139 3,310 2,940 3,017 3,194 4,048 3,747

Photography 6,058 4,912 5,436 5,444 4,669 4,637 5,171

Per orming Arts 4,323 4,519 4,816 4,819 4,782 5,788 7,034

Live Performing Arts 2,573 2,779 2,956 3,049 2,872 3,959 4,924 Recorded Music 1,750 1,740 1,860 1,770 1,910 1,829 2,110

Book Publishing and Sales 6,200 6,599 6,948 6,170 6,631 7,183 7,557

Cultural Heritage 956 942 1,014 1,461 1,831 1,171 1,286

Museums, Galleriesand Heritage 428 467 480 568 567 710 787

Other Cultural Activities 528 475 534 893 1,264 461 499

30,000

0

20,000

10,000

25,000

15,000

5,000

E m p

l o y m e n

t

ii. ec m c V h a s d C S c

Total nominal value-added o the arts and cultural sector has also increased steadily rom $818mil in2003 to $1.23bil in 2009 (Chart E-2).

E.ECONOMIC

CONTRIBUTIONOF THE ARTS

AND CULTURAL


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STATISTICS2011

55

Source: Department o Statistics* 2009 gures are preliminary

( )

Chart E-2: Total Nominal Value-addedSECTOR

II. Economic Valueo the Arts andCultural Sector

1,200,000

1,400,000

0

800,000

400,000

1,000,000

600,000

200,000

V a l u e - a

d d e d

( $ 0 0 0 )

2003 2004 2005 2006 2007 2008 2009*

Total value added ($000) 818,053 890,692 945,431 973,971 1,119,607 1,130,835 1,231,428

Visual Arts 340,293 359,855 372,792 403,720 489,416 452,758 520,145

Fine Art, Crafts & Collectibles 57,698 59,264 71,997 89,298 88,419 114,466 104,513

Photography 282,595 300,591 300,795 314,422 400,997 338,292 415,632

Per orming Arts 145,122 148,268 145,967 151,423 167,110 194,346 226,121

Live Performing Arts 66,091 73,793 79,454 80,657 94,667 110,979 135,404

Recorded Music 79,031 74,475 66,513 70,766 72,433 83,367 90,717

Book Publishing and Sales 276,488 320,766 362,130 336,734 369,811 405,952 407,751

Cultural Heritage 56,149 61,803 64,542 82,094 93,270 77,779 77,411

Museums, Galleriesand Heritage 37,927 42,111 41,322 55,535 59,358 62,518 63,084

Other Cultural Activities 18,222 19,692 23,220 26,559 33,912 15,261 14,327

Total operating receipts or the arts and cultural sectors has also increased steadily rom $4.57bil in2003 to $5.63bil in 2009 (Chart E-3).

Chart E-3: Total Operating Receipts

E.ECONOMICCONTRIBUTIONOF THE ARTS

AND CULTURAL


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SECTOR

II. Economic Valueo the Arts andCultural Sector

Source: Department o Statistics

* 2009 gures are preliminary

6,000,000

7,000,000

0

4,000,000

2,000,000

5,000,000

3,000,000

1,000,000

O p e r a t

i n g

R e c e i p

t s ( $ 0 0 0 )

2004 2005 2006 2007 2008 2009*

Total Employment 4,986,457 5,263,680 5,221,248 5,981,676 5,413,577 5,634,737

Visual Arts 2,831,686 2,980,670 3,012,655 3,483,233 2,834,040 3,011,350

Fine Art, Crafts & Collectibles 303,284 315,480 382,567 441,732 497,483 397,238

Photography 2,528,402 2,665,190 2,630,088 3,041,501 2,336,557 2,614,112

Per orming Arts 614,491 597,206 662,717 712,090 708,126 758,128

Live Performing Arts 169,600 164,718 168,527 200,595 218,158 256,211

Recorded Music 444,891 432,488 494,190 511,495 489,968 501,917

Book Publishing and Sales 1,503,254 1,642,811 1,498,719 1,722,724 1,818,695 1,826,577Cultural Heritage 37,026 42,993 47,157 63,629 52,716 38,682

Museums, Galleriesand Heritage 12,756 14,405 17,612 25,846 36,664 24,610

Other Cultural Activities 24,270 28,588 29,545 37,783 16,052 14,072

Type oMonument

National Monuments

ANNEX A ANNEX A LIST OF NATIONAL MONUMENTS


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STATISTICS2011

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Monument

Civil andInstitutions

Former Attorney-Generals Chambers (now Parliament House Block C)Bowyer BlockCentral Fire StationChinese High School Clock Tower BuildingFormer City HallCollege o Medicine BuildingCommand HouseFormer Empress Place Building (now Asian Civilisations Museum)Former Ford Factory (now Memories at Old Ford Factory)

Former Hill Street Police Station (now MICA Building)House o Tan Yeok Nee (Former Salvation Army HQ)Istana and Sri TemasekFormer Ministry o Labour Building (now Subordinate Courts)Nagore DargahNational MuseumFormer Parliament House and Annex Building (now The Arts House)Former Ra fes College (now NUS Campus at Bukit Timah)

Former Singapore Con erence Hall and Trade Union House(now Singapore Con erence Hall)Former St Josephs Institution (now Singapore Art Museum)Former Sun Yat Sen Villa (now Sun Yat Sen Nanyang Memorial Hall)Former Supreme Court

Tan Teck Guan BuildingFormer Tao Nan School (now The Peranakan Museum)

Victoria Theatre and Concert Hall Ying Fo Fui Kun

Commercial Former Admiralty HouseFormer Cathay Building (now The Cathay)Former Convent o the Holy In ant Jesus Chapel and Caldwell House(now CHIJMES)Goodwood Park Hotel (Tower Block)MacDonald HouseRa fes HotelFormer St James Power StationFormer Telok Ayer Market (now Lau Pa Sat)Former Thong Chai Medical Institution

Type oMonument

National Monuments

ANNEX A LIST OF NATIONAL MONUMENTS ANNEX A


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Monument

Religious Abdul Ga oor Mosque Al-Abrar Mosque Armenian Church o St Gregory the IlluminatorCathedral o the Good ShepherdChesed-El SynagogueChurch o Our Lady o LourdesChurch o St TeresaChurch o Sts Peter and PaulChurch o the Nativity o the Blessed Virgin Mary

Hajjah Fatimah MosqueHong San SeeJamae MosqueKeng Teck WhayMaghain Aboth SynagoguePrinsep Street Presbyterian ChurchSiong Lim TempleSri Mariamman Temple

Sri Perumal TempleSt Andrews CathedralSt Georges ChurchSt Josephs ChurchSultan Mosque

Tan Si Chong Su Telok Ayer Chinese Methodist Church Thian Hock Keng Tou Mu Kung Temple Yueh Hai Ching Temple

Sites &Structure

Cenotaph at Queen Elizabeth Walk, Lim Bo Seng Memorial and Tan Kim Seng FountainFormer Nanyang University Library and Administration Building,Memorial and Arch

SingaporeStandard Industry

Description

ANNEX B ARTS AND CULTURAL CLUSTER DEFINITION ANNEX B


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STATISTICS2011

59

yClassifcationCode 2005

V s a s

5035151461

50391

514827621176219

F a , C s & C c b sWholesale o antiques, works o art, handicra ts, collectibles and gi tsRetail sale o antiques, works o art, handicra ts, collectibles and gi ts

ph hyWholesale o optical and photographic equipment and supplies

Retail sale o cameras and other photographic goodsPhoto nishing servicesPhotographic activities

p m a s

78993804029010190102901039010490109

5034250343

5145251453

61300

l v p m a s Agents or artistes, athletes, models and other per ormersMusic and dancing schools

Theatrical producers except motion picture Theatres and concert hallsOperas, wayang and puppet showsOrchestras and dance bandsDramatic arts, music and other arts activities(scenery,lighting, stage makeup and other equipment services)

r c d d M s cWholesale o musical instruments and scoresWholesale o record albums, cassette tapes, laser discsand compact discs (including VCDs, DVDs)Retail sale o musical instruments and scoresRetail sale o record albums, cassette tapes, laser discsand compact discs (including VCDs, DVDs)Sound recording production and distribution

ANNEX B

SingaporeStandard Industry

Description

ANNEX B ARTS AND CULTURAL CLUSTER DEFINITION


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ClassifcationCode 2005

B k p b sh & S s

503745148360011

B k p b sh & S sWholesale o books and magazinesRetail sale o books, magazines and stationery (including newsvendors)Publishing o books, brochures, musical books and other publications

C H

902119021290219

902919029991992

M s ms, g s & HMuseums

Art galleriesMuseums activities and preservation o historical sites and buildings

o h C ac v sCultural villageOther cultural activitiesClubs and societies (including scouts/girl guides associations,book clubs


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Singapore Cultural StatiStiCS 2011

singapore cultural statistics 2011

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