sf camerawork benefit auction catalog

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2012 BENEFIT AUCTION Saturday, December 1 Preview Exhibition: November 7 - November 30

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SF Camerawork's annual fundraiser

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Page 1: SF Camerawork Benefit Auction Catalog

2012 BENEFIT AUCTIONSaturday, December 1

Preview Exhibition: November 7 - November 30

Page 2: SF Camerawork Benefit Auction Catalog

SF CAMERAWORK’S 2012 BENEFIT AUCTIONSaturday, December 1, 2012

Michelle Blakeley, Auction Chair

PREVIEW EXHIBITIONNovember 7 - November 30, 2012Wednesday through Saturday, 12:00 to 5:00 pmAlso by appointment Admission is free OPEN HOUSESaturday, November 24, 1:00 to 4:00 pmPreview the auction, meet the director, and enjoy a glass of champagne

AUCTION DATESaturday, December 1 at 1:00 pm Registration begins at 11:00 amAdmission to the Auction is $30Free for SF Camerawork members

For more information on this and other events please visit: www.sfcamerawork.org or contact [email protected].

Copies of this catalog are available for purchase from www.magcloud.com.

SF Camerawork 1011 Market Street, 2nd FloorSan Francisco, CA 94103-1605415.487.1011

Located between the Powell and Civic Center BART stations, parking at the 5th & Mission Garage.

STAFFChuck MobleyErik AuerbachHeidi Yount

BOARD OF DIRECTORSMichelle BlakeleyJeanne FrisciaAnthony LaurinoJack McDonaldStephen VanceDamon White

All photographs are copyrightthe individual photographersor their estates.

Front: LOT 28 Janet Delaney, Subway Readers, 1985/2012.Back: LOT 10 Ruth Bernhard, Creation (Doll’s Head), 1936.

Catalog design by Anthony Laurino

© 2012 San Francisco Camerawork, Inc

Page 3: SF Camerawork Benefit Auction Catalog

October 28, 2012

Dear Friends,

We are pleased to present SF Camerawork’s 2012 Benefit Auction. As you know, the proceeds of this annual fundraiser help us to fulfill our mission which is to encourage and support emerging artists to explore new directions in the photographic arts.

We are extraordinarily fortunate that this endeavor has been supported by a dedicated and generous group of individuals. We extend special thanks to Tony Page of Page Imageworks; Chris Barnett and Reinhold Gras of Sterling Art Services; Seth Dickerman of Dickerman Prints; Mark Hanson of Hanson Digital; and Gawain Weaver of Gawain Weaver Art Conservation.

We also acknowledge the strong leadership of our 2012 Auction Chair, Michelle Blakeley, as well as the contributions of Jeanne Friscia, Ellen Shershow Peña, and Cory Scozzari.

Finally, we extend our deepest gratitude to the community of artists, collectors, gallery owners, and private dealers who have contributed a fantastic selection of prints to this year’s Auction. Without a doubt, the Camerawork Auction consistently represents a wide selection of the best contemporary and vintage photographs available.

This year, in an effort to be more environmentally conscious and economically pragmatic, we will not print Auction catalogs. However, the catalog can be ordered, print-on-demand, from Magcloud.

On behalf of the Board of Directors and Staff, thank you for your continued interest and support of our programs. We hope to see you at the Auction!

Best wishes,

Chuck MobleyDirector

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LOT 1 CAROLINE ALLISONNot For Sale, 2011; archival pigment print, 22 x 30 in., signed on verso, $1,500. Donated by the artist.

LOT 2 ADDIE ANDERSONLearning to See in Black and White: Harold’s Front Yard, August 1979, 1979/2005; archival pigment print, 9 3/4 x 14 in., signed on front, $500.

LOT 3 BILL ARMSTRONGFalling #1070, 2011; c-print, 24 x 20 in., signed by the artist, $2,200. Donated by the artistand Dolby Chadwick Gallery.

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LOT 4 JOHNNA ARNOLDPassenger Train, 1-680, Benicia, CA, 2012; from the series In/Finite Potential; c-print, 24 x 30 in., signed, $900. Donated by the artist and Traywick Contemporary.Printing courtesy of Damian Taylor at Reprint Mint, San Leandro.

LOT 5 CHRISTOPHER BADGERWhitney Summit, 2010; from the series Rain Shadow Cross Section; framed archival pigment print, 15 3/4 x 20 3/4 in., signed on mount, $1,500. Donated by the artist and Silverman Gallery.

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LOT 6 RICHARD BARNESObservation Balloons, Antietam, MD, 2012; from the series Civil War; unique digital scan of wet plate photograph, 13 x 16 in., signed on verso, $1,500. Donated by the artist and Foley Gallery.

LOT 7 UTA BARTHUntitled 2012. A, 2012; from the series …and to draw a bright white line with light.; inkjet print, 20 x 30 in., signed by the artist, [$10,000]. Donated by the artist, 1301PE Gallery, and Tanya Bonakdar Gallery.

THIS LOT HAS BEEN WITHDRAWN

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LOT 8 ALYSON BELCHERPresidio 11.21.1, 2012; from the series Present Past ; framed archival pigment print, 9 x 9 in., signed on verso, $750. Donated by the artist, Galerie BMG, and Robert Tat Gallery.

LOT 9 ALAN BLAUSTEINUntitled, 2008; toned gsp, 16 1/4 x 6 in., signed on front, $750. Donated by the artist.

LOT 10 RUTH BERNHARDCreation (Doll’s Head), 1936; gsp, 8 x 10 in., signed on verso, [$6,000]. Donated by Thomas V. Meyer Fine Art.

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LOT 11 DEBRA BLOOMFIELD02076-6-07, 2007/12; from the series Wilderness; mounted c-print, 40 x 40 in., signed on verso, [$5,500]. Donated by the artist and Robert Koch Gallery. Printing courtesy of Lightwaves and mounting courtesy of General Graphics

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LOT 12 TOM BRENNAN Untitled, 2005; archival pigment print, 11 x 14 in., signed on verso, $500.

LOT 13 MARION BRENNERDatura, 1996; framed gsp, 20 x 16 in., signed on verso, $750. Donated by Helena Foster.

LOT 14 RUTH-MARIONMother and Child, Free Huey Rally, DeFremery Park, Oakland, CA, 1968/2011; from the series Black Panthers, 1968; gsp, 20 x 16 in., $2,000. Donated by Pirkle Jones Foundation.

BARUCH

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LOT 15 LAWRIE BROWNBreakfast, 2007; from the Trash Series; archival pigment print, 16 x 21 in.,signed on verso, $1,000. Donated by the artist and Scott Nichols Gallery.

LOT 16 SPARKY CAMPANELLAInga, 2012; from the series Passage; framed archival pigment print, 30 x 16 in., signed on verso, $1,000. Donated by the artist and Weston Gallery.

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LOT 17 ELLEN CAREYUntitled, 1987; Polaroid, 24 x 21 in., signed on verso, $3,000.

LOT 18 JOHN CHIARAMirador at San Pablo #1, 2006; dye destruction process, 24 x 20 in., signed on verso, [$3,500]. Donated by the artist and Haines Gallery

LOT 19 SARAH CHRISTIANSONTraces, 2007; from the series Homeplace; gsp, 8 x 10 in., signed on front, $250. Donated by the artist.

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LOT 20 MARK CITRETWormwood, San Simeon Beach, 2012; selenium toned gsp, 9 x 9 in., signed on front, $1,400. Donated by the artist, Howard Greenberg Gallery, and Weston Gallery.

LOT 21 LUCIEN CLERGUETwo Women on The Beach, 1972/90; gsp, 14 x 11 in., signed on verso, $1,000.

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LOT 22 JOHN COLLIERUntitled, c.1954; gsp, 11 x 14 in., signed on verso, $1,500.

LOT 23 ROBIN COPLANDUntitled, 2005; c-print, 14 x 11 in., $500.

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LOT 24 BINH DANHIn memory of… (The crosses of Lafayette, CA), 2012; from the series The Crosses of Lafayette; framed Daguerreotype, 6 1/2 x 8 1/5 in., signed on mount, [$5,500]. Donated by the artist and Haines Gallery.

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LOT 25 JUDY DATERGravity Defiance #1, 2012; from the series Gravity Defiance; archival pigment print, 15 x 11 3/4 in., signed on verso, $1,500. Donated by the artist and Smith Anderson North.

LOT 26 SCOTT DAVISSalton Sea Navy Test Base, 2008/11; platinum/palladium print, 20 1/2 x 25 1/2 in., signed on verso, $3,500. Donated by the artist and Michael Dawson Gallery.

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LOT 27 ROBERT DAWSONGarrison Dam, Upper Missouri River, ND, 2000; from the series Water in the West; gsp, 16 x 20 in., signed on front, $1,000. Donated by the artist and Scott Nichols Gallery.

LOT 28 JANET DELANEYSubway Readers, 1985/2012; from the series New York 1985-1987; archival pigment print, 15 3/4 x 15 3/4 in., signed on verso, $1,200. Donated by the artist and ClampArt.

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LOT 29 MONICA DENEVANLotus, Burma, 2006; from the series Songs of the River—Portraits from Burma; gsp, 15 x 15 in., signed on verso, $700. Donated by the artist and Scott Nichols Gallery.

LOT 30 MARY DEVENSThe Ferry, Concarneau, 1904; photogravure, 4 3/4 x 6 1/8 in., $400. Donated by Howard Greenberg Gallery.

LOT 31 ROBERT DOISNEAUPlace de Madeleine, Paris, 1951; gsp, 4 3/4 x 3 3/4 in., photographer’s stamp on verso, $2,000. Donated by Paul M. Hertzmann and Susan Herzig.

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LOT 32 BETH YARNELLE EDWARDSLisette, 2002/10; from the series Suburban Dreams; framed c-print, 20 x 24 in., signed on verso, $1,400. Donated by the artist and Robert Klein Gallery.

LOT 33 SETH DICKERMANPacifica, 2006; from the series Metamorphic Landscapes; c-print mounted on aluminum, 18 x 27 in., signed on verso, $1,800. Donated by the artist and Paul Kopeikin Gallery.

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LOT 34 DAN ESTABROOKUntitled (Cloud), 1997; salt print, 7 x 5 in., signed on verso, $1,500.

LOT 35 KOTA EZAWAMan and Woman, 2009; from the series Odessa Staircase Redux; framed dyptich ink on paper, 14 x 28 in., signed on verso, $2,800. Donated by the artist and Haines Gallery.

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LOT 36 SUSAN FELTERFireflies, 2012; from the series Hunting and Gathering; archival pigment print, 22 x 22 in., signed on front, $1,000. Donated by the artist. LOT 37 LUKAS FELZMANNGull Juju Archive—Part One, 2012; from the series The Farallon Island Project; gsp, 8 x 10 in., signed on verso, $1,000. Donated by the artist.

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LOT 38 ANN FESSLERKeeping Things Clean And White, 1979/2004; from the series American Dream; archival pigment print, 11 x 14 in., signed on verso, $500.

LOT 39 JEANNE FINLEY AND JOHN MUSEThe Triumph of Harmony and Invention: Winter, 2004; digital c-print, 11 x 14 in., signed on verso, $750.

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LOT 40 CHRISTOPHER FLACHKendra, 1991; from the series Indian Wells, California; gsp, 10 x 8 in., signed on verso, $1,200. Donated by the artist.

LOT 41 BONNIE FORDUntitled, 1980/2004; gsp, 9 x 9 in., signed on verso, $500.

LOT 42 HOWARD FRANKAt The Races,1939/95; gsp, 4 3/4 x 6 3/4 in., signed on front, $600. Donated by Robert Frank.

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LOT 43 BENNO FRIEDMAN Untitled, 1976; gold toned gsp with graphite, 14 x 14 in., signed on verso, $1,000.

LOT 44 BENNO FRIEDMANUntitled, 1976; gold toned gsp with graphite, 14 x 14 in., signed on verso, $1,000.

LOT 45 RICHARD FRINTAParallel Universe, 2009; from the series Visceral Advent; inkjet print, 16 1/2 x 20 1/2 in., signed on verso, $1,500. Donated by the artist.

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LOT 46 JEANNE FRISCIAFelix, 2012; from the series Love Life; ambrotype, 3 3/4 x 4 5/8 in., signed on verso, $750. Donated by the artist.

LOT 47 JOHN GANISWater Slide/ Mountain, Texas, 1986/2004; archival pigment print, 11 x 14 in., signed on front, $500.

LOT 48 MICHAEL GARLINGTONLa Romance at Motel 6, 2001; toned gsp, 16 x 20 in., signed on verso, $1,500. Donated by the artist.

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LOT 49 JIM GOLDBERGWatching Oprah, Greece 2004, 2004/08; from the series Open See; unique c-print, 12 x 14 1/4 in., signed on verso, [$3,500]. Donated by the artist,Stephen Wirtz Gallery, and Pace/MacGill Gallery.

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LOT 50 MARY GOODRICHBlack, White, and Gray, 2011; archival pigment print, 20 x 16 in., signed on verso, $400. Donated by the artist.

LOT 51 LORNE GREENBERGUman, 2004; archival pigment print, 11 x 14 in., signed on verso, $500.

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LOT 52 DAN GROSSSt. Annakirk Church Brugge Belgium, 1999; c-print, 14 x 11 in., $500.

LOT 53 DOUG HALL Teatro Comonale, Modena II, 2002/06; digital c-print, 14 x 11 in., signed on signature label, $1,200. Donated by the artist and Rena Bransten Gallery.

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LOT 54 WILLIAM HEICK Shadow, Montgomery Street, San Francisco, 1948/06; gsp, 10.25 x 10 in., signed on front of mount, $1,200. Donated by William Heick III in memory of William Heick.

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In Memoriam WILLIAM HEICK 1916 - 2012

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LOT 55 LYNN HERSHMAN-LEESONFound Object Double Take, 2007; from the series Found Object; c-print, 8 x 10 in., signed on verso, $2,000. Donated by the artist and Gallery Paule Anglim

LOT 56 TODD HIDO 6349, 2008/12; framed digital c-print, 11 x 14 in., signed on verso, $2,000. Donated by the artist and Stephen Wirtz Gallery.

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LOT 57 LARRY HOLLOWAY Voice of God, 2005; gsp, 9 x 9 in., signed on verso, $500.

LOT 58 HENRY HORENSTEINTexas Map Turtle-Graptemys Versa, 2008; from the series Animalia; archival pigment print, 19 x 13 in., signed on verso, $1,000. Donated by the artist and ClampArt.

LOT 59 ROLFE HORN Study 86, 680/24 Interchange, CA, 1999; from the series 680/24 Interchange; sepia and selenium toned gsp, 7 3/4 x 7 3/4 in., signed on verso, $1,300. Donated by the artist and Scott Nichols Gallery.

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LOT 60 N. JAY JAFFEEMan with Sun Reflector, East New York, 1952; gsp, 14 x 11 in., signed on verso, $2,500.

LOT 61 PIRKLE JONESBlack Panthers, Bobby Hutton Memorial Park, Oakland, CA, 1968/2011; from the series Black Panthers, 1968, gsp, 11 3/4 x 17 8/9 in., $2,000. Donated by Pirkle Jones Foundation

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LOT 62 CHRIS JORDANNapping Albatross #1, Midway, 2012, from the series Midway: Message from the Gyre, 2012; archival pigment print, 23 x 24 in., signed on front, $5,000. Donated by the artist and Kopeikin Gallery, LA.

LOT 63 HIROYO KANEKO Untitled, 2012; from the series New Memories; c-print, 20 x 16 in., signed on verso, $1,200. Donated by the artist.

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LOT 64 MARK KLETT Spiral Carving Facing East - Signal Hill, 1983; gsp, 15 7/8 x 19 7/8 in., signed on verso, $3,500. Donated by Paul M. Hertzmann and Susan Herzig.

LOT 65 CHARLES LABELLE Illumniated Trees #11, 2000; framed pigment print, 39 x 30 1/3 in., signed on verso of mount, $3,000. Donated by the artist and Traywick Contemporary.

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LOT 66 DINH Q. Lê Untitled, 2004; framed unique woven c-print with scorched border, 10 x 20 in., signed on verso,[$12,000]. Donated by the artist, Shoshana Wayne Gallery, Elizabeth Leach Gallery, and P.P.O.W..

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LOT 67 DAVID MAISEL History’s Shadow AV12, 2010; from the series History’s Shadow; framed archival pigment print, 22 x 17 in., artist signature label, [$4,100]. Donated by the artist and Haines Gallery.

LOT 68 STEPHANIE LOVEDAY Floating Island, 2012; from the series How to Dream on an Island; archival pigment print, 20 x 30 1/12 in., signed on verso, $900. Donated by the artist. .

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LOT 69 REBECCA MARTINEZSplay, 2012; from the series preTenders, archival pigment print, 16 x 24 in., signed on verso, $1,500. Donated by the artist and Robert Tat Gallery.

LOT 70 CHRIS McCAW Sunburned GSP #326, 2009; unique gsp, 8 x 10 in., signed on verso, $2,500. Donated by the artist and Stephen Wirtz Gallery.

LOT 71 KEITH McELROY Untitled, 2005; archival pigment print, 14 x 11 in., signed on verso, $500.

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LOT 72 LAWRENCE McFARLANDDavid’s Van, Searles Lake, California, April 1982,1982; gsp, 16 x 20 in., signed on verso, $600.

LOT 73 LAWRENCE McFARLANDNear Trona, California, April 1982, 1982; gsp, 16 x 20 in., signed on verso, $600.

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LOT 74 SEAN McFARLANDCloud Opening and Mountain, 2010; from the series Pictures of the Back; framed direct dye transfer print (Polaroid), 11 x 14 in., signed on verso, $1,300. Donated by the artist and Eli Ridgway Gallery.

LOT 75 JOEL MEYEROWITZFog, 1979; from the series Cape Light; c-print, 8 x 10 in., signed on verso, $1,500.

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LOT 76 JOEL MEYEROWITZBay Sky Provincetown, 1977, 1979; from the series Cape Light; c-print, 11 x 14 in., signed on verso, $1,500.

LOT 77 JOEL MEYEROWITZPorch, 1979; from the series Cape Light; c-print, 8 x 10 in., signed on verso, $1,500.

LOT 78 KEN MILLERMarisa and the Surfer, Ocean Beach, San Francisco, 1985; gsp, 5 x 7 in., signed on verso, $2,000. Donated by the artist and Thomas V. Meyer Fine Art.

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LOT 79 RICHARD MISRACH2.21.00 5:32 PM, 2000/12; from the series Golden Gate; framed pigment print, 20 x 24 in., signed on verso, [$6,000]. Donated by the artist, Fraenkel Gallery, Pace/MacGill Gallery, and Marc Selwyn Fine Art.

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LOT 80 MARGARETTA MITCHELLBenediction, 1997/2007; from the series Dance for Life; archival pigment print, 13 1/2 x 11 1/2 in., signed on verso, $500. Donated by the artist and Robert Tat Gallery.

LOT 81 RICHARD NAGLERNude at Golden Gate Bridge, 2000; framed archival pigment print, 11 1/2 x 17 in., signed on print, $1,200. Donated by the artist and George Krevsky Gallery.

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LOT 82 SAÏD NUSEIBEH“Vaulting, No 68” Aleppo, Syria, 2006/12; from the series Chthonic Vaults; pigment inkjet, 30 x 24 3/8 in., signed on front, $2,000. Donated by the artist and Scott Nichols Gallery.

LOT 83 TETSU OKUHARA Beautiful & Dangerous, 1997/05; from the series Ongoing Boxing Project; gsp, 8 x 10 in., signed on verso, $1,000. Donated by the artist and Steven Kasher Gallery.

LOT 84 J. WAYNE OLSON Untitled, 2002; =archival pigment print, 11 x 14 in., signed on verso, $500.

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LOT 85 OLIVIA PARKERThe Peach, 2012; from the series Still and Not So Still Life; pigment print, 22 x 14 1/2 in., signed on front, $1,500. Donated by the artist and Robert Klein Gallery.

LOT 86 J. JOHN PRIOLAUntitled (Stumped) Maquette, 2012; framed pigment print, 6 3/4 x 4 3/4 in., signed on verso, $950. Donated by the artist and Gallery Paule Anglim.

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LOT 87 MIMI PLUMBHer Mother’s Velvet Dress, 2012; c-print 24 x 20 in., signed on verso, $1,200. Donated by the artist.

LOT 88 VICKI RAGANNorth Star, 2004; archival pigment print, 14 x 11 in., signed on front, $500.

LOT 89 PHOTOGRAPHER UNKNOWNAerial Incendiary Bombs Dropping on European Site: Toulon, France, 1944; framed gsp 7 5/8 x 7 1/2, $1,100. Donated by Fraenkel Gallery.

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LOT 90 MICHAEL RAUNERGod Never Fails, Salvation Mountain, 2009; from the series Leonard Knight’s Salvation Mountain; framed archival pigment print, 20 x 20 in., $800. Donated by the artists and Scott Nichols Gallery.

LOT 91 HERB RITTSSinead O’Connor, Malibu, 1990; gsp, 20 x 16 in., signed on verso, [$4,000]. Donated by Herb Ritts Foundation.

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LOT 92 KEN ROSENTHALRaven, 2010; from the series That Was The River, This Is The Sea; gsp, 9 x 9 in., signed on verso, $1,000. Donated artist and Dolby Chadwick Gallery.

LOT 93 JOHN SCHAEFERUntitled, 2004; archival pigment print, 11 x 14 in., Signed on front, $500.

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LOT 94 ALICE SHAWHeavy Metals in the Air and Water, 2011; framed pigment print with gold leaf, 9 1/2 x 13 1/2 in., signed on verso, $1,200. Donated by artist and Gallery 16.

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LOT 95 ANNE SIMMONS-MEYERSSaint Wilgefortis Grew a Beard to Escape Marriage, 2005; archival pigment print, 14 x 11 in., signed on verso, $500.

LOT 96 KARL STRUSS The Landing Place, Villa Carlotta,1912, 1912; photogravure, 6 1/4 x 8 1/2 in., $400. Donated by Howard Greenberg Gallery.

LOT 97 RICHARD STULTZPurple Haze, 2007; from the series Choices; c-print, 24 1/2 x 38 1/7 in., signed on verso, $500. Donated by the artist and Modern Book Gallery.

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LOT 98 JOHN VACHONGreat Plains, Grain Elevators, Cut and Shocked Wheat Fields, c.1939; gsp, 11 x 14 in., Signed on verso by Marion Post Wolcott, from her personal collection, $2,200.

LOT 99 BARBARA VAUGHNIskios, 2012; archival pigment print, 20 x 30 in., signed on verso, $2,500. Donated by the artist and Dolby Chadwick Gallery.

LOT 100 ANNE VERALDIPaper Boat II, 2011; from the series Danish Modern; c-print 6 1/2 x 10 1/5 in., signed on verso, $500. Donated by the artist, DNJ Gallery, and Fouladi Projects.

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LOT 101 CATHERINE WAGNER1890s, 2006; from the series Narrative History of the Lightbulb; framed digital c-print, 9 x 23 1/2 in., signature on back of mount, [$2,500]. Donated by the artist and Stephen Wirtz Gallery.

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LOT 102 TODD WALKERUntitled, 2005; digital archival pigment print, 11 x 14 in., Signed on front, $500.

LOT 103 RIKKI WARDAngel and Quinn on break, 2007; from the series Lusty Lady; digital c-print, 11 x 17 1/5 in., signature on verso, $200. Donated by the artist.

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LOT 104 WEEGEEOut of This World, 1946; gsp, 6 5/8 x 8 5/8 in., Acme Roto Service label on verso, $2,000. Donated by Paul M. Hertzmann and Susan Herzig.

LOT 105 GEOFF WININGHAMDestruction Derby at the Astrodome, Houston, 1973; gsp, 16 x 20 in., signed on front, $800.

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RAFFLEENTER FOR A CHANCE TO WIN ONE OF SF CAMERAWORK’S

MOST POPULAR LIMITED- EDITION PHOTOGRAPHSThis is the last available print in the edition

James Fee (1949-2006)For Charles Mingus, 1998

Specially toned and manipulated gelatin silver print made from two negatives 16 x 20 inches, Edition 1/20

This print was produced by James Fee for SF Camerawork’s 25th anniversary in 1999

Estimated retail value: $2,500

Raffle tickets are $50 each and can be purchased via email, fax, mail, online, telephone, or in the gallery. The raffle winner will be announced at the Auction. The winner need not be present.

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INFORMATION FOR BUYERS

The catalog description includes an estimated price range for each lot. These estimates are the approximate prices we expect to be realized. They are not definitive. The bidding begins below the listed prices.

The Auctioneer will use the following increments:$200-499 $50 increments $500-999 $75 increments

$1,000-1,999 $100 increments$2,000-5,000+ Auctioneer’s Discretion

• The name listed at the top of each lot indicates the artist who, in our best judgment, is the author of the work. (No unqualified state-ment regarding authorship is made or intended.)

• When one date is given it refers to the date of the negative from which the print was made in the same year or soon thereafter. Some prints show two dates, the first referring to the negative and the second to the print. When the print date is unknown, but assumed later, “printed later” appears following the negative date.

• Measurements usually refer to image size (sometimes paper size) and are given in inches. The height appears first, followed by the width.

• All lots with estimated retail values marked by [ ] are offered for sale subject to a reserve, which is the confidential minimum price below which such lot will not be sold.

• Unless otherwise indicated the print is donated by the artist.• Please note that all statements and terms in this catalog are subject to the provisions of the Conditions of Sale and San Francisco

Camerawork makes no warranties or representations with any lot.

CONDITIONS OF SALE

1. The sale will begin at 1 pm on Saturday, December 1, 2012 and will continue until all available prints have been presented for bidding. Photographs will be offered for sale in the same order in which they are listed here. Any artwork received after press time will be listed in an addendum available at the Auction. Likewise, an erratum will be produced, if needed, and made available at the Auction.

2. Any property may be withdrawn by SF Camerawork at any time before the actual sale without any liability therefor.

3. During the day of the sale, bids will be accepted from registered and absentee bidders. Bid numbers for registered bidders will be available throughout the day at the registration desk.

4. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right to reject any bid and to advance the bidding at his/her absolute discretion and, in the event of any dispute between bidders, to determine the successful bidder or to re-offer and resell the article in dispute. Should there be any dispute after the sale, the auctioneer’s record of final sale shall be conclusive. 5. Absentee bids will be accepted by fax, mail, telephone, email, in person, or via an online bidding process on the SF Camerawork website. The Absentee Bid Form on page 55 may be used to submit bids; additional forms will be available at the gallery. Such bids will be executed at the lowest possible price, subject to the reserve price and other bids. If matching bids have been entered by two or more parties, the first bid received will take preference.

6. We make no representation as to the condition of any lot sold and no reference to imperfection is made in the catalog description. All lots are sold “AS IS.” Prospective purchasers should inspect the property before bidding to determine its condition.

7. Final bids for each item will be recorded by bid number and the print held at the cashier’s desk until called for by the buyer. All purchases must be paid in full on the day of the auction.

8. Payment may be cash, personal check (with proper identification), or credit card. California state sales tax of 8.5 % will be added to all purchases in state. Purchases to be shipped will be sent via Fed Ex or U.P.S for an additional $30 or more depending on the shipping costs. If packing and handling of purchased lots is done by SF Camerawork, it is done at the entire risk of the purchaser.

The signature below verifies that the buyer has read and agrees to the above Conditions of Sale.

Signature Date

Page 57: SF Camerawork Benefit Auction Catalog

ABSENTEE BID FORM

As a service to bidders who are unable to attend the sale, SF Camerawork will enter their absentee bid, subject to the Conditions of Sale on page 54. All lots will be purchased at the lowest possible price subject to any reserve price and other bids, and never more than the top amount indicated by the bidder. Absentee bids can be submitted for silent auction lots and all terms and conditions on page 54 apply. Use this form or facsimile as an order bid and send it to SF Camerawork via email, fax, or mail. Completed forms may be given to the gallery staff during the preview exhibition. All purchases must be paid for upon notification of purchase. Please place your bids as early as possible. In the event of identical bids, the earliest received will take precedence. For more information or to place an absentee bid, please call during gallery hours, Wednesday through Saturday, Noon to 5:00 pm. Absentee bidders can also bid securely online: www.sfcamerawork.org. Please note: SF Camerawork offers this service freely and confidentially, and will not be responsible for error or failure to execute bids.

Name

Address

City State Zip

Phone

Credit Card #

Expiration Date 3-Digit Security Code

Billing ZIP Code Resale # (if applicable)

Artist’ Name/Title

Lot. no. Top limit of bid

Artist Name/Title

Lot. no. Top limit of bid

Artist Name/Title

Lot. no. Top limit of bid

Artist Name/Title

Lot. no. Top limit of bid

Artist Name/Title

Lot. no. Top limit of bid

Signature Date

SF Camerawork, 1011 Market Street, 2nd Floor, San Francisco, CA 94103-1605telephone: 415.487.1011 fax: 415.487.1010 email: [email protected]

55

I would like to purchase raffle ticket(s) at $50 each. Please use my payment information above for this non-refundable raffle donation.

By signing this I agree to be bound by the Conditions of Sale included with this form

Page 58: SF Camerawork Benefit Auction Catalog

Caroline AllisonAddie AndersonBill ArmstrongJohnna Arnold

Christopher BadgerRichard Barnes

Uta BarthAlyson BelcherAlan BlausteinRuth Bernhard

Debra BloomfieldTom Brennan

Marion BrennerRuth-Marion Baruch

Lawrie BrownSparky Campanella

Ellen CareyJohn Chiara

Sarah ChristiansonMark Citret

Lucien ClergueJohn Collier

Robin CoplandBinh DanhJudy DaterScott Davis

Robert DawsonJanet Delaney

Monica DenevanMary Devens

Robert DoisneauBeth Yarnelle Edwards

Seth Dickerman

Dan EstabrookKota EzawaSusan Felter

Lukas FelzmannAnne Fessler

Jeanne Finley andJohn Muse

Christopher FlachBonnie Ford

Howard FrankBenno FriedmanRichard FrintaJeanne Friscia

John GanisMichael Garlington

Jim GoldbergMary Goodrich

Lorne GreenbergDan GrossDoug Hall

William HeickLynn Hershman-Leeson

Todd HidoLarry Holloway

Henry HorenstienRolfe HornN. Jay JaffePirkle JonesChris Jordan

Hiroyo KanekoMark Klett

Charles LaBelleDinh Q. Lê

David MaiselStephanie Loveday

Rebecca MartinezChris McCawKeith McElroy

Lawrence McFarlandSean McFarlandJoel Meyerowitz

Ken MillerRichard Misrach

Margaretta MitchellRichard NaglerSaid NuseibehTetsu OkuharaJ. Wayne OlsonOlivia ParkerJ. John PriolaMimi PlumbVicki Ragan

Michael RaunerHerb Ritts

Ken RosenthalJohn Schaefer

Alice ShawAnne Simmons-Meyers

Karl StrussRichard StultzJohn Vachon

Barbara VaughnAnne Veraldi

Catherine WagnerTodd WalkerRikki Ward

WeegeeGeoff Winningham

INDEX OF ARTISTS(In Order of Appearance)

Page 59: SF Camerawork Benefit Auction Catalog

All proceeds support SF Camerawork’s exhibitions, publications, and educational initiatives.

2012 BENEFIT AUCTION

Page 60: SF Camerawork Benefit Auction Catalog

© 2012 San Francisco Camerawork, Inc