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Product Catalog

2009

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Product Listing

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Europe, Middle East, Africa:Shure Europe GmbH, Wannenäckerstr. 28, 74078 Heilbronn, GermanyPhone: 49-7131-7214-0 Fax: 49-7131-7214-14 Email: info@shure.de United States, Canada, Latin America, Caribbean:Shure Incorporated, Phone: 1-847-600-2000 US Fax: 1-847-600-1212 Int‘l Fax: 1-847-600-6446 Asia, Pacific:Shure Asia Limited, Phone: 852-2893-4290 Fax: 852-2893-4055

www.shure.com

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What’s NEW?

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PG42-USB

Vocal MicrophoneSide-address cardioid condensor micro-phone for lead vocal recording applications

PG27 with Mount

Multi-Purpose MicrophoneSide-address cardioid condensor micro-phone for instrument and vocal recording applications

PG81_VERT

Instrument MicrophoneA sensitive, flat response mic ideal for acous-tic instruments.

PG52

Kick Drum MicrophoneA high-performance microphone tuned to capture low-end punch.

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SM27

Vocal MicrophoneLarge diaphragm, side-address cardioid condenser microphone for the stage and studio.

SM58-X2u

Vocal MicrophoneIndustry standard microphone tailored to deliver warm and clear vocal reproduction.

SM57-X2u

Instrument MicrophoneIndustry standard, highly versatile micro-phone tuned for clean reproduction of am-plified and acoustic instruments.

SM137

Instrument MicrophoneVersatile,flat response microphone in both acoustic and high volume performance ap-plications.

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SM48

Vocal MicrophoneRugged microphone for vocal,speech and karaoke applications.

SM7B

Instrument MicrophoneSheilded,selectable frequency response mi-crophone delivers warm and smooth audio reproduction in close-proximity applications.

SM81

Instrument MicrophoneIndustry-standard, flat-response microphone renown for sonic accuracy in stage and stu-dio performance applications.

Drum DMK

Drum Mic KitIndustry-standard package of legendary microphones and rugged hardware for all stage and studio drum performances

SM

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roph

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Use your favorite microphones to digitally record wherever and whenever your computer takes you with the new X2u XLR-to-USB Signal Adaptor. Perfect for multi-track recording, the X2u features built-in headphone monitoring with zero latency, and easy con-trols to balance microphone and playback audio, just plug and play for better-than-CD quality sound. X2u

Signal Adapter

XLR-to-USB Signal Adapter

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SM81 Windscreen

Large foam windscreen for the SM81

5/8”- 27 Drum Mount

Instrument MountFor microphones using 5/8” - 27 threaded mic clips. Mount horizontally or vertically on drums, cymbals and stands.A56D

SM7 Windscreen

Large windscreen for extra pop protection in voice-over applications. Fits SM7A and SM 7B.A7WS LargeRK345 Small

Mic Clips

Break Resistant MountsSecurely holds the following microphones: Models SM48,SM57,SM58,SM86,SM87A,SM94,Beta57A,Beta58A,Beta87A,Beta87C,515X,545,588SDX,KSM109 and all PG: A25DModels SM81,VP64A,VP64AL,SM63,SM63L,SM63LB,KSM137,KSM141 and AMS26: A57FModel KSM9: A25EAcc

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Headphones

PROFESSIONAL SOUNDFROM EAR TO EAR.

For more than 80 years Shure rug-ged, professional audio products have been defined by a legacy of legendary performance. This passion for audio excellence also drives Shure Professional Head-phones. These headphones live by a simple rule: What goes in must come out. Designed to with-stand the rigors of everyday use, they are an excellent choice for music professionals and music obsessives – for recording, moni-toring and personal listening.

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SRH240

The SRH240 Professional Quality Headphones are designed with a wide frequency range for full bass and detailed highs, ideal for gen-eral listening.

SRH440

The SRH440 Professional Studio Headphones offer an enhanced frequency response to deliver accurate audio reproduction, ideal for recording and monitoring.

SRH840

The SRH840 Reference Studio Headphones are specifically engineered for critical listen-ing and professional recording. With their precisely tailored frequency response they deliver rich bass,clear mid-range and ex-tended highs.

SRH750DJ

The SRH750DJ professional DJ Headphones from Shure provide exceptional sound re-production and comfort. Optimized for DJ-ing, SRH750DJ headphones reproduce ac-curate audio across an extended range.

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What’s NEW?

Ball

Robbie Bottle Cactus Kiwi Mouse Dragonfly Blueberry Bluebird Baby Bottle

Snowball Kickball 8-Ball

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sound takes flight

With it’s unique look and highly versatile performance,the BluebirdTM has been designed to deliver the same highquality,no-compromise audio that Blue users have come to expect. The Bluebird is a large-diaphragm cardioid condenser, utilizing Blue’s re-nowned microphone technology and Class A discrete circuit.

In a departure from its normally application-specificdesigns, Blue engineered the Bluebird to be as versa-tile as possible, with applications ranging from vocals to electric and acoustic guitars, close-miking of drums, drum overheads, percussion, piano and strings, deliver-ing an extended top and bottom that results in crystal-clear sound quality and detail. Plus, the Bluebird bundle also includes the Bluebird Accessory Pak, containing a specially designed shockmount — the BirdCage — and a custom metal mesh pop filter—the BirdNest.

No matter what your sound, the complete Bluebird package offers today’s musician a topnotch recording experience at an outstanding price — all in one nest!

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custom wood storage box

side view

with BirdNest/BirdCage

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Like Father,Like Son.

Following in the footsteps of our acclaimed tubeBottle mic system, the Baby BottleTM mic is trulya chip off the old block. Each and every part ofthis solid-state, Class A discrete condenser has been hand-selected to insure nothing short of a stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, goldsputtered capsule with a fixed cardioid pattern. In the tradition of all our award-winning microphones, the Baby Bottle em-ploys the styling, attention to detail, and hand-craft-ed quality for which Blue has become famous. The Baby Bottle is ideal for recording vocals, sax, percus-sion or any acoustic instrument. Delivering a smoothdetailed midrange quality where required, this Baby can cut through the busiest tracks. Contact your lo-cal Blue microphone dealer for a demo and find out why this best-selling mic is a generation ahead of the pack!

The Baby Bottle shown with its custom shock/pop kit

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Simplicity of design. Purity of sound. Introducing Robbie, Blue’s ne Class-A discrete tube microphone and instrument preamplifier. All ofthe technical quality and design in-novation that goes into our line of award-winning microphones has been engineered into making Rob-bieone of the finest (and most af-fordable) tube preamps availabletoday. With no ICs and only the high-est-quality discrete components

from input to output, Robbie is one of the quietest (-131 dB EIN @ 50½) and most detailed (THD 0.006%) pre-amps on this (or any other) planet. And it’s gorgeous design and ease of use will quickly make Robbie one of the most valuable lifeforms in your studio. For more details and in-formation, log on to www.bluemic.com, or see your local authorized Blue dealer today.

Rob

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Woo

dpec

kerThe Woodpecker was designed to provide the

smooth, intimate sound associated with the most sought-after (and expensive) vintage ribbon micro-phones. With its focused mid-range and outstand-ing bass response, the Woodpecker captures the essence of any recorded sound. The Woodpecker also excels at ambient recording, capturing room tone with the most intimate detail — whether for rock drums, guitars or vocals — any application where some natural space in the recording is desired.To get the most out of this, or any quality microphone, it is essential to pair it with a good microphone pre-amplifier. Most professional recordists prefer to have outboard preamps on hand, and will choose solid-state or vacuum tube models based on their unique characteristics. To maintain the integrity of your sig-nal, try using Blue’s Cranberry, Blueberry or Kiwi high-definition mic cable along with Blue’s outstanding Class-A vacuum tube mic preamp, Robbie. And, whenever possible, connect your pre’s output direct-ly to your recorder or A/D converter, bypassing the mixing board and any unnecessary components.The Woodpecker also includes a custom-designed gold-accented shockmount to isolate the transduc-er from the recording environment and reduce un-wanted low-frequency resonance or rumble.

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Mou

seThe Mouse is a pressure-gradient cardi-

oid condenser microphone, employing the BLUE single-membrane, factory-tuned large diaphragm capsule. For this hand-crafted diaphragm we have selected a 6-micron my-lar film, sputtered with a mixture of pure gold and aluminum, and tensioned to our own hand-built brass backplates. Enclosed within a rotating spherical grille, the capsule can be positioned and adjusted in the smallest of spaces. This innovative design offers fine-tuning and precise placement to please the most discerning recordist, combined with an ease of use that is without equal among ei-ther vintage or contemporary microphones.

Technical SpecificationsTransducer Type Condenser, Pressure GradientPolar Pattern CardioidFrequency Response 20Hz – 20kHzSensitivity 21.0mV/Pa at 1kHz (1Pa = 94dB SPL)Output Impedance 150½Rated Load Impedance >1 k½Maximum SPL 138 dB SPL (2.5k½, 0.5% THD)S/N Ratio 85 dB-A (IEC 651)Noise Level 8.0 dB-A (IEC651)Dynamic Range 130 dB (@2.5k½)Power Requirement +48V DC Phantom Power (IEC 268-15)Weight 980gDimensions 165mm x 65mm

Mouse with The Shock

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What’s NEW?

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Mon

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Mongoose Remote Audio Interface

32 by 32 digital audio matrix routerRADs deliver digital audio up to 100 meters (328 feet) each.Supports up to 32 digital audio channels from up to 8 RADs.Receive 2 and transmit 2 CobraNet Bundles.Supports DHCP, Zeroconf (Link-local & mDNS) & Auto MDI/MDIX.

The Mongoose’s 32-by-32 digital audio ma-trix router receives its first 16 audio channels from up to eight RADs via the eight rear panel 8P8C (RJ-45) Remote Audio ports. The second 16 matrix input channels can come from two 8-channel CobraNet receive (Rx) Bundles via standard CobraNet Primary and Secondary/backup ports. The 32 matrix router outputs transmit 16 channels to eight RADs and 16 more channels to two CobraNet transmit (Tx) Bundles.

A family of RAD models is shown to the right. Each converts analog audio to or from 24-bit, 48Khz digital audio. Each RAD mounts in a standard US electrical gang box. Standard CAT5 cable and termination transport four digital audio channels - two channels each direction - as well as power, ground and a communications channel.

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SL-3

Back

The Rane SL 3 is a new audio interface for Scratch Live.

Enhanced by studio grade preamps and 24-bit au-dio processing, this compact new solution produces a warm punchy sound to heighten the senses. Extra outputs allow DJs and electronic musicians to inten-sify the mix with the Scratch Live SP-6 Sample Player (New in Version 1.9). The auxiliary input provides a live input feed for cre-ative sampling or recording your set. Use any combi-nation of audio source. Control CD, Control Vinyl or MIDI for more flexibility than ever.

Feature and performance enhancements include:• New, Compact Hardware Design• Higher output improves ability to easily match levels of various source types• Improved Dynamic Range (104 dB)• Improved audio performance (24 bit converters)• Galvanic isolation prevents computer noise from interfering with the audio path• USB 2.0 high speed audio interface• Aux Input for Live Mix Recording or LiveFeed• Aux Out channel allows use of Sample Player as a virtual deck and opens the door for future expan sion and creative configurations for DJs and electronic musicians• High-grade Phono Preamps upgrade performance of most mixers• Software switchable Direct Thru Connections for simplified connections• Independent Line/ Phono-level selection for each input for greater flexibility• Includes International Power Supply to insure optimum performance and easy transfer between DJs• Soft Carry Case Included

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The TTM 57SL integrates the best of Rane hardwarewith Serato Scratch LIVE software, allowing you to ful-ly control Scratch LIVE without touching your laptop!

FUTURE PROOFThe features and functional-ity of your mixer willimprove with each newScratch LIVE softwarerelease – and all Scratch LIVEupdates are free!

ADVANCED RECORDING CAPABILITIESRecord your mix directly to hard drive.Choose between one single mixedoutput, or channel 1 and 2 post-faderseparately. Perfect for editing afterthe mix – a mixtape DJ’s dream!

EFFECTS24-bit eects using Rane and Serato’s award winning studio and live sound soft-ware technologies gives you professional studio-quality sound.

MAGNETIC FADERSRane’s legendary patentedmagnetic faders are the fastest,most accurate, and longest-lastingon the planet. The TTM 57SL uses the same faders and perfor-mance-oriented layout that made the TTM 56 famous.

EXTERNAL AUDIO INTERFACEUse the TTM 57SL as a high-qualityUSB audio interface for yourfavorite Mac or PC software – USB1.1 with 8 channels of streaming16-bit / 44.1 kHz audio andon-board DSP processing.

HARDWARE FEATURES• Internal universal powersupply• 4 line / phono inputs• EQ kills on low, mid & high• Dual headphone outputs:/” and ⁄” jacks• Rane’s famous “FlexFX”eects loop system, inaddition to built-in eects• RCA, TRS and XLR outputs,each with dedicated levelcontrols

SCRATCH LIVE CONTROL SURFACEControl Scratch LIVE withouttaking your hands o the mixer.Navigate through your library,load tracks, hit cues, loop andcontrol eects via the integratedcontrol surface.Foot-switch connection forhands-free looping, samplingand effects.

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Back

Front

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What’s NEW?

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Leve

l Piv

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The TC Level Pilot is another one of the “innovative” products to come out of TC Elec-tronic, and the reason for ‘innovative’ in parenthesis is because, well, TC didn’t not invent the potentiometer, which is essentially what the Level Pilot is. But they did come up with the idea of making all our home-studio lives easier by creating it for us to own. That is, if we weren’t all electronics engineers that could easily make our own level-control unit with carbon, paste, and some metal, or if we didn’t own the TC Konnekt 48 that already comes with its own level control. It would be far off in saying TC Electronic created the Level Pilot after realizing how cool the remote control on the K48 is. Of course, the Level Pilot is not like the K48 remote control (if you own/have owned a K48, you’ll know why), it is just a potentiometer that has made working life alot easier. The best part of this little knob is, it works with every setup out there.

monitor level at your fingertips

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The evolution of tried and true What does a vocalist live for? A jaw-dropping vocal sound that takes audienc-es over the edge. Get that sound instantly with VoiceLive 2, the ultimate floor-based vocal processor. It’s more than an upgrade, it’s a vocal revolution.

Easier than ever With a completely redesigned user interface, VoiceLive 2 is easy to use whether you’re looking for one preset or a creative sequence of sounds for every song.• Wizard button helps you find the right preset• Stompbox access to six effect blocks• One button access to global Tone, Pitch and Guitar FX• Easy editing of all parameters• Simple preset chaining with Step feature• USB for updates, back-ups and audio streaming

New NaturalPlay harmonies Whether you play guitar, a MIDI keyboard or no instrument at all, VoiceLive 2 has brilliant vocal harmonies for you.• Control harmonies with guitar, MIDI or MP3 input• Up to 8 voices with MIDI keyboard control or 4 doubled harmonies• All new algorithm is smooth and natural even for extreme vocal styles• Auto sensing of harmony control instrument

More power, voices & effects VoiceLive 2 contains virtually all the effects necessary to produce any vocal sounds of decades past, and into the future.• 5X processing power of typical floor processor• Separate harmony and doubling blocks• New reverb, tap delay, µMod• FX block for T-Pain effect, megaphone, distortion• Global effects including Tone, pitch correction, and Guitar FX• All effects can be used simultaneously

An engineer that listens Like a great audio engineer, VoiceLive 2 listens to you and adjusts to make your voice sound smooth and produced.• Tone tailors adaptive EQ, compression and de-ess to your voice• Adaptive gate reduces mic input when you’re not singing• Digital mic-gain control is engaged with your feet

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Solid design meets comfort Built with your comfort in mind, VoiceLive 2 has some practical features that will make for effortless perfor-mances.• Natural curve puts footswitches at comfortable angle• Recessed rubberized handle• Bright LCD and large lettering• Rubberized end caps and edit/mix knobs• Extruded aluminum and steel chassis

Complete Connectivity VoiceLive 2 has the most complete connectivity of any vocal floor processor.• Mic or Line input with digital controlled mic gain• Guitar input with auto-mix , Guitar FX as well as transparent pass-thru• Stereo 1/8” (MP3 player ) input• Stereo XLR, ¼” and Headphone outputs• MIDI in, out and thru• Expression pedal input• USB for updates, back-up and audio streaming

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What’s NEW?

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Two-way full analog active nearfield monitor - 6.9” wooferand 1.1” soft dome tweeter

The BM 6A Mk II delivers the distinctive Dynaudio objectivityand accuracy exposing every audible detail to the critical and demanding engineer - be it in music monitoring, mix-ing, broadcasting, OB vans, editing suites, post production facilities and project studios.

Onboard LF/MF/HF placement filters as well as subwooferhigh-pass filters allow optimal adaptation in any applica-tion including a powerful combination with the BM 14S.

Two-way full analog active nearfield monitor - 8” neo-dymiummagnet woofer and 1.1” soft dome neodymium tweeter

This medium-sized nearfield monitor delivers the worldre-nownedDynaudio clarity and transparency, building on the latest Dynaudio Acoustics neodymium driver technol-ogy.

The onboard placement and subwoofer adaptation filters allows BM 12A to blend seamlessly into a large range of ap-plications such as OB vans, project studios, post production facilities etc.

BM6A MKII

BM12A

Powerful and Excellent MonitorsThe BM monitors – both in their passive and active forms - are clean, powerful and accurate monitors where excellent results are easily achieved. The sound is always transparent and crisp ensuring the most realistic listening conditions for a wide array of applications. Comprised of renowned Dynaudio driver technology, these monitors have become the standard when it comes to high performance and transpar-ency. In combination with the subwoofers, the BM series is also very well suited for multichannel facilities.

Main Features - BM seriesX Unique linear phase and frequency responseX 28mm soft dome tweeter with neodymium magnet and aluminum voice coilX Every monitor matched to any other monitor within ± 1.5 dBX BM 5A Compact, BM 5 & BM 5A, BM 6 & BM 6A:175mm (BM 5A Compact 145mm) magnesium silicate impregnated polypropylene(MSP) bass driver with exceptionally large 75mm aluminum voice coilX BM 15 & BM 15A: 240mm magnesium silicate impregnated polypropylene(MSP) bass driver with exceptionally large 100mm aluminum voice coilX Internal damping for minimum cabinet resonanceX Thermal protection of the tweeter

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PO BOX 3191, Sharjah, United Arab EmiratesTel: +971-4-2665244

Fax: +971-4-2626682