sebastiano serlio (1475-1554) - proportion and …proportions.de/serliomuet.pdfsebastiano serlio...
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![Page 1: SEBASTIANO SERLIO (1475-1554) - Proportion and …proportions.de/SerlioMuet.pdfSEBASTIANO SERLIO (1475-1554), SELECTION OF I SETTE LIBRI D’ARCHITETTURA Serlio, Wiener Probedrucke](https://reader034.vdocuments.us/reader034/viewer/2022051306/5aa7bdf57f8b9ad31c8c53bc/html5/thumbnails/1.jpg)
SEBASTIANO SERLIO (1475-1554)
&
PIERRE LeMUET (1591-1669)
as Pioneers of the Architecture of Modern Age/
als Wegbereiter der Architektur der Neuzeit
Ptoportion Analyses prepared by/ Proportionsanalysen von Dr. Joachim Langhein
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SEBASTIANO SERLIO (1475-1554), SELECTION OF I SETTE LIBRI D’ARCHITETTURA
Serlio, Wiener Probedrucke Serlio, Libro VII, 139: Kleiner Stadtpalast Serlio, Libro VII, 131B zu Libro VI, 62
Serlio, Libro VII, 105 Serlio, Libro VII, 187 Serlio, Libro VII, 195
Serlio, Book 4, 56 : Venetian House Serliko, Book 4, 155
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SERLIO, pl. 2
Serlio, Book 6, Avery Ms. (Cornell), LI, 1st design Ibid., Book 6, Avery Ms. (Cornell), LI, 2nd design
Serlio,Vienna Woodstock Prints Serlio, Book 6, Avery Ms (Cornell), XXIII (project T 19) Prints
Serlio, Book 6, Avery Ms. II.3; similar Munich Ms. Serlio, Bookm 6, Avery Ms. II.4; similar Munich Ms. (Bayerische (Bayerische Staatsbibliothek), Book 6, III.3 Staatsbibliothek), Book 6, III.4
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SERLIO, pl. 3
Serlio Book 6, Avery Ms. IV; similar Munich Ms. 6, VI Serlio Book 6, Avery Ms. LI.2
Serlio, Book 7 (Libro VII), 103 (original woodcuts of the 1575 edition)
Serlio, Book 7 (Libro VII), 139 (original woodcuts of the 1575 edition)
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SERLIO, pl. 4
Serlio, Book 7 (Liber VII), 179 (original woodcuts of the 1575 edition)
Serlio, Book 7 (Liber VII), 131 (original woodcuts of the 1575 edition)
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SERLIO, pl. 5
Serlio Book 7 (Liber VII, 1575), 147
Serlio Book 7 (Liber VII, 1575)
Serlio Book 7 (Liber VII, 1575), 195
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SERLIO, pl. 6
Serlio Book 7 (Liber VII, 1575), 183 Serlio Book 7 (liber VII, 1575, 187
Serlio, Book 6, Vienna Test Prints, Tab. III, 9 Serlio, Book 6 (Avery Ms.), VIII.1
Serlio, Book 6 (Avery Ms.), 62.2: Serlio’s Proposal for the Reshaping of the Façade of the Palazzo della Podestà, Bologna
Château Ancy-le-Franc, constructed by Serlio, probably 1542-1546
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PIERRE Le MUET (1591-1669) Treatise « Manière de Bien Bastir » (1623, 1647, 1664, 1681, 1723) –
English Edition ed. by R. PRICKE, “The Art of Sound Building” /”The Art of Fair Building” (1670, 1675, 1679)
Piere Le Muet (1591-1669), Le Muet, Pariser Le Muet, Stadthaus, ibid., 29 L'Art de Bien Bastir 1623, 1 Stadthaus, 23A
Le Muet, Stadthaus, ibid., 31 Le Muet, ibid., 33 (Quadratur) Le Muet, ibid., 37
Le Muet, ibid, 39 Le Muet, ibid,m 53 (Golden Tr.) Le Muet, ibid., 61
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Le Muet, ibid., 69 Le Muet, ibid., 95
Plate 2: PIERRE LE MUET (1591-1669), pl. 2
Pierre LeMuet, Stadthaus (Bien Bastir, 23)
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Pierre LeMuet, Stadthaus (Bien Bastir, 29)
Plate 3: PIERRE LeMUET, pl. 3
LeMuet, Bien Bastir, 39 LeMuet, Bien Batir, 37
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LeMuet, Bien Bastir, 33 LeMuet, Bien Bastir, 61
LeMuet, Bien Bastir, 69 LeMuet, Bien Bastir, 19
PIERRE LeMUET (1591-1669), Selection from/Auswahl aus “L’Art de Bien Bastir pour touttes Sortes de Personnes”, 1623.
Le Muet, ibid, 53 (Golden Triangle P.) Ibid., 69 ibid., 95
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L'Art de Bien Bastir 1623, 19 Paiser Stadthaus, 23A Le Muet, ibid., 37 Stadthaus, ibid., 29
Le Muet, ibid., 61 LeMuet, Bien Bastir, 33 ibid., 31
The treatise of Pierre LeMUET (from Dijon) on
„sound building of townhouses” was approx. six
times reprinted until 1723, and also translated into
English to serve to become an influential guide for the rebuilding of London after the Great Fire of
1666. LeMuet was surely influenced by SERLIO’s
printed and unprinted design materials. It looks
probable on one hand that LeMuet adapted the
clarity of Serlio’s Italian design to French prefe-
rences, on the other hand that LeMUET was also
been influenced by particular French TVA. His
influence on the design of townhouse everywhere in France - particularly at Paris - was strong in the
urban French urban architecture until ca. 1900.
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ibid., 27
Mannerism in the design of Jacques Gentilhâtre (1578- ca. 1623),