sculpted! using sculpture as a design lens
TRANSCRIPT
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SCULPTED! Using Sculpture as a Design Lens
![Page 2: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/2.jpg)
“Sculpture is Truth … A statue can embrace
me; I can kneel before it and become its
friend and companion, it is present it is there.”
![Page 3: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/3.jpg)
deconstruct sculptural experience
use as a design lens for interaction design
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FORM
MULTIPLE VIEWPOINTS
PHYSICAL PARTS
BODILY EMPATHY
MULTI-SENSORY
CONTEXT
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FORM
![Page 7: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/7.jpg)
MULTIPLE VIEWPOINTS
![Page 8: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/8.jpg)
PHYSICAL PARTS
![Page 9: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/9.jpg)
BODILY EMPATHY
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MULTI-SENSORY
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CONTEXT
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FORM forms without function
MULTIPLE VIEWPOINTS unfolds over time and distance
PHYSICAL PARTS uses familiar materials
BODILY EMPATHY engages physical imagination
MULTI-SENSORY thinking physically
CONTEXT more than the thing itself
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http://www.flickr.com/photos/sixteenmilesofstring/2455534480/sizes/l/in/photostream/
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Stripped of function, what does the form
say about the design?
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FORM forms without function
![Page 16: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/16.jpg)
Does the experience unfold? Are there
different qualities based on
time/distance/context?
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MULTIPLE VIEWPOINTS unfolds over time and distance
![Page 18: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/18.jpg)
Does it reference materials that are familiar
– wood, metal, etc.?
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PHYSICAL PARTS uses familiar materials
![Page 20: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/20.jpg)
PHYSICAL PARTS uses familiar materials
![Page 21: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/21.jpg)
Do the physical interactions ring true?
Does it mimic, mirror or elicit a movement
or bodily state?
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BODILY EMPATHY engages physical imagination
![Page 23: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/23.jpg)
Does it inspire/require an active sensory
engagement?
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MULTI-SENSORY thinking physically
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How does the design interact with its
environment? Is it flexible? What is its
relation to the objects around it?
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CONTEXT more than the thing itself
![Page 27: Sculpted! Using Sculpture as a Design Lens](https://reader033.vdocuments.us/reader033/viewer/2022060201/5599d84e1a28ab9d068b480f/html5/thumbnails/27.jpg)
THE TAKEAWAY