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SCREEN MEDIA

Presents

BEL CANTO

In NY & LA Theaters September 14th On Digital & On Demand September 21st

Starring Oscar® winner Julianne Moore and Oscar® nominee Ken Watanabe

Directed by Paul Weitz (“Mozart In The Jungle”, GRANDMA, ADMISSION, LITTLE FOCKERS) Written by Anthony Weintraub and Paul Weitz Vocals by international opera star Renée Fleming

Based on the New York Times best-selling novel by Ann Patchett

RT: 100 Minutes

U.S. Publicity | Falco Ink. 212-445-7100 Annie McDonough, Courtney Richards AnnieMcDonough@falcoink.com , CourtneyRichards@falcoink.com

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ABOUT THE STORY

Based on Ann Patchett’s best-selling novel, BEL CANTO is a dramatic love story that follows a famous soprano (Julianne Moore) who travels to South America to give a private concert at a party for a wealthy Japanese industrialist (Ken Watanabe). Just as the glittering gathering of diplomats and politicians convenes, the mansion is taken over by a guerrilla rebel group demanding the release of their imprisoned comrades. Threats are made, lives are lost, a tense negotiation begins, and a long standoff ensues.

While they are confined to the house, the hostages and their captors, who speak different

languages, are forced to find ways to communicate. Music, especially the beautiful arias performed by Moore’s character, sparks a shared sense of camaraderie and even love, uniting the disparate housemates as they form unexpected bonds, overcome their differences, and discover their shared humanity.

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ABOUT THE PRODUCTION

In a mythical South American country, a place known for poverty and repression, a

famous American opera singer, a Japanese industrialist, and a group of diplomats become pawns in a politically-charged stand-off when impassioned revolutionaries raid a state-sponsored event and hold the guests hostage. BEL CANTO is a beautifully observed story about the prisoners and their captors, painting a complex, compelling, and emotionally-charged portrait of how human nature reveals itself in the course of an impossibly tense situation. The standoff challenges conventional ideas about friends and enemies, right and wrong, justice and injustice. Based on the bestselling novel by Ann Patchett, BEL CANTO stars Julianne Moore as Roxane Coss, the soprano with the voice of an angel, Ken Watanabe as Mr. Hosokawa, the businessman who is her devoted fan, Christopher Lambert as the French Ambassador, and an impressive international cast that includes Sebastian Koch, Ryo Kase, Maria Mercedes Coroy, Tenoch Huerta, Noe Hernandez and Elsa Zlyberstein . BEL CANTO was directed by Academy Award nominee Paul Weitz, written by Weitz and Anthony Weintraub, and produced by Academy Award nominee Caroline Baron, Anthony Weintraub, Andrew Miano, Lizzie Friedman, Karen Lauder and Greg Little.

Published in 2001, BEL CANTO received instant acclaim and went on to win the

PEN/Faulkner Award for Fiction, the Orange Prize for Fiction, and was named Amazon’s Best Book of the Year. The New York Times called it “A beguiling mix of thrills, romantic-comedy, and a novel of ideas.” The New Yorker described it as “A fantasia of guns and Puccini and Red Cross negotiations.” And the San Francisco Chronicle said it was “blissfully romantic” and “spellcasting.”

Producer Caroline Baron read the book soon after its release, immediately recognized its

dramatic potential and optioned it in 2002. “I read the book in the fall of 2001 shortly after 9/11. At a time when the world seemed fractured and frightening, I was immediately drawn in by this story about a group of multi-national, multi-lingual characters, who ultimately recognize their shared humanity through music. I had recently founded FilmAid, an international humanitarian aid organization with a mission to use the healing power of film to relieve psychological tension in refugee camps, and the book’s themes resonated deeply with me.”

At the time, she was dating writer/producer Anthony Weintraub, and he sparked to the

novel as well, immediately seeing its cinematic potential. “Ann has an amazing ability to write dramatic, dynamic stories in beautiful settings that speak to the heart,” he says. “Many readers have commented that the book ‘leaps from the page,’ meaning it feels so real, so visual, and that’s what made it so enticing to imagine as a film. That doesn’t mean it was easy to write – in some ways it was more challenging – but it does make you feel like you are seeing the movie play out when you read the book. To me, this represents the essence of a story ripe for adaptation.”

He cites the story’s enduring themes as strong points in any medium. “To me, BEL

CANTO is about human connection, how during the gravest of circumstances we yearn for and make connections, see beyond differences and find love. Actually, what the story suggests is that

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instead of turning to hatred and violence, our strongest impulse is to be civil. We gravitate towards each other, not away from each other.”

When approached by Baron and Weintraub to work on the project, director Paul Weitz,

whose credits include Grandma, Admission, About a Boy, and Mozart in the Jungle, was also struck by the book’s universality and its cinematic qualities. “The imagery in the novel is beautiful,” he observes. “It felt like there was a dash of Buñuel in it, as well as the influence of opera, which deals so directly with big, eternal questions. There is a beginning and end to the narrative, as there is in life. Most importantly, the bare bones of the story felt like a fable, which spoke to the most important things in life.”

The filmmakers made it their mission to preserve the novel’s virtues. As Weitz explains,

“A film has a very short time with which it can tell a story. I think an adaptation is a portrait of a novel – a portrait that hopefully captures something of the work’s essence.” A challenge was the fact that many of the characters do not speak the same language. The importance of communication – in the literal sense that one person cannot understand another’s words, and metaphorically, when there are differences in class, culture, education, motivation, and dreams – becomes one of BEL CANTO’S underlying themes. “One of the most salient points of the book for us was that it was about people from all over the world coming together in a very trying situation and not killing each other,” Weintraub observes. “So that representation, a sort of United Nations in the house, as it were, was not only vitally important to us, it was one of the story’s main attractions.”

Weitz concurs that he wanted to avoid the unrealistic trope of having every character

somehow speaking English. “One reason I was attracted to the project was that I wanted to make a film in multiple languages and to work with certain actors whose primary languages I didn’t speak. I felt that I lucked out in casting Maria Mercedes Coroy (Carmen), whose only previous film, Ixcanul, had been made entirely in her first language, Kaqchikel.” Ryo Kase plays the role of Gen, Hosokawa’s translator. Raised in Japan, Kase spent part of his childhood in Washington state. He studied German, French, Spanish and Russian in order to authentically portray an interpreter. In the film, Julianne Moore speaks English; Ken Wantanabe speaks Japanese; and the rebels speak Spanish and Kaqchikel. “Making this work cinematically without sacrificing believability was one of our greatest challenges,” says Weintraub. “The mechanics changed subtly over time – for example, the character Gen, the translator played by Ryo Kase, was used in creative ways. But we tried hard not to scrub anything out of the film merely for simplicity’s sake.”

At the center of BEL CANTO is the language that transcends all barriers – the universal

language of music. The film uses opera as a plot device – it is the raison d’etre for the characters assembling in the first place – and the film is operatic in its form and impassioned style of storytelling. Music brings the characters together, as they gather to hear internationally acclaimed soprano Roxane Coss perform at a state function. Music fuels the romantic liaison between Roxane and Mr. Hosokawa, the devoted fan who traveled to South America to hear her perform in person. And music eventually creates bonds among the disparate group of captors and hostages as their fates become increasingly intertwined. “Lacking language, the characters are

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united by music,” explains Weintraub. “It is Roxane’s voice that provides a kind of ‘soft landing’ for the people to communicate and be together.”

In terms of the romance between characters who don’t speak the same language, Weitz

was reminded of his maternal grandmother, Lupita Tovar, an actress from Oaxaca Mexico, who fell in love with his grandfather, a Czech, before she spoke their eventual common language of English.

Casting a film based on a popular novel can be a difficult undertaking because readers

have expectations of how the characters should look and act. In this respect, BEL CANTO does not disappoint. The filmmakers have assembled a stellar international cast, with Academy Award winner Julianne Moore and Academy Award nominee Ken Watanabe at its center, and skilled actors such as Christopher Lambert, Sebastian Koch, Olek Krupa, Ryo Kase, Maria Mercedes Coroy, Tenoch Huerta and Elsa Zylberstein in the ensemble. “Casting was one of the most exciting and fun parts of the job, simply because there are such great actors out there,“ recalls Weintraub. “We had an embarrassment of riches, and it was a joy coming to work each day with such a diverse cast.” The international, multi-lingual cast mirrored their characters’ interactions - the actors worked closely together, translating for one another and helping each other as they adapted to a temporary life in NYC. For some, it was the first time living in the United States.

Weitz had worked with Moore on his film Being Flynn, and also with Watanabe on

Cirque du Freak, and was very enthusiastic about their participation in BEL CANTO. “The key thing for me was sending the script to Julianne Moore and having her want to make the film with me,” Weitz observes. “There is a baseline of intelligence and fearlessness to her as a person and as an actress. I knew I would be building BEL CANTO with a partner whom I admired.” Moore portrays Roxane Coss as a strong, smart, and compassionate woman who knows the power of her art. Even when she finds herself trapped in a dangerous, life-or-death situation in a foreign locale, she radiates confidence and control.

Weitz also has high praise for Watanabe. “Ken Watanabe has a lovely sense of humor

and a physical grace that I knew would benefit a character who is being held captive during most of the film.” A composed and contemplative man – a natural leader at all times – he brings serenity and ultimately, romance to the tense hostage drama.

Music plays a critical part in the film, both dramatically and thematically, so it was

extremely important to weave opera into the story in a beautiful, believable, and melodic way. Additionally, Julianne Moore had to be completely credible as a famous soprano. The incomparable Renee Fleming, arguably the most celebrated opera singer in the world, recorded the singing for the film and worked with Julianne Moore to develop her character. Fleming’s involvement with BEL CANTO began when Ann Patchett contacted her while she was researching the novel, and they became friends. Subsequently, the filmmakers met Fleming in the process of developing the film. “It was always our dream to have her involved,” says Weintraub, “but there was never a presumption that she would sing the role. Renee was always incredibly generous, and when the time came, we asked her if she would come on the project. We were overjoyed when she said “yes.”

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Weitz had previous experience filming opera during production on the award-winning

series, “Mozart in the Jungle,” when he staged a recital featuring Placido Domingo on the Grand Canal in Venice. He was eager to work with Renee Fleming because he knew she would provide great insight into the character. “Renee was integral to the creation of Roxane Coss,” he explains.” “I even used something she said casually during her first recording session, which was that Dvorak’s “Rusalka” is ‘just like The Little Mermaid, but it’s opera, so everyone dies in the end.’ Renee has a lovely sense of humor, and that helped to inform the character.”

Julianne Moore was present when Fleming recorded the vocals for the film, so she was

able to study the soprano’s singing style, posture, and gestures. They conferred about how the music – particularly Tosca’s “Vissi d’Arte” – should be performed from a dramatic point of view. Moore visited the Metropolitan Opera a few times to observe rehearsals and attended a performance of “Rusalka.” She was coached by Gerald Martin Moore, a brilliant vocal coach, accompanist, and raconteur who has worked closely with Renee Fleming for many years. Her research and her understanding of the role enabled Moore to deliver an inspired portrayal of a classical singer completely at home in the modern world.

While opera is in the foreground of the film, the filmmakers had to consider what kind of

a score would best suit BEL CANTO -- whether to have one, or to punctuate the action with incidental music. “Music is the beating heart of the film,” says Weitz , “so it was always important to make sure the choices of the songs and any other musical elements made sense, both dramatically and thematically.” He was attracted to the work of Emmy-nominated composer David Majzlin, who developed a score that complemented the film beautifully and worked in concert, so to speak, with the classical music that was already a significant part of the story. Renee Fleming was effusive when describing Majzlin’s contribution, stating that his “evocative scoring lends itself perfectly to the dramatic unfolding of the film – the vocal textures are both beautiful and haunting. It’s clear that David had an artistic vision for the entire soundscape, which is rich, and infused with Latin flavor.”

BEL CANTO had an efficient shooting schedule of approximately twenty-eight days,

with locations concentrated in New York and Mexico City. “This is a ‘hostage siege’ movie, and almost all of the film takes place inside a mansion. “We embarked on a search for a house, and amazingly, we found a mansion in Yonkers that was an ideal setting for the Vice-President’s home in the story. Through the magic of cinema – and our Production Designer, Tommaso Ortino – we were able to dress the home and create the environment for the film while also remaining in New York. This matched beautifully with our exterior location in Mexico City, where we shot for about eight days.”

The Metropolitan Opera is highlighted during the film’s dramatic final scene, and in this

case, the production was fortunate to have access to “Live in HD” footage graciously provided by the Met, so the audience and interior shots could be grand and authentic.

Paul Weitz believes that the dominant theme of BEL CANTO is a search for the essence

of what makes us human. “In the beginning of the movie, the characters are adversaries, “ he

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says. “But, by the end, their differences have been eroded by their shared experiences, romance, music, and a sense of mortality. They have bonded with each other. It is an operatic theme.”

And, he points out, given current events, the story is even more topical than it was when

the book first came out. “The question of whether we deal with people as fellow human beings, or as “the other,” is obviously a pressing one right now. I am happy that the movie weighs in on the side of human commonality.” Adds Weintraub, “We are so divided as a society, with less connection and more ways (such as technology) to hide. BEL CANTO celebrates our inherent need to come together. Stripped of everything, these people find ways to talk to each other, to connect, to find their common humanity. In the end, they discover that we are all the same.”

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WHAT REALLY HAPPENED IN PERU? The book and the film were inspired by the 1996 Peruvian hostage crisis, often referred to

as the Japanese embassy hostage crisis. The crisis began in December of 1996 when members of one of the two largest rebel groups in Peru - the Túpac Amaru Revolutionary Movement (or MRTA) - raided a party being held at the residence of the Japanese ambassador to Peru, a party intended to celebrate Japanese Emperor Akihito’s birthday.

The leader of Peru at the time was Alberto Fujimori, a Japanese Peruvian known for his

anti-terrorist strongarm policies, who eventually ended up fleeing Peru over charges of corruption and human rights violations. After an initial shootout, members of the Túpac Amaru, led by former union leader Nestor Cerpa took hundreds of diplomats, government officials and business executives hostage, but they soon released the women and children and most of the foreigners.

After worldwide attention over the four-month crisis, but little movement in negotiations,

the Peruvian Armed Forces conducted an intricately planned siege, resulting in the deaths of one hostage, two commandos, and all the MRTA militants. President Fujimori initially basked in the ‘successful’ resolution, but reports later surfaced that a number of the insurgents were summarily executed after surrendering. Additional stories from released hostages generated further favorable publicity for the rebels, as many spoke positively of their treatment at the hands of the guerrillas.

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ABOUT THE CAST Julianne Moore Julianne Moore is an Academy Award and Emmy winning actor, and the first American woman to be awarded top acting prizes at the Cannes, Berlin, and Venice film festivals. Julianne also is a NY Times bestselling author for her children’s book series Freckleface Strawberry. She is on the Advisory Council of The Children's Health Fund, a supporter of the Tuberous Sclerosis Alliance, and in 2015, became founding chair of the Everytown for Gun Safety Creative Council, a creative community established to help amplify the movement to end gun violence in America. Julianne can next be seen in Bel Canto (2018) and Gloria (2018). Ken Watanabe Since Ken Watanabe made his American film debut in Ed Zwick’s The Last Samurai (Oscar, Screen Actors Guild, Critics’ Choice and Golden Globe award nominations) opposite Tom Cruise, the actor has collaborated with some of most significant filmmakers of our time. In 2006, Watanabe portrayed the courageous Japanese General Tadamichi Kuribayashi in Clint Eastwood’s award-winning World War II drama Letters from Iwo Jima. Watanabe first worked with director Christopher Nolan on the 2005 blockbuster Batman Begins and subsequently on Inception. For Rob Marshall, Watanabe starred in Memoirs of a Geisha, the lush screen adaptation of Arthur Golden’s best-selling novel. Earlier this year, Watanabe lent his voice to Isle of Dogs, Wes Anderson’s stop-motion animated film. Watanabe most recently completed work with Ryan Reynolds in Detective Pikachu, Legendary Entertainment’s live-action Pokémon movie directed by Rob Letterman. In a role specifically created for the film, Watanabe plays a character named Detective Yoshida. Universal is set to release Detective Pikachu on May 10, 2019. Christopher Lambert Though born in Great Neck, Long Island, Christopher Lambert's family left the US when he was only two years old. His father was a United Nations diplomat assigned to Switzerland and, as a result, Chris was educated at private boarding schools in Geneva. Inspired through his having appeared in a play at age 12, he went to the Paris Conservatoire where he remained for two years. After a few small parts in French films, beginning in 1980, he successfully competed for the title role in Warner Bros. Greystoke: The Legend of Tarzan, Lord of the Apes. His co-stars included Ian Holm, James Fox and Ralph Richardson (in his final film performance). The movie was popular with Tarzan buffs for remaining faithful (in the first half at least) to Edgar Rice Burroughs' original story. Two years later Lambert brought to the screen Gregory Widens' legendary Connor MacLeod, the immortal Highlander, born in the Highlands of Scotland in 1518 and carrying over into the futuristic Highlander II: The Quickening and Highlander: The Final Dimension. The Highlander franchise has brought together about 50 million fans worldwide. He also appeared as the lead on Michael Cimino’s film, The Sicilian. He worked on two of Claude Lelouch films, Un Plus Une opposite Jean Dujardin, and Chacun Sa Vie, both which premiered at the LA Film Festival. Christopher got to work with the Coen Brothers on the film Hail, Caesar!

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Sebastian Koch Sebastian Koch is one of Germany’s most successful actors. The Lives of Others marked his international breakthrough, with the film winning both the 2007 Academy Award and 2007 BAFTA Award for Best Foreign Language Film, along with the César, and the Best Film Award at the European Film Awards and the German Film Awards. In 2013, he played Bruce Willis’ adversary in part five of the Die Hard film series, A Good Day To Die Hard. In 2014, Sebastian Koch returned to German Television in “Bertha von Suttner und Alfred Nobel - Eine Liebe für den Frieden”. Then followed two Hollywood films in 2015: Stephen Spielberg’s Bridge of Spies alongside Tom Hanks, and Tom Hooper’s The Danish Girl in which he played the surgeon Dr. Warnekros. He also starred in the French film Bamberski – The Kalinka-Case, Kai Wessel’s Fog in August, and Au Nom de ma Fille. He returned to the small screen with a leading role of Otto Düring in the critically acclaimed series “Homeland”, alongside Claire Danes. Sebastian Koch will next be seen in Florian Henckel von Donnersmarck’s upcoming feature film which will have its world premiere at Venice Film Festival, and then will play at Toronto and Zürich Festivals. Ryo Kase Ryo Kase was born on November 9, 1974 in Kanagawa, Japan. Shortly after birth his family moved to Washington, United States, where he spent most of his childhood. Kase began his acting career in 2000 and gained his first starring role in Kazuyoshi Kumakiri’s Antenna (2004). He then went to work with several internationally renowned Japanese film directors, including Takashi Kitano, Hirokazu Koreeda and Kiyoshi Kurosawa. His first appearance in an international film was Clint Eastwood’s Letters from Iwo Jima (2006). He continued to appear in several high-profile international films including Gus Van Sant’s Restless (2011), Abbas Kiarostami’s Like Someone in Love (2012), Hong Sang-soo’s Hill of Freedom (2014) and Martin Scorsese’s Silence (2017). He is a recipient of multiple awards, including a nomination for a Japan Academy Award, Blue Ribbon Award, and Hochi Film Award. Tenoch Huerta Mexican actor nominated 5 times for the Mexican Academy ward (Arieles), winner of the award for best performance in 2012 for the movie Di as de Gracia (official selection for Cannes Film Festival). Tenoch has participated in multiple films and TV shows nationally and internationally, notably: Sin nombre, directed by Kary Fukunaga; Gueros, directed by Alonso Ruizpalacios; El movil, directed by Manuel Marti n Cuenca; Tigers are Not Afraid, directed by Issa Lopez; Aqui en la tierra, a Fox production’ and “Narcos,” the Netflix top show. Tenoch is one of the most representative actors of the Mexican film scene and his films have received praise from specialized critics around the globe, as well as countless awards in the most important film festivals in the world. Maria Mercedes Coroy María Mercedes Coroy was born and raised in Guatemala. Her first professional acting experience came with Ixcanul, a movie directed by Jayro Bustamante, who found and cast her in her own town Santa María de Jesús. Early this year, she was shooting her first TV series, which includes five episodes, directed by Julián De Tavira, in the leading role of “Malinche” for Bravo Films and Canal Once in Mexico. María Mercedes will be shooting her next film La Llorona, at the end of this year directed again by Jayro Bustamante and produced by La Casa de Producción.

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Olek Krupa Olek Krupa (née Aleksander) is a Polish-born actor, primarily known for his work as a Russian “tough guy.” He studied acting at the Drama Academy in Warsaw, Poland, and became a lead performer at Teatr Stu, a long-thriving avant-garde theater company in Krakow, Poland. In 1981, he immigrated to the United States, where he began his career performing on stage, and in film, and television. He received the Drama-Logue Award for his performance in Figaro Gets A Divorce at the La Jolla Playhouse, and has participated in stage productions with great American directors such as Joseph Papp and Robert Woodruff, and American playwrights, Len Jenkin, and Mac Wellman. He has worked with film directors John Turturro, Woody Allen, the Coen brothers, John Frankenheimer, and Adrian Lyne, and countless other noted, talented artists. He is best known for his work in films such as Miller’s Crossing, Home Alone 3, Blue Streak, Behind Enemy Lines, The Italian Job, and Hidden Figures.

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ABOUT THE FILMMAKERS Paul Weitz (Director, Screenwriter) Paul Weitz’s directorial debut, along with his brother Chris, was American Pie. In addition to writing the animated film Antz, Paul also co-wrote and directed About a Boy, for which he and Chris earned an Academy Award nomination for Best Adapted Screenplay. Additionally, Paul is the writer and director of films including Being Flynn, In Good Company, American Dreamz, Little Fockers, and Admission. Paul developed, wrote, directed and produced the Golden Globe-winning Amazon series “Mozart in the Jungle,” starring Gael Garcia Bernal. His most recent film, Grandma, starring Lily Tomlin, was released by Sony Pictures Classics and received a Globe nomination for Tomlin. As a playwright, he works with Second Stage Theatre in New York. His published plays include “Lonely I’m Not” which starred Topher Grace and “Trust” starring Bobby Cannavale and Sutton Foster. As an actor he has worked for directors Miguel Arteta (Chuck and Buck) and Jeff Baena (Little Hours). Anthony Weintraub (Screenwriter, Producer) Anthony Weintraub is an accomplished screenwriter, film and TV producer and director, with a foot in industries ranging from feature films, children’s media, communications, and branding. Through their company A-Line Pictures, Weintraub and his partner/wife Caroline Baron recently produced the feature film Bel Canto, based on the bestselling novel by Ann Patchett and starring Julianne Moore and Ken Watanabe. Anthony co-wrote the screenplay with director Paul Weitz. In 2007, Anthony adapted Taiyo Matsumoto’s groundbreaking graphic novel Tekkonkinkreet to the screen, becoming the first Westerner to write a Japanese anime. Tekkonkinkreet won the Japanese Academy Award for Best Animated Film and was nominated for Best First Feature at the Berlin Film Festival. Anthony also contributed dialogue and story-edited the classic anime omnibus series The Animatrix (based on the scifi masterpiece The Matrix). Beginning work in the industry as a story editor, Anthony went on to advise and do scene and dialogue work for several major Hollywood studios. As well, Anthony has directed award-winning short films which have screened in the Deauville, Ann Arbor, and Athens Film Festivals. Anthony recently co-founded yummico, a children’s media company, developing projects and writing teleplays for companies such as Dreamworks, Canadian Broadcasting Corp, and Amazon. Anthony also conceptualized and wrote Yummiloo Rainbow Power, an award-winning iOS game app, as well as launching a successful Kickstarter campaign to fund the pilot for yummico’s show Yummiloo. Anthony is also a consultant for non-profit institutions – making promotional and brand films, directing special events, and designing media outreach campaigns for NGOs including Human Rights Watch, the Richard Gere Foundation, The Nation Institute, and FilmAid International. Weintraub’s brand and lifestyle consulting work extends to hotel and retail ventures as well as other media outlets. Anthony is an adjunct professor at NYU’s Tisch School of the Arts, an active lecturer and public speaker. Anthony graduated with a BA in Theater and Art (Film concentration) from Wesleyan University in 1987 and completed an MA in Film Production from USC in 1992. He lives in New York with Caroline and their sons Asher and Emmanuel.

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Caroline Baron (Producer) Caroline Baron is an award-winning film and television producer. Through their company A-Line Pictures, Baron and her partner /husband Anthony Weintraub recently produced the feature film Bel Canto based on the bestselling novel by Ann Patchett and starring Julianne Moore and Ken Watanabe. Her many credits include the critically acclaimed Amazon original series, Mozart in the Jungle, for which she won a Golden Globe, Errol Morris’ Wormwood, the Oscar nominated film Capote and cross-cultural hit Monsoon Wedding, winner of the Golden Lion at the Venice Film Festival. Baron has been recognized for her work at numerous international awards ceremonies and events, including winning the Emerging Producer award at the 2006 Independent Spirit Awards, an Oscar nomination for Capote for Best Picture, a Spirit Award nomination for Capote for Best Picture, an Emmy Award Citation for her work on The Wonder Years, and a 2006 Vision Producer of Excellence Award for Capote. She has received an honorary Doctorate of Letters from Chapman University and the 2008 Alumni Achievement award from Brandeis University. In 1999, motivated by reports of individuals fleeing their homes in Kosovo to seek refuge in crowded camps in Macedonia, Baron founded the non-profit organization FilmAid International. FilmAid uses film and other media to bring life-saving information, psychological relief, and much-needed hope to refugees and other communities in need. Baron and Weintraub also co-founded yummico, inc. a children’s media company whose mission is to deliver quality content to children and their families. She is an adjunct professor in Producing at NYU’s Tisch School of Undergraduate Film and Television. Baron graduated with BA in English from Brandeis University. She lives in NYC with Weintraub and their two sons Asher and Emmanuel. Lizzie Friedman (Producer) Lizzie Friedman was raised in New York City and graduated from Duke University with a degree in Literature. She started her career at Jersey Films as an assistant to producer Stacey Sher and later moved into the development department, working on films including Get Shorty, Matilda, Out of Sight, and Gattica. Past credits include The Stanford Prison Experiment, directed by Kyle Alvarez and starring Ezra Miller, Tye Sheridan, and Billy Crudup, which won The Alfred P. Sloan Screenwriting award at Sundance 2015 as well as Michael Thelin’s psychological thriller, Emelie starring Sarah Bolger. Friedman has also produced A View from the Top for Miramax starring Gwyneth Paltrow and Mark Ruffalo, and Academy Award Winner Helen Hunt’s feature Ride, which Hunt directed and starred in along with Luke Wilson and Brenton Thwaites, And Soon the Darkness, starring Amber Heard and Karl Urban for Studio Canal, the documentary One Lucky Elephant, which was broadcast on OWN. On the television side, Friedman’s credits include “Silent Witness” starring Dermot Mulroney and Anne Heche for TNT. In 2015, Friedman formed Priority Pictures with partners Greg Little and Karen Lauder. Priority is a production company dedicated to developing, producing and financing high quality films with its first being The Land, directed by Steven Caple Jr., starring Erykah Badu and executive

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produced by Nas. Priority’s most recent film includes an adaptation Anne Patchett’s best-selling novel Bel Canto, starring Julianne Moore and Ken Watanabe and the documentary Momentum Generation, directed by award winning directors Jeff and Mike Zimbalist featuring Kelly Slater, Rob Machado, and Shane Dorian. Among titles in development, Priority has a television adaptation of “The Bell Jar,” created by Frankie Shaw starring Dakota Fanning and a feature film entitled Mother’s Milk, written and to be directed by Miles Joris-Peyrafitte and starring Olivia Cooke. Tobias Datum (Cinematographer) Tobias Datum was born and raised in Frankfurt, Germany. He studied cinematography at the SFOF in Berlin, Germany, and subsequently at the American Film Institute in Los Angeles. Since then he has shot feature film, tv-series and commercials all over the world, including The Lovers and Grandma. Many of his films have premiered at the most prestigious festivals such as Cannes, Berlin, Sundance, Toronto, Venice, Rotterdam, Moscow and have won awards along with critical acclaim. In 2017 Tobias was nominated for a primetime Emmy for his work on “Mozart in the Jungle.” He currently lives in Los Angeles and Frankfurt am Main. David Majzlin (Composer) David Majzlin is an Emmy®-nominated composer and music producer whose eclectic, genre-bending approach to scoring spans across a myriad of styles unique to each project. He recently had the opportunity to work with opera superstar and five-time Grammy winner, Renée Fleming for the score to Bel Canto, directed by Academy-nominated director, Paul Weitz (About a Boy, American Pie) and starring Oscar winner, Julianne Moore and Oscar nominated, Ken Watanabe. Other notable films include multiple Emmy-award-winner, “The Loving Story,” (HBO), directed by Nancy Buirsky, Emmy®-nominated “Sins of My Father,” (HBO), multi-award-winner and audience favorite, Herb and Dorothy, (Independent Lens), 2018 Peabody Award award-winner “Deej.”, multi-award-winning doc “Althea,” (American Masters / PBS), “Youth Knows no Pain,” (HBO), “Stille,” (Winner - Best Score - Avignon Film Festival), “Angel of Nanjing,” “Being Reel” (Grand Prize - Project Greenlight Competition) and “Shenandoah” (Louverture Films, Netflix), directed by Pulitzer Prize-Winning photographer, David Turnley. He has also produced and created original music for a myriad of television shows and promos including “Mozart in the Jungle,”, “Parenthood,”, “Person of Interest,”, “Animal Planet,” “Ugly Betty,” “CSI,” “The Ghostwriter,” “Grey’s Anatomy,” and “Desperate Housewives.”

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FULL CREDITS

Unit Production Manager

CAROLINE BARON

First Assistant Director

JESSE NYE

Second Assistant Director

PATRICK MANGAN

CAST

Roxane Coss JULIANNE MOORE

Hosokowa KEN WATANABE

Messner SEBASTIAN KOCH

Gen RYO KASE

Comandante Benjamin TENOCH HUERTA

Comandante Alfredo NOÉ HERNÁNDEZ

Gilbert JOHNNY ORTIZ

Carmen MARÍA MERCEDES COROY

Cesar ETHAN SIMPSON

Ishmael GABO AUGUSTINE

Beatriz CARMEN ZILLES

Ruben Ochoa J. EDDIE MARTINEZ

Simon Thibault CHRISTOPHER LAMBERT

Fyodorov OLEK KRUPA

Father Arguedas BOBBY RODRIGUEZ

Monsignor Rolland JAY SANTIAGO

Christopf THORBJØRN HARR

Dr. Gomez ELUID KAUFFMAN

Ruben's Wife GISELA CHIPE

Ruben's Son NICO BUSTAMENTE

Esmeralda MELISSA C. NAVIA

Edith Thibault ELSA ZYLBERSTEIN

President Masuda PHIL NEE

16

Hosokawa's Son KENJI TERAMOTO

Army Colonel IGNACIO TORRES

Government Man FERNANDO SÁNCHEZ

Guerillas CRISTHIAN CAMPAÑA

KEVIN CANO

ALEXANDER SPITFIRE

WILSON ALDAS

JAVIER MALDONADO

Party Guests/Hostages BEN VAN BERGEN

MARK VINCENT

ALBERTO VAZQUEZ

MARCOS GONZALEZ

LUIGI SCORCIA

LOUKAS PAPAS

FRED HADY

PAOLO GILARDI

EDWIN VALERO

TED MEJIA

RONNIE MAGRI

FRANCISCO CASTENADA

GUS BENEDICTO

ANTHONY LINZALONE

RICHARD CERQUEIRA

HOWARD LOCKSER

DAVID STERN

Stunt Coordinator MANNY SIVERIO

Stunts CHRIS COLOMBO

CERRONE MAY

JAMES GONZALES

ANDRE DA SILVA

DEVIN FLORES-SIVERIO

JAMES ORTIZ

17

CREW

Assistant Unit Production Manager SEAN FOGEL

Production Supervisor GINA JONES ROCHÉ

Second Second Assistant Director SCOTT BOWERS

Music Producer ELENA PARK

A Camera/Steadicam Operator ALEC JARNAGIN

First Assistant A Camera KEVIN AKERS

Second Assistant A Camera BOBBY ARNOLD

B Camera Operator GREG WILSON

First Assistant B Camera DOUG DURANT

Second Assistant B Camera KALI RILEY

Loader TOMMY SCOGGINS

Script Supervisor SASHA VITELLI

Production Sound Mixer THOMAS VARGA, CAS

Boom Operator BRYANT MUSGROVE

Second Boom/Sound Utility JAMES APPLETON

Audio Playback EGOR PANCHENKO

Gaffer JASON VELEZ

Best Boy Electrician ANTHONY STRUBE

Dimmer Board Operator WILL CALLAHAN

Rigging Gaffer COLIN GREEN

Generator Operator GABE DIRIENZO

Key Grip CESAR BAPTISTA

Best Boy Grip CORY BARTH

Dolly Grip CHRIS CAZAVILAN

Grips CONOR STALVEY

JUSTINE BERTI

18

Art Director DEREK WANG

Art Department Coordinator ANNE MARIE SMART

Art Production Assistant JOSEPH CATO

Graphic Art MASON CHESLER

Set Decorator PIPPA CULPEPPER

Leadman BO WANGKEO

On-Set Dressers BECCA BANKS

BRANDON BOYLES

JAMES GALAYAT

Set Dec Production Assistant LUI KOBASHI

Construction Coordinator RICHARD HEBRANK

Property Master MICHAEL CORY

Assistant Prop Masters MATTHEW MARKS

ELIZABETH NEVEU

Prop Assistant ASHLEY CLEMENTS

Scenic Charge CATHY NASCH

Lead Scenic GREG BOATWRIGHT

On-Set Scenic DANA KENN

Assistant Costume Designer MATHEW HEMESATH

Wardrobe Supervisor KATE SMITH

Costume Coordinator SARAH LIND

Tailor LORENA TORRES

Costumers OLIVIA JANCZYK

ISABEL GANDIA

Tailor LORENA TORRES

Costume Production Assistant VICTORIA JANCZYK

Make-Up Department Head KRYSTAL PHILLIPS

Key Make-Up Artist TOMY RIVERO

Make-Up Artist to Julianne Moore SUSAN REILLY LEHANE

19

Hair Department Head ESTHER AHN

Key Hair Stylist MICHAEL THOMAS ZAMBRANO

Hair Stylist to Julianne Moore KAY GEORGIOU

Assistant Production Coordinator LISA SEVER-FERRARO

Production Secretary JOCELYN MAGSUMBOL

Office Production Assistant EMMA HUNTINGTON

Production Accountant SLATER BRAUNS

First Assistant Accountant HYE SON KIM

Accounting Clerk CHAD BALODIS

Payroll Accountant EVELYN CHU

Payroll Clerk BILLY CHI

Location Manager DAVID CHAMBERS

Assistant Location Manager STEPHEN DONOVAN

Unit Production Assistant JOHNNY SCHIFANO

Casting Associate LEEBA ZAKHAROV

Japan Casting Consultant KEISUKE ASADA

Extras Casting GRANT WILFLEY

Extras Casting Associate ALEX CODY

Assistant to Ms. Friedman, Ms. Lauder, and

Mr. Little ALLISON KRISSBERG

Assistant to Ms. Baron and Mr. Weintraub ANDREW NADKARNI

Assistant to Mr. Weitz and Mr. Miano MEGAN RITCHIE

Assistant to Mr. Weitz JD WADDILL

Special Effects PHIL BECK

Video Assist DEVIN DONEGAN

Key Production Assistant SOFIA BLANCO

Set Production Assistants ALYSSA STHAY-YOUNG

RYAN FITZMARTIN

20

ADAM HAGOPIAN-ZIRKEL

BRYAN LUNDAHL

On-Set Interpreter PAOLA MATHEU

Still Photographer NICOLE RIVELLI

Transportation Captain TIM WOOD

Transportation Co-Captain JEREMY OLSZEWSI

Alder Manor Staff CHRIS RIBEIRO

Catering HENRY'S CUISINE

Craft Service NYCRAFTY

JAVIER ROJAS

MEXICO UNIT

Unit Production Manager GILDARDO MARTÍNEZ

First Assistant Director STEPHANIE "TUTY" CORREA

Second Second Assistant Director VALERIA VILLALOBOS

Stunt Coordinator GERARDO MORENO

Stunts ALEJANDRO MARQUEZ

VICTOR MARTÍNEZ

VALENTINA MORENO

MIGUEL PLATA

ERICK DELGADILLO

MARCO GUERRA

DAVID SÁNCHEZ

DAVID RODRÍGUEZ

ASHBYK LAMBERT

21

RICARDO TORRES

JORGE VALDEZ

ISIDRO MORA

TOMAS GUZMÁN

First Asstistant A Camera JOAQUÍN CERVERA

Second Asstistant A Camera JOVANY GARCÍA

B Camera/Steadicam Operator GERARDO MANJAREZ

C Camera Operators ALAN KELVIN

CHRISTIAN SÁNCHEZ

Production Sound Mixer DAVID MORENO

Gaffer CARLOS SÁNCHEZ

Key Grip MAURICIO “TANQUE” VEGA

Production Coordinator ANDREA GAMBOA

Assistant Production Coordinator ADRIANA ENRÍQUEZ

Office Production Assistant DANIELA LOZA NERI

Production Accountant ROSA ISELA “CHELY” VILLEGAS

First Assistant Accountant JUAN SALVADOR MELGOZA

Accounting Clerk ARMANDO A. TORRES

Location Manager JUAN PABLO NOVAL

Assistant Location Manager CARLOS MUÑOZ

Location Coordinator CLAUDIA MONTERO

Extras Casting JULIO TOLEDO

Art Director CARLOS Y. JACQUES

Art Department Coordinator JIMENA CONTRERAS

Set Decorator DANIELA ROJAS

Picture Car Coordinator EDGAR “CHIVATA” LEZAMA

22

Wardrobe Supervisor CLAUDIA SOFÍA SANDOVAL

Key Make-Up Artist LUCY BETANCOURT

Key Hair Stylist KARLA DUEÑAS

Hair Stylist ESTRELLA LORRABAQUIO

Assistant to Mr. Weitz SARED JIMÉNEZ

Special Effects EFECCINE MOBILE SA DE CV

Video Assist DAVID BAHENA

Key Production Assistant PATRICIO WOODSIDE

Set Production Assistants VALERIA GARCÍA

LUZ MONTERO

JESÚS MOLINA

MAR MARTÍNEZ

NATALIA CRUZ

ANTONIO HARFUCH

Still Photographer ALBERTO HIDALGO

Transportation Coordinator MARIO “PICACHU” ROJAS

On-Set Medic DR. ERNESTO TREJO

Security MAGUEN TEAM

LIDOR AMSELLEM

On-Location Security CONTROL GUERREROS SA DE CV

MARIO LÓPEZ

Catering and Craft Services ALOSA

ANA BALLESTEROS

JOSÉ MANUEL BALLESTEROS

JUAN CARLOS BALLESTEROS

23

A.N.D.A.On-Set Representative MARÍA DEL CARMEN JIMÉNEZ

Second Unit Production Manager ENRIQUE SUÁREZ

Second Unit First Assistant Director RODRIGO URBANO

Second Unit Director of Photography MARTÍN BOEGE

POST-PRODUCTION

Assistant Editors PHILLIP KIMSEY

JIM MAKIEJ

Post-Production Coordinator ARIELLA BROWN

Post-Production Assistant JORDAN MCAFEE-HAHN

Visual Effects by RING OF FIRE

VFX Supervisor JERRY SPIVACK

EP VFX Supervisor JOHN MYERS

VFX Producer SARA EBERHARDT

VFX Artists JERRY SPIVACK

STEPHEN GRIMM

DAVID TORNO

KEVIN KID CRUZ LIM

VFX Assist GARY MOTENSEN

VFX Coordinator DEREK SCHMIDT

Titles Designed and Produced by MICHAEL ARIAS

Post-Production Accounting by TREVANNA POST

PEITA CARNEVALE

YANA COLLINS LEHMAN

KERI WEISBLUM

Sound Editorial and Mix Service by HARBOR PICTURE COMPANY

24

Supervising Sound Editor ROBERT HEIN

Re-Recording Mixers TONY VOLANTE

ROBERT HEIN

Mix Technician GIUSEPPE CAPPELLO

Dialogue Editor DAN TIMMONS

ADR Voice Casting THE LOOPING DIVISION

JASON HARRIS

PETER PAMELA ROSE

ADR Mixer BOBBY JOHANSON

ADR Recordist MIKE RIVERA

ADR Manager TRICIA SCHULTZ

ADR Editors DAN TIMMONS

PETER CALSTEDT

Foley Recording STEPPING STONE FOLEY STUDIO

Foley Artist JAY PECK

Foley Recordist GAVIN HECKER

Sound Engineer AVI LANIADO

Producer, Sound Post KELSEA WIGMORE

Senior Producer, Sound Post GABRIELA CELI

General Manager, Harbor Picture Company DARRELL SMITH

Music Editors SUZANA PERIĆ

JOHN CARBONARA

Assistant Music Supervisor EVAN JAMES

Dailies Producer MICHAEL MAIDA

Dailies Colorist ROBERT BELL

25

Dailies Technician JOHN ROBERT HAMMERER

Lead Dailies Technician CHRISTOPHER ZARCONE

Digital Intermediate provided by COMPANY 3 - NEW YORK

Colorist SOFIE BORUP

DI Producer/Head of Production MARGARET LEWIS

Digital Conform GINA KALIM

Color Assistant BRETT PRICE

Account Executive JIM GARDNER

CO3 Executive Producer STEFAN SONNENFELD

Vocal Coach to Ms. Fleming and Ms. Moore GERALD MARTIN MOORE

Music Producer for Renée Fleming DAVID FROST

Recording Engineer SILAS BROWN

Associate Engineer ISAIAH ABOLIN

Score Produced, Arranged and Conducted by DAVID MAJZLIN

Score Orchestration by MARK BAECHLE

DAVID MAJZLIN

Score Recorded and Mixed by LAWRENCE MANCHESTER

Assistant Engineers THOM BEEMER

CARLOS MORA

Music Contractor ANTOINE SILVERMAN

Recorded at The DiMenna Center for

Classical Music

Recording services provided by Audiosmith

Digital Solutions

MUSIC

26

“Měsíčku na nebi hlubokém” (Song To The

Moon) from Rusalka

Written by Antonín Dvořák & Jaroslav Kvapil

Performed by Renée Fleming

The Metropolitan Opera Orchestra conducted by Yannick Nézet-Séguin

February 8, 2014 Courtesy of The Metropolitan Opera

“Death Becomes You”

Written by Brian Tichy & Marc Ferrari

Courtesy of FirstCom Music

“Piano Trio in G Major”

Written by Joseph Haydn

Performed by Kungsbacka Piano Trio

Courtesy of Naxos

“Ombra di nube”

Written by Licinio Refice & Emidio Mucci

Performed by Renée Fleming & Gerald Martin Moore

“Maple Leaf Rag”

Written by Scott Joplin

Performed by David Frost

“Vissi d’arte”

Written by Giacomo Puccini

Performed by Renée Fleming & Gerarld Martin Moore

“Bachianas Brasileiras No. 5”

Written by Heitor Villa-Lobos

27

Performed by Renée Fleming & Gerarld Martin Moore

“Danza De La Paloma Enamorada”

Written by Atahualpa Yupanqui

Performed by Roberto Aussel

Courtesy of Naxos

“Caro mio ben”

Written by Giuseppe Giordani

Performed by Renée Fleming & Ethan Simpson

“Vladimir Martynov: The Beatitudes”

Written by Vladimir Martynov

Performed by Kronos Quartet

Courtesy of Nonesuch Records

By arrangement with Warner Music Group Film & TV Licensing

“Měsíčku na nebi hlubokém [Rusalka, Op.

114 / Act 1]”

Written by Antonín Dvořák & Jaroslav Kvapil

Performed by Renée Fleming, Czech Philharmonic Orchestra, Sir Charles

Mackerras Courtesy of Decca Music Group Limited

under license from Universal Music Enterprises

“O Silver Moon [Rusalka, Op. 114 / Act 1]”

Written by Antonín Dvořák & Jaroslav Kvapil

Performed by Renée Fleming, London Symphony Orchestra, Sir Georg Solti

Courtesy of Decca Music Group Limited under license from Universal Music

Enterprises

28

Production Legal WEINTRAUB TOBIN CHEDIAK

COLEMAN GRODIN LAW CORPORATION

TARA SATTLER

Legal Services provided by RANDOLPH M PAUL

Music Clearance Coordinator ILYSE WOLFE TRETTER

Insurance and Risk Management Services provided by

GALLAGHER ENTERTAINMENT

BRIAN KINGMAN

TONY BARATTA

BRITNEY HEARNS

Rights & Clearances by ENTERTAINMENT CLEARANCES, INC.

LAURA SEVIER

CASSANDRA BARBOUR

Stock Footage provided by ALAMY STOCK

AP ARCHIVE

CNN COLLECTION

FEDERAL BUREAU OF INVESTIGATION

MAIL ON SUNDAY / SOLO SYNDICATION

TELEVISA

Images of the Metropolitan Opera in New

York City are used by permission

VERY SPECIAL THANKS

GLORIA and ALVIN BARON

JUDITH and MALCOLM WEINTRAUB

MICHAEL ARIAS

29

SPECIAL THANKS

MARK ANKNER

JOAN and RON ARIAS

JUSTINE ARTETA

MIGUEL ARTETA

DAN BALGOYEN

LISA BANKOFF

JAMES BARON

JILL BARON

NOAH BARON

REBECCA BARON

STEVE BARTON

PAUL BATSEL

CARROLL BOGERT

MARISA BRAU-REYES

MIA BONGIOVANNI

BERNIE CAHILL

GABRIEL CLERMONT

LAWRENCE DIOTALLEVI

ALEXANDRA EASTMAN

CRAIG EMANUEL

JOSIE FREEDMAN

JEROME FRIEDMAN

KEVIN GARLITZ

ZELDA GAY

PETER GELB

KAREN GOTTLIEB

RUSSELL HAND

LIZBETH HASSE and JOE ORRACH

MICHAEL HEYMAN

MATTHEW HO

BLISS HOLLOWAY

PAUL HOOK

JOE IKEDA

KATY JARZEBOWSKI

30

KYLE JONES

CAROLINE KAPLAN and MAURICIO RUBENSTEIN

DANIEL KIRSCHEN

DORA KOMURA

ALEX KOHNER

SUSAN KORN

DAVID LATT

JOSH LIEBERMAN

BRANDON LIEBMAN

JUDY LITTLE

DAVID LUBLINER

TOM LUDDY

JACKIE MULHEARN

SANDRO MANZO and FIAMMA ARDITI

JOHNNY MARKS

MATIAS MOSTEIRIN

EMMIE NAGATA

EDWARD NERSESSIAN

ALICIA NOGALES

EVELYN O'NEILL

DEAN PARISOT

GUY PENINI

LOUIS PETRICH

GAVIN RAMOUTAR

PAMELA REIS and KEVIN HYMAN

SAMANTHA RACANELLI

BRITTA ROWINGS

MARIA RYAN

MICHELLE SATTER

ELYSE SCHERZ

DAVID SCHMERLER

KELLY SLACHMAN

JOEL SPITALNIK

GRAHAM TAYLOR

MIKA TAYLOR

JON TIERNEY

31

JEREMY THOMAS

KARINE VORPERIAN

JOAN VOGT

LAURA VILLALOBOS

SATCH WATANABE

PETER WATSON

LOREN WEEKS

WEINTRAUB FAMILY

STUART WEISBROD

MAYU YOSHIKAWA

POLA ZITO

ASHER WEINTRAUB

EMMANUEL WEINTRAUB

PATRICIA WEITZ

JANE, MAX AND SAM

Gowns for Ms. Moore by CHRISTIAN SIRIANO

Jewelry for Ms. Moore provided by CHOPARD

Footware for Mr. Watanabe provided by COLE HAAN

Handbags for Ms. Moore provided by LOUIS VUITTON

THE OFFICE OF CHARLES E. SCHUMER,

UNITED STATES SENATOR OF NEW YORK

THE METROPOLITAN OPERA /

LINCOLN CENTER FOR THE PERFORMING ARTS

32

SECRETARIA DE CULTURA.- INAH.-MEX

Xochicalco Reproducción Autorizada por el Instituto Nacional de Antropología e Historia

AUTHORITIES AND NEIGHBORS OF ECATEPEC

AUTHORITIES AND NEIGHBORS OF MEXICO CITY

NEIGHBORS OF CHIMALISTAC

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them with assistance. The ICRC also endeavours to prevent suffering by promoting

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directs and coordinates the international activities conducted by the Movement in armed conflicts and other situations of

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OF FILM & PHOTOGRAPHY

Filmed with the Support of the New York

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33

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Completion Guarantee provided by FILM FINANCES, INC.

KURT WOOLNER

KIMBERLY WILLIAMS

Produced with the interim financing of

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International Sales by Bloom

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Financing provided by Three Point Capital,

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34

This motion picture is protected under the copyright laws of the United States and other countries throughout the world. Country of first publication: United States of America.

Any unauthorized exhibition, distribution, or copying of this film or any part thereof

(including soundtrack) may result in civil liability and criminal prosecution. The story, all names, characters, and incidents portrayed

in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is

intended or should be inferred. Any similarity to any person living or dead is

merely coincidental.

© 2017 BC Pictures LLC

All rights reserved

This film is dedicated to the memory of

Carlos Muñoz