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3
,PTER 2 An important part of the objective is the development of a \J,'ecise, disci d description o[ the target audience. It is often tempting to direct ac!vertising lroad audience; the implicit argument is that everyone is a potential customer. risk is that a campaign directed at too wide an audience will have to such lad appeal that it will be of liltle interest to anyone and thus he ineffective. II st to consider directing the advertising to more selected groups for which it is  to develop relevant, stimulating copy. An advertiser need not be restricted 1e objective and one campaign. It is quite possible to develop several cam n.s, each directed at different segments of the market, or to develop one paign based on multiple objectives. Chapter 6 looks at different ways of seg ting markets and ways to "position" brands to attract specific segments. strategy and T a c t i c ~  actual development of an advertising campaign involves several distinct s. First, the advertising manager must decide what the advertising is meant to municate-by way of benefits, feelings, brand personality, or action content. :all this mC?ssagr strategy and devote five chapters in Part III to it. Once the con· of the campaign has been decided, decisions must be made on the best and ;t effective ways to communicate that content. These executional decisions, 1 as the choice of a spokesperson, the use of humor or fear or other tones, and selection of particular copy, visuals, and layout, are what we call message taco Part IV of the book discusses these tactics, as well as other aspects of imple Itation, such as copy testing, advertising production, and the process of nt-agency interaction. 5sage Strategy  01 the first strategic objectives has to be the desig;; of an advertisement that 1S attention, for witholll tllilt nothing d s < ~  is possible. In Pari III (Mcssilge Slr;ll , we review in Chapter 7 (Allelltion ami COIllprellension) Iheories of atl<;nlioll, prehension, and perception processes and discuss how advertisements can :reated that capture and retain a consumer 's attention. How can attention best :aptured in an age in which thousands of advertisements compete for attention I in which consumers can flip television channels with a mere flick of a remote ltrol device? Chapter 8 (Understanding Benefit-Based Attitudes) then examines ories of benefit-hased attitudes. Much of the material draws on recent work of ISIII1lC'r I)('!l;\vior r('s(';\rl'lll'rs il l l!lis :In';l. p;Irlind:lrlv il l ( ' x l ( ' I \ ( l i l , ! ~  0111' IIl1d"r "ding of learning, dlIIIII<I\' S, :l nd :,lIil"d,' C!l;lIlg<'. II (1l('lIS('S 1111 !lIlW d"CI"I<))I:, I be made about which attributes and benefits to mphasize in the advertising. Chapter 9 focuses on theories an<1 research that contribute to ou r under nding 01 advertising that is explicitly designed to generate emotional responses he audience, such as warmth, excitement, pride. and so on, and to "transform" : brand by associating these feelings with it. How should advertisers choose ich emotions to evoke, and how can they tell when they have been successful? Chapter 10 (Bran<1 Equity, 1 1 l 1 a ~ e ,  and Personalitv) examines such questions - - ~ - - - - - - - - - - - - - - - - - - - - - - ._- fi' ADVERTISING PLANNING AND DECISION MAKING S1 as: What is brand equity? How can it be measured? What personality dimensions or traits can brands acquire through advertising? What are the situations when brand personality is more i n ~ j ) o r t a l l t in driving purchase? W h : : : ~  :s the importance 01 brand personality in creating long-term "goodwill" for a brand? Most impor tantly, ho w can advertising anc! other marketing mix elements create such a brand image?' Next, Chapter 11 (Group Influence and Word-of-Mouth Advertising) looks at the processes of group influence and word-of-mouth advertising and examines how advertising can help shape group norms and fashions. In what advertising sit uations is group influence likely to playa major role? It is often useful to conduct a personal influence audit, explained in this chapter as part of a general situation analysis. 6 Messag e Tactic s . In Part IV (Message Tactics), we begin with Chapter 12 (Creative Approaches). 'fhe pros and cons of different kinds of spokespersons and the kinds of advertising sit uations in which they may be most appropriate are presented and discussed 1 Chapter also examines other decisions on "tone and format," as the use of fear, humor, comparative advertising, and devices to increase distraction. The content and tone must eventually be translated into specific advertise ments. Throughout the process, decisions have to be made concerning which dif ferent copy approaches, scripts, and final advertisements will be used. Chapter 13 (The Art of Copywriting) examines some of the existing knowledge on the' princi ples 01 good copywriting for each of the major media (print, television, radio, out door), and presents capsule portraits of some of the creative geniuses that hi' ole graced the advertising business. Assessments of what akes lo r "good" copy are no t merely subjective, of course, and several kinds of research-based tests can be used, in the laboratory or in the fielcl, to enable a creative team to check the ('volving campaign contlllllally against its objectives. These <Ire discussed in Chapter It1 (Adverllsing Copy Test ing and Diagnosis). Concluding Part IV, Chapter 15 (Production and Implementation) examines ho w advertisements actually get created, produced, and implemented and de scribes the client-agency relationship through which this happens. Here, we also present some wisdom on how clients and agencies can best work together to cre ate the most effective advertising. Media strategy an d Tactics Whereas message strategy generally concerns decisions about ho w much to allo cate to creating and testing advertising copy, media strategy concerns decisions on how many media dollars to spend on an advertising campa.ign. Media tactics comprise the decisions about which specific media (television, radio, magazines, etc.) or media vehicles (David Letterman's Tonight Show, Reader's Digest, etc.) to use. Both media stratef,'Y and tactical issues are covered in Part V. -'-------------------------------.-. __ ._---- ._-

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, P T E R 2

An important part of the objective is the development of a \J,'ecise, disci

d description o[ the target audience. It is often tempting to direct ac!vertising

lroad audience; the implicit argument is that everyone is a potential customer.

risk is that a campaign directed at too wide an audience will have to have such

lad appeal that it will be of lilt le interest to anyone and thus he ineffective. II

st to consider directing the advertising to more selected groups for which it is

~   to develop relevant, stimulating copy. An advertiser need not be restricted

1e objective and one campaign. It is quite possible to develop several cam

n.s, each directed at different segments of the market, or to develop onepaign based on multiple objectives. Chapter 6 looks at different ways of seg

ting markets and ways to "position" brands to attract specific segments.

strategy and T a c t i c ~  actual development of an advertising campaign involves several distinct

s. First, the advertising manager must decide what the advertising is meant to

municate-by way of benefits, feelings, brand personality, or action content.

:all this mC?ssagr strategy and devote five chapters in Part III to it. Once the con·

of the campaign has been decided, decisions must be made on the best and

;t effective ways to communicate that content. These executional decisions,

1 as the choice of a spokesperson, the use of humor or fear or other tones, and

selection of particular copy, visuals, and layout, are what we call message taco

Part IV of the book discusses these tactics, as well as other aspects of imple

Itation, such as copy testing, advertising production, and the process of

nt-agency interaction.

5sage Strateg y  01 the first strategic objectives has to be the desig;; of an advertisement that

1S attention, for witholll tllilt nothing d s < ~   is possible. In Pari III (Mcssilge Slr;ll

, we review in Chapter 7 (Allelltion ami COIllprellension) Iheories of atl<;nlioll,

prehension, and perception processes and discuss how advertisements can

:reated that capture and retain a consumer's attention. How can attention best

:aptured in an age in which thousands of advertisements compete for attention

I in which consumers can flip television channels with a mere flick of a remoteltrol device? Chapter 8 (Understanding Benefit-Based Attitudes) then examines

ories of benefit-hased attitudes. Much of the material draws on recent work of

ISIII1lC'r I)('!l;\vior r('s(';\rl' lll'rs il l l!lis : In ' ; l . p;Irlind:lrlv il l ( ' x l ( ' I \ ( l i l , ! ~   0111' IIl1d"r

"ding of learning, dlIIIII<I\'S, :l nd :,lIil"d,' C!l;lIlg<'. II (1l('lIS('S 1111 !lIlW d"CI"I<))I:,

I be made about which attributes and benefits to emphasize in the advertising.

Chapter 9 focuses on theories an<1 research that contribute to ou r under

nding 01 advertising that is explicitly designed to generate emotional responses

he audience, such as warmth, excitement, pride. and so on, and to "transform"

: brand by associating these feelings with it. How should advertisers choose

ich emotions to evoke, and how can they tell when they have been successful?

Chapter 10 (Bran<1 Equity, 1 1 l 1 a ~ e ,   and Personalitv) examines such questions

- - ~ - - - - - - - - - - - - - - - - - - - - - -._-

fi'

A D V E R T I S IN G P L A N N I N G A N D D E C I S IO N M A K I N G S1

as: What is brand equity? How can it be measured? What personality dimensions

or traits can brands acquire through advertising? What are the situations when

brand personality is more i n ~ j ) o r t a l l t   in driving purchase? W h : : : ~   :s the importance

01 brand personality in creating long-term "goodwill" for a brand? Most impor

tantly, how can advertising anc! other marketing mix elements create such a brand

image?'

Next, Chapter 11 (Group Influence and Word-of-Mouth Advertising) looks at

the processes of group influence and word-of-mouth advertising and examines

how advertising can help shape group norms and fashions. In what advertising sit

uations is group influence likely to playa major role? It is often useful to conduct a

personal influence audit, explained in this chapter as part of a general situation

analysis.6

Message Tactics .In Part IV (Message Tactics), we begin with Chapter 12 (Creative Approaches). 'fhe

pros and cons of different kinds of spokespersons and the kinds of advertising sit

uations in which they may be most appropriate are presented and discussed1

Chapter 12 also examines other decisions on "tone and format," such as the use of

fear, humor, comparative advertising, and devices to increase distraction.

The content and tone must eventually be translated into specific advertise

ments. Throughout the process, decisions have to be made concerning which dif

ferent copy approaches, scripts, and final advertisements will be used. Chapter 13

(The Art of Copywriting) examines some of the existing knowledge on the' princi

ples 01 good copywriting for each of the major media (print, television, radio, out

door), and presents capsule portraits of some of the creative geniuses that hi' ole

graced the advertising business.

Assessments of what makes lo r "good" copy are not merely subjective, of

course, and several kinds of research-based tests can be used, in the laboratory or

in the fielcl, to enable a creative team to check the ('volving campaign contll l l lally

against its objectives. These <Ire discussed in Chapter It1 (Adverllsing Copy Test

ing and Diagnosis).

Concluding Part IV, Chapter 15 (Production and Implementation) examines

how advertisements actually get created, produced, and implemented and de

scribes the client-agency relationship through which this happens. Here, we also

present some wisdom on how clients and agencies can best work together to create the most effective advertising.

Media strategy and Tactics

Whereas message strategy generally concerns decisions about how much to allo

cate to creating and testing advertising copy, media strategy concerns decisions

on how many media dollars to spend on an advertising campa.ign. Media tactics

comprise the decisions about which specific media (television, radio, magazines,

etc.) or media vehicles (David Letterman's Tonight Show, Reader's Digest, etc.) to

use. Both media stratef,'Y and tactical issues are covered in Part V.

-'-------------------------------.-.__._---- ._-

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/ >f,

C H A P T E R 2

/ ffMedia StrategyThe advertising budget decision, covered in Chapter 16 (Media Strategy: Setting

Media Budgets), is closely tied in with the objectives ilnd target selection decisions

discussed in Cl,apters 3, 4, and 5. Although there are Illilily rules of thumb often

used to decide how Illuch 111011ey 10 slH'nd Oil ; \ d v ( ' r l i s i l 1 ! ~ ,   the SOIIlI<!cSt rules in

volve beginning with a detailed specification of what a corporation is attempting to

accomplish with advertising, and the resources necessary. It is only when the job

to be done is well specified that the amount and nature of the effort- the amount

of money to be invested in advertising-can be really determined. In Chapter 16,

:"'e will examine some of the traditional approaches to the advertising budget de

cision and contrast them with approaches we recommend.

Media TacticsChapter 17 (Media Tactics: Allocating Media Budgets) discusses criteria that apply

in the allocation of an advertising budget across media types and within each me

dia type. The media-allocation decision and media planning represent one of the

few areas in advertising in which the use of mathematical techniques and com

puter programs is well accepted. These will be discussed, as will other factors that

need to be taken into consideration. One such factor is the type of vehicle audi

ence and how well it matches the target audience of the campaign. Another is theability of the vehicle to enhance the advertising impact, perhaps by creating a

compatible mood or setting.The type and nature of research information required to support media mod

els differs somewhat from the perspectives of research in the case of copy deci

sions. A media planner is interested in questions concerning the reach and

frequency of media alternatives, the effects of various vehicles, and matters in

volving learning and decay rates over the life o[ a C;:Impaign. Media research is thus

a special topic that is treated, along with the sources of media data, in Part V.

The decisions made in the media area and in the other areas of objectives and

copy constitute the final advertising plan. What we want to stress is that advertis

ing plans must all take these three major ractors (objectives and target groups,

message strategy and tactics, and media strategv and tactics) into consideration

and that advertising plans will differ according to the decisions made in each area.

The internal differences between advertising plans stem largely from differences in

the externallactors and the environmental situations that face advertisers. These

external lactors shape the advertising plan in many ways, and it is vital that they

be analyzed in depth as the planning process proceeds.

FACILITATING AGENCIES . ... - - - - . - - . - .. - - .

Another external factor identified in Figure 2-1 involves the agencies that facili

tate advertising and provide the means to (\(h'ertise. Recall that the nature and

role of these types of agencies and institutions ""ere reviewed in Chapter 1. From

a situation-analysis viewpoint, the advertiser basically needs to know what kinds

of facilitating agencies exist and the nature of the services they can provide. From

A D V E R T I S I N G P L A N N I N G A N D DE CIS IO N MA K ING

a planning viewpoint, much local a d v e r t i s i j · t l ~ ,   lo r example, is done without

services 01 an advertising agency or a research ~ u p p l i e r .  A national advertise

the other hand, may have under contract many different agencies and resea

suppliers, each serving one or more brands in a product line made up of sev,

products.

MallY advertising decisions involve choices among facilitating agency al

natives. What advertising agency should be chosen? What media should be us

What copy-testing supplier will be best for ou r particular situation? Concerthe question of agency selection, fo r example, Cagley and Roberts

ifound that

"people factor" tends to dominate in agency selection. Characteristics such as

quality of personnel, reputation, integrity, mutual understanding, interpers

compatibility, and synergism were very important. The study involved a mail ql

tionnaire sent to 125 companies and ratings on twenty-five attrib,utes ranging fl

"critically important" to "not important." Consideration of the facilitating age

lactor is woven throughout many parts of the book, with special focus in Chal

15 on client-agency relations. [n addition, the question of choosing a copy-tes

research supplier is treated at length in Chapter 14, and the question of what

dia and what media research services to use are the topics of Chapters 16 and

SOCIAL, LEGAL,AND GLOBAL

FACTORS.

The final external factor in the planning framework c'oncerns environmental

tors-social, legal, and global. In developing specific advertisements, there me

tain legal constraints that must be considered. Deceptive advertising is forJld

by law. However, the determination of what is deceptive is often difficult, ~ ' , H t l ycause different people can have different perceptions of the same advertisemel

In guarding against deception, all types of perceptions must be considered.

thermore, the letter and the spirit of the law on deceptive advertising is evo

rapidly. It is no small task to keep abreast of these developments. One soluti

to create bland advertising that is vague and contains little specific informat

However, such an approach can result not only ill ineffective advertising, but it

lessen the social value of advertising by reducing the amount of useful inlormal

that it prOVides to society. Thus, an advertiser who attempts to prOVide spe

relevant information must be well aware of what constitutes deception in a IIand ethical sense and of other aspects of advertising regulation. These topics

covered in detail in Chapter 18 (Advertising Regulation).

Even more difficult considerations for people involved in the advertisin

fort are broad social and economic issues. Does advertising raise prices or in

competition? Also, issues such as the appropriateness of the use of sex or fea

peals are being examined. It has been suggested that women and minority gro

are exploited in advertising by casting them in highly stereotyped roles. Ano

concern is that advertising, especially when it is more irritating than entertain

is an intrusion into an already excessively polluted environment. A whole se

rules is emerging to cover advertising directed at children, and advertising of pi

ucts such as alcohol and cigarettes, and the use of environmental and he,

claims in advertising. These and other similar concerns, particularly those tha

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.

I ,/I / C H A P T E R 2

fect copy and creative strategy, are developed more fully in Chapter 19 (Advertis

ing and Society).

Most large corporations and advertising agencies are now multinationals and

global in their perspectives and organization. Chapter 20 (Global Marketing and

Advertising) addresses some of the issues, benefits, and costs of global marketing

and advertising. This is the last chapter in the book, and it prOVides a fitting end to

understanding modern advertising and advertising management in the world of

the 1990s.

SUMMARY.

The predominant perspective of advertising management is that of the advertiser

or brand manager in the advertiser component of the overall system. The broad

purpose of the manager is to develop, implement, and control an advertising plan.

His or her major activities involve planning and decision making.

Planning concerns the generation and specification of alternatives, and deci

sion making concerns the choice process. Which alternative should be chosen?

Which message or media strategy is best in a particular situation? What copy

theme should be used? What media mix will be most effective? The advertising

plan is developed in the context of the company's totil l nJarketing progrili l l which

nows from situatiop analysis and an assessment of the consumer/market and conl

petitive situation the company is in. Externally, the manager needs to engage in sit

uation analysis with respect to the market conditions that are operating at the time

and to assess the consumer/market, competitive, facilitating agency, and social,

legal, and global factors that will affect decision making and the development of

the plan. Internally, analysis should focus on the overall marketing program and

how advertising will interact with the various components of the program. It is vi

tal that the advertising plan be developed so as to mesh with and support the var

ious components of the marketing and communications mix sllch ilS personill

selling. pricing, public relations, and promolion. The a d v ( ~ r l i s i n g   1I1<1I1ag('r also

needs to know the major areas of hi s or her planning and decision-makillg respon

sibilities. There are three areas of major importance: objective and target selection

considerations, message strategy and tactics, and Illedii\ sl ralcgy illHlti\CI ics. I ' lall

ning and decision making are required from each perspective, and the final adver

tising plan will renect the various decisions made in each area. Figure 2-1

organized these factors into a planning and decision-making framework for advertising management that is driven by the need for advertising managers to have an

in-<1rpth understanding of communication and IwrsllClsion proc('ss('s.

Two vi('ws of ("()lllIlIlllli("ali()11 ;",,1 p,·rSllilSioll pr()("l·ss,·" w,.r,. p,,·s'·III,·<I II I

this chapter (Figures 2-2 and 2-3), ilnd laler chapters will develop otllers. Cogni

tive and affective, or feeling, processes that occur between exposure to advertise

ments and ultimate buying or consuming behavior are primary points of focus.

Exposure can lead to increased awareness of and familiarity with tl w l)I"il n(\ , added

information on brand attributes and benefits, creation of a brand image or person

ality, association of feeling with the brand, linkages of brands with peers and ex-

L

A D V E R T I S I N G P L A N N I N G A N D D E C I S I O N M A K I N

perts, and/or reminders and inducements to tr y or continue using the

can affect brand attitude and ultimately purchase behavior.

Implementation of advertising plans is done with the assistance 0

ferent kinds of external organizations such as production houses, broi'

print media, advertising agencies, and research supplier companies. Th l

"facilitating agencies" that help in bringing advertising into being. Also,

tation takes place in an environment of major social, economic, legal,

lorn's. These. too, III liSt he tlllderstood to develop effective advertisil

gilge ill effective advertising milnagemellt.

DISCUSSION QUESTIONS

1. What are the basic differences between planning and decision mal

vertising management? How does an advertising plan differ from

marketing plan? How do advertising decisions differ from other typ

keting decisions?

2. Outline the major components and considerations that you would

your advertising plan if you were the brand manager of a brand of !

major credit card. or a new electronic device for use in business COlT

what ways would the plans oiffer? In what ways would they be simil

3. An important internal component to be considered is the overall

plan. Provide additional examples of how advertising interacts wil

ments of the marketing plan.

4. Using the model in Figure 2-3, explain your reactions to a recent tel€

vertisement.

5. Give an example of how a competitive situation would affect the de '

of an advertising plan for a museum, an airline company, and a t e l e p ~uct.

G. Suppose in your assessment of the current advertising plan for yOL

you decided that the execution of the advertising campaign was fund

weak. Which of the facilitating agencies would you look to as a possi

of the problem? Discuss some of the considerations in switching:

this case.

7. Advertising plans rest on three central planning and decision maki

erations. Name them and give examples of each.

8. Explain the meaning of the term "message strategy." Give an exampalternative messages strategies that might be adopted for a brand

bulle-r. Choose on(' of thl' stralegies ano oefend YOllr posilion.

!). tl has IH' I ' I I said l i ial illl iHlvertisillg Illallagcr lives ill illl cnvirolll l l(

siderable uncertainty. Explain this statement. Do you agree? What ar·

avenues open to reduce uncertainty?

10. It was stated in this chapter that it is often difficult to decide what is

in advertising and what is not. Do you agree? What rules or princip

an advertiser use in deciding whether or not a message is likely to

ered "deceptive"?

- . ---_ ...- -. - - - - - - ~ - - - -