saturday, march 26, 16 - wordpress.com · 2020-03-26 · within the art and design community. some...
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What kinds of messages did wartime posters need to communicate?- Recruitment- Morale- Fundraising- Conservation (home gardening)-Showing the evil nature of the enemy
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Art Deco refers to a geometric style popular in the 1920’s and 30’s.
Streamlined, zigzag, moderne, and decorative geometry are terms
used to describe this style.
It combined the love of decoration with the love of machines and geometric pattern.
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E. McKnight Kaufferposter for the Daily Herald1918
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E. McKnight Kauffer, London Underground posters, 1930, 1924
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E. McKnight Kaufferposter for the London Underground
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A.M. Cassandre, furniture store poster, 1923
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A.M. Cassandre, poster for the Paris newspaper, L’Intrasigeant, 1925
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A.M. Cassandreposter for the North Star Paris-to-Amsterdam night train1927
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A.M. Cassandreposter for Express Nord1927
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A.M. Cassandreposter for the ocean liner L’Atlantique1931
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A.M. Cassandre, poster for Dubonnet, 1932
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A.M. Cassandre, Bifur typeface, 1929
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A.M. CassandreAcier Noir typeface, 1936
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Austin Cooperposter for the Southern Railwayundated
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Cooper, posters for the London Underground, 1924Saturday, March 26, 16
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Schulz-Neudamncinema poster for Metropolis1926
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Filippo Marinetti lectured in Russia. Russian artists absorbed cubism and futurism and quickly added
innovative directions of their own.
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David and Vladimir Burliuk, pages from Vladimir Mayakovsky: A Tragedy, 1914
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Ilya Zdanevichinsert cover for Milliork by Aleksei Kruchenykh 1919
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Ilja Zdanevich, pages from Le-Dantyu as a Beacon, 1923Saturday, March 26, 16
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Kasimir Malevich Black Square1913
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Kasimir Malevich, Suprematist Composition, 1915Kasimir Malevich, First Circle of Lectures, by Nikolai Punin, 1920
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By 1920 a philosophical split had formed within the art and design community.
Some artists, including Malevich and Kandinsky
argued that art MUST remain a spiritual activity separate from the needs of society.
They wanted nothing to do with a political agenda.
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Vladimir Tatlin and Alexander Rodchenko led a group of artists who
supported the opposing viewpoint. They condemned ART FOR ART’S SAKE to devote themselves to industrial design,
visual communication and applied arts serving the new communist society.
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El Lissitzky, PROUN 23, no. 6, 1919El Lissitzky, Beat the Whites with the Red Wedge, 1919
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El Lissitzky, cover art for Veshch, 1921-22El Lissitzky, title page for Veshch, 1922
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El Lissitzkylayout for a cover of Broom, vol. 51922
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El Lissitzky, ad for Pelikan carbon paper, 1924El Lissitzky, poster for Pelikan ink, 1924
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El Lissitzkycover of For The Voice by Mayakovsky1923
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El Lissitzky, pages from For the Voice, 1923“Beat your drums on the squares of the riots, turned red with the blood of revolution”
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El Lissitzky, pages from For the Voice, “Order for the Army of the Arts”
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El Lissitzkybook cover forThe Isms of Art1924
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El Lissitzky, text format for The Isms of Art, 1924Saturday, March 26, 16
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El Lissitzky, pictorial spread from The Isms of Art, 1924Saturday, March 26, 16
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El Lissitzkycover of Notes of a Poet by Ilia Selvinskii 1928
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El Lissitzkyexhibition poster1929
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El Lissitzky, exhibition design for Pressa, 1928Saturday, March 26, 16
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Alexander Rodchenko, covers for Lef no. 1, 2 &3
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Alexander Rodchenkopaperback book covers 1924
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Salomon Telingatercover for The World Belongs to Kirsanov1930
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Georgy and Vladimir Augustovich Stenbergfilm poster,undated
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G. & V. Augustovich Stenberg, The 11th Year of the Revolution poster, 1928G. & V. Augustovich Stenberg, The General poster, 1929
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Gustav KlutsisSpartakiada postcard1928
His work is often compared to that of John Heartfield.
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Gustav Klutsis, We Will Repay the Coal Debt to the Country poster, 1930Gustav Klutsis, Everyone Must Vote in the Election of Soviets poster, 1930Gustav Klutsis, Building Socialism Under the Banner of Lenin poster, 1931
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Piet MondrianComposition with Red, Yellow and Blue 1922
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Théo van Doesburg and Laszlo Moholy-Nagy book cover1925
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Vilmos Huszar, cover and title page designs for De Stijl, 1917-18
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Théo van Doesburg, cover and ad designs for De Stijl, 1921-22
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Théo van Doesburg, exhibition poster, 1920Théo van Doesburg and Kurt Schwitters
Kleine Dada Soirée poster, 1920
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Théo van Doesburg, dadaist poetry from De Stijl, 1921
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El Lissitzky, cover and page from De Stijl, 1922
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The Schroeder House, Utrecht, 1924Saturday, March 26, 16
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Laszlo Moholy-Nagy, cover and page spread designs for i10, 1927
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