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SANCTUARYSERIES™

SOUND SOLUTIONS FOR HOUSES OF

WORSHIP

SANCTUARYSERIES™

Finally—Sound Gear That Addresses Your Church's Needs

Church sound is an entirely different world

from standard pro audio applications, and our

Sanctuary Series makes it easier than ever for

church leaders and laypeople to set up and

operate their own worship systems. We're

proud to offer the only sound solutions tailored

specifically for houses of worship.

Sanctuary Series maximizes performance and

value with keen attention to aesthetics, and

includes amplifiers, mixers, loudspeakers

and more with exclusive, user-friendly Peavey

technologies that make pro sound attainable for

all churches.

Sanctuary Series is our commitment to you.

4 www.sanctuary-series.com 866-443-2333

Mixers 6

4-Channel Amplifier 8

Speaker Systems 1 0

Microphones 1 4

Portable PA Systems 16

Specifications 1 8

P V F 2 2

CONTENTS

www.sanctuary-series.com 866-443-2333 5

The Foundation of the Sanctuary SeriesMIXERS

S-32™


S-14™

12-channel,

rack-mountable

mixer

S-14 P

Powered version

of the S-14

(500 Watts x 2)

Four-Channel Built-In Automix™

• Will switch from lapel to pulpit microphones automatically• Will turn your microphone down when not in use

Two Groups for Song or Sound• Solo group takes low frequency noise out of the system• Both Solo and Choir/Instrument groups have a circuit that turns down the group when not in use, reducing system noise

Mid-Morph™ Equalization Technology• Adjust Mid-Morph to the right to add vocal and music clarity• Adjust Mid-Morph to the left to reduce boominess in vocals and music

Feedback Ferret® Auto Feedback Elimination • Will automatically seek and eliminate feedback frequencies • Ensures that the message will not be interrupted by loud system squeals

Split-Track Mix• Stereo L/R selector switch for split-accompaniment tracks• Monitor Blend controls mix of vocal and music tracks in monitors

Digital Reverb• Musical reverb designed specifically for sanctuary sound

Choosing the Right Audio MixerThese consoles practically run themselves!

Sanctuary Series mixers are a line of all-new, innovative audio products dedicated to making pro audio easy and cost-effective for houses of worship. Since many worship centers are unable to staff an experienced sound technician, Peavey developed several unique, user-friendly mixing features to simplify operation so any church leader or choir director can speak and perform with confidence.

We've replaced hands-on mixing with our exclusive Automix™ technology, an automatic mixing function that turns down unused channels to give dominance to the main microphone, minimizing unwanted noise. With our built-in Feedback Ferret® automatic digital feedback elimination system, you can forget about interruptive squeals. The Feedback Ferret uses exclusive Peavey technology to eliminate feedback without sacrificing tonal quality.

We developed these mixers as your sanctuary solution, with an unwavering attention to detail and intuitive design. Our compelling Sanctuary Series mixers are investments in creating a flawless audio environment for your worship service.


S-24™

24-channel

mixing console

This new four-channel automixer will vastly improve the quality of your sound system, whether used as a stand-alone unit or a plug-in to add automixing to your existing mixer. Centered around Peavey’s exclusive Automix technology—which is as hands-off a system as you’ll ever find—the S-4 also includes special Mid-

Morph™ EQ, priority select, compressors, input gain control, high-pass filters and PFL on each channel. And if you need more than four channels of Automix, up to ten S-4 units can be linked by standard 1/4” TRS cables for 40 gain-shared inputs!

4-CH AMP

S-4™

Exclusive Automix™ Technology

Keeping with the Sanctuary Series philosophy, this four-channel power amp solves common audio problems with exclusive Peavey technology. Built-in Auto Delay™ automatically measures and sets the proper delay time for fill speakers, greatly improving articulation of the spoken word.

The SA-4200 also features four channels rated at 200 watts each into 4 ohms or 70 volts (selectable in two-channel pairs). This versatility makes the SA-4200 ideal for delivering power to both main and balcony/fill speakers and any application requiring multiple audio zones, such as cry rooms or paging systems in larger houses of worship.

SA-4200™

Four-Channel Power Amplifier

AUTOMIXER


SPEAKERSSanctuary Series Speaker Systems

Front-PositionSSE™ 15 • Full-range music and spoken word; 60 ft. throw

SSE 12 • Acoustic music and spoken word; 60 ft. throw

SSE 10 • Spoken word; 60 ft. throw


Under-Balcony, Balcony and DelaySSE 10 • Full-range music and spoken word

SSE 26 • Acoustic music and spoken word

SSE 6 • Spoken word

*delay speakers are needed if your sanctuary is deeper than 60 ft.

MonitorSSE 12M • Full-range music and spoken word

SSE 10M • Acoustic music and spoken word

IMPULSE® 6 • Close-up “spot monitor” for praise bands

SSE™ 26 natural

Natural enclosures ship without a finish so you can stain to match your décor.Finishes shown above are only examples.

SSE 15 natural SSE 26 whiteSSE 12M white

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natural(no finish)

SPEAKERS

white

black

Front-PositionSSE™ 15 • Full-range music and spoken word; 60 ft. throw

SSE 12 • Acoustic music and spoken word; 60 ft. throw



Under-Balcony, Balcony and DelaySSE 10 • Full-range music and spoken word

SSE 26 • Acoustic music and spoken word

SSE 6 • Spoken word

*delay speakers are needed if your sanctuary is deeper than 60 ft.

MonitorSSE 12M • Full-range music and spoken word

SSE 10M • Acoustic music and spoken word

IMPULSE® 6 • Close-up “spot monitor” for praise bands

Impulse® 6 blackSSE 12 natural

Natural enclosures ship without a finish so you can stain to match your décor.Finishes shown above are only examples.

SSE 15 naturalSSE 6 black SSE 10 white


natural(no finish)

SPEAKERSSanctuary Series Speaker Systems


SSE UB

SSE LA

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SSE UB2Under-Balcony Speaker

Under-Balcony ArraySSE™ UB2 • 4 x 2” low profile 180° coverage

SSE UB4 • 4 x 4” low profile 180° coverage, choir monitor

Front-PositionSSE S5 • High power, asymmetrical horn, full-range system

SSE LA LINE ARRAY* • 60° V x 120° H small signature line array

*subwoofer needed for full-range reproduction

SubwooferSSE 110 Woofer • Wall/floor mount subwoofer

SSE 210 Woofer • Under riser/wall/floor/flyable subwoofer

SSE UB4Under Balcony Speaker

SPEAKERS


SSE 210SSE S5

SSE LAArray Speaker

SSE 110Woofer

SSE S5Full-Range Speaker

SSE 210Woofer

MICS

VCM 3 Element Type Electret CondenserPolar Pattern CardioidImpedance Low (500 Ohm Balanced)Frequency Response 50 Hz to 20 kHzSensitivity (open circuit voltage) -67 dB (0 dB = 1V/microbar)

PM™18SElectret Condenser Podium Microphone

• Cardioid polar pattern

• Slender styling

• Smooth, extended frequency response for natural speech and music reproduction

• Excellent feedback rejection

• Simple and versatile positioning adjustments

• Collet-type mounting flange with mechanical isolation

• Security lock provision to deter unauthorized removal from mic mount

• Powered from any 9-52 volt phantom power source

VCM™ 3Minitature Choir Microphone • Back-electret condenser element

• Small, unobtrusive design

• Cardioid polar pattern

• Smooth, wide-range frequency response

• 10-meter miniature cable for long drops


PVM 22Element Type DynamicPolar Pattern CardioidImpedance Low (400 Ohm Balanced)Frequency Response 50 Hz to 16 kHzSensitivity (open circuit voltage) -68 dB (0 dB = 1V/microbar)

PVM™ 22Diamond Series Microphone

• Diamond-coated diaphragm

• Neodymium magnet

• Cardioid polar paattern

• Superior off-axis rejection

• Smooth, accurate frequency response

• Ultra-high sensitivity

• Rubberized finish reduces handling noise

• Drawstring bag, pop filter and stand adapter included

PM 18SElement Type Electret CondenserPolar Pattern CardioidImpedance Low (500 Ohm Balanced)Frequency Response 50 Hz to 20 kHzSensitivity (open circuit volage) -67 dB (0 dB = 1V/microbar)

PVM 480 Element Type Permanently polarized condenserPolar Pattern Super CardioidImpedance Low (500 Ohm Balanced)Frequency Response 40 Hz to 20 kHzSensitivity (open circuit voltage) -64 dB (0 dB = 1V/microbar)

PVM™ 480Super Cardioid Microphone • Permanently polarized condenser element

(back-electret type)

• Flat, wide-range frequency response

• Super-cardioid polar pattern

• Wide dynamic range


• Rugged construction


PRO WIRELESSPRO COMM PCX U12 UHFUHF true diversity single-channel wireless systemsDynamic Range: >110 dB

30 WIRELESSPRO COMM PCX U302 UHFUHF true diversity 30-channel wireless systemsDynamic Range: >119 dBPRO COMM PCX U302-GWireless guitar systemPRO COMM PCX U302-B Lavalier wireless systemPRO COMM PCX U302-H Handheld wireless systemPRO COMM PCX U302-HS Headset wireless system

PRO COMM PCX V12-GWireless guitar systemPRO COMM PCX V12-B Lavalier wireless systemPRO COMM PCX V12-H Handheld wireless systemPRO COMM PCX V12-HS Headset wireless system

PRO COMM PCX U12-GWireless guitar systemPRO COMM PCX U12-B Lavalier wireless systemPRO COMM PCX U12-H Handheld wireless systemPRO COMM PCX U12-HS Headset wireless system

True-diversity wireless systems available in single-channel, 30-channel and 100-channel models

PRO COMM® PCXPRO WIRELESSPRO COMM® PCX ™ V12 VHF VHF true diversity single-channel wireless systemsDynamic Range: >110 dB

Guitar Wireless Systems• True diversity single-channel wireless system

• Four-pin mini-XLR to 1/4" adapter cable for wireless guitar applications

• Frequency tracking and muting circuits

• Balanced and unbalanced outputs

• RF signal level indicator

• Audio signal level indicator

• Volume control

• Front-mount antennas

• Squelch adjustment

• Low battery indicator

Lavalier Wireless Systems• True diversity single-channel wireless system

• Four-pin mini-XLR mic input jack on transmitter





• Volume control




Handheld Wireless Systems• True diversity single channel wireless system





• Volume control




Headset Wireless Systems• True diversity single channel wireless system

• Headset mic with multiple pivot points

• Four-pin mini-XLR mic input jack on transmitter





• Volume control




100-Channel Guitar, Lavalier, Handheld and Headset Wireless Systems• AutoScan™ automatically finds channel

with no interference

• CCS™ automatically sets channel selection on transmitter

• Color LCD on receiver indicates functions and battery status

• LCD on transmitters indicate channel and battery status

• XLR and 1/4" outputs

• Powered antenna connections for optional booster

• Metal receiver and body pack

• Available in guitar (body pack), vocals (handheld mic) handsfree vocals (headset mic) and presenter (lavalier mic)

AUTO WIRELESSPRO COMM® PCX™ U1002 UHFUHF true diversity 100-channel wireless sys-tems with lock-in program frequency

PRO COMM PCX U1002-GWireless guitar systemPRO COMM PCX U1002-B Lavalier wireless systemPRO COMM PCX U1002-H Handheld wireless systemPRO COMM PCX U1002-HS Headset wireless system

for Guitar for Vocals for Hands-Free Vocals for Presentations

PV®i 1 Single-Channel VHF or UHF Wireless SystemsThe economical way to GO WIRELESS

Peavey International PVi 1 wireless microphone systems include: receiver, transmitter, 1/4" audio cable, AC/DC adapter, softshell carring case and two AA batteries


PA SYSTEMSTRIFLEX™

• Compact, three-piece, powered portable P.A. system• 1000 watts total with power morphing technology• Built-in KOSMOS® low-end and spatial processing• 15" Low Rider® Black Widow® subwoofer • Two 8" high efficiency, two-way satellite speakers• Stands and cover with stand/cable pouches included

MESSENGER™

• Only 24” wide—the size of a briefcase!• 100 watts of power and five channels with EQ• Split-Track Mix for using split-accompaniment audio tracks• Channel 4/5 accommodates laptop, MP3/CD/cassette player

and more• Patented FLS® Feedback Locator System helps eliminate

harsh feedback• Comes with premium PV®i

microphone and cable• Ready to use• Lightweight, portable high

quality audio

ESCORT®

• Convenient roll-away package with built-in wheels• Two-way speaker system with 10" woofer and piezo horn• Five-channel, 150 watt stereo mixer amplifier• Four XLR mic inputs with 15 volt phantom power• Two stereo line inputs• 60 mm faders• High quality digital reverb• Five-band graphic EQ with FLS (Feedback Locator System)• Two speaker stands, one PVi mic with cable• Two 25' speaker cables• Includes a strong steel stand for ideal operating position

TRIFLEXPORTABLE, POWERFUL, 3-WAY SOUND SYSTEM

Today’s multi-tasking houses of worship require more than just a superior fixed-installation audio system, but let’s face it: you simply can’t afford to outfit every activity room with that kind of gear. You need a compact, reliable and best of all, portable P.A. to cover those weeknight Bible studies and youth functions. Thankfully, we’ve developed three specialized, portable P.A. systems, to provide all the power and versatility you’ll need in durable, easily transportable packages.


PA SYSTEMS

MESSENGER

ESCORT

A COMPLETE, PORTABLE SOUND SYSTEM THE SIZE OF A BRIEFCASE100 watts (50 watts per channel in stereo)

Split-Track Mix channel (channels 4/5) for AV accompaniment

Self-contained, portable professional sound system

Ideal for multi-purpose, special events or activity rooms

Top lid of the Messenger also functions as a lectern

Built-in five-band EQ with patented FLS® Feedback Locating System

Split Track Mix™ with independent and master volume controls and three bands of EQ

Comes with Peavey microphone and all necessary cables

TRIFLEXPORTABLE, POWERFUL, 3-WAY SOUND SYSTEM


SPECIFICATIONS

www.sanctuary-series.com 866-443-2333

S-4 S-14 S-14P S-24 S-32

INPUT CHANNELS 4 12 12 21 30

AUTOMIX™ MIC/LINE INPUTS 4 4 4 4 8 channels 1 & 4 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 all channels have priority/Automix/manual and bus Automix or manual Automix or manual Automix or manual Automix or manual assignment switches

STANDARD MONO MIC/LINE INPUTS 6 6 14 20

STEREO LINE INPUTS 2 stereo channels with stereo/left/right track selector for 2 stereo channels with stereo/left/right track selector for 3 stereo channels with stereo/left/right track selector for 2 channels with input selector for 3 sources each. main outputs and monitor blend control for monitor sends main outputs and monitor blend control for monitor sends main outputs and monitor blend control for monitor sends inputs A & B have individual input trim controls. stereo/left/right track selector for main system and monitor blend control.

MIC PREAMP discrete gain adjustable 0 to 70 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms

CHANNEL INSERTS channels 1 to 4 4 28 1/4” jack switch selectable Insert or direct out Automix channels 1-4 all mono channels

DIRECT OUTPUTS channels 1 to 4 direct output on all channels 1/4” jack switch selectable Insert or direct out post EQ/post mute, pre-fader

PHANTOM POWER switchable 48V channel group 1-4 switchable 48V channel group 1-10 switchable 48V channel group 1-10 switchable 48V channel group 1-18 switchable 48V channel in 3 groups

AMBIENCE MIC INPUT channel 10 selectable choir group or ambience channel 10 selectable choir group or ambience separate ambience mic input with mute separate stereo ambience mic inputs with EQ and 2 level mute (Ambient feeds only record and remote outputs) (Ambient feeds only record and remote outputs) (Ambient feeds only record and remote outputs) (Ambient feeds broadcast, record and USB outputs and can be added to the remote and local processed outputs)

LOW-CUT FILTER channel switchable 75 Hz or 150 Hz 75 Hz on Automix inputs and solo groups 75 Hz on Automix inputs and solo groups 75 Hz on Automix inputs and solo groups variable low cut filter on all mono inputs. off to 300 Hz

CHANNEL EQ Mid-Morph™ low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, mid sweepable 100 Hz to 5 kHz, high shelf

CHANNEL DYNAMICS (COMPRESSION) 4 4 4 4 8 channels 1-4 have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable threshold control and compression LED. threshold control and compression LED. threshold control and compression LED. threshold control and compression LED. threshold control and compression LED.

MONITOR SENDS/CHANNEL aux 1-2, post-fader, post-EQ aux 1-2, post-fader, post-EQ aux 1-2, pre-fader, post-EQ aux 1-4, pre-fader, post-EQ EFFECTS SENDS/CHANNEL 1 Post Fader 1 Post Fader 1 Post Fader 2 post faders

EFFECTS RETURN Return from Internal Effects Return from Internal Effects Return from Internal Effects return from internal effects external aux ret. with left/mono right 1/4” phone. full bus assign, send to mon 1 & 2, mute & PFL

CHANNEL MUTE WITH LED INDICATOR YES YES YES programmable mute group system with 8 groups plus automatic subgroups

CHANNEL SIGNAL INDICATION clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB

CHANNEL BUS ASSIGNMENT mono output Automix group, 2 music groups (solo & choir) Automix group, 2 music groups (solo & choir) Automix group, 2 music groups (solo & choir) Automix group, 3 music groups and stereo media and stereo media and stereo media and stereo media

CHANNEL MIX LEVEL rotary 60 mm fader 60 mm fader 60 mm fader 100 mm fader

HEADPHONE MONITORING SYSTEM main output and channel PFL selector to monitor main L/R monitor sends or media inputs selector to monitor main L/R monitor sends or media inputs selector to monitor main L/R monitor sends or media inputs main L&R with PFL on inputs, AFL on subgroups and outputs. additional inputs for external stereo monitoring.

OUTPUT METERING main 7 segment LED meters. main left and right 12 segment LED meters main Left and right 12 segment LED meters main left and right 12 segment LED meters main left and right 12 segment LED meters. subgroups have 6 segment meters

SUBGROUP PROCESSING 2 soft-knee compressors with variable threshold and 2 soft-knee compressors with variable threshold and 2 soft-knee compressors with variable threshold and 3 soft-knee compressors with variable threshold and “easy-off” soft-knee expander on music subgroups. “easy- off” soft-knee expander on music subgroups. “easy-off” soft-knee expander on music subgroups. “easy-off” soft-knee expander on music subgroups. subgroup mutes subgroup mutes subgroup mutes vocal enhancer can be engaged on each group.

MASTER PROCESSING vocal enhancer can be engaged on the main outputs. vocal enhancer can be engaged on the main outputs. vocal enhancer can be engaged on the main outputs. studio style effects processor with up to 3 simultaneous digital effects processor with 4 church reverbs. digital effects processor with 4 church reverbs. digital effects processor with 4 church reverbs. effects blocks, effect libraries and full parametric editing.

MAIN OUT PROCESSING microphones to main left and right outputs and monitor 1 microphones to main left and right outputs and monitor 1 microphones to main left and right outputs and monitor 1 main left and right outputs have: Feedback Ferret, 1.3 output have: Feedback Ferret (automatic feedback eliminator) output have: Feedback Ferret (automatic feedback eliminator) output have: Feedback Ferret (automatic feedback eliminator) octave graphic equalizer or 7 band parametric. digital delay and dynamic processing. digital crossover for mono two-way or main/subwoofer operation.

ADDITIONAL OUTPUTS Stereo “Record” and “Remote” outputs have Auto-Level Stereo “Record” and “Remote” outputs have Auto-Level Stereo “Record” and “Remote” outputs have Auto-Level 2 Stereo outputs (“Record” and “Broadcast”) and 2 Mono Compressors that can be engaged. These outputs Compressors that can be engaged. These outputs Compressors that can be engaged. These outputs outputs (“Remote” and “Local”) have Auto-Level also include Room “Ambience” signal if used. also include Room “Ambience” signal if used. also include Room “Ambience” signal if used. Compressor that can be engaged. These outputs can also include Room “Ambience” signal. The Mono outputs additionally have digital delay and 1/3 Octave EQ.

USB AUDIO streaming audio for stereo recording and playback USB “B” for connection to PC.

OUTPUT CONNECTORS main: XLR Balanced & TS 1/4” unbalanced L,R main: XLR balanced & TS 1/4” unbalanced L,R main: XLR balanced & TS 1/4” unbalanced L, R main: XLR balanced & TS 1/4” unbalanced L, R main: XLR balanced & TS 1/4” unbalanced 1/4” TRS link input and output monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 - 4: XLR balanced aux 3: 1/4” unbalanced aux 3: 1/4” unbalanced aux 3: 1/4” unbalanced aux 5 & 6: 1/4” unbalanced record outputs: RCA unbalanced record 0utputs: RCA unbalanced record outputs: RCA unbalanced record outputs L & R: RCA unbalanced remote output: TRS balanced remote 0utput: TRS balanced remote output: TRS balanced broadcast outputs L & R: XLR balanced power amp out: Speakon® remote & local outputs: XLR balanced

OUTPUT INSERTS TRS inserts on subgroups

OUTPUT MASTERS rotary main left, right & monitor 1 & 2: 60mm left, right & monitor 1 & 2: 60mm left, right & monitor 1 & 2: 60mm sub-groups, left and right: 100 mm

LAMP JACKS 1-12V DC BNC 2-12V DC BNC

INSTALL FEATURES 1 U rack mount package 8 U rack mount package or table top mount 10 U rack mount package or table top mount table top mount table top mount

POWER SUPPLY internal linear mode internal linear mode internal linear mode internal liner mode universal input switch mode

POWER AMPLIFIER 2 x 600 watts into 4 ohms 2 x 475 watts into 8 ohms

18

SPECIFICATIONS

www.sanctuary-series.com 866-443-2333

S-4 S-14 S-14P S-24 S-32

INPUT CHANNELS 4 12 12 21 30

AUTOMIX™ MIC/LINE INPUTS 4 4 4 4 8 channels 1 & 4 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 channels 1 & 2 have priority switch, channels 3 & 4 all channels have priority/Automix/manual and bus Automix or manual Automix or manual Automix or manual Automix or manual assignment switches

STANDARD MONO MIC/LINE INPUTS 6 6 14 20

STEREO LINE INPUTS 2 stereo channels with stereo/left/right track selector for 2 stereo channels with stereo/left/right track selector for 3 stereo channels with stereo/left/right track selector for 2 channels with input selector for 3 sources each. main outputs and monitor blend control for monitor sends main outputs and monitor blend control for monitor sends main outputs and monitor blend control for monitor sends inputs A & B have individual input trim controls. stereo/left/right track selector for main system and monitor blend control.

MIC PREAMP discrete gain adjustable 0 to 70 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. discrete gain adjustable 0 to 60 dB. EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms EIN -128.5 dBu @ 150 Ohms

CHANNEL INSERTS channels 1 to 4 4 28 1/4” jack switch selectable Insert or direct out Automix channels 1-4 all mono channels

DIRECT OUTPUTS channels 1 to 4 direct output on all channels 1/4” jack switch selectable Insert or direct out post EQ/post mute, pre-fader

PHANTOM POWER switchable 48V channel group 1-4 switchable 48V channel group 1-10 switchable 48V channel group 1-10 switchable 48V channel group 1-18 switchable 48V channel in 3 groups

AMBIENCE MIC INPUT channel 10 selectable choir group or ambience channel 10 selectable choir group or ambience separate ambience mic input with mute separate stereo ambience mic inputs with EQ and 2 level mute (Ambient feeds only record and remote outputs) (Ambient feeds only record and remote outputs) (Ambient feeds only record and remote outputs) (Ambient feeds broadcast, record and USB outputs and can be added to the remote and local processed outputs)

LOW-CUT FILTER channel switchable 75 Hz or 150 Hz 75 Hz on Automix inputs and solo groups 75 Hz on Automix inputs and solo groups 75 Hz on Automix inputs and solo groups variable low cut filter on all mono inputs. off to 300 Hz

CHANNEL EQ Mid-Morph™ low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, high shelf low shelf, Mid-Morph, mid sweepable 100 Hz to 5 kHz, high shelf

CHANNEL DYNAMICS (COMPRESSION) 4 4 4 4 8 channels 1-4 have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable Automix channels have a soft-knee compressor with variable threshold control and compression LED. threshold control and compression LED. threshold control and compression LED. threshold control and compression LED. threshold control and compression LED.

MONITOR SENDS/CHANNEL aux 1-2, post-fader, post-EQ aux 1-2, post-fader, post-EQ aux 1-2, pre-fader, post-EQ aux 1-4, pre-fader, post-EQ EFFECTS SENDS/CHANNEL 1 Post Fader 1 Post Fader 1 Post Fader 2 post faders

EFFECTS RETURN Return from Internal Effects Return from Internal Effects Return from Internal Effects return from internal effects external aux ret. with left/mono right 1/4” phone. full bus assign, send to mon 1 & 2, mute & PFL

CHANNEL MUTE WITH LED INDICATOR YES YES YES programmable mute group system with 8 groups plus automatic subgroups

CHANNEL SIGNAL INDICATION clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. clip LED monitors at multiple points. signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB signal present LED lights at -20 dB

CHANNEL BUS ASSIGNMENT mono output Automix group, 2 music groups (solo & choir) Automix group, 2 music groups (solo & choir) Automix group, 2 music groups (solo & choir) Automix group, 3 music groups and stereo media and stereo media and stereo media and stereo media

CHANNEL MIX LEVEL rotary 60 mm fader 60 mm fader 60 mm fader 100 mm fader

HEADPHONE MONITORING SYSTEM main output and channel PFL selector to monitor main L/R monitor sends or media inputs selector to monitor main L/R monitor sends or media inputs selector to monitor main L/R monitor sends or media inputs main L&R with PFL on inputs, AFL on subgroups and outputs. additional inputs for external stereo monitoring.

OUTPUT METERING main 7 segment LED meters. main left and right 12 segment LED meters main Left and right 12 segment LED meters main left and right 12 segment LED meters main left and right 12 segment LED meters. subgroups have 6 segment meters

SUBGROUP PROCESSING 2 soft-knee compressors with variable threshold and 2 soft-knee compressors with variable threshold and 2 soft-knee compressors with variable threshold and 3 soft-knee compressors with variable threshold and “easy-off” soft-knee expander on music subgroups. “easy- off” soft-knee expander on music subgroups. “easy-off” soft-knee expander on music subgroups. “easy-off” soft-knee expander on music subgroups. subgroup mutes subgroup mutes subgroup mutes vocal enhancer can be engaged on each group.

MASTER PROCESSING vocal enhancer can be engaged on the main outputs. vocal enhancer can be engaged on the main outputs. vocal enhancer can be engaged on the main outputs. studio style effects processor with up to 3 simultaneous digital effects processor with 4 church reverbs. digital effects processor with 4 church reverbs. digital effects processor with 4 church reverbs. effects blocks, effect libraries and full parametric editing.

MAIN OUT PROCESSING microphones to main left and right outputs and monitor 1 microphones to main left and right outputs and monitor 1 microphones to main left and right outputs and monitor 1 main left and right outputs have: Feedback Ferret, 1.3 output have: Feedback Ferret (automatic feedback eliminator) output have: Feedback Ferret (automatic feedback eliminator) output have: Feedback Ferret (automatic feedback eliminator) octave graphic equalizer or 7 band parametric. digital delay and dynamic processing. digital crossover for mono two-way or main/subwoofer operation.

ADDITIONAL OUTPUTS Stereo “Record” and “Remote” outputs have Auto-Level Stereo “Record” and “Remote” outputs have Auto-Level Stereo “Record” and “Remote” outputs have Auto-Level 2 Stereo outputs (“Record” and “Broadcast”) and 2 Mono Compressors that can be engaged. These outputs Compressors that can be engaged. These outputs Compressors that can be engaged. These outputs outputs (“Remote” and “Local”) have Auto-Level also include Room “Ambience” signal if used. also include Room “Ambience” signal if used. also include Room “Ambience” signal if used. Compressor that can be engaged. These outputs can also include Room “Ambience” signal. The Mono outputs additionally have digital delay and 1/3 Octave EQ.

USB AUDIO streaming audio for stereo recording and playback USB “B” for connection to PC.

OUTPUT CONNECTORS main: XLR Balanced & TS 1/4” unbalanced L,R main: XLR balanced & TS 1/4” unbalanced L,R main: XLR balanced & TS 1/4” unbalanced L, R main: XLR balanced & TS 1/4” unbalanced L, R main: XLR balanced & TS 1/4” unbalanced 1/4” TRS link input and output monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 & 2: XLR balanced & TS 1/4” unbalanced monitor sends 1 - 4: XLR balanced aux 3: 1/4” unbalanced aux 3: 1/4” unbalanced aux 3: 1/4” unbalanced aux 5 & 6: 1/4” unbalanced record outputs: RCA unbalanced record 0utputs: RCA unbalanced record outputs: RCA unbalanced record outputs L & R: RCA unbalanced remote output: TRS balanced remote 0utput: TRS balanced remote output: TRS balanced broadcast outputs L & R: XLR balanced power amp out: Speakon® remote & local outputs: XLR balanced

OUTPUT INSERTS TRS inserts on subgroups

OUTPUT MASTERS rotary main left, right & monitor 1 & 2: 60mm left, right & monitor 1 & 2: 60mm left, right & monitor 1 & 2: 60mm sub-groups, left and right: 100 mm

LAMP JACKS 1-12V DC BNC 2-12V DC BNC

INSTALL FEATURES 1 U rack mount package 8 U rack mount package or table top mount 10 U rack mount package or table top mount table top mount table top mount

POWER SUPPLY internal linear mode internal linear mode internal linear mode internal liner mode universal input switch mode

POWER AMPLIFIER 2 x 600 watts into 4 ohms 2 x 475 watts into 8 ohms

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SPECIFICATIONS


SPEAKERS

SSE™ 10/10M SSE 12/12M SSE 15 SSE 26 SSE 6 LF SUBSYSTEM: 1x 10" 1x 12" 1x 15" 2x 6.5" 1x 6.5"

Woofer+ Woofer Vented Woofer+ Woofer Vented Sheffield 1500+ Woofer Vented Woofer+ Woofer Vented Woofer+ Woofer Vented

HF SUBSYSTEM: 14XT™ Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver 14XT Titanium Comp. Driver

FREQUENCY RESPONSE:

(1 W @ 1m)

±3 dB 80 Hz - 17 kHz 79 Hz - 17 kHz 74 Hz - 17 kHz 100 Hz - 17 kHz 100 Hz - 17 kHz

-10 dB 60 Hz - 21 kHz 60 Hz - 21 kHz 54 Hz - 21 kHz 80 Hz - 21 kHz 80 Hz - 21 kHz

SENSITIVITY:(1W @ 1m) (dB SPL) 95 dB SPL 98 dB SPL 98 dB SPL 94 dB SPL 90 dB SPL

IMPEDANCE: (ohms) 8 ohms 8 0hms 8 0hms 8 ohms 8 ohms

POWER HANDLING: (watts)

Continuous 200 250 250 150 75

Program 400 500 500 300 175

COVERAGE ANGLE: 90x60 90x40 90x40 100˚ conical 100˚ conical

CONNECTORS 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip 1x two position terminal strip

1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector 1x 4-pin NL4 Speakon® connector

CABINET TYPE (shape) Trapezoid Trapezoid Trapezoid Trapezoid Trapezoid

ENCLOSURE MATERIALS Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch Dado Joined 13 mm Birch

FINISH Textured acrylic polyurethane. Textured acrylic polyurethane Textured acrylic polyurethane. Finished with a textured Finished with a textured

Available in black, white or Available in black, white or Available in black, white or acrylic polyurethane. Available in acrylic polyurethane. Available

natural finishes. natural finishes. natural finishes. black, white, and natural finishes in black, white, and natural finishes

GRILLE Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal Powder Coated Expanded Metal

covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric covered with an acoustical fabric

DIMENSIONS inches (SSE 10 only) inches (SSE 12 only) inches inches inches

HEIGHT (front) 19.63 24.50 27.00 23.25 16.41

WIDTH (front) 15.09 17.44 18.00 9.93 9.95

WIDTH (rear) 11.09 13.14 12.14 5.23 5.23

DEPTH 12.12 13.20 17.75 9.47 9.47

TRAPEZOID ANGLE 10 Degrees 10 Degrees 10 Degrees 10 Degrees 10 Degrees

WEIGHTS 29 lbs. 40 lbs. 46 lbs. 28 lbs 21 lbs.

MOUNTING INSERTS (6) 3/8”-16 threaded mounting (6) 3/8”-16 threaded mounting (6) 3/8”-16 threaded mounting Includes (1) Mounting bracket Includes (1) Mounting bracket

suspension points (three each suspension points (three each suspension points (three each and associated hardware for and associated hardware for

top and one each side and back). ttop and one each side and back). top and one each side and back). attaching to SSE 6. This bracket attaching to SSE 6. This bracket

Use only forged shoulder Use only forged shoulder Use only forged shoulder will allow for horizontal mounting will allow for horizontal mounting

machinery eye bolt, Mil Spec machinery eye bolt, Mil Spec machinery eye bolt, Mil Spec to walls and ceilings.(4) 1/4”-20 to walls and ceilings.(4) 1/4”-20

MIL51937-3. (1) 1/4”-20 thread MIL51937-3. (1) 1/4”-20 threaded MIL51937-3. (1) 1/4”-20 threaded threaded mounting points on threaded mounting points on

mounting point on back bottom mounting point on back bottom mounting point on back bottom bottom to accommodate use of bottom to accommodate use of

for angle adjustments.(4) 1/4”-20 for angle adjustments.(4) 1/4”-20 for angle adjustments.(4) 1/4”-20 Versamount™ 35 adjustable Versamount 35 adjustable

threaded mounting points on threaded mounting points on threaded mounting points on mounting bracket mounting bracket

bottom to accommodate use oF bottom to accommodate use of bottom to accommodate use of

VersaMount™ 70 adjustable VersaMount 70 adjustable VersaMount 70 adjustable

mounting bracket. mounting bracket. mounting bracket.


SPECIFICATIONS SSE-LA SSE-UB2 SSE-UB4 SSE-S5 SSE-210 Woofer SSE-110 Wooofer

WOOFERS Sixteen 2’’ Wideband Full-range Four 2’’ Wideband Full-range Four 4” Wideband Full-range 15’’ Scorpion® Plus Two 10’’ woofer One 10” woofer

1” VC Neodymium magnet 1” VC Neodymium magnet 1” VC Neodymium magnet HO woofers 2.375” VC & 50 Oz. magnet 2.375” VC & 50 Oz. magnet

TWEETER N/A N/A N/A RX 22 compression driver N/A N/A

coupled to an asymmetrical

horn with Sound Guard III

tweeter protection

FREQUENCY RESPONSE 120 Hz-18 kHz, ±3 dB 160 Hz-14 kHz, ±3 dB 120 Hz-12 kHz, ±3 dB 69 Hz-17 kHz, ±3 dB 57 Hz-800 Hz, ±3 dB 59 Hz-3.8 kHz, ±3 dB

POWER HANDLING 400 watts program 100 watts program 320 watts program 800 watts program 800 watts program 400 watts program

800 watts peak 200 watts peak 640 watts peak 1,600 watts peak 1,600 watts peak 800 watts peak

SENSITIVITY 93 dB 1w/1m 90 dB 1w/1m 92 dB 1w/1m 99 dB 1w/1m 96 dB 1w/1m 92 dB 1w/1m

NOMINAL IMPEDANCE 8 ohm 8 ohm 4 ohm 8 ohm 4 ohm 8 ohm

WEIGHT 18 lbs. 4 lbs. 9 lbs. 63 lbs. 53 lbs. 25 lbs.

DIMENSIONS 40.0’’ H x 3.8’’ W x 11.0’’ D 3.0’’ H x 12.88’’ W x 6.5’’ D 5.13’’ H x 19.0’’ W x 9.5’’ D 27.375’’ H x 20.625’’ W x 16.5’’ D 26.5’’ H x 24.0’’ W x 9.8’’ D 17.0’’ H x 13.0’’ W x 10.5’’ D

TRIFLEX™

POWERED SUBWOOFER AND STEREO SATELLITE SYSTEM

FREQUENCY RESPONSE45 Hz to 120 Hz

USABLE POWER AMPLIFIER (at 120 VAC line)SUBWOOFER SECTION 1500 watts peak dynamic power, bridged mode 1000 watts coninuous at less than 0.3% distortionL & R OUTPUT SECTION ALONE 750 watts peak dynamic power either channel

ALL CHANNELS FULLY LOADEDSUBWOOFER SECTION 750 watts peak dynamic power 500 watts continuousL & R OUTPUT SECTION 375 watts peak dynamic power either channel 250 watts continuous

NOMINAL SENSITIVITY (1W at 1M, swept-sine input in anechoic environment)95 dB

MAXIMUM SOUND PRESSURE LEVEL128 dB peak

TRANSDUCER COMPLEMENT1508-8 HPS 15" Low Rider® bass woofer

BOX TUNING FREQUENCY (FBox)40 Hz

ELECTRONIC CROSSOVER FREQUENCY120 Hz

CROSSOVER TYPEInternal electronic two-way crossover with bass boost and 24 dB/octave subsonic filtering with active soft-knee limiter on level-controlled low pass. Variable high-pass output.

CROSSOVER SLOPES24 dB/octave (4th order) Linkwitz-Riley low-pass and driver EQ. 24 dB/octave (4th order) Linkwitz-Riley high pass.

FULL-RANGE INPUT CONNECTIONSOne combo female XLR & 1/4" phone jack providing balanced operation

FULL-RANGE OUTPUT CONNECTIONSOne male XLR balanced thru connectorHigh-pass output connectionsOne male XLR connector

LEFT AND RIGHT OUTPUT CONNECTIONSOne Neutrik® Speakon® four-pin connector each; minimum speaker impedance 8 Ohms eachEnclosure Materials and FinishPlywood and MDF, scuff-resistant black speaker carpet

MOUNTINGFour large rubber feet for floor use (not designed for overhead suspension); satellite speaker mounting via tripod pole stands

DIMENSIONS20.75" (52.71 cm) W x 23.25" (59.06 cm) D x 52.75" (133.99 cm) H

NET WEIGHT127 lbs. (57.61 Kg)

SHIPPING WEIGHT AND DIMENSIONS146.3 lbs. (66.36 Kg)26.75" (67.95 cm) W x 23.5" (59.06 cm) D x 55.25" (140.34 cm) HElectronic Input Impedance (nominal)Primary balanced input: 10 k Ohms unbalanced, 20 k Ohms balanced

INFRASONIC FILTER PROTECTION48 dB/octave roll-off with active soft-knee limiter

NOMINAL AMPLIFIER FREQUENCY RESPONSE+0, -1 dB from 10 Hz to 30 kHz

HUM AND NOISEGreater than 90 dB below rated power

ACTIVE LOW FREQUENCY LIMITER DYNAMIC RANGEGreater than 60 dB

DDT™ DYNAMIC RANGEGreater than18 dB

THD AND IMTypically less than 0.3%

DAMPING FACTORGreater than 100 at 1000 Hz, 8 Ohms

POWER REQUIREMENTS of TriFlex System (domestic)1300 Watts, 120VAC, 60 Hz

ESCORT®

OUTPUT POWER: 75 watts per channel into 4 ohm load

FREQUENCY RESPONSE: 30 Hz to 25 kHz +0/-3 dB measured at 1 watt

OVERLOAD PROTECTION: DDT™ (Distortion Detection Technology) limits the power amplifier input to prevent clipping distortion that can damage speakers.

DISTORTION: Less than 0.8% THD at rated output

MAX GAIN: 86 dB mic input to speaker output

SIGNAL/NOISE RATIO: 85 dB mic input typical

REVERB: Digital

AC POWER: 115 VAC 60 Hz or 230 VAC 50/60 Hz

WEIGHT ASSEMBLED: 65 lbs.(29.5 Kg) (Stands Included)

DIMENSIONS: 14.5” H x 36.75” W x 15.5” D (36.8H x 93.3W x 39.4D cm)

SPEAKERS: Woofer 10” (254 mm) Piezoelectric Horn Tweeter

MICROPHONE: Dynamic, Cardioid (Unidirectional)

Specifications are subject to change without notice.

Continuing Our Commitment to You:Special Leasing through PVF

Terms 2 to 5 years

Fast credit approval

Lease a proven, quality sound system from your Peavey dealerand hear His message loud and clear

Benefits of Leasing:

Preserves existing credit lines for repairs and improvements to your church

Preserves your cash reserves for emergencies, benevolenceand leadership

No large down payments required

Allows your church to get the equipment it needs now and budget for it rather than wait for special collections and fundraising

Low monthly payments—calculate instantly at www.sanctuary-series.com/pvf

Flexible terms to match seasonal fluctuations in tithing

Upgrade your sound system as your church grows and needs change

Contact your local Peavey dealerorCall PVF to discuss further

601.483.0559 PVF

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