Jazz at Lincoln Center’sThe Appel RoomFrederick P. Rose Halljazz.org

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Friday and Saturday Evening, March 6–7, 2015, at 7:00 and 9:30

Wynton Marsalis, Managing and Artistic DirectorGreg Scholl, Executive Director

SALUTE TO BETTY CARTER

ALVESTER GARNETT, Music Director, DrumsCHARENEE WADE, VocalsCRAIG HANDY, SaxophoneJACKY TERRASSON, PianoSTEPHEN SCOTT, PianoMICHAEL BOWIE, BassCURTIS LUNDY, BassWINARD HARPER, DrumsMICHELA MARINO LERMAN, Tap DanceFRANCES MONIQUE BRADLEY, Tap DanceALEXANDRIA BRINAE BRADLEY, Tap Dance

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Jazz at Lincoln Center thanks its season sponsors: Amtrak, Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Premier, The Shops at Columbus Circle at Time Warner Center, and SiriusXM.

HSBC Premier is a Lead Corporate Supporter of this performance.

Special thanks to the Rockefeller Foundation for funding, in part, the 2014–15 Concert Season.

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Notes on the ProgramBy Ted Panken

“Betty Carter was unique, totally original.She was so integrated with her rhythmsection. Not every singer could get awaywith what she did.”—Karrin Allyson

“Betty was like a horn, very much intodynamics.”—Jack DeJohnette

“Betty was like Miles; she centered in onwhat was important.”—Dave Holland

“During my eight months in Betty’s trio[with Curtis Lundy and Kenny Washingtonin 1980], I had to develop as an orchestra-tor and a soloist. She put the heat on;everything was arranged and crisp.”

—Mulgrew Miller

“Betty drilled into my mind to be consis-tent every time you walk on the bandstand,to be aware that you’re playing for peoplewho want to be entertained.”

—Clarence Penn

“Betty was a good school. She wanted youto push yourself. ‘Don’t play the same stuffyou played yesterday.’”—Jacky Terrasson

“Betty was never one to back down froman argument or a fight.”—Stephen Scott

* * * *

During her half-century as a professionalsinger and nonpareil improviser, BettyCarter’s singular voice and force-of-naturepersonality made a strong impression, notleast upon the superb cohort of alumnifrom her bands who have convened forthis evening’s tribute to her legacy.

Channeling Carter’s spirit will be ChareneeWade, no stranger to Jazz at LincolnCenter audiences. She assimilated Carter’smessage of individualism when attending

the Jazz Ahead program—an ongoinggratis two-week residency for emergingjazz artist-composers that Carter estab-lished in 1993 in conjunction with The JohnF. Kennedy Center in Washington, D.C.—several years after Carter died.

“I think the most valuable thing I gleanedwas the sense of being able to lean intoyour personal strengths, and expand onthem to discover more of yourself as anartist,” Wade says.

Precisely what Carter-associated repertoireWade will sing tonight is undetermined asof this writing, but it is to be hoped thatone selection will be “My Favorite Things,”a showcase for Carter’s jawdroppingly vir-tuosic vocal derring-do since she firstrecorded it with pianist Harold Mabern,bassist Bob Cranshaw, and drummer RoyMcCurdy on the self-released 1964 albumInside Betty Carter.

Wade cites her own favorite things aboutCarter. “Her playfulness,” she begins.“Her uncanny ability to bring the lyrics—the story of the song—musically to life. Herability to reimagine a song through herarranging. Her scat singing was out of thisworld. She was a very highly-trained musi-cian, to the point where young cats wouldcome to her band for schooling.”

During the last two decades of Carter’s life,“young cats” on the receiving end of herspecial brand of tough love included suchnascent high-caliber-practitioners-to-be aspianists Mulgrew Miller, Benny Green,Marc Cary, Cyrus Chestnut, Xavier Davis,Stephen Scott, and Jacky Terrasson;bassists Curtis Lundy, Eric Revis, AriRoland, Michael Bowie, and MatthewGarrison; and drummers Kenny Washing -ton, Lewis Nash, Greg Hutchinson,Clarence Penn, Winard Harper, Eric Har -land, and Alvester Garnett, the music direc-tor on this evening.

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“It was fascinating to see a beautiful,strong, black woman in charge, teaching allthese young, generally male musicians,”Garnett recalled. “You understood that theband was like a boot camp. You had to bebroken, and she’d unleash her knowledgeon you to build you back up. For some itmight have seemed brutal, but I knew itwas coming from a place of love. She lovedthe music first and foremost, and she lovedthe players—she knew we’d be the onescarrying the music forward.

“Her harmonic understanding wassupreme; she could navigate the changesand find notes you didn’t expect. Thepropulsion in her singing was phenomenal,but after she’d do something with gunsblazing, she’d turn around and seduce youwith a sense of sheer sensuality and eroti-cism. She knew how to make the audiencefeel that kind of passion and love. I getgoosebumps thinking about it.”

Jazz at Lincoln Center 2014–15 Concert SeasonJazz Across the Americas

Jazz has both integrated and influenced a diverse array of musical traditions from theCaribbean and North, Central, and South America. During our season-long journey through theAmericas, we proudly showcase virtuosos of these rich musical styles, featuring fresh newjazz works, as well as interpretations of foundational composers led by today’s living masters.

Anchored by the renowned Jazz at Lincoln Center Orchestrawith Managing and Artistic DirectorWynton Marsalis, we kicked off the 2014-15 season with the debut of a new collaboration byCuban jazz legend Chucho Valdés, fellow Cuban percussionist Pedrito Martinez, and Mr.Marsalis. Native Brazilian ensemble SpokFrevo Orquestra made its JALC debut, and musicalpolymath Bill Frisell returns to curate our Roots of Americana series. We honor legendarybaritone saxophonist Joe Temperley, a beloved member of Duke Ellington’s band and our own,and showcase jazz’s varied cultural interpretations with Elio Villafranca’s ‘Music of the Caribbean’and Sherman Irby’s ‘Journey Through Swing.’ We welcome visionaries like Michael Feinstein,Wayne Shorter, Rubén Blades, and Dianne Reeves, and honor the timeless music of CountBasie, Betty Carter, Billie Holiday, Muddy Waters, Frank Sinatra, and more.

Our 27th concert season presents jazz in all its depth, beauty, diversity, relevance, andcontinuity. Join us and we promise you’ll leave feelin’ good.

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Meet the Artists

Alvester Garnett (Music Director, Drums) hasbeen called on by singers such as living leg-end Abbey Lincoln and the late great BettyCarter, as well as instrumentalists likeWynton Marsalis, James Carter, ReginaCarter, and Cyrus Chestnut. At age 16, whileplaying in an All-County High School JazzBand, Ellis Marsalis introduced him to thenames and recordings of master jazz drum-mers. Garnett soon joined the MaldenDiplomats Drum and Bugle Corp, with whomhe toured the United States and Canada.

After graduating high school, he attendedGunther Schuller’s music training programat The Festival at Sandpoint in Idaho,where he studied with Wynton Marsalis,jazz historian Martin Williams, and masterdrummers Max Roach and Victor Lewis.After enrolling at Virginia CommonwealthUniversity, he studied once more with EllisMarsalis. Here he also studied arranging,jazz history, and big band performance. In1992, while in college and backing up ClarkTerry on a local gig, Garnett won third placein the Thelonious Monk International JazzDrum Competition. Betty Carter heardGarnett and invited him to participate in herfirst annual Jazz Ahead program, which ledto his joining her band in 1993 and movingto New York City. Garnett simultaneouslyplayed in Abbey Lincoln’s quartet for morethan two years and then joined CyrusChestnut’s trio before returning to AbbeyLincoln’s Quartet in 1998. Later that year,he toured extensively with Regina andJames Carter, and he has since remained amember of Regina Carter’s various bands.

In 2013 and 2014, Garnett was the princi-pal percussionist with the Jazz at LincolnCenter All Stars on the Tony Award-winningAfter Midnight. Garnett can be heard inPapo Vazquez’s Big Band and PiratesTroubadours ensembles. He can also beheard on Andy Farber’s recent recording,This Could Be The Start of Something Big.Garnett has toured the world extensivelyand has worked and/or recorded with artistsincluding Roy Hargrove, Houston Person,Wynton Marsalis, Steve Turre, StefonHarris, Kevin Mahogany, Clark Terry, DeeDee Bridgewater, Dianne Reeves, Al Grey,Pharoah Sanders, Brad Leali, Sherman Irby,Bruce Barth, Eric Reed, Wycliffe Gordon,Marcus Printup, Greg Osby, WessAnderson, Ellis Marsalis, Jacky Terrason,and the Richmond Symphony.

Inspired by Sarah Vaughan, Brooklyn nativeCharenee Wade (Vocals) began singing jazzat the age of 12. Through years of intensestudies in jazz, world, and classical music,she has grown to become a criticallyacclaimed vocalist, composer, arranger,bandleader, and educator. Since completingher Master’s degree in jazz vocal perfor-mance at the Manhattan School of Music,she has been featured in settings from jazztrio to big band to symphony orchestra. Heroriginal compositions were performed in2006 at The Kennedy Center in Washing ton,D.C. as part of Betty Carter’s Jazz Aheadprogram, and in 2009 she was selected bybassist Christian McBride to participate inthe JAS Summer Jazz Academy.

Among her awards have been the ASCAPFoundation Award and Scholarship and theInternational Women in Jazz Youth in Jazz

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Jazz at Lincoln Center

Award. She was first runner-up in the 2007Jazzmobile Vocal Competition and subse-quently served as a judge alongside BillyTaylor and Grady Tate. Wade came toprominence in 2008 with her criticallyacclaimed interpretation of “Since I Fell ForYou” on the Grammy Award–nominatedrecording Big Band Urban Folktales by theBobby Sanabria Big Band. Another highlyvisible event was her participation in theThelonious Monk Competition at TheKennedy Center in Washington, D.C., inwhich she was the first runner-up amongthree finalists.

Wade has toured extensively both in theUnited States and worldwide. Her domesticengagements have included appearances atthe Apollo Theater with the Bobby SanabriaBig Band, the New Orleans Jazz andHeritage Festival, Savannah Music Festival,Clifford Brown Jazz Festival, and The AppelRoom, Rose Theater, and Dizzy’s Club Coca-Cola at Jazz at Lincoln Center. She has per-formed at Festival de Riou, the MontreuxJazz Festival, and recently toured Russiawith Yakov Okun. Her musicianship issought after by many of her peers, includingbassist Rufus Reid, who featured her in hiscomposition “Linear Surroundings” and onhis Grammy Award–nominated Quiet Pride.Pianist Eric Reed invited her to sing “Ruby,My Dear” on his newest album,Adventurous Monk. Tia Fuller’s new album,A Reason, A Season, A Lifetime, featuresWade as well. Her own debut recording,Love Walked In, was released in 2010. Hernext recording, a project devoted to GilScott Heron, will be released in spring 2015.

Craig HandyCraig Handy (Saxophone) was born inOakland, California, and after attendingNorth Texas State University and winningthe Charlie Parker Scholarship, he movedto New York in 1986. Handy began associ-ations with artists including Art Blakey, RoyHaynes, Abdullah Ibrahim, and the Mingus

Dynasty Band. Bill Cosby soon invitedHandy to be the featured soloist in TheCosby Show’s music theme and to score,produce, and perform music for The CosbyMysteries. Handy further exhibited musicalrange with veteran vocalists like BettyCarter and Dee Dee Bridgewater, and withHaitian and Salsa bands. In 1992 he led hisfirst hard bop recording on ArabesqueRecords, Split Second Timing, and twoyears later he released Introducing ThreeFor All + One. That year, Handy also playedthe role of Coleman Hawkins in RobertAltman’s Kansas City. In 1995 he playedwith the band “Chartbusters” andrecorded two releases on the NYC andPrestige labels. Handy toured with HerbieHancock throughout 1996 to mid-1999,and he led two recording projects on theSirroco label–1999’s Reflections in Changeand 2000’s Flow. By this time, Handy hadamassed credits with Cedar Walton, ElvinJones, Joe Henderson, George Adams,Freddie Hubbard, and Wynton Marsalis.For the past few years, Handy hasrecorded or toured with John Scofield,Charles Tolliver, the John Hicks LegacyBand, Kirk Lightsey, Conrad Herwig, theMingus Dynasty Band, The Cookers, andthe Jazz at Lincoln Center Orchestra. Withtouring and recording project Craig Handy& 2nd Line Smith, Handy returns as an orig-inal bandleader, drawing from New Orleansmusic and the groove-filled music byorganist Jimmy Smith.

Jacky TerrassonJacky Terrasson (Piano) was born in Berlin,of an American mother and a French father.He grew up in Paris, studying classical andjazz piano. Terrasson went to the UnitedStates to attend Berklee College of Music,and in 1993, after winning the prestigiousThelonious Monk Award, began touringwith Betty Carter and moved to New York,where he lives today. A year later, The NewYork Times Magazine introduced him asone of the 30 artists under 30 most likely to

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change American culture in the next 30years. He signed with Blue Note Recordsand released three trio recordings (JackyTerrasson, Reach, and Alive) and thendevoted himself to collaborations withCassandra Wilson, Michael Brecker, andMino Cinelu. Beginning in 2001, herecorded A Paris for Blue Note, his interpre-tation of French classics; Smile (Best JazzAlbum of the Year, 2003 Victoires du Jazzand a Gold Django); and a solo album,Mirror. Terrasson has worked with Dee DeeBridgewater, Dianne Reeves, Jimmy Scott,Charles Aznavour, Ry Cooder, and withLeon Parker and bassist Ugonna Okegwo inan acclaimed trio. In 2012 Terrasson signedwith Universal Jazz France and releasedGouache, a celebration of his 20-yearcareer. He performs regularly in solo andtrio in the great piano and jazz festivals andtours frequently throughout Asia, Europe,and the United States.

Stephen ScottWith a career that spans over 30 years,Stephen Scott (Piano) he has performedand/or recorded with Wynton Marsalis,Betty Carter, Sonny Rollins, Roy Hargrove,Freddie Hubbard, Pieces of a Dream, Dr.John, Ron Carter, and many others. Duringhis nearly ten years as the pianist withSonny Rollins, he was involved withGrammy Award–winning recordings of ThisIs What I Do and Without A Song: The 9/11Concert. Additional Grammy Awardinvolvement includes Betty Carter’s LookWhat I Got and Joe Henderson’s Lush Life.Jazz at Lincoln Center commissioned himto compose a piece entitled PostcardsFrom Home, which was performed by theJazz at Lincoln Center Orchestra under themusical direction of Wynton Marsalis in1996. Scott is a clinician at the DillardCenter for the Arts, Artist in Residence atBroward College, and gives private instruc-tion to students.

Michael BowieMichael Bowie (Bass) is an internationallyrecognized musician on both the electricand contrabass. With roots in theWashington, D.C. jazz and gospel commu-nity, he was a recipient of the NationalEndowment of the Arts Award in JazzStudies and trained with Betty Carter andKeter Betts. Soon after, Bowie signed withVerve Records as an original member ofThe Harper Brothers. He went on to per-form, record, and tour with AbdullahIbrahim, Michel Pettruciani, and on theGrammy Award–winning Look What I Gotwith Betty Carter. As musical director hehas worked with artists including PattiLaBelle, James Ingram, Jeff Majors, AbbeyLincoln, Angie Stone, Isaac Hayes, and GilScott-Heron. He has recorded or per-formed with Sarah Vaughan, Joe Williams,Manhattan Transfer, Kennedy CenterOpera House Orchestra, Della Reece, andMichel Camilo and Ricky Skaggs. He hasappeared on Austin City Limits, CharlieRose, Radio One, and has performed atvenues and festivals such as Carnegie Hall,the Newport Jazz Festival, Playboy JazzFestival, and Montreux. His works as acomposer can be heard across multiplemediums. Bowie is a certified teacher atOyster-Adams Bilingual Campus. As a lec-turer and associate professor, he hastaught at Shenandoah Conservatory,Michigan University, Fillmore Arts Center,Bowie State, and more. He has alsoworked with the Wolftrap Institute for EarlyChildhood Learning, The SmithsonianMasterworks Orchestra, and the The -lonious Monk Institute.

Curtis LundyCurtis Lundy (Bass), bassist, composer,producer, choir director, and arranger, wasborn into a musical family in 1955. Lundybegan his music career in the All MiamiYouth Jazz Band and was classically trainedat the University of Miami. He has studied

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privately with Cecil McBee, LindaMcKnight, Rufus Reid, Jaco Pastorius, andRon Carter. Lundy debuted on the NewYork jazz scene in 1978 and is best knownfor his work with Betty Carter’s band. Hisappearance on The Audience With BettyCarter – BetCar 1979 brought him instantrecognition. Lundy has performed withartists including Art Blakey, Johnny Griffin,Freddie Hubbard, Pharoah Sanders, JohnHicks, Wynton Marsalis, Branford Marsalis,George Coleman, Clark Terry, Sam Rivers,the Savoy Sultans, Bobby Watson, StanleyTurrentine, Idris Mohamed, Steve NelsonQuintet, Mulgrew Miller, Elvin Jones, HankJones, Sonny Stitt, Jon Faddis, Hilton Ruiz,Lionel Hampton, Phineas Newborn, BobbyHutcherson, Barry Harris, and more. In1988 he issued Just Be Yourself, and adecade later, released Against All Odds(1999) and Purpose (2002) with pianistsJohn Hicks and Anthony Wonsey. Lundy isfeatured on the G-THREE recording SWIFT,with Billy Robinson, Stacie McGregor, andBilly Hart.

Winard HarperWinard Harper (Drums) has been the leaderand musical inspiration for a vibrant sextetfor almost a decade, featuring LawrenceClark, Ameen Saleem, Josh Evans, StacyDillard, and Alioune Faye. The WinardHarper Sextet appears regularly all over theUnited States, and at festivals, on jazzcruises, and in concert halls and jazz clubs.Born in Baltimore in 1962, Harper is a virtu-oso on the drum set and the balafon, theWest African equivalent of the marimba.Harper’s first major gig was with DexterGordon in 1982, and shortly thereafter withJohnny Griffin. Before long, his drummingskills captured the attention of Betty Carter,with whom he spent four years, honing hisjazz-as-entertainment sense of showman-ship. During the 1980s, while working as asideman to such jazz legends as RayBryant, Abdullah Ibrahim, Pharoah Sanders,

and Clifford Jordan, he laid the foundationfor The Harper Brothers band. He and hisbrother Philip blazed a brilliant trail on thecharts and the international touring circuitwith the band. Remembrance, the band’ssecond album, went to number one onBillboard’s jazz chart in 1991. When nottouring with his band, Harper continues towork with artists such as Joe Lovano,Avery Sharpe, Steve Turre, WycliffeGordon, Frank Wess, Ray Bryant, andJimmy Heath. His newest release, Make ItHappen, highlights his talent as drummer,composer, and bandleader.

Michela Marino LermanMichela Marino Lerman (Tap Dance) firstappeared on Sesame Street at age five. In2002 she was showcased on the cover ofDance Teacher magazine with GregoryHines. In 2005, she was named by DanceSpirit magazine as one of the 20 hottest tapdancers under 20, and in 2008, Dance mag-azine named her as the only female tapdancer in its “25 to Watch in 2008.”Lerman has appeared in both the TapExtravaganza and Tap City numeroustimes. She won first prize in the HarlemJazz Dance Festival’s “Hoofer’s Challenge”in 2002 and 2003. In 2002 Lerman per-formed on Broadway in Nothing Like ADame and in 21 Below at Town Hall. In2003, she was inducted into theCopasetics as their only female lifetimehonorary member. From 2004–06 Lermantoured Spain and Japan with RafaelAmargo’s Enramblao. In 2005, her chore-ography was featured in the opening num-ber for the Bermuda Music Festival. At theage of 19, she was commissioned byDixon Place to create and direct her showAM+bu$h+ED. 2007 saw Lerman tourEurope as a lead dancer in Magic of theDance, and appear in Sarah Savelli andAyodele Casel’s Tappy Holidays. In 2008–09she was featured in Chris Scott’s show W-L-U-V, and Wonderland, a tap show set

Jazz at Lincoln Center

to Stevie Wonder’s music. In 2008 sheappeared on CBS’s Secret Talents of theStars with Mya. Since 2007 Lerman hasbeen a featured performer at New YorkCity’s The Box. She recently danced withRoy Hargrove at the Jazz Gallery and theVillage Vanguard. She has also been com-missioned by the American Tap DanceFoundation and Harlem Stage to show hernew work, Tapsploitation.

Frances Monique BradleyFrances Bradley (Tap Dance) is a Flint,Michigan native who began training underthe guidance of her father, Bruce Bradley. Atage 12 she won Amateur Night atShowtime at the Apollo. In 2004 she was anensemble member in the off-Broadwaymusical Bubbling Brown Sugar, directed andchoreographed by George Faison and star-ring Diahann Carroll in Atlanta, Georgia.Other notable performances include NoahRacey’s Pulse: The Beat of Song and Dance,Black Girls Rock!, Soul Tour, SamsungGalaxy Unpacked at Radio City, and tributesto Betty Carter at Harlem Arts Festival, TheYard, and Jazz at Lincoln Center.

Alexandria Brinae BradleyBorn and raised in Flint, Michigan,Alexandria “Brinae Ali” Bradley (Tap Dance)has an interdisciplinary approach in usingthe arts to uplift and inspire. While studyingacting at Marymount Manhattan College,she worked and trained professionally inSavion Glover’s tap company Tii Dii.Bradley has worked with George Faison,Germaine Ingram, Wynton Marsalis, GeriAllen, Warren Carlyle, and Reg E Gaines.As a choreographer and playwright she

was a part of E-Moves 9 in 2008, won BestShort Play at the 2011 Downtown UrbanTheater Festival for her one-woman-showSteps, and was one of Dance Magazine’sTop 25 to Watch in 2011. She also had aleading role in the off-Broadway showsSTOMP and Cotton Club Parade. Currently,Bradley is the artistic director of TapologyTap Festival for Youth and creator of her lat-est project, Destination Forever.

Jazz at Lincoln Center Jazz at Lincoln Center is dedicated toinspiring and growing audiences for jazz.With the world-renowned Jazz at LincolnCenter Orchestra and a comprehensivearray of guest artists, Jazz at Lincoln Centeradvances a unique vision for the continueddevelopment of the art of jazz by producinga year-round schedule of performance, education, and broadcast events for audi-ences of all ages. These productionsinclude concerts, national and internationaltours, residencies, weekly national radioprograms, television broadcasts, record-ings, publications, an annual high schooljazz band competition and festival, a banddirector academy, jazz appreciation cur-riculum for students, music publishing, chil-dren’s concerts and classes, lectures, adulteducation courses, student and educatorworkshops, and interactive websites.Under the leadership of Managing andArtistic Director Wynton Marsalis, Chair -man Robert J. Appel, and ExecutiveDirector Greg Scholl, Jazz at Lincoln Centerproduces thousands of events each seasonin its home in New York City, Frederick P.Rose Hall, and around the world. For moreinformation, visit jazz.org.

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Jazz at Lincoln Center’s Live in Cuba ExhibitOn View Now

Free and open to the public during scheduled performances

In celebration of Jazz at Lincoln Center’s Jazz Across the Americas season, ourcurrent exhibit—Live in Cuba—tells the story of the Jazz at Lincoln CenterOrchestra’s week-long residency in Cuba in October, 2010. This historic tourincluded five performances at the Teatro Mella in Havana, Cuba, in addition toeducational workshops throughout the country. The exhibit, located on the fifth floorof Frederick P. Rose Hall, features the photography of Frank Stewart and AyanoHisa, plus rare video footage from the tour. In addition to an illustrious andinternational career as a professional photographer, Frank Stewart serves as seniorstaff photographer for Jazz at Lincoln Center. Ayano Hisa, a 2013 fellow of the NewYork Foundation for the Arts, is a freelance photographer whose clients include Jazzat Lincoln Center, Newport Jazz Festival, and Savannah Music Festival. Please stopby the free exhibit to learn more!

UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

March 2015

ROSE THEATERPaquito D’Rivera: Around the AmericasMarch 27–28 at 8pmLike his mentor Dizzy Gillespie, virtuoso clarinetistand saxophonist Paquito D’Rivera possesses a deepcommitment to the cultural exchange between jazzand Latin music. Through composers like ErnestoLecuona, Antonio Carlos Jobim, Rafael Hernandez,and Chucho Valdés, D’Rivera will delve into SouthAmerican musical styles as sources for the enrich-ment of contemporary jazz music. A founding mem-ber of Gillespie’s United Nations Orchestra, D’Riverais also an 11-time Grammy Award winner, NEA JazzMaster, and Carnegie Hall Lifetime AchievementAward recipient. D’Rivera will be joined by pianistAlex Brown, bassist Oscar Stagnaro, drummer MarkWalker, trombonist and trumpeter Diego Urcola, andpercussionist Pernell Saturnino, as well as stringensemble Quinteto Cimarron direct from Spain.

April 2015THE APPEL ROOMBillie Holiday FestivalCécile McLorin Salvant Sings Billie HolidayApril 10–11 at 7pm & 9:30pmCécile McLorin Salvant has exploded on the jazzscene as a masterful interpreter of song, with acanny ability to select unique and rarely performedrepertoire. Salvant’s odes to her predecessorsencompass organic assimilation and brave creativity.Such a skill set is necessary when taking on themusic of Billie Holiday. Admittedly taken aback byHoliday during her initial introductions, the idiosyn-cratic giant of jazz later became one of Salvant’s pri-mary inspirations. As part of our Billie Holiday cen-tennial celebration, Salvant delves further into hervast catalogue, with a performance that will surelyignite a renewed appreciation for “Lady Day.”Free pre-concert discussion nightly, 6pm & 8:30pm.

Michael Feinstein’s All or Nothing at All:Origins of a LegendApril 15 at 7pm / April 16 at 7pm & 9pmDirector of Jazz at Lincoln Center’s Jazz and PopularSong series, Michael Feinstein curates a series of performances dedicated to the life and legacy ofFrank Sinatra (1915–1998), as we embark on the

singer and Academy Award–winning actor’s centen-nial. During the first of these three dedicated pro-grams, Feinstein, joined by vocalists Ann HamptonCallaway and Nick Ziobro, as well as trombonist MattMusselman, captures the essence of Sinatra’s earlyyears with songs from his first solo recordings like“Night and Day” focusing on the genesis of Sinatra’slesser-known musical relationship with the prolificsongwriter Cole Porter. Feinstein’s appreciation forSinatra runs deep, as shown in his own criticallyacclaimed work in his honor.

ROSE THEATERBillie Holiday FestivalCelebrating Lady DayApril 10–11 at 8pmAt the centennial of Billie Holiday’s birth, we celebratethe unapologetically organic artist and jazz singer ofmonumental innovation. Vocalists Andy Bey, MollyJohnson, and Sarah Elizabeth Charles will performrepertoire such as ‘Don’t Explain,’ ‘You Go To MyHead,’ and ‘Strange Fruit.’ Bey is a Grammy Award-nominated vocalist with a truly resonant sound and apianist of ultra sensitivity, who has been recording asa leader for over 60 years. Molly Johnson is one ofCanada’s greatest musical voices, noted for her infec-tious on-stage energy. Sarah Elizabeth Charles is a ris-ing star vocalist-composer who participated in theBetty Carter Jazz Ahead Composers Residency.Joining Bey, Johnson, and Charles are music directorand pianist Peter Martin, drummer Ulysses Owens,bassist Robert Hurst, and saxophonist Melissa Aldana.Free pre-concert discussion nightly, 7pm.

Celebrating Joe Temperley: From Duke to the JLCOApril 16–18 at 8pmFor the past 25 years, saxophonist and clarinetist JoeTemperley has been the heart and soul of the Jazz atLincoln Center Orchestra. Temperley, now 85, has per-formed with the orchestras of Humphrey Lyttelton,Woody Herman, Thad Jones-Mel Lewis, Clark Terry,Joe Henderson, and most notably, Duke Ellington, aswell as in the Broadway musical Sophisticated Ladies.In honor of the Jazz at Lincoln Center Orchestra’s elderstatesman, band mates will debut arrangements ofTemperley’s Ellington favorites as well as his originalmusic. Managing & Artistic Director Wynton Marsaliswill present a three-movement concerto, written as adedication to Temperley, about whose playingMarsalis says: “There is no greater sound on earth.”Free pre-concert discussion nightly, 7pm.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor

Tickets starting at $10

To purchase tickets call CenterCharge: 212-721-6500 or visit: jazz.org. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jazz.org/groups.

For more information about our education programs, visit academy.jazz.org.

For Swing University and WeBop enrollment: 212-258-9922.

Find us on Facebook, Twitter, YouTube, and Instagram.

UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservationsNightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday. Doors open at 11:15pm

Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook, Twitter, YouTube, and Instagram.

March 2015The Incredible Jazz Guitar of Wes MontgomeryFeaturing Calvin Keys & Yotam Silbersteinwith Andrew Renfroe, Brian Charette, and Jordan YoungMarch 6–87:30pm & 9:30pm

Chihiro Yamanaka Triowith Yasushi Nakamura and Kush AbadeyMarch 97:30pm & 9:30pm

Anton Schwartz Quintetwith Scott Wendholt, Danny Grissett, UgonnaOkegwo, and Lorca HartMarch 107:30pm & 9:30pm

The Artistry of Jazzmeia Hornwith Lesedi Ntsame, Victor Gould, Eric Wheeler,Kush Abadey, Alexandrea Johnson, and Phantom KnoetMarch 117:30pm & 9:30pm

Orrin Evans Trio featuring vocalist Milton Suggswith Ben Williams and Byron LandhamMarch 127:30pm & 9:30pm

Jacky Terrasson QuintetTake This Album Release PartyMarch 13–157:30pm and 9:30pm

For Strayhorn: New York Youth Symphony Jazzfeaturing Luis BonillaMarch 167:30pm & 9:30pm

Renee Rosnes Quartet with Steve Nelson, PeterWashington & Lewis NashMarch 17–197:30pm & 9:30pm

Brussels Jazz OrchestraGraphicology: graphic novel meets live jazzMarch 20–227:30pm & 9:30pm

Manhattan School of Music Jazz Orchestra featuring Dave LiebmanA Tribute to Wayne ShorterMarch 237:30pm & 9:30pm

Joey Calderazzo TrioGoing Home Album Release Partywith Orlando le Fleming and Rudy RoystonMarch 247:30pm & 9:30pm

Larry Ridley Jazz Legacy EnsembleMusical Tribute to Wes, Monk, and Buddy Montgomerywith Richard Wyands, Greg Bufford, Doug Harris,and Tom DempseyMarch 257:30pm & 9:30pm

The Ladybugs Sing The Sound of Musicwith Martina DaSilva, Kate Davis, Joe McDonough,Eddie Barbash, Gabe Schnider, and Dylan ShamatMarch 267:30pm & 9:30pm

Michele Rosewoman’s New Yor-UbaA Musical Celebration of Cuba in AmericaMarch 27–297:30pm & 9:30pm

The New York Public Library for the Performing Arts presents

Celebrate the 100th Anniversary of an icon with this retrospective honoring Frank Sinatra’s illustrious life and six-decade career. Highlights include rare concert and interview footage, private photos, and

home videos.

Curated by the GRAMMY Museum® at L.A. LIVE in collaboration with The New York Public Library for the Performing Arts, the Sinatra Family, Frank Sinatra Enterprises, and the Frank Sinatra Collection, USC School of Cinematic Arts.

March 4–September 4 FREE EXHIBITION

Ken Veeder / © Capitol Photo Archive

jazz at lincoln center

billie holiday festival

cécile mclorin salvant sings billie holiday

THE APPEL ROOM APR 10–11 • 7PM, 9:30PM

Vocalist Cécile McLorin Salvant delves into the music of Lady Day

celebrating lady day

ROSE THEATER APR 10–11 • 8PM

Vocalists Andy Bey, Molly Johnson, and

Sarah Elizabeth Charleswith music director

Peter Martin, Ulysses Owens Jr.,

Robert Hurst, and Melissa Aldana

billie and the boys

DIZZY’S CLUB COCA-COLA APR 9–12 • 7:30PM, 9:30PM

Vocalists Shenel Johns, Elena Pinderhughes,

Molly Ryan, and Vuyo Sotashe

Frederick P. Rose HallBroadway at 60th StreetBox O� ce: Ground Floor CenterCharge: 212-721-6500Dizzy’s Club Coca-Cola: 212-258-9595 jazz.orgLead Corporate Supporter

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