ryan lee's portfolio
DESCRIPTION
portfolio of my architecture design workTRANSCRIPT
COIL ZONE (
WALL)
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RYAN LEEARCHITECTUAL PORTFOLIO
Ryan LeePortfolio [email protected] (570) 396-1813
Contents
Design Studios
Design Development
Thesis
Material Explorations //Fall 06
Variable Commitment Housing //Fall 07
Integrated Lifestlye Housing //Fall 07
Designing Oppositions //Fall 08
Making as a Way of Thinking //Fall 08
Performative Indexes //Spring 09
Urban Hiatus //Spring 10
The Folded Boulevard //Fall 09
Borderline University //Spring 11
Material Explorations Professor: Michael Oatman
Later the surface was asked to span a frame. The modules were then layered for added strength and lighting effects.
Studio 1
Material
Explorations
Material Explorations
Using a single found material, surfaces were constructed from modules. Each surface was asked to serve different performance criteria, such as having no top or bottom, no inside or outside, be self supporting, and have dramatic effects when under light.
To accomplish these criteria a flexible cardboard module was used and joined by pin connections. The resulting surface was then folded into a Klein bottle.
VariableCommitment Housing
BOSTON, MA
Studio 2
Variable Commitment Housing
This project was designed to house three different families. The house is designed to allow each member of the families to contribute to the housing community, or retreat into their own private space as they choose. To allow this, the ground floor and roof terraces were used as gathering spaces while each individual and family were provided with their own space.
Variable Commitment Housing: Professor: David Bell 0
1
2
3
Integrated Lifestyle Housing
Located next to the business center and athletic facilities on Harvard’s campus, this housing complex strove to bring together students, residents, and citizens of the city. This project was integrated into a larger organization of fourteen housing complexes designed by our peers. To achieve our goal of integration, we organized the residences around a central courtyard which is opened up through a large cantilever to provide communal space for residents and visitors. On the interior, open spaces are placed around the main circulation to create com-munal spaces. A double skin loovered facade provides thermal comfort and privacy.
Integrated Lifestyle Housing: Professor: David Bell Collaborators: Christine Lois, Andrew Leung, Elvin Garcia, Charity Saunders
Studio 2 Integrated
Lifestyle
Housing
BOST
ON, M
A
Communal Space Under Cantilever
Concept of Combining Housing Typologies Structure to support cantilever
Physical Model
Integrated Lifestyle Housing
Studio 2
BOSTON, MA
Integrated
Lifestyle
Housing
Site plan relative to other complexes
View of internal courtyard
A. Transverse section B. Longitudinal Section
A
B
View of Communal Roof SpacePlan of Couryard Level
Studio 2 Integrated
Lifestyle
Housing
BOST
ON, M
A
Designing Oppositions Inspired by the physics and symbolic properties of light and gravity, this project for a library and recreation center negotiates between the dualities of body/mind, quantum/cosmic, city/river, and above/below. The programs are divided along these lines, but also contain spaces where these dualities overlap. The recreation center is located under the landscape in the form of a folded plate structure based on a manipulated grid. The library maintains the street front. At the center of the project a bridge is formed, opening the city to the recreation center and river. The bridge also unites the two sides of the library, one containing childrens’ collections and the other adults’.
View From Inside Library Bridge
Designing
OppositionsTROY, NY
Designing Oppositions
Vertical Studio
0 Entry �oor
1
2
3
-1
-2
Designing Oppositions: Professor: David Bell Collaborator: Yarden Elhanan
Transverse Section showing library bridge and fitness center underground
Longitudinal Section sloping down toward river
Library Wall Section
View Insidev Rec Center VerticalStudio
Designing
Oppositions
TRO
Y, N
Y
Designing Oppositions
View of public space abouve fitness center and below library
Making as a Way of Thinking This project for a blacksmithing studio for the Penland School in North Carolina seeks to embrace making as a way of thinking through the use of computational modeling. The project incorporates craft and construction logic through parametic systems and flexible, performative component design. The parametric relationship between the program, structure, and component creates an adapt-able system where each element serves multiple purposes.
Making as a
Way of
Thinking
Vertical Studio
PENLAND, NC
Making as a Way of Thinking
Making as a Way of Thinking: Professor: David Riebie
PINCH
EXTEND
ROTATE
FLOW ALONG STRUCTURE
Arch system runs linearly along fabrication
Supports allow overhang and views to landscape
Lintels support roof and form enclosure
Shadow Studies
VerticalStudio
Making as a
Way of
Thinking
PENLA
ND, N
C
Component Architecture
Structural logic
Site Plan
The structure is modeled as an outcome to the arrangement of program. Arches form a line of support, creating the fabrication area, while lintels and secondary supports sprout up from program boundaries providing structure for the component (a stressed panel). Inspired by blacksmith form-making , the panel is contorted to provide ventilation, lighting, shading, and enclosure.
N
1
2
3
4
5
6
7
89
10 11
12
13
14
15
16
1 Forge2 Common Fabrication3 Welding Area4 Tool Area5 Office6 Sandblasting Area7 Coal Storage8 Toilet9 Mechanical -floor below toilet10 Classroom 11 Loading Dock12 Outdoor Work Area13 Outdoor Lounge Area14 Metal Storage15 Crane16 Exhibition Space
PENLAND NC
Making as a Way of Thinking
Vertical Studio
View of fabrication area
Surface Color Studies
Performative
Indexes
VerticalStudio
SARA
TOGA
, NY
Performative Indexes
This studio sought to examine how indexical relationships can be established within the creative process to achieve various perfor-mance critera. My field of investigation was color. The project is for a repository based on the work of artist Tony Cragg. Color indexes the location of books.
Re-examining the Index: Professor: Andrew Saunders
Plan of repository
Longitudinal section
SARATOGA, NY
Perfomative Indexes
Vertical Studio
Performative
Indexes
Perfomative IndexesPerformative
Indexes
SARA
TOGA
, NY
VerticalStudio
Surface study models
Urban Hiatus: Professor: Gustavo Crembil Collaborator: Wang Jiaqi
REINTEGRATING THE URBAN FABRICSupport - Mend - Integrate - Weave
Duolun Lu Block, North Hongkou, Shanghai
The historical street of Duolun Lu has recently under-gone a restoration, preserving many famous writers’ houses. The restoration of the site was successful in restoring and preserving the houses, but it also caused a rift between the street and its residents.Duolun Lu contains a rich, dense urban fabric, but it is not integrated with its context.. The surrounding context brings many different types of people into the site -the shopper from Sichuan Road, the tourist, the passer-by, and the resident or visitor from the rail stop-. Due to the variety of people and activities, the site remains active but lacks a concrete identity.The site falls short of becoming the cultural center it desires to be. Instead it caters to the passer-by. The typical user does not spend a large amount of time in the site, choosing to stop quickly for a meal or to visit an antique shop. There are no communal areas where programs and people can mix to generate new cultural value.Within the block the various functions compete for a street-front presence along Duolun Lu and the housing becomes the largest casualty. Relegated to dense lilong blocks, or sandwiched against the loud elevated railway, the residents are not allowed to participate in the rich street-front experience. Duolun Lu’s cultural value was generated by its residents. Now there exists a hiatus between the resident and Duolun Lu. We propose that the resident should play an active role in reshaping Duolun Lu as a cultural center.The use of platforms and terraced housing would generate a semi-private relationship between the visitor and the resident, allowing interaction in areas while also providing privacy. If given the chance the resident could change Duolun Lu from a cultural relic to a model of integration.Our strategy proposes the establishment of a pedes-trian connection between the north and south ends of the site and pedestrian access to areas behind the street. The street becomes a pedestrian zone open to both residents and tourists. The strategy also proposes the preservation and renovation of historically signifi-cant buildings and lilong housing
Urban
HiatusSHANGHAI, CHINA
Vertical StudioUrban
Hiatus
Single-Loaded Type Rotate Block Rotate Units Manipulate Block Connect to Platform
Use Support Spaces and Hall as Bu�er from Rail
Open Up Living Spacesto South and Open Viewsto the East
Create Southern Slope forCommunal ActivitesRaise North to Replace Units
Connect to Platform Creatinga Semi-Private Space for Residents
Site In�uencesGrain Program CirculationBoundary Conditions Private/Public Relationship
StrategyGrain ProgramBoundary Conditions Private/Public Relationship
Hospital
School
Low-Rise Residential
Shops
High-Rise Apartments
Commercial
School
Market
Gathering Place
Tourist Green
The massing responds to the harsh boundary condition in the West by sloping up. This generates a closer connection to the softer boundary in the East and opens up views to Duolun Lu.
EW S N
The Terrace is used to divide private and public space.
Site In�uencesGrain Program CirculationBoundary Conditions Private/Public Relationship
StrategyGrain ProgramBoundary Conditions Private/Public Relationship
Hospital
School
Low-Rise Residential
Shops
High-Rise Apartments
Commercial
School
Market
Gathering Place
Tourist Green
The massing responds to the harsh boundary condition in the West by sloping up. This generates a closer connection to the softer boundary in the East and opens up views to Duolun Lu.
EW S N
The Terrace is used to divide private and public space.Urban
Hiatus
VerticalStudio
SHANG
HAI, CH
INA
Level 1:The �rst level consists of public paths (vehicular and pedestrian) and public green space. The vehicle road seperates the two residence types.
Level 2:At the second level the two resi-dence types are joined by a com-
munal platform, linking the eastern housing units with the commercial and relaxation spaces to the west.
Level 3:Here the residents are given a
semi private platform con-necting to the communal center of the site.
Level 3+:The two residential unit types seperate above the third �oor.
The blocks connect down
through terracing �oor slabs.
Site In�uencesGrain Program CirculationBoundary Conditions Private/Public Relationship
StrategyGrain ProgramBoundary Conditions Private/Public Relationship
Hospital
School
Low-Rise Residential
Shops
High-Rise Apartments
Commercial
School
Market
Gathering Place
Tourist Green
The massing responds to the harsh boundary condition in the West by sloping up. This generates a closer connection to the softer boundary in the East and opens up views to Duolun Lu.
EW S N
The Terrace is used to divide private and public space.
Urban
HiatusSHANGHAI, CHINA
Urban Hiatus
Vertical Studio
Layering strategy
Site plan showingintegration with neighboring project
Longitudinal N/S section
Transverse E/W section
Level 1:The �rst level consists of public paths (vehicular and pedestrian) and public green space. The vehicle road seperates the two residence types.
Level 2:At the second level the two resi-dence types are joined by a com-
munal platform, linking the eastern housing units with the commercial and relaxation spaces to the west.
Level 3:Here the residents are given a
semi private platform con-necting to the communal center of the site.
Level 3+:The two residential unit types seperate above the third �oor.
The blocks connect down
through terracing �oor slabs.
Site In�uencesGrain Program CirculationBoundary Conditions Private/Public Relationship
StrategyGrain ProgramBoundary Conditions Private/Public Relationship
Hospital
School
Low-Rise Residential
Shops
High-Rise Apartments
Commercial
School
Market
Gathering Place
Tourist Green
The massing responds to the harsh boundary condition in the West by sloping up. This generates a closer connection to the softer boundary in the East and opens up views to Duolun Lu.
EW S N
The Terrace is used to divide private and public space.
Urban
HiatusSHANGHAI, CHINA
Urban Hiatus
Vertical Studio
Layering strategy
Site plan showingintegration with neighboring project
Longitudinal N/S section
Transverse E/W section
Urban
Hiatus
SHANG
HAI, CH
INA
VerticalStudio
Views from public platform
THE FOLDED BOULEVARDSchematic design by Diller Scofidio and Renfro
Working off the drawings and images on the right, the goal of this studio was to take a project through the design development phase.Located on the bustling Av. Atlantica, Rio de Janeiro’s Museum of Image and Sound aims to expose the world of Brazilian art to tourists and residents alike. The project focuses on the open movement and patterns as a means of developing the structural and organizational schemes. Inspired by the Copacabana beach promenade, the parti describes a folded bouldevard. Typically, the beachfront is reserved for the tourist and the area behind for the Brazilian. The folded continuous surface, however, inverts the typical heirarchial relationship established by the boulevard, and carries the visiors thourgh the city and its history.The idea of “image and sound” is used as a special effects machine. The various facade conditions allow the sights and sounds of Rio to selectively permeate the interior. The folded boulevard takes the form of an external stair, on which people can hang out or meet. The stair leads to a roof garden that contains a public cinema.
Copacabana Inside Out
Inverting the Brazilian/Tourist Relationship
DesignDevelopment
RIO DE JANEIRO
The Folded Boulevard
Concept drawings by DS+R
De e
one esigni
evelopmentlongitudinal section 1:100
A-10
A-06
A-09
A-05
A-08
A-10
A-11
A-03
A-06
A-11
A-05
A-08
A-07
A-04
A-09
A-03
A-04
A-07
De e
one esigni
evelopmenttransverse section 1: 50
DesignDevelopment
The Folded
Boulevard
RIO DE
JANEIR
O
The Folded BoulevardStair 1 Angle: 25.34 degrees
Rise: 9 mNumber of landings required: 3
Run: 19 mSpan: 21m from 1A to 1B
Effective depth required: 1.6 mStart width: 3.4 mEnd width: 2.7 m
Notes: Starts and ends in external communal space
Depth of stair support: .3 mAllowable stair height: 1.6 - .3 = 1.3 m
Allowable landing: 3.38 m
Stair 2Angle: 21.7 degrees
Rise: 7.28 mNumber of landings required: 2
Run: 18.26 mSpan: 19.65 m from 2A to 2B
Effective depth required: 1.53 mMaximum landing: m
Start width: 2.7 mEnd width: 1.94 m
Notes: starts in external communal space
Depth of stair support: .23 mAllowable stair height: 1.53 - .23 = 1.3 m
Allowable landing: 3.85 m
Stair 3Angle: 15.23 degrees
Rise: 7.11 mNumber of landings required: 2
Run: 26.12 mSpan: 27.07 m from 3A to 3B
Effective depth required: 2.18 mMaximum landing: m
Start width: 4.02 mEnd width: 1.57 m
Notes starts in external communal space:
Depth of stair support: .34 mAllowable stair height: 2.18 - .34 = 1.84 m
Allowable landing: 8 m
Angle: 20.96 degreesRise: 10.12 m
Number of landings required: 3 Run: 26.41 m
Span: 28.28 5A to 5BEffective depth required: 2.2 m
Maximum landing: mStart width: 2.56 mEnd width: 6.74 m
Notes: transitory
Stair 5
Depth of stair support: .55 mAllowable stair height: 2.2 - .55 - 1.65 m
Allowable landing: 5.75 m
Group Seating Seating
length: 1.3 m - 2.2 mwidth: 2 m +depth: .72 m / 1.08 mangle: 10.7 - 31 degrees
L-Configuration
U-Configuration
Group Lounge
Block
length: 1.2 m - 2.5 mwidth: 2 m +depth: .72 m / 1.08 mangle: 16.7 - 21.8 degrees
length: 1.8 mwidth: 3 m +depth: .78 m - .54 mangle: 21.8 degrees
length: .9 m - 1.8 mwidth: 3 m +depth: .72 m / 1.08 mangle: 16.7 - 31 degrees
Stairslength: .3 m / .6 mwidth: 1 m +depth: .18 m / .36 mangle: 31 degrees
Stadium Seatinglength: .9 mwidth: 1 m +depth: .36 mangle: 16.7 - 21.8 degrees
5B
5A4B
4A3B
3A
2A
2B
1B
1A
Depth of stair support: .3 mAllowable stair height: 1.52 - .3 = 1.22 m
Allowable landing: 3.25 m
Stair 4Angle: 20.6 degrees
Rise: 6.81 mNumber of landings required: 2
Run: 18.13 mSpan: 19.36 from 4A to 4B
Effective depth required: 1.52 mMaximum landing: m
Start width: 2.2 mEnd width: 3.4 m
Notes: transitory
1A
2A
2B
3A
3B
4A
4B5A
5B
1B
1A
2A
2B
3A
3B
4A
4B
5A5B
1B
Design Development: Professors: Mark Mistur & Demetrios Comodromos Collaborator: Chris O’Neil
De e
one esigni
evelopmenttransverse section 1: 50
RIO DE JANEIRO
DesignDevelopment
The Folded Boulevard
Stair 1 Angle: 25.34 degreesRise: 9 m
Number of landings required: 3 Run: 19 m
Span: 21m from 1A to 1BEffective depth required: 1.6 m
Start width: 3.4 mEnd width: 2.7 m
Notes: Starts and ends in external communal space
Depth of stair support: .3 mAllowable stair height: 1.6 - .3 = 1.3 m
Allowable landing: 3.38 m
Stair 2Angle: 21.7 degrees
Rise: 7.28 mNumber of landings required: 2
Run: 18.26 mSpan: 19.65 m from 2A to 2B
Effective depth required: 1.53 mMaximum landing: m
Start width: 2.7 mEnd width: 1.94 m
Notes: starts in external communal space
Depth of stair support: .23 mAllowable stair height: 1.53 - .23 = 1.3 m
Allowable landing: 3.85 m
Stair 3Angle: 15.23 degrees
Rise: 7.11 mNumber of landings required: 2
Run: 26.12 mSpan: 27.07 m from 3A to 3B
Effective depth required: 2.18 mMaximum landing: m
Start width: 4.02 mEnd width: 1.57 m
Notes starts in external communal space:
Depth of stair support: .34 mAllowable stair height: 2.18 - .34 = 1.84 m
Allowable landing: 8 m
Angle: 20.96 degreesRise: 10.12 m
Number of landings required: 3 Run: 26.41 m
Span: 28.28 5A to 5BEffective depth required: 2.2 m
Maximum landing: mStart width: 2.56 mEnd width: 6.74 m
Notes: transitory
Stair 5
Depth of stair support: .55 mAllowable stair height: 2.2 - .55 - 1.65 m
Allowable landing: 5.75 m
Group Seating Seating
length: 1.3 m - 2.2 mwidth: 2 m +depth: .72 m / 1.08 mangle: 10.7 - 31 degrees
L-Configuration
U-Configuration
Group Lounge
Block
length: 1.2 m - 2.5 mwidth: 2 m +depth: .72 m / 1.08 mangle: 16.7 - 21.8 degrees
length: 1.8 mwidth: 3 m +depth: .78 m - .54 mangle: 21.8 degrees
length: .9 m - 1.8 mwidth: 3 m +depth: .72 m / 1.08 mangle: 16.7 - 31 degrees
Stairslength: .3 m / .6 mwidth: 1 m +depth: .18 m / .36 mangle: 31 degrees
Stadium Seatinglength: .9 mwidth: 1 m +depth: .36 mangle: 16.7 - 21.8 degrees
5B
5A4B
4A3B
3A
2A
2B
1B
1A
Depth of stair support: .3 mAllowable stair height: 1.52 - .3 = 1.22 m
Allowable landing: 3.25 m
Stair 4Angle: 20.6 degrees
Rise: 6.81 mNumber of landings required: 2
Run: 18.13 mSpan: 19.36 from 4A to 4B
Effective depth required: 1.52 mMaximum landing: m
Start width: 2.2 mEnd width: 3.4 m
Notes: transitory
1A
2A
2B
3A
3B
4A
4B5A
5B
1B
1A
2A
2B
3A
3B
4A
4B
5A5B
1B
Stair 1 Angle: 25.34 degreesRise: 9 m
Number of landings required: 3 Run: 19 m
Span: 21m from 1A to 1BEffective depth required: 1.6 m
Start width: 3.4 mEnd width: 2.7 m
Notes: Starts and ends in external communal space
Depth of stair support: .3 mAllowable stair height: 1.6 - .3 = 1.3 m
Allowable landing: 3.38 m
Stair 2Angle: 21.7 degrees
Rise: 7.28 mNumber of landings required: 2
Run: 18.26 mSpan: 19.65 m from 2A to 2B
Effective depth required: 1.53 mMaximum landing: m
Start width: 2.7 mEnd width: 1.94 m
Notes: starts in external communal space
Depth of stair support: .23 mAllowable stair height: 1.53 - .23 = 1.3 m
Allowable landing: 3.85 m
Stair 3Angle: 15.23 degrees
Rise: 7.11 mNumber of landings required: 2
Run: 26.12 mSpan: 27.07 m from 3A to 3B
Effective depth required: 2.18 mMaximum landing: m
Start width: 4.02 mEnd width: 1.57 m
Notes starts in external communal space:
Depth of stair support: .34 mAllowable stair height: 2.18 - .34 = 1.84 m
Allowable landing: 8 m
Angle: 20.96 degreesRise: 10.12 m
Number of landings required: 3 Run: 26.41 m
Span: 28.28 5A to 5BEffective depth required: 2.2 m
Maximum landing: mStart width: 2.56 mEnd width: 6.74 m
Notes: transitory
Stair 5
Depth of stair support: .55 mAllowable stair height: 2.2 - .55 - 1.65 m
Allowable landing: 5.75 m
Group Seating Seating
length: 1.3 m - 2.2 mwidth: 2 m +depth: .72 m / 1.08 mangle: 10.7 - 31 degrees
L-Configuration
U-Configuration
Group Lounge
Block
length: 1.2 m - 2.5 mwidth: 2 m +depth: .72 m / 1.08 mangle: 16.7 - 21.8 degrees
length: 1.8 mwidth: 3 m +depth: .78 m - .54 mangle: 21.8 degrees
length: .9 m - 1.8 mwidth: 3 m +depth: .72 m / 1.08 mangle: 16.7 - 31 degrees
Stairslength: .3 m / .6 mwidth: 1 m +depth: .18 m / .36 mangle: 31 degrees
Stadium Seatinglength: .9 mwidth: 1 m +depth: .36 mangle: 16.7 - 21.8 degrees
5B
5A4B
4A3B
3A
2A
2B
1B
1A
Depth of stair support: .3 mAllowable stair height: 1.52 - .3 = 1.22 m
Allowable landing: 3.25 m
Stair 4Angle: 20.6 degrees
Rise: 6.81 mNumber of landings required: 2
Run: 18.13 mSpan: 19.36 from 4A to 4B
Effective depth required: 1.52 mMaximum landing: m
Start width: 2.2 mEnd width: 3.4 m
Notes: transitory
1A
2A
2B
3A
3B
4A
4B5A
5B
1B
1A
2A
2B
3A
3B
4A
4B
5A5B
1B
Facade along Av Atlantica
The folded boulevard contains different types of stair/lounge arrangements according to interior program and views to the ocean.
RIO DE
JANEIR
O
DesignDevelopment
The Folded
Boulevard
Exploded axo of facade system
RIO DE JANEIRO
DesignDevelopment
The Folded Boulevard
RIO DE
JANEIR
O
DesignDevelopment
The Folded
Boulevard The Folded Boulevard
FinalProject
Borderline University
TRANSVERCITY::::the CLOUD Institution
The CLOUD Thesis explores the architectural, social, and ecological opportunities afforded by advanced material sensitivity, future methods of information extraction and archiving, and local and global sensitivities offered by networked protocols within the context of the year 2048. The program of investigation is the archive/library and education/learning. This studio asks how architects can engage and structure the triad of material sensitivity, archiving, and networked protocols to structure the design of education and archiving institutions using the model of the CLOUD; an entity that shifts, adapts, stores and distributes with local sensitivity within a global context.As new materials become available, it has become possible to push the limits of the perfor-mance of buildings. As the everyday objects which we interface with become more intelligent, it is necessary for architectural objects to become more intelligent. In the article Shaping Things, science-fiction author, Bruce Sterling, proposed the creation of the Spime: intelligent objects with the ability of self-awareness, communication, self-assembly, self-disassembly, and self-recycling. As these objects become reality they are changing how we engage the architec-tural environment (whether through virtual or augmented reality) one to one interaction, or new communication channels. The potential for these materials and objects to gather, archive, and distribute information has radically shifted the ways in which humanity educates and archives. These two programs have become increasingly interconnected.
Prim
ary E
duca
tion
Seco
ndar
y Edu
catio
n
Empl
oym
ent
Com
mun
ity
INDU
STRI
AL E
RACO
LD W
AR E
RAPR
OGRE
SSIV
E ER
AIN
FORM
ATIO
N AG
E
Prim
ary E
duca
tion
Seco
ndar
y Edu
catio
n
Empl
oym
ent
Com
mun
ity
Corp
orat
e Fu
nded
Lab
Deve
lop/
Desig
n/Bu
ildAp
pren
tice
/Pro
tege
Chur
ch M
odel
Com
mun
al R
efor
m
Fast
Food
Mod
el
Com
mun
ity O
utre
ach
Mas
s Pro
duct
ion
Mod
el
1850
1900
1950
1990
Darwin’s Origin of Species is published
US Department of Education is created
John Dewey’s Democracy and Education is published
Gestalt TheorySAT is �rst administered
GI Bill
BF Skinner’s Science and Human Behavior is published - operant conditioning
Elementary and Secondary Education Act
E-Book is invented
University of Phoenix establishes the �rst online campus
Massachusetts Education Reform Act - common curriculum and statewide tests
No Child Left Behind is passed
Piaget’s Theory of Cognitive DevelopmentStock Market Crash
Thorndike’s Law of E�ect
Rise of McCarthyism
Health Care and Education Reconciliation Act is passed
First standardized tests of intelligence
Racial Integration
Deployment State: Campus
Final Project
Borderline
University
Borderline University
Final Project: Professor: Carla Leitao
POINT OF INSERTION :::: the borderline university
The Borderline University is a new type of bi-national university that operates within a fractured border condition. This university acts as a mediator between border entities by tackling spatial and socioeconomic issues through the use of distributed educational protocols and a merger of the university’s educational archives with local commercial interests. Within a bi-national educational context, the project will incorporate local and global commerce as a means to stimulate growth and education along the border. The borderline of investigation is the United States and Mexico border. The Borderline University attempts to re-qualify the current divisive and isolationist policies along this border by creating a bi-national attitude promoting investment and growth, leading to reform. The project envisions a widening of the border to achieve these goals. The installation of a university, within the widened border, will test the abilities of university incubator programs to promote continuous education, distributed learning, and informa-tion exchange. Installed within the Sister Cities along the US-Mexico border, the Border-line University bridges the rigid landscapes of national security, immigration, and employment/education. The Borderline University will distribute itself, and grow through the use of flexible material specifications which allow the university to adopt multiple forms according to local conditions by tapping into educational needs along the border.
PEOPLE AS CO-OCCURRENCES WITH SPACE: The architecture will not only engage space, but instead space-time. Architecture will not only engage with the life-cycle of the building, but also with the life-cycle and patterns of its users.
MOBILE SENSE OF PLACE: Decentralization and mobility are vital to the spread of information and knowledge. Within the border condition an architec-ture that can engage multiple places at different scales is vital to create informa-tion exchange and social overlap.
CONTINUITY OF TRANSFORMATION: The fluid transition of information to knowledge, campus to city, extraction to absorption of information, and landscape to architecture will be encouraged to occur continuously and simultaneously according to users needs. This will require the architecture to fragment, dissolve, grow, cultivate, and consume.
PUBLIC ENGAGEMENT:Through pattern recognition and an engagement in the hertzian space of the campus and city architecture and materials have begun to be able to adapt and modify according to the information flows of public space. This project will look towards the scenario of 2048 to project how architecture may be able to respond further.
OVERLAP: Information does not become intelligent until it is overlapped and combined. This project will look to create contact zones within a border condition to facilitate information exchange and social overlap.
Political/Cultural Territories (Borderlines)
Alternate Education Models
Virtual Space
Archi-Music
Information Exchange
Information Visualization
Extraction Absorption
Distribution/Non-centralization
DESIGN CRITERIA
OUR GOVERNMENTS TREAT US LIKE A THIRD COUNTRY, SO WE MAY AS WELL ACT LIKE ONE.
Borderline Alterations1. Static Border
2. Association/Dissociation
3. New Zone
WE DON’T NEED A BORDER FENCE. WE NEED A BORDER PRESENCE TO DETER ILLEGAL ACTIVITY.
DID YOU HEAR THAT EXPLOSION IN MATAMOROS LAST NIGHT?
Condition: Typical, Relaxed, Divisive, PackedProgram: Border WallStimuli: Authorized/Unauthorized Presence Action: Scanning
Condition: Atypical, Alert, Divisive, PackedProgram: Border Patrol, Port, BufferStimuli: Strong Authorized/Unauthorized Presence, Strong Affiliations Action: Shift Location, Deploy Buffer, Deploy Folds
Condition: Atypical, Alert, Connective, UnpackedProgram: Educational, Manufacturing/DistributionStimuli: Authorized/Unauthorized Presence, University Presence Action: Unfolding
COIL ZONE (W
ALL)
LEVEL 1 UNRAVELLIN
G
LEVEL 2 UNRAVELLIN
G
ENCLOSURE DEPLOYMENT
STRUCTURAL TUBES
DEPLOYABLE FOLDS
20’
FinalProject
Borderline University
Coil: 3 Revolutions/100ftDeployment
Zone
As deployment zone increases tightness increases
Coiling of individual strands
Final Project
Borderline
University
Borderline University
Established University
Maquila Industry
Avoidance Points
Addition of incubator program to university
Deployment at midpoints between university and industry
Research idea
Research idea
Deployment based on programs/presences along borderline
Deployment based on distances between curves
Deployment based on programmatic needsENCLOSURE
UNPACKING
LATERAL UNDULATION
Classroom
Meeting Area
Workshop/Studio
When an appropriateprogram or a threat is sensed, the project opens and deploysitself to create either a safety buffer or a usable space.
FinalProject
Borderline University
Deployment State: Wall
Deployment State: Buffer
The project deploys uncoiling itself and stretchingto enclose space. The structure consists ofsix strands which contain material to formenclosure. These enclosures could be used astemporary shelter for border patrol ordeployed permanently on a university campus.Once the six individual strands are recoiled thestructure forms a wall. This wall is capable ofmanoeuvring itself, like a snake, towards anydesirable location, away from a dangerous one,or between to provide protection.The amount of tension of the structure indexesthe conditions along the border.
Experience:
Education:
Relevant Coursework:
Rensselaer Polytechnic Institute 110 Eighth Street Troy NY 12180Bachelors of ArchitectureGPA: 3.49 (4.0 Index)Standing: Dean’s List
Tongji University 1239 Siping Road, Shanghai, P.R. China
2011 Spring Semester Study Abroad
Structures I, IIConstruction SystemsEnvironmental and Ecological SystemsHuman Factors in DesignMaterials and EnclosuresBuilding Systems and EnvironmentSustainable Building Design Metrics (Overview of LEED)
Introduction to Computer ProgrammingDesign DevelopmentProfessional PracticeApplied PsychoacousticsChinese Language and CultureUrban NarrativesLatin American ArchitectureDesign Philosophies
RPI Lighting Research Center, Troy, New YorkResearch Assistant/Clerical (2009) -Drawing and retouching lighting plans -Performing lighting analysis in eQuest -Filing and data entry -Clerical
Camp Lavi, Lakewood, PennsylvaniaLaborer and Maintenance (2006-) -Carpentry -Painting, building repair, cleaning, etc -Building construction
Downton Construction, Starrucca, PennsylvaniaLaborer (2008-2010) -Timber frame construction -Remodeling
3846 State Route 1001 Thompson PA 18465 (570) 396-1813 [email protected]
3846 State Route 1001 Thompson PA 18465 (570) 396-1813 [email protected]
De e
one esigni
evelopmenttransverse section 1: 50
Key Skills
- Physical Modeling - Laser Cutter - 3D Printing - Milling - Woodworking
- Computer Modeling - 3D Modeling - Rhinoceros 3D - Bently Microstation - Scripting/Parametric Modeling - RhinoScript (Visual Basic) - Grasshopper - Generative Components - Processing -BIM Modeling - Ecotect - eQuest - RISA 3D - Bently Microstation - Rendering - VRay - Bentley
- Drafting - Hand - ACAD - Bently Architecture
- Graphic Design - Photoshop - Illustrator - InDesign - Flash