roshoman: the truth about the truth

8

Click here to load reader

Upload: azzikorn

Post on 27-Jun-2015

675 views

Category:

Art & Photos


1 download

TRANSCRIPT

Page 1: Roshoman: The Truth About the Truth

Azzi Korn

07/03/2012

Pr.7

Roshoman: The Truth About the Truth

Humans have a tendency to use words such as perceive, observation, or perception in

their daily conversations, this can happen subconsciously, and this may cause

miscommunications that can lead to misunderstandings. Perception is the consciousness of the

world that we as human have and that we experience through our five senses. People are left

with open interpretations of a situation that could affect their perception. A justified true belief

is a formula that allows for a more complete knowledge about a specific case. A part of this,

truth formula should, and can be questioned. We shall take a closer look into what “truth” means.

Truth, in this formula, is defined as the agreement with a particular fact that presents itself in an

occasion of reality. Although finding the truth sounds easy, this is not always the case. One

might question whether or not perception and truth are subjective or objective to how we view

reality. In this paper two individuals will scrutinize the way people should view the truth:

Morris, whose idea is that it is not possible to have an objective truth, only a subjective truth, and

Ebert who says that reality is subjective and the truth is based on human perception. Although,

equally having valid points to make, Ebert’s way of view the truth, that reality is subjective and

the truth is relative to ones own interpretation seems most appropriate to the film Roshoman,

directed by Akira Kurosawa. This Japanese movie directed in the fifties, follows the aftermath

of a murder of a samurai and four people who plead guilty of this murder. These four people are

being interrogated by the police, and are asked to explain the series of events the led up to the

samurai’s death. Even the samurai is brought up from the dead to be interrogated. The plot shows

Page 2: Roshoman: The Truth About the Truth

the different perceptions of these four people, a woodcutter, Samurai, the samurai’s wife and a

bandit, and how they all recollect the events of the murder. Selectivity of perception, scientific

realism, eye-witness testimony and perceptual illusion shall aid in amplifying the points that will

be given.

It is not possible to have an objective truth, only a subjective truth, one may have one

truth and someone else may acquire a different truth. There is an alternate truth that people do

not see, this is the genuine truth. Morris’ view on truth is: that there is no objective truth, just

subjective truth, a truth for one person and a truth for another. There is truly only one truth; this

truth is next to impossible for a person to have. A truth cannot be picked out of a candy jar; there

are not different truths to one idea, Morris shows his understanding of this when he explains “I

do not believe that truth is subjective. Just thinking something does not make it so. This idea that

there is no reality, that truth is up for grabs or that truth is subjective, I find foolish and

unappetizing” (Interview with Errol Morris). One can also view more that Morris seems to agree

with selectivity of perception, which states that one may have a perception, but this perception

maybe altered by the facts about the particular perception changes, due to outside forces. One

could have two pictures of the same thing, but both of them have different captions underneath,

one says “military nuclear test site”, the other caption says “water storage facility”. The truth is

altered but if we view these photos with the captions individually, we take it as the truth, without

much question. It is possible to argue that if the name of Roshoman was instead “The

Perception of Truth” or “ A Nice Day in The Forest” we would have an immediate different view

of what the movie would be about. To further support his opinion Morris states that “I don’t

believe that you can talk about a photograph being true or false. I don’t think such a claim has

any meaning. You can talk about a caption underneath a photograph being true or false, because

Page 3: Roshoman: The Truth About the Truth

there is a linguistic element” (Interview with Errol Morris). In this same statement he might also

be talking about scientific realism, a picture is just that a picture, it is only when we put meaning

or words into it, we give it value. One might also think of expert knowledge as always being

true. Because there is a caption under a photo, the tendency to think that the caption and the

correlation to the photo are correct is substantially high. This is due to the fact that one does not

question the person and why he/she put the caption there in the first place. If a person has

superior knowledge over something, we generally take it as the truth. We take all three of the

stories as a plausible truth because; the woodcutter, the wife, the samurai and the bandit were all

present at the time of the murder in the forest clearing. They all also claim to have killed the

samurai, but they also have different perceptions of what happened, expert knowledge perhaps,

but this does not get any closer to finding out the real truth.

Ebert restates the eye-witness testimony that says “people cannot trust what they have

seen” ( interview with Roger Ebert). This is meant that when a person is needed to recall an

incident, their words can be manipulated. This theory also ties closely with recollections of

memories and or emotion. Events of the incident can even be manipulated by other people and or

events after the event. This is why, when in court, there are a dozen or so independent witnesses

allowing for a higher probability of their claims being true, for a single eye-witness testimony

can be “taken at face value” thus being unreliable. The wife, in everybody else’s perceptions, is

so overwhelmed with heartbreaking emotion that when she is asked to testify, her recall of what

happened is manipulated and altered. It is next to impossible not to be emotional when speaking

of a murder that has occurred right before your eyes, so naturally the witnesses all had some sort

of emotion. If you were to expect any of the eye-witnesses to have a distorted story it would

have to be the samurai’s wife. (After all she did have her face in the ground most of the film).

Page 4: Roshoman: The Truth About the Truth

Furthermore while being in the dense forest, there are numerous sounds, movements or even

myths, that can influence the person and their mindset. Perceptual illusion is built up of two

concepts “Sensation which is provided by the world” and “The interpretation which is provided

by our minds” (Theory of Knowledge). This can happened subconsciously without being aware.

(The perception of how the individual views the forest). The woodcutter being familiar in the

forest (his work place) is naturally at ease, but when he comes across the misplaced object, the

ladies hat, he gets startled. Then he no longer looks for wood but instead for whom the hat

belonged to. Ebert explains this by saying “The woodcutter's opening journey into the woods is

famous as a silent sequence which suggests he is traveling into another realm of reality.

Miyagawa shoots directly into the sun and there are shots where the sharply-contrasted shadows

of overhead leaves cast a web upon the characters, making them half-disappear into the ground

beneath” (interview with Roger Ebert). It seems that Ebert is also aware of perceptual illusion.

The woman coming from a rich privileged life must view the forest in a different perspective

while traveling on top the horse with the veil covering her face. She could feel uncomfortable in

this new environment, being left totally alone in a dense forest. Lastly, the bandit, being

accustom to drinking from the streams and sleeping in the forest, seems relaxed and totally alert,

when the beautiful woman on her horse came riding by. He sees the forest as an opportunity to

raid unsuspecting travelers that are not used to the environment of the forest.

While viewing both sides of the conversation, although Morris has legitimate points,

such as the truth is only objective, Ebert’s position of the movie Rashaman is more agreeable.

As shown, reality is truly subjective and the truth is based on human perception. Kurosaw

(producer) is also at terms with this concept, when we are left to judge the four witnesses in the

courtyard based on their perception (flashbacks). By using selectivity of perception, scientific

Page 5: Roshoman: The Truth About the Truth

realism, eye-witness testimony and perceptual illusion, a complete understanding of how to view

the truth is given. Once the movie has come to a close it is only fair to say it is up to our own self

to conclude who really killed the samurai, the truth is clearly subjective.

Work Cited:

Lagemaat van de, Richard.Theory of Knowledge for the IB diploma.Cambridge University Press

2005.Textbook.

“Interview with Errol Morris.” Interview by Errol Morris., The Believer Apr. 2004. Web.

Ebert, Robert. “Rashomon :: Rogerebert.com :: Great Movies.” Rogerebert.com :: Movie

Reviews, Essays and the Movie Answer Man from Film Critic Roger Ebert., 26 May 2002. Web.

05 March. 2012.