SETTINGPlace: Verona and Mantua in Northern ItalyTime: 14th Century, four days in July

DRAMATIS PERSONAE

The House of MontagueMontague . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon RobertsLady Montague . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda LeakeyRomeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Raver*Benvolio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rudy RoushdiBalthasar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ryan CzerwonkoAbram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Megan Pickrell

The House of CapuletLord Capulet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Johnny Lee Davenport*Lady Capulet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carey Urban*Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stella Heath*Nurse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anne Hering*Tybalt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Hardie*Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brandon RobertsSampson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael ShenefeltGregory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kraig Kelsey

House of EscalusPrince Escalus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sam Little Paris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bradford B. FrostMercutio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Geoffrey Kent*

Citizens of Verona and MantuaFriar Laurence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wynn Harmon*Friar John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kraig KelseyApothecary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Hardie*Rosaline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan Pickrell First Watchmen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Hardie*Second Watchmen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Geoffrey Kent*Third Watchman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kraig KelseyFourth Watchman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Shenefelt Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan Czerwonko Bradford B. Frost Wynn Harmon* Amanda Leakey Sam Little

* Member of Actors’ Equity Association** Member of United Scenic Artists

SYNOPSIS

UNDERSTUDIESRomeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostNurse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda LeakeyTybalt / Apothecary / First Watchman / Benvolio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan CzerwonkoMercutio / Second Watchman / Prince Escalus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael ShenefeltFriar Laurence / Montague / Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kraig KelseyLady Capulet / Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Megan PickrellLady Montague / Rosaline / Abraham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelly Kilgore

After a particularly violent clash between Verona's two most powerful families—the Montagues and the Capulets—Prince Escalus orders peace in the land. Any future disturbances will be punished by death. Lord Capulet, as a show of good faith, promises his daughter Juliet's hand in marriage to the Prince's nephew, Paris. In celebration of the engagement, a masked ball is arranged. Romeo Montague and his friends attend the celebration in disguise. There, Romeo and Juliet meet and fall in love, despite their warring families. Friar Laurence, who hopes the union will put an end to the feud, secretly weds them the next day. Before the young lovers can settle their plans, more fighting erupts between the houses. Romeo refuses to fight Tybalt, Juliet's cousin, as they are now related by marriage. Instead, Romeo's gallant friend, Mercutio, takes the challenge himself. He is by mischance slain and Romeo, enraged, kills Tybalt. Due to the circumstances, the Prince mercifully banishes Romeo from Verona, rather than immediately punishing him by death. Juliet's father insists that her marriage to Paris go ahead as soon as possible. She again enlists Friar Laurence's help. He instructs her to pretend to agree to the wedding, but to take a sleeping potion that will make her appear dead for forty-eight hours. She will be laid to rest in the Capulet family vault, and when she awakens, Romeo will be there to steal her away. The plan nearly works, except that Friar Laurence's message to Romeo explaining the situation is not duly delivered. Romeo, hearing only of Juliet's "death," hastens to the vault where Paris surprises him. They fight and Romeo kills him. Heartbroken, Romeo takes poison and dies next to Juliet's body. When she wakes and finds him dead, she stabs herself with his dagger. The families are alerted and rush to the tomb. As the Friar explains the tragic events, Montague and Capulet finally see the damage caused by their feud and end the war between their houses.

SETTINGPlace: Britain, Rome and WalesTime: In the time of fairytales, legends and Gods

DRAMATIS PERSONAE

BritainCymbeline, King of Britain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wynn Harmon*Imogen, daughter to Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Carey Urban*Posthumous, a commoner - married to Imogen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .David Hardie* Queen, wife to Cymbeline - stepmother to Imogen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anne Hering*Cloten, son to the Queen by a former husband . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon RobertsFirst Lord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ryan CzerwonkoSecond Lord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kraig KelseyPisanio, servant to Posthumous, then Imogen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Raver*Cornelius, a doctor of medicine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan PickrellHelen, a servant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Amanda LeakeyDorothy, a servant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stella Heath*Musician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy RoushdiBritish Soldier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brandon Roberts

RomePhilario, a Roman gentleman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Johnny Lee Davenport*Iachimo, a roman gentleman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Geoffrey Kent*Frenchman, a rich foreigner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy RoushdiServant 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Shenefelt Servant 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostCaius Lucius, a Roman General . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam LittleTribune 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Megan PickrellTribune 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rudy RoushdiRoman Soldier 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stella Heath*

WalesBelarius, a banished lord disguised under the name of Morgan . . . . . . . . . . . . . . Johnny Lee Davenport*Arviragus (Cadwal), son to Cymbeline, raised by Morgan . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostGuiderius (Polydor), son to Cymbeline, raised by Morgan . . . . . . . . . . . . . . . . . . . . . . . Michael Shenefelt

In the Dream of PosthumousJupiter, god of thunder and lightning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johnny Lee Davenport*Sicilius Leonatus, deceased father to Posthumous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sam Little

* Member of Actors’ Equity Association** Member of United Scenic Artists

SYNOPSIS

Cymbeline, the King of Britain has a daughter, Imogen, and two sons who were stolen in infancy. The wicked queen, his second wife, wished for her son, Cloten, to marry Imogen, but Imogen has secretly married a commoner, Posthumous Leonatus. In fury over her elopement, Cymbeline banishes Posthu-mous to Rome, where he meets Iachimo, who wagers with him that he can seduce Imogen.

Meanwhile in Britain, the queen tells her doctor to make a poison to kill Imogen, but the doctor doesn’t trust her and makes a sleeping potion instead. The queen gives Pisanio, a servant, the potion and tells him to give it to Imogen as a cure for any ailment. Arriving in Britain, Iachimo realizes that Imogen is incorruptible, but, hiding in her bedroom, he obtains evidence that convinces Posthumous that Iachimo has slept with Imogen. In a jealous rage, Posthumous writes a letter ordering Pisanio to kill Imogen, but instead Pisanio assists her to run away to Wales and disguise herself as Fidele, a boy page. He also gives her the potion, believing it is a "sovereign restorative."

Now lost in Wales, Imogen encounters Belarius, a banished noble who kidnapped Cymbeline's infant sons (Guiderius and Arviragus) twenty years before. Imogen, still disguised as the page Fidele, is invited to stay with them.

Cloten pursues Imogen in Posthumous' clothes, determined to rape her and kill Posthumous. Instead, he is killed by one of Imogen’s brothers, and his decapitated body laid beside Imogen, who has taken the potion, which makes her appear dead. When she revives, Imogen/ Fidele joins the Roman army, which is invading Britain as a result of Cymbeline's failure to pay tribute to Rome. A massive battle ensues where Posthumous and the stolen princes are instrumental in defeating the Roman army and saving Britain. A final scene of explanations leads to private and public reconciliation for everyone.

UNDERSTUDIESPisanio / Musician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bradford B. FrostPosthumous / Frenchman / Tribune 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ryan CzerwonkoIachimo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael ShenefeltCaius Lucius / Sicilius Leonatus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy RoushdiCymbeline / Cloten / British Soldier 1/Gaoler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kraig KelseyImogen / Servant / Roman Soldier 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan PickrellHelen / Doctor Cornelius / Tribune 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelly KilgoreQueen / Tribune 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda LeakeyArviragus / Guiderius / Servants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Natale Rush

PRODUCTION TEAMDirector – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thomas OuelletteDirector – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim HelsingerFight Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Geoffrey Kent Choreographer - Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. Robert SherryText Coach - Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Eric ZivotScenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bob Phillips**Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert Scott**Costume Designer – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jack A. SmithCostume Designer – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Denise R. WarnerSound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Matthew GivenStage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stacy Renee Norwood*Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Hamrah* Production Assistants . . . . . . . . . . . . . . .Isis Blanco, Blu Fogerty, Adrienne Forsythe, Lauraleigh ShealeyBoard Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rachel Laslo, Jonathan DeRoulet Interim Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spencer BurkeScene Shop Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay RohterCarpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Colin WorleyScenic Overhire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrew BaldwinStitchers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elise Holt, Lela Rae O’Bryant, Corey Schreck, Jack Smith,

Natasha Ticotin, Corinne Walsh, Debbie Warner, Sophia WiseCutter/Draper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mel Barger, Monica GibsonFirst Hands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jeannie Marie Haskett, Rachel RalbyWardrobe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carlene DeScaloDressers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Plonski, Natasha TicotinDance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostFight Captain – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostFight Captain – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy Roushdi

SPECIAL THANKSCostume Shop Volunteers Orlando Repertory Theatre Kean's Floral Outlet Sesame StreetKeith Olsen Rob OdorisioShakespeare Theatre Company DC The Swinging Shakespeare Sewing SistersMatthew Michael’s Salon and Spa Experience T. Robert PigottNational Theatre Conservatory Universal Foam

SUPPORT

Orlando Shakespeare Theater in Partnership with UCF is a non-profit professional theater company sponsored in part by the State of Florida, Department of State, Divison of Cultural Affairs, and the Florida Arts Council.

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed for this production. AEA is a member of the AFL-CIO and is affliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

* Member of Actors’ Equity Association** Member of United Scenic Artists

PRODUCTION TEAMDirector – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thomas OuelletteDirector – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jim HelsingerFight Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Geoffrey Kent Choreographer - Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W. Robert SherryText Coach - Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Eric ZivotScenic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Bob Phillips**Lighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bert Scott**Costume Designer – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jack A. SmithCostume Designer – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Denise R. WarnerSound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Matthew GivenStage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Stacy Renee Norwood*Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Hamrah* Production Assistants . . . . . . . . . . . . . . .Isis Blanco, Blu Fogerty, Adrienne Forsythe, Lauraleigh ShealeyBoard Operators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Rachel Laslo, Jonathan DeRoulet Interim Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Spencer BurkeScene Shop Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay RohterCarpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Colin WorleyScenic Overhire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrew BaldwinScenic Apprentice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ashley GilbertStitchers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elise Holt, Lela Rae O’Bryant, Corey Schreck, Jack Smith,

Natasha Ticotin, Corinne Walsh, Debbie Warner, Sophia WiseCutter/Draper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mel Barger, Monica GibsonFirst Hands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jeannie Marie Haskett, Rachel RalbyWardrobe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carlene DeScaloDressers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Emily Plonski, Natasha TicotinDance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostFight Captain – Romeo and Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bradford B. FrostFight Captain – Cymbeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy Roushdi

SPECIAL THANKSCostume Shop Volunteers Orlando Repertory Theatre Kean's Floral Outlet Sesame StreetKeith Olsen Rob OdorisioShakespeare Theatre Company DC The Swinging Shakespeare Sewing SistersMatthew Michael’s Salon and Spa Experience T. Robert PigottNational Theatre Conservatory Universal Foam

SUPPORT

Orlando Shakespeare Theater in Partnership with UCF is a non-profit professional theater company sponsored in part by the State of Florida, Department of State, Divison of Cultural Affairs, and the Florida Arts Council.

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed for this production. AEA is a member of the AFL-CIO and is affliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

* Member of Actors’ Equity Association** Member of United Scenic Artists

BERT SCOTT**(Lighting Designer | Seventh Season)Bert has designed scenery for many Orlando Shakes productions, including CHAPS! A JINGLE JANGLE CHRISTMAS, THE COMEDY OF ERRORS, A TUNA CHRISTMAS, TWELFTH NIGHT and INTO THE WOODS. Off Broadway, he has designed: THE RULES OF CHARITY, WHEN I’M 64, OEDIPUS, HAMLET, MIDSUMMER, WAIT UNTIL DARK, TEN LITTLE INDIANS, and BRECHT ON BRECHT. Regionally, he has worked for Theatre West Virginia, Stages St. Louis, The Mark Twain Playhouse, Opera Co. of Philadelphia, NC Shakespeare Festival, Orlando Rep, and Nickelodeon/Paramount Parks. Bert is the coordinator of the BFA Design and Technology and Stage Management programs at UCF. BS: Virginia Tech; MFA UNC Greensboro.

W. ROBERT SHERRY(Choreographer - Romeo and Juliet | Second Season)Robert is the Professor/Director of Dance at Rollins College. He received a B.S. from Indiana University and holds an M.F.A. from Southern Methodist University (full scholarship); J.D. cum laude, Stetson University College of Law with additional training at the Royal Academy of Dramatic Art (London). Performance: BROADWAY SALUTES THE NEW YORK CITY OPERA (Lincoln Center) with Mickey Rooney and Ruby Keeler. National tours: PAL JOEY (Joey US) with Joel Grey and Alexis Smith; ANNIE GET YOUR GUN with Florence Henderson; FLOWER DRUM SONG with Pat Suzuki; HOLLYWOOD MAGIC at El Centro (Acapulco, Mexico); and Indiana’s professional modern dance company, DANCE KALEIDOSCOPE. Director/Choreographer: Over 100 musicals, plays, industrial shows, and concert dance works in professional and academic settings including: over 50 productions at Rollins College; Director: HOLLYWOOD’S PRETTY WOMAN (Disney/MGM Studios); and NBA ALL-STAR GAME OPENING CEREMONY (Orlando Arena). Choreographer: HUCK & JIM ON THE MISSISSIPPI with Joshua Logan.

JACK A. SMITH(Costume Designer - Romeo and Juliet | Eighth Season)Jack is an Associate Professor at Elon University, a private university in Elon, NC. He has worked for a number years as a freelance Costume Designer at many regional theaters from Orlando Shakes to Actor’s Theater of Louisville. Jack spends many of his summers either working at a small theater in Missouri (City of Maples Rep) or traveling the world looking at textiles, antique garments, or cultural wonders. He’s had a gallery exhibit of half-scale period costumes produced at two separate galleries within the past year. His passions include antique textiles (specifically American Women’s Costume from the 19th Century) and his dogs!

DENISE R. WARNER(Costume Designer - Cymbeline | 11th Season)Denise serves as the Costume Manager and staff costume designer for Orlando Shakespeare Theater. Some of Denise’s previous design credits for Orlando Shakes include: GOD OF CARNAGE, SNOW WHITE AND THE SEVEN DWARFS, HAMLET, THE MERCHANT OF VENICE, MACBETH, THE MERRY WIVES OF WINDSOR, DRACULA, YANKEE TAVERN, MOON FOR THE MISBEGOTTEN, ARMS AND THE MAN, SHOTGUN, TWELFTH NIGHT, and THE ISLAND OF DR. MOREAU. Other professional credits include: Center Stage – Baltimore, Pennsylvania Shakespeare Festival, Maples Rep, Mad Cow Theatre, Millbrook Playhouse, Michigan Rep, Orlando Opera, Orlando Rep, and Penguin Rep.