rolando s. tinio - biodata

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BIODATA OF ROLANDO S. TINIO Table of Contents Academic degrees Non-degree studies Teaching experience Major awards received Books published Newspaper columns written Touchstones Totally Tinio In Black & White Kuwentas Klaras Totally Tinio Partially Tinio People are talking about…themselves Poems published Poem/Poem cycles set to music and performed Lyrics for songs recorded Other original lyrics recorded Other translated lyrics recorded Operatic arias, art songs, songs from Broadway musicals and pop songs translated and performed Other translated lyrics performed Religious lyrics published Short story published Critical prose published Palanca prize-winning plays Plays translated and produced Complete vocal works translated Plays directed on stage Operas/operatorio/operetta/zarzuelas/musical directed on stage Ballets choreographed Staging for television productions Teleplay directed Sets and costumes designed for the stage Sets and costumes designed for television Screenplays written TV documentary written Teleplays written Roles played on stage Roles played on film and television 1 1 1 1 2 2 2 2 3 8 9 16 17 19 21 22 22 22 22 26 26 28 29 31 31 33 33 37 38 38 38 38 42 42 43 43 44 45

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Definitive CV of Rolando S. Tinio, National Artist for Literature and Theater, Philippines

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Page 1: Rolando S. Tinio - Biodata

BIODATA OF ROLANDO S. TINIO

Table of Contents

Academic degreesNon-degree studiesTeaching experienceMajor awards receivedBooks publishedNewspaper columns written

TouchstonesTotally TinioIn Black & WhiteKuwentas KlarasTotally TinioPartially TinioPeople are talking about…themselves

Poems publishedPoem/Poem cycles set to music and performedLyrics for songs recordedOther original lyrics recordedOther translated lyrics recordedOperatic arias, art songs, songs from Broadway

musicals and pop songs translated andperformed

Other translated lyrics performedReligious lyrics publishedShort story publishedCritical prose publishedPalanca prize-winning playsPlays translated and producedComplete vocal works translatedPlays directed on stageOperas/operatorio/operetta/zarzuelas/musical

directed on stageBallets choreographedStaging for television productionsTeleplay directedSets and costumes designed for the stageSets and costumes designed for televisionScreenplays writtenTV documentary writtenTeleplays writtenRoles played on stageRoles played on film and television

1111222238916171921222222

222626282931313333

3738383838424243434445

Page 2: Rolando S. Tinio - Biodata

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BIODATA: ROLANDO S. TINIO

Name: Rolando S. Tinio

Sex: Male

Date of birth: March 5, 1937; [Died: July7, 1997]

Place of birth: Tondo, Manila,Philippines

Civil status: Married to Ella Luansing(1945-1991) in 1969; with two children:Antonio Dante (b. 1970)and Victoria Angeles(b. 1972)

Founder and Artistic Director, TeatroPilipino (1975-92)

Academic degrees:1955 Bachelor of Philosophy, University of Santo Tomas

(Manila, Philippines)1958 Master of Fine Arts in English: Creative Writing

(Poetry), State University of Iowa (Iowa City,Iowa, U.S.A.)

Non-degree studies:1967-68 British Council Scholarship in Drama, Bristol

University Drama Department (Bristol, England)

Teaching experience:1958-66 Instructor, Assistant Professor, Associate

Professor, English Department, Ateneo de ManilaUniversity

1966-72 Professor, Theater Arts Program (Department ofCommunication), Ateneo de Manila University

1972-75 Professor and Chairman, Department of Literature,Ateneo de Manila University

1988-90 Professorial Lecturer, Theater Arts Program(Department of Speech and Drama) University of

the Philippines

Major awards received:1967 Ten Outstanding Young Men (TOYM) Award for Drama

Manila Cultural Heritage Award (Patnubay ngKalinangan) in Drama

1977 Quezon City Cultural Award in Literature (GantimpalangQuezon sa Panitikan)

1978 Outstanding Alumnus Award (University of Santo Tomas)1991 National Book Award (for Kristal na Uniberso)

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1993 Gawad CCP for Theater Arts1994 Gawad Pambansang Alagad ni Balagtas sa Tula sa Pilipino[1997 National Artist for Literature and Theater]

Books published:1972 Sitsit sa Kuliglig, Heart-Throbs and Other Beats1974 Pilipino sa Pamantasan (style book for the Ateneo de

Manila University) [mimeo only]1975 Dunung-Dunungan, Heart-Throbs and Other Beats1989 Kristal na Uniberso, Ateneo de Manila University Office

of Research & Publications1990 A Matter of Language: Where English Fails, University

of the Philippines Press1991 Ang Trahedya ni Hamlet, Prinsipe ng Dinamarka,

University of the Philippines Press1994 A Trick of Mirrors: Selected Poems in English and

Pilipino, Anvil Publishing & Cacho PublishingHouse

[2001 May Katwiran ang Katwiran at Iba Pang Dula, University ofthe Philippines Press]

Newspaper columns written:Touchstones, Metro Manila

1977 "A matter of language," Feb. 17, p. 15"An 'accident' of history," Mar. 1-15, p. 27"Pilipino now," Mar. 16-31, p. 27"A breach in our intellectual life," Apr. 1-15, p. 19"The artist and his audience," Apr. 16-30, p. 17"What does it mean to know a language?" May 1-31, p. 19"Our un-Filipino airport," Jun. 1-15, p. 19"On being happy with what we've got," Jun. 16-30, P. 19"Humanism for the masses," Jul. 1-15, p. p. 19"Translating pop songs," Jul. 16-31, p. 23"Ethnika and us," Aug. 1-15, p. 31"After the cultural revolution," Aug. 16-31"The folly of cultural chauvinism," Nov., p. 55"What is a good film?" Dec. 1-31, p. 23

1978 "The problem of awards," Jan. 1-31, p. 25

Totally Tinio, The Manila Chronicle, Entertainment page1986 "For alternative TV," Oct. 14, p.19

"All those myths about TV viewers," Oct. 22, p. 13"Shoot that ball! or shot it be shoot the writer?"

Oct. 29, p. 12"TV drama is incredible," Nov. 5, p. 13"What's in a comedy?" Nov. 12, p. 11"TV is for the birds!" Nov. 19, p. 15"What stars really are," Nov. 26, p. 15

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"Why our drama is worse than bad," Dec. 3, p. 15"Cultural sin," Dec. 10, p. 15"Vicious circles of culture," Dec. 17, p. 13"The ricemills of our mind," Dec. 31, p. 14

1987 "Dancing the tinikling," Jan. 7, p. 15"The irrelevance of 1social relevance'," Jan. 14, p. 15"Where have all the committed artists gone?" Jan. 21,

p. 15

In Black & White, Philippine Daily Globe, Op-Ed page1987 "Do we have to be courageous too?" Oct. 19, p. 5

"And when our saint comes marchn' in," Oct. 22, p. 5"Two tales for the President," Oct. 24, p. 5"Remembering the coup," Oct. 26, p. 5"Our faith in government," Oct. 29, p. 5"Time for our national dance," Oct. 31, p. 5"Our problem with identity," Nov. 2, p. 4"An innocent abroad," Nov. 5, p. 5"Basic concepts we live by," Nov. 7, p. 5"The girls of Subic and Clark," Nov. 9, p. 5"A demand for compassion," Nov. 12, p. 4"The new Balintataw," Nov. 14, p. 5"Where a coup would be nice," Nov. 16, p. 4"Walking a tightrope," Nov. 19, p. 5"In aid of the anti-dynasty bill," Nov. 21, p. 5"The backside of family-centeredness," Nov. 23, p. 4"The 1977 Metro Manila Filmfest," Nov. 26, p. 5"Working with language," Nov. 28, p. 4"Two bills on culture," Nov. 30, p. 4"The unheeded problem of the opera," Dec. 3, p. 5"Does Filipino really exist," Dec. 5, p. 4"The romantic problem of Cory Aquino," Dec. 7, p. 4"The failure of education," Dec. 10, p. 5"A need for ivory towers," Dec. 12, p. 4"My teacher said," Dec. 15, p. 5"Requiem for a technocrat," Dec. 17, p. 5"Two visions of man," Dec. 19, p. 5"The MET and the MMC," Dec. 21, p. 5"Dear Santa," Dec. 24, p. 5"Dear Conrad," Dec. 26, p. 4"Thinking of time," Dec. 29, p. 4

1988 "The Licad phenomenon," Jan. 3, p. 4"Being cultured," Jan. 5, p. 5"Populist culture," Jan. 7, p. 4"The baroque in us," Jan. 11, p. 5"The need for elitism," Jan.y 13, p. 5"Thinking of thinking," Jan. 15, p. 5"I wonder...," Jan. 18, p. 5"Art, Haughty and Haute," Jan. 21, p. 5"The Gonzaga revelations," Jan. 23, p. 5

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"The meanings of `nationalism'," Jan. 25, p. 5"Cutting corners," Jan. 28, p. 5"Americanizing ourselves," Jan. 30, p. 5"Downward mobility," Feb. 1, p. 5"A way of life," Feb. 4, p. 5"Miracle on Quezon Avenue," Feb. 6, p. 5"The great Filipino housewife," Feb. 8, p. 5"Under da saya," Feb. 11, p. 5"Three-day hoax," Feb. 13, p. 5"Changing names," Feb. 15, p. 4"Is mass art the quesiton?" Feb. 18, p. 4"The masses as audience," Feb. 20, p. 5"Art for a change," Feb. 23, p. 5"Going Asian," Feb. 26, p. 5"Structure or culture?" Feb. 28, p. 5"The barong tagalog," Mar. 1, p. 4"The immodest Filipina," Mar. 3, p. 5"EDSA rituals," Mar. 5, p. 5"Sin singing," Mar. 7, p. 6"Finders, weepers," Mar. 10, p. 5"The sociology of clothes," Mar. 12, p. 5"Report from Down Under," Mar. 14, p. 5"Anatomy of prejudice (1)," Mar. 16, p. 5"Anatomy of prejudice (1)," Mar. 19, p. 5"Dining with squatters," Mar. 22, p. 5"Common sense," Mar. 24, p. 5"Keeping one's common sense," Mar. 26, p. 5"Cardinal Thin in Sydney (1)," Apr. 21, p. 5"Cardinal Thin in Sydney (2)," Apr. 23, p. 5"Cardinal Thin in Sydney (3)," Apr. 25, p. 4"Cardinal Thin in Sydney (4)," Apr. 28, p. 5"Cardinal Thin in Sydney (5)," Apr. 30, p. 5"Cardinal Thin in Sydney (6)," May 2, p. 5"Tales out of Sydney," May 5, p. 5"Conversations on Japan," May 7, p. 5"Japanese encounters," May 9, p. 5"Pilgrim in progress," Jun. 9, p. 4"The boys from Belgrade (1)," Jun. 12, p. 4"The boys from Belgrade (2)," Jun. 14, p. 5"Lessons in Medjugorje (1)," Jun. 16, p. 4"Lessons in Medjugorje (2)," Jun. 18, p. 4"Ivan & Jakov," Jun. 20, p. 4"Miracles a la carte (1)," Jun. 23, p. 4"Miracles a la carte (2)," Jun. 25, p. 4"Miracles a la carte (3)," Jun. 27, p. 4"Miracles a la carte (4)," Jun. 30, p. 4"Miracles a la carte (5)," Jul. 4, p. 5"Miracles a la carte (6)," Jul. 7, p. 5"Miracles a la carte (7)," Jul. 9, p. 5"Medjugorje sweet & sour," Jul. 14, p. 4

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"Moscow memories (1)," Jul. 17, p. 5"Moscow memories (2)," Jul. 19, p. 4"Moscow memories (3)," Jul. 21, p. 4"Moscow memories (4)," Jul. 24, p. 4"Moscow memories (5)," Jul. 28, p. 5"Moscow memories (6)," Jul. 30, p. 5"Brown sound," Aug. 2, p. 4"Pickin' on apples," Aug. 7, p. 5"In gray & gray," Aug. 28, p. 4"The value of x and y," Sept. 3, p. 5"Teaching in Filipino," Sept. 5, p. 5"Beyond English or Filipino," Sept. 8, p. 5"Gradual Filipino," Sept. 10, p. 4"Fixing Filipino," Sept. 13, p. 5"Creating Filipino," Sept. 15, p. 5"Filipino deep and shallow," Sept. 18, p. 4"Resisting Filipino," Sept. 20, p. 5"Language see-saw," Sept. 22, p. 4"Robert on us," Sept. 26, p. 5"Tempest in a Filipino teapot," Sept. 27, p. 4"English for laborers," Oct. 2, p. 5"The language of mass media," Oct. 3, p. 4"Academe in translation," Oct. 6, p. 4"DECS bilingualism," Oct. 10, p. 5"The language dispute," Oct. 11, p. 4"Reassuring Mr. Locsin," Oct. 14, p. 5"Why not English," Oct. 16, p. 5"Why Tagalog (1)," Oct. 18, p. 5"Why Tagalog (2)," Oct. 20, p. 4"Why Tagalog (3)," Oct. 22, p. 4"Between two languages," Oct. 24, p. 5"To hope or plan," Oct. 27, p. 5"Why not reigonalism?" Oct. 29, p. 4"Pure and impure Filipino," Oct. 31, p. 5"Demanding services," Nov. 3, p. 4"Seeing red," Nov. 5, p. 4"The bilingual fallacy (1)," Nov. 7, p. 5"The bilingual fallacy (2)," Nov. 10, p. 5"The bilingual fallacy (3)," Nov. 12, p. 4"The other languages," Nov. 14, p. 5"Filipina as maid," Nov. 17, p. 5"Owning a language," Nov. 21, p. 5"Traffic problems," Nov. 24, p. 5"City of garbage," Nov. 26, p. 4"Decongesting our streets," Nov. 28, p. 4"Dying city," Dec. 1, p. 5"Translating values (1)," Dec. 3, p. 4"Translating values (2), Dec. 5, p. 5"Translating values (3)," Dec. 8, p. 5"Translating values (4)," Dec. 10, p. 4

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"A lesson from Life," Dec. 12, p. 4"Idiot box drama," Dec. 15, p. 4"Jimmy Santos English," Dec. 17, p.4"Good and bad English," Dec. 19, p. 4"Viewing English and Filipino," Dec. 22, p. 4"Christmas sans ceremony," Dec. 24, p. 4"Exploiting Christmas," Dec. 26, p. 5"Dina and her films," Dec. 30, p. 5

1989 "Gilda's matinee," Jan. 1, p. 5"A K.J. every year," Jan. 5, p. 5"Intellectualizing Filipino," Jan. 8, p. 5"Our two-dimensional world," Jan. 10, p. 5"Seeing stars," Jan. 12, p. 5"Language with coffee," Jan. 15, p. 5"Stupid farce at CCP," Jan. 19, p. 5"CCP museum crap," Jan. 21, p. 4"Democrazy in CCP," Jan. 26, p. 5"CCP execs," Jan. 28, p. 4"CCP protects pop," Jan. 30, p. 4"Dear Mrs. Roxas," Feb. 2, p. 5"Will CCP survive Hawaii? (1)," Feb. 4, p. 5"Will CCP survive Hawaii? (2)," Feb. 6, p. 5"Will CCP survive Hawaii? (3)," Feb. 7, p. 5"Dear Teddy Boy," Feb. 10, p. 5"Theater wars as art," Feb. 11, p. 5"Apologies to Leo," Feb. 13, p. 5"My ideology," Feb. 15, p. 4"Rep, Rep, hurray!" Feb. 17, p. 4"The other side of Joaquin," Feb. 18, p. 5"Awards, with a grain of pepper," Feb. 21, p. 5"EDSA what?" Feb. 22-23, p. 5"Art, culture and gov't (1)," Feb. 25, p. 4"Art, culture and gov't (2)," Feb. 28, p. 5"Art, culture and gov't (3)," Mar. 2, p. 5"Art, culture and gov't (4)," Mar. 5, p. 5"Art, culture and gov't (6)," Mar. 9, p. 5"Art, culture and gov't (7)," Mar. 11, p. 5"Art, culture and gov't (8)," Mar. 16, p. 5"Art, culture and gov't (9)," Mar. 18, p. 4"Art, culture and gov't (10a)," Mar. 19, p. 5"Art, culture and gov't (10b)," Mar. 21, p. 5"Art, culture and gov't (11)," Mar. 23, p. 5"Art, culture and gov't (12)," Mar. 25, p. 5"Art, culture and gov't (13)," Mar. 28, p. 5"Art, culture and gov't (14)," Mar. 30, p. 5"Art, culture and gov't (15a)," Apr. 1, p. 5"Art, culture and gov't (15b)," Apr. 4, p. 5"Art, culture and gov't (15c)," Apr. 6, p. 5"Art, culture and gov't (16)," Apr. 8, p. 5"Art, culture and gov't (17)," Apr. 12, p. 5

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"Art & censorship," Apr. 13, p. 5"The meaning of words," Apr. 15, p. 5"Drama as mirror," Apr. 18, p. 5"Teaching teachers," Apr. 20, p. 5"CCP and the audience," Apr. 22, p. 5"Art & entertainment (1)," Apr. 26, p. 5"Art & entertainment (2)," Apr. 29, p. 5"Falling in line," May 2, p. 5"Pook Bantayan," May 4, p. 5"Holdup in broad daylight," May 7, p. 5"Art & education (1)," May 9, p. 5"Art & education (2)," May 11, p. 5"Art & education (3)," May 13, p. 4"The CCP 'Tions (1)," May 17, p. 5"The CCP 'Tins (2)," May 19, p. 5"The CCP 'Tions (3)," May 21, p. 5"The CCP 'Tions (4a)," May 24, p. 5"The CCP 'Tions (4b)," May 27, p. 5"The no-tion of excellence," May 28, p. 5"In fairness to Mrs. Roxas," Jun. 3, p. 5"Helsinki evenings," Jun. 9, p. 5"Helsinki quartet (1)," Jun. 11, p. 5"Helsinki quartet (2)," Jun. 15, p. 5"Kasilag gets her due," Jun. 18, p. 5"Fred and Sinikka," Jun. 20, p. 4"Embattled playwrights," Jun. 22, p. 4"Helsinki drinks," Jun. 25, p. 5"Overcoming one's prejudices," Jun. 27, p. 5"The Boy Nograles story," Jun. 29, p. 4"Breakfasts," Jul. 2, p. 5"Dear Sylvia V.," Jul. 6, p. 5"The `no smoking' bane," Jul. 7, p. 5"Kundiman blues," Jul. 9, p. 5"We need flowers, not roots," Jul. 11, p. 5"In the claws of local movies," Jul. 14, p. 5"Inside legends," Jul. 16, p. 5"Sen. Shahani on culture," Jul. 18, p. 4"Social science and us," Jul. 20, p. 5"Dialogue (a monologue)," Jul. 25, p. 5"St. Truth, pray for us," Jul. 27, p. 4"Who's afraid of CGA," Jul.30, p. 5"Showbiz stars in the theater?" Aug. 1, p. 5"Tessie and Kris," Aug. 3, p. 5"Rumor humor," Aug. 6, p. 5"Student audiences," Aug. 8, p. 4"Dear Reader," Aug. 10, p. 4"Teachers first," Aug. 13, p. 5"Translating literature," Aug. 15, p. 4"Cafe Bravo, Cafe Boo," Aug. 20, p. 5"Offstage voices," Aug. 22, p. 4

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"Present no, no, future sisi," Aug. 24, p. 5"Opera in translation?" Aug. 27, p. 5"Talking with a Greek," Aug. 29, p. 5"Thanks and no thanks to Fr. Reuter," Aug. 31, p. 4"Not us, Dame Joan!" Sept. 3, p. 5"The tragedy of Creon," Sept. 5, p. 5"Languagefest," Sept. 8, p. 5"The polyphony of poetry," Sept. 10, p. 5"CCP memoirs (1)," Sept. 12, p. 5"CCP memoirs (2)," Sept. 15, p. 5"CCP memoirs (3)," Sept. 17, p. 5"CCP memoirs (4)," Sept. 19, p. 5"CCP memoirs (5)," Sept. 24, p. 5"CCP memoirs (6)," Sept. 26, p. 5"CCP memoirs (7)," Sept. 28, p. 5"Lea and Maniya," Oct. 3, p. 5"People's artists," Oct. 8, p. 4"Writer royalties," Oct. 7, p. 4"Culture `dammage'," Oct. 10, p. 4"Theater for basic needs," Oct. 14, p. 5"A better view of us," Oct. 22, p. 5"Mang Ruben and old Vic," Oct. 29, p. 5"Remembering the dead," Nov. 2, p. 5"The unbearable rightness of being Marilou," Nov. 5,

p. 51990 "Days of enchantment: En attendant Godame," Nov. 19,

p. 4"Days of enchantment: A la recherche de la dame

perdue," Nov. 22, p. 4"Days of enchantment: Epilogue: La veuve ètait en

blanc," Nov. 24, p. 4"Days of enchantment: Mme. Jaques, at last: A partage

de l'après-midi (1)," Nov. 26, p. 4"Days of enchantment: Mme. Jaques, at last: A partage

de l'après-midi (2)," Nov. 29, p. 4"Days of enchantment: Mme. Jaques, at last: A partage

de l'après-midi (3)," Dec. 1, p. 6

Kuwentas Klaras, Diyaryo Pilipino, op-ed page1989 "Ani Kuya Edgar," Hul. 10, p. 4

"Pinoy siyempre ang Pinoy," Hul. 12, p. 4"Diyaryong pambukas," Hul. 14, p. 4"Ang penoy at ang balut (1)," Hul. 17, p. 4"Ang penoy at ang balut (2)," Hul. 18, p. 4"Ang barung-barong at ang mansiyon," Hul. 21, p. 5"Isip, hindi pisi," Hul. 24, p. 4"Ang pelikula at ang fans," Hul. 27, p. 4"Teatrong hubad," Hul. 28, p. 4"May pag-asa at may pag-asa," Jul. 31, p. 4"Ang CCP kasi," Agos. 3, p. 4

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"Sina Nic kasi," Agos. 4, p. 4"Kanluranin ang lahat," Agos. 7, p. 4"Umanismo para sa masa," Agos. 10, p. 2"Ang trapiko, Panginoon ko!" Agos. 11, p. 4"Linggo na naman ng Wika," Agos. 14, p. 4"Magsalin, magsalin," Agos. 18, p. 4"Dalawang wika, dalawang bansa," Agos. 21, p. 4"Tala para sa mga kunosenti," Agos. 24, p. 4"Ang moralidad ng pelikula," Agos. 25, p. 4"Turuan nang turuan," Agos. 28, p. 4"Hopiang me bibili...," Set. 1, p. 4"Ang matinong pelikula," Set. 4, p. 4"Palarong wika," Set. 7, p. 4"Ang tinig ng panunula," Set. 11, p. 4"Ang panahon ng baduy," Set. 14, p. 4"Kailangan ng mga bituin," Set. 15, p. 4"Langit ng mga bituin," Set. 18, p. 4"Dula natin ngayon (1)," Set. 22, p. 4"Dula natin ngayon (2)," Set. 25, p. 4"Dula natin ngayon (3)," Set. 27, p. 4"Ang pagsulat ng rebyu," Set. 29, p. 4"In memoriam," Okt. 2, p. 4"Sina Lea at Maniya," Okt. 4, p. 4"Bagong tunog," Okt. 6, p. 4"Makabagong tikling," Okt. 9, p. 4"Kulungan ang Ingles," Okt. 16, p. 4"Pagbabalik ng bomba," Okt. 25, p. 4"Ang TV natin," Okt. 30, p. 4"Paggunita sa yumao," Nob. 1, p. 4"Pusong Pinoy, pusong sipsip," Nob. 7, p. 4"Kontrabida o biktima," Nob. 10-11, p. 4

Totally Tinio, The Manila Chronicle, SundayPlus/Section Four

1989 "Save the Met-from the meath heads!" Sunday Plus,Dec. 7, p. 15

"A synonym for mess," Section Four, Dec. 21, p. 32"Trapped in the cold," Sunday Plus, Dec. 29, p. 32"Much ado about a laptop," Section Four, Dec. 31, p. 21

1990 "Old traps for the new decade," Section Four, Jan. 5,p. 31; Jan. 10, p. 37

"Have gone, am back," Section Four, Jan. 12, p. 25"How to do Beckett without doing him in (or being donein by him)," Sunday plus, p. 21"Writers demand a new deal," Section Fouor, p. 25"T.V., T.V.: Tinio values therapeutic viodetaping,"

Section Four, Jan. 19, p. 29"Celebrity brouhaha abroad," Sunday Plus, Jan. 21,

p. 21"Will our TV drama ever be TV true?" Section Four,

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Jan. 24, p. 28"What's cooking?" Section Four, p. 30"A carpetbagger's `farewell'," Sunday Plus, p. 21"What d'ya mean what's in a name?" Section Four, p. 30"Foodnotes," Section Four, Feb. 2, p. 28"Last temptation of art," Sunday Plus, Feb. 4, p. 19"A handful of brown thumbs," Section Four, Feb. 7,

p. 25"The man called Chariman: For adults only," Sunday

Plus, Feb. 11, p. 21"Soft songs and others," Section Four, Feb. 14, p. 24

[13 poems (see Poems published below)]"My Juan Luna St. upbringing," Section Four, Feb. 16,

p. 27"Popularizing culture," Sunday Plus, Feb. 18, p. 21"Who answers?" Section Four, Feb. 21, p. 27"A cultural bill, at last," Sunday Plus, Feb. 25, p. 19"A stone's throw from soap opera to opera," Section

Four, Feb. 28, p. 27"Opera Blvd. across Soap Opera St," Sunday Plus,

Mar. 4, p. 20"Ay, naku talaga!" Section Four, Mar. 9, p. 27"My romance with the sewing machine," Sunday Plus,

Mar. 18, p. 10"My not-too-brief fling with Bettina," Section Four,

Mar. 21, p. 31"Married to a singer," Section Four, Mar. 23, p. 25"Letters sweet and sour," Section Four, Mar. 29, p. 24"Pasyong Pilipino, take two," Sunday Plus, Apr. 8,

p. 20"Why does Christ wear glasses?" Section Four, Apr. 13,

p. 10"Why didn't Mary ever shed tears," Sunday Plus,

Apr. 15, p. 21"TV is not for idiots," Section Four, Apr. 18, p. 25"The CCP `La Traviata'," Section Four, Apr. 20, p. 25"Toby or not Toby," Sunday Plus, Apr. 22, p. 21"Toby's sex life," Section Four, Apr. 25, p. 20"Toby tries going male," Section Four, Apr. 27, p. 32"My Dominican mentors," Sunday Plus, 29, p. 21"My Letranite days," Section Four, May 3, p. 26"Days in Iowa," Section Four, May 9, p. 25"Playing `Dear Abby' or `Kuya Eddie'," Section Four,

May 11, p. 25"Becoming someone... else," Sunday Plus, May 13, p. 20"Moving out... of bounds," Section Four, May 16, p. 27"Finding myself (out?) at last," Section Four, May 18,

p. 27"Discovering the three B's," Sunday Plus, May 20, p. 18"Running into stars," Section Four, May 24, p. 18

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"Of clothes... [mine]," Sunday Plus, May 27, p. 19"Running into `kulcha'," Section Four, May 30, p. 20"Running away from memories," Section Four, Jun. 1,

p. 18"Nostalgia rains," Sunday Plus, Jun. 3, p. 20"Screen size makes no difference to me," Section Four,

Jun. 6, p. 19"My first films," Section Four, Jun. 8, p. 18"The Callas `Traviata'," Sunday Plus, Jun. 10, p. 19"Discovering the Callas sound," Section Four, Jun. 13,

p. 19"The famous `Callas wobble'," Section Four, Jun. 15,

p. 18"The Callas-Tebaldi feud," Sunday Plus, Jun. 17, p. 19"Filipinizing Verdi," Section Four, Jun. 22, p. 32"Being a father," Section Four, Jun. 27, p. 19"Reminding viewers and reviewers," Sunday Plus, Jul. 1,

p. 20"`Traviata' Triviata," Section Four, Jul. 6, p. 20"Two notes on the CCP `Traviata'," Section Four,

Jul. 13, p. 12"Dear Johnny...," Sunday Plus, Jul. 15, p. 21"Fides is absolutely right," Section Four, Jul. 18,

p. 19"`In Brueghal's Icarus for instance...'," Section Four,

Jul. 20, p. 18"Hot not to review," "Sunday Plus, Jul. 22, p. 20"How to review (1)," Section Four, Jul. 26, p. 18"How to review (2)," Section Four, Jul. 27, p. 22"Violetta re-examined," Sunday Plus, Jul. 29, p. 21"The `Traviata' trial," Section Four, Aug. 2, p. 18"Postlude to `Traviata'(1)," Sunday Plus, Aug. 5, p. 22"Postlude to `Traviata'(2)," Section Four, Aug. 6,

p. 18"A week of Sundays for Tita Conching," Section Four,

Aug. 9, p. 19"This question of language," Section Four, Aug. 10,

p. 20"The Broadway-West End border war," Sunday Plus,

Aug. 12, p. 20"The answer of language," Section Four, Aug. 16, p. 19"Quezon's language dream hasn't come true," Section

Four, Aug. 17, p. 18"Quezon and Morato," Sunday Plus, Aug. 19, p. 21"Words from my childhood (1)," Section Four, Aug. 23,

p. 19"Words from my childhood (2)," Section Four, Aug. 24,

p. 18"In and out of the barrio (1)," Sunday Plus, Aug. 26,

p. 20

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"In and out of the barrio (2)," Section Four, Aug. 28,p. 18

"In and out of the barrio (3)," Section Four, Aug. 29,p. 19

"Just shut down all the schools!" Section Four,Aug. 31, p. 18

"What really ails us," Sunday Plus, Sept. 2, p. 27"It's a problem of language talaga," Section Four.

Sept. 7, p. 23"Home Sweat Home," Sunday Plus, Sept. 9, p. 20"`Carmen' as a bombshell," Sunday Plus, Sept. 16, p. 22"(Man)handling the classics," Section Four, Sept. 21,

p. 19"Messing around with (messing up?) the classics,"

Sunday Plus, Sept. 23, p. 22"Recr(e)ating the classics," Section Four, Sept. 24,

p. 19"Being mali-mali," Section Four, Sept. 26, p. 18"Artist in distress," Section Four, Sept. 27, p. 19"Another `odder,' older kind of Aids: The Artist In

Distress Syndrome," Section Four, Oct. 3, p. 18"The problem with the you are the old," Section Four,

Oct. 5, p. 18"Letranistas lang," Sunday Plus, Oct. 7, p. 18"Can art be explained," Section Four, Oct. 12, p. 18"Sunday in the church with Dyords," Sunday Plus,

Oct. 14, p. 18"Arriba Letran goes abajo," Section Four, Oct. 18,

p. 18"Schools are not for teaching," Section Four, Oct. 19,

p. 18"An idiotess in the Italian embassy," Sunday Plus,

Oct. 21, p. 18"Tauntingly Tinio," Section four, Oct., 24, p. 14"Days of enchantment: The first time I saw Paris,"

Section Four, Nov. 14, p. 17"Days of enchantment: Hung up on meating (not wearing)

Jeans," Section Four, Nov. 16, p. 19"Days of enchantment: The capital of my world," Sunday

Plus, Nov. 18, p. 19"We need managers, not presidents," Section Four,

Dec. 7, p. 17"Abroad-thoughts, from home," Section Four, Dec. 10,

p. 15"The essence of colonial mentality," Section Four,

Dec. 12, p. 15"Rhapsody on a theme by the Brothers Grimm (1),"

Sunday Plus, Dec. 16, p. 18"Rhapsody on a theme by the Brothers Grimm (2),"

Section Four, Dec. 17, p. 18

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"Rhapsody on a theme by the Brothers Grimm (3),"Section Four, Dec. 19, p. 18

"No, Virginia, there is no Santa Claus," Sunday Plus,Dec. 23, p. 21

"Christmas thrills without frills," Section Four,Dec. 25, p. 13

"A needle to find the haystack," Section Four, Dec. 26,p. 13

"Maria Clara redux (an exclusive interview)," SundayPlus, Dec. 30, p. 20-21

"A time for four 4-letter words," Section Four,Dec. 31, p. 13

1991 "Belmondo in `Cyrano de Bergewerecked'," Sunday Plus,Jan. 6, p. 20

"The curse of prèt-à-porter," Section Four, Jan. 7,p. 13

"The woman with asthma," Section Four, Jan. 9, p. 13"On wings of war," Sunday Plus, Jan. 13, p. 16"The greater need for art in times of crisis," Section

Four, Jan. 14, p. 8"The Gulf crisis day-and-night soap opera," Section

Four, Jan. 17, p. 11"Why not get rid of education altogether?" Sunday Plus,

Jan. 20, p. 15"What can we pray for?" Section Four, Jan. 22, p. 11"The diabolical versatility of condoms," Sunday Plus,

Jan. 27, p. 14"Kasilag is to blame," Section Four, Jan. 29, p. 15"Why bother to far?" Section Four, Jan. 31, p. 9"Regrets only," Sunday Plus, Feb. 3, p. 16"Childhood fears," Section Four, Feb. 5, p. 8"Sick and tired of reading the same thing about Lea,"

Section Four, Feb. 7, p. 8"Andion sings `Adele's Crying Song'," Section Four,

Feb. 11, p. 10"Do TV docudramas ever tell it as it is?" Section Four,

Feb. 25, p. 13"The other Teresa Roxas," Section Four, Mar. 4, p."Operation Desert Song," Section Four, Mar. 8, p. 10"Desert Song with end?" Sunday Plus, Mar. 10, p. 14"Here come the brides," Section Four, Mar. 11, p. 8"Non-homosexual crossdressing," Section Four, Mar. 15,

p. 12"The question of Nora Aunor," Sunday Plus, Mar. 17,

p. 14"Politics and movie stars," Section Four, Mar. 18,

p. 12"American graffiti 1," Section Four, Mar. 21, p. 11"When will the fat lady sing the blues?" Sunday Plus,

Mar. 24, p. 14

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"American graffiti 2," Section Four, Mar. 26, p. 11"American graffiti 3," Apr. 6-12, p. 32"Easter lilies for `Madame'," Plus, Apr. 6-12, p. 22"Artist blacklist," Section Four, Apr. 13-19, p. 33"Letter from George," Plus, Apr. 13-19, p. 25"The addict or the cop?" Section Four, Apr. 20-26,

p. 31"This is New York?" Plus, Apr. 20-26, p. 22"Student short films `91." Plus, Apr. 27-May 3, p. 26"The devil makes the headlines," Section Four,

Apr. 27-May 3, p. 38"Missing `Saigon'," Section Four, May 4-10, p. 35"Every actor is now an actor," Section Four, May 11-17,

p. 32"Philippine graffiti 1," Plus, May 11-17, p. 22"Philippine graffiti 2," Section Four, Mar. 18-24,

p. 35"Film Academy honors Avellana," Section Four,

May 25-31, p. 35"Other sudden deaths," Plus, Jun 1-7, p. 22"Finding our mind," Section Four, Jun. 1-7, p. 34"Highs and let-downs in the theater," Section Four,

Jun. 15-21, p. 30"Mozart at La Coupole," Plus, Jun. 15-21, p. 23"That Ma-damned Butterfly," Section Four, Jun. 22-28,

p. 29"Molière who?" Section Four, Jun. 29-Jul 5, p. 31"Sour graping," Section Four, Jul. 6-12, p. 35"My everlasting debt to Jesuits," Section Four,

Jul. 13-19, p. 33"Jesuits I'm indebted to," Section Four, Jul. 20-26,

p. 34"The workshop epidemic," Section Four, Jul. 27-Aug. 2,

p. 35"Confessions of an anti-tourist," Section Four,

Aug. 10-16, p. 25"Ad lib on women's lib," Section Four, Aug. 17-23,

p. 25"Forgotten stars remembered," Section Four, Aug. 24-30,

p. 23The question fo the `kundiman'," Section Four,

Aug. 31-Sept. 6, p. 24"Sleeping," Section Four, Sept. 7-13, p. 25"Goodbye to Leningrad," Section Four, Sept. 14-20,

p. 26"Undercutting arts and education," Section Four,

Sept. 21-27, p. 26"Anton in the form of a rose," Section Four,

Sept. 28-Oct. 4, p. 24"Continuity through legacy," Section Four, Oct. 5-ll,

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p. 27"Tracking down the Carmelites," Section Four,

Oct. 12-18, p. 27"The Lady of the rose petals," Section Four,

Oct. 19-25, p. 27"A Carmen Rosales-Rogelio de la Rosa treat," Section

Four, Oct. 26-Nov. 1, p. 31"Should we go back to the mountains," Section Four,

Nov. 2-8, p. 27"CCP auditions for `La Bohème'," Section Four,

Nov. 9-15, p. 25"Gilda Fernando does it again," Section Four,

Nov. 16-22, p. 26"Getting used to the dark," Section Four, Nov. 23-29,

p. 23"Those punks as young critics," Section Four,

Nov. 30-Dec. 6, p. 29"Joaquin in Gagalangin," Section Four, Dec. 4, p. 14"Tales from Joaquin's Manila," Section Four, Dec. 11,

p. 14"Terms of respectfulness," Section Four, Dec. 14-20,

p. 26"Snapshots by Marra Lanot," Section Four, Dec. 18,

p. 14"Christmas among the `wa'-class," Section Four,

Dec. 21-27, p. 24"Two role models for us," Section Four, Dec. 28-Jan. 3,

p. 231992 "The Nora jazz," Section Four, Jan. 4-10, p. 23

"Artists for the spirit," Section Four, Jan. 25-31,p. 27

"Valentine poems for sad lovers," Plus, Feb. 8-14,p. 32 [see Poems published below]

"Food tripping in Vigan," Section Four, Apr. 25-May 1,p. 23

"My right foot," Section Four, May 2-8, p. 25"A week without the maid," Section Four, May 9-15,

p. 28"A new aid in quitting smoking," Section Four,

May 23-29, p. 27"Torres luminous and lyrical," Section Four,

May 30-Jun. 5, p. 27"Cursing the dark," Section Four, Jun. 6-12, p. 27"Opera finds its audience," Section Four, Jul. 18-24,

p. 23"Acknowledgements," Section Four, Jul. 25-31, p. 26"Taxi drivers," Section Four, Aug. 1-7, p. 25"Anton Juan does Euripides," Section Four, Aug. 8-14,

p. 26"Filipino for Filipinos," Section Four,

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Aug. 29-Sept. 4, p. 23"In transit," Section Four, Sept. 5-11, p. 25"Home video as weapon," Section Four, Oct. 10-16, p. 25"We need liberal education," Section Four, Oct. 17-23,

p. 23"Reproducing period dress," Section Four, Nov. 7-13,

p. 23

Partially Tinio, The Manila Chronicle, Plus/SectionFour

1991 "Mr. Pinatubo, Mt. Pinalugi," Plus, Jun. 22-28, p. 20"Gender is not sex," Plus, Jun. 29-Jul. 5, p. 26"If you can't tell the dancer from the dance, can you

at least distinguish as from trash," Plus,Jul. 6-12, p. 25

"Philippine graffiti 3," Plus, Aug. 3-9, p. 24"Running into Mozart," Plus, Aug. 10-16, p. 32"Eccentricities," Plus, Aug. 24-30, p. 30"Three great tenors in a row," Plus, Sept. 14-20, p. 30"Operatic notes," Plus, Sept. 21-27, p. 32"Ishmael in the shape of an actor," Plus,

Sept. 28-Oct. 4, p. 30"Poets in the Ateneo," Plus, Oct. 5-11, p. 32"The dark night of the soul," Plus, Oct. 12-16, p. 32"Being thin," Plus, Oct. 19-25, p. 30"`Send us G.I. sheets, not chicken eggs'," Plus,

Oct. 26-Nov. 1, p. 36"A Lesson from Puerto Rico," Plus, Nov. 2-8, p. 32"A people's superstar," Plus, Nov. 9-15, p. 32"Of food remembered," Plus, Nov. 16-22, p. 30"Unpopular views," Plus, Nov. 30-Dec. 6, p. 32"Voices with some sour notes," Plus, Dec. 7-13, p. 36"A woman cries `Rape!'," Plus, Dec. 14-20, p. 33"Christmas in the cold," Plus, Dec. 21-27, p. 36"Year-end lists," Plus, Dec. 28-Jan. 3, p. 32

1992 "A song cycle for Ella," Plus, Jan. 4-10, p. 36 [seePoems published below]

"Goodbye Tovarich," Plus, Jan. 11-17, p. 31"Luigi's polar islands," Plus, Jan. 16-24, p. 32"A daze in the life of a widower," Plus, May 2-8, p. 33"A `La Bohème' in jeans and leggings," Section Four,

May 16-22, p. 24"My Halcion days," Plus, May 16-22, p. 32"A wig maker in Chicago," Plus, May 23-29, p. 32"A Noli reunion," Plus, May 30-Jun. 5, p. 32"A monolingual Erap sana," Plus, Jun. 6-12, p. 31"A pupil of Lilia Reyes," Plus, Jun. 27-Jul. 3, p. 31"Men's ansewr to women's lib," Plus, Aug. 8-14, p. 33"Men's rainwear," Plus, Aug. 22-28, p. 33"Expressions and expletives," Plus, Aug. 29-Sept. 4,

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p. 33"The medium of instruction," Plus, Sept. 26-Oct. 2,

p. 35"A child divorces his parents," Plus, Oct. 3-9, p. 31"A taxicab driver's ideas," Plus, Oct. 10-16, p. 32"Washing dishes," Plus, Oct. 31-Nov. 6, p. 35"Portrait of an ex-mother," Plus, Nov. 14-20, p. 39"Neighbor noise," Plus, Nov. 28-Dec. 4, p. 33

People are talking about... themselves, The ManilaChronicle, Plus

1991 "Armida reproduces," Jul. 6-12, p. 28"Sputnik come down to earth," Jul. 13-19, p. 24"Bong and Bongbong," Jul. 20-26, p. 28"Gemma Cruz; or, the discreet charms of the

bourgeoisie," Aug. 17-23, p. 32

Poems published:1956 "Sprig of Jasmsines," Botteghe Oscure, Vol. 18, Autumn

"Gentle My Song," Botteghe Oscure, Vol. 18, Autumn1958 "Walking Home," Riverside Poetry 3 (An anthology of

Student Poetry: 79 New Poems by 58 Poets),selected by Marianne Moore, Howard Nemerov, AlanSwallow, Twayne Publishers, New York

"In a Crowded Room," The Literary Apprentice, Vol. 221959 "Maria Clara at the Spinet," Philippine Motif, Vol. 1,

Nov. 1"Poem for Lovers," Philippine Motif, Vol. 1, No. 1

1961 "Gentle My Song," Midland (Twenty-five Years of Fictionand Poetry Selected from the Writing Workshops ofthe State University of Iowa), ed. Paul Engle,assisted by Henri Coulette, Donald Justice, RandomHouse, New York

1962 "Medusa," Comment, Third Quarter"Joy Ride," Comment, Third Quarter"Indian Silk," Comment, Third Quarter"Boy Sulking," Comment, Third Quarter

1964 "A Lecture on Love," Chronicle Magazine, Vol. 109, No.37, Sept. 12

"A Parable," Chronicle Magazine, Vol. 109, No. 37,Sept. 12

"Soliloquy after Sartre," Chronicle Magazine, Vol. 109,No. 37, Sept. 12

"Need," Chronicle Magazine, Vol. 109, No. 37, Sept. 12"Survey: English Literature for Flunkers," Chronicle

Magazine, Vol. 109, No. 37, Sept. 121965 "Eartha Kitt," Philippine Studies, Vol. 13, No. 1,

January"Poet on His Twenty-Sixth Birthday," Philippine

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Studies, Vol. 13, No. 1, January"Ang Lola," Heights, Vol. 14, No. 1, October"Mirindal," Heights, Vol. 14, No. 1, October"Kanta sa Patay," Heights, Vol. 14, No. 1, October"Valediction sa Hillcrest," Heights, Vol. 14, No. 1,

October"Emmanuel S. Torres: Si Mary sa Piano," Heights, Vol.

14, No. 2, December"Sa Poetry," Interview, Vol. 1, No. 1, November"Para ke Tita," Interview, Vol. 1, No. 1, November"Ang Yaya," Interview, Vol. 1, No. 1, November

1966 "Mahabang Kuwento," Panitikan, Aklt. 1, Blg. 6, Abril1967 "Grandmother" (trans. Bienvenido Lumbera), The Malahat

Review, No. 1, January"Kanta sa Patay: Song for a Dead Man," "Mirindal:

Afternoon Snack" (trans. Bienvenido Lumbera),genre: an international journal of literature andthe arts, Vol. 1, No. 1

1970 "Grapiti," Heights, Vol. 18, No. 2. September-October"Ang Burgis sa Kanyang Almusal," Heights, Vol. 18, No.

2, September-October"Sa Kabila ng Pader," Heights

1971 "Denise Levertov: Linggo ng Hapon," Katipunan, Tn. 1,Blg. 1, Enero

"Edwin Brock: Mga Simbolo ng Mil Nuwebe SiyentosSisenta," Katipunan, Tn. 1, Bil. 1, Enero

"James Wright: Mga Minero," Katipunan, Tn. 1, Blg, 1,Enero

"Robert Creely: Hawig kayh Lorca," Katipunan, Tn. 1,Blg. 1, Enero

"Philip Booth: Kung Baga sa Pusa," Katipunan, Tn. 1,Blg, 1, Enero

1974 "Ang Bentilador," Heights, Vol. 20, Nos. 1-2, October"Pangangaylangan," Heights, Vol. 20, Nos. 1-2, October"Cantico Profano," Heights, Vol. 20, Nos. 1-2, October"Mula sa Leningrad," Heights, Vol. 20, Nos. 1-2,

October"Isang Hapon," Heights, Vol. 20, Nos. 1-2, October"Himutok," Heights, Vol. 20, Nos. 1-2, October"Huling Araw sa Moskba," The Literary Apprentice, Tom.

47, Blg. 2, Nobyembre"Tamara," The Literary Apprentice, Tom. 47, Blg. 2,

Nobyembre"Usapan," The Literary Apprentice, Tom. 47, Blg. 2,

Nobyembre1975 "Mga Tagpo sa Saigon," Sagisag, Tom. 1, Blg. 2, Hunyo1977 "Kanina: A While Ago" (trans. Rolando S. Tinio), The

Manila Review 11, Vol. 3, No. 2, June"Ang Bahay: The House" (trans. Rolando S. Tinio), The

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Manila Review 11, Vol. 3, No. 2, June"Awit: Song" (trans. Rolando S. Tinio), The Manila

Review 11, Vol. 3, No. 2, June"Malaon ko nang iniibig: I have always longed" (trans.

Rolando S. Tinio), The Manila Review 11, Vol. 3,No. 2, June

"Anghel ng Santo Sepulcro: Angel of the Holy Sepulchre"(trans. Rolando S. Tinio), The Manila Review 11,Vol. 3, No. 2, June

1979 "Poems for Autumn," Signatures 5, ed. Andres CristobalCruz [mimeo only]

"The Couturière's Salon," Signatures 5, ed. AndresCristobal Cruz [mimeo only]

"Bal Masque," Signatures 5, ed. Andres Cristobal Cruz[mimeo only]

"Poem for Trumpet Solo," Signatures 5, ed. AndresCristobal Cruz [mimeo only]

"About A Poem, About A Dove," Signatures 5, ed. AndresCristobal Cruz [mimeo only]

"Bonjour Tristesse," Signatures 5, ed. Andres CristobalCruz [mimeo only]

"A While Ago" (trans. Rolando S. Tinio), Tengarra10 (Journal of Southeast Asian Literature)

1989 "Mabuti pa sa atin, Aling Bebang," Midweek, Vol. 4, No.25, Jun. 7

"Kundiman sa Brarangka," Midweek, Vol. 4, No. 25,Jun. 7

"Awit sa Bangketa," Midweek, Vol. 4, No. 25, Jun. 71991 "W. H. Auden: Musèe des Beaux Arts," Mithi 21/22:

Makabagong Tinig ng Siglo, ed. Virgilio S. Almario,Unyon ng mga Manunulat ng Pilipinas

Poems/Poem cycles set to music and performed:1973 Songs from the play, May Katwiran ang Katwiran--

melodies by Rolando S. Tinio, sung at standardperformances of the play since its premiere in 1973 atthe Ateneo de Manila University College Cafeteria:

"Pambungad na Awit ng mga Aktor""Awit ng Kasama" Magmagandang-loob""Awit ng Senyor: Sa ibabaw ng mundo""Awit ng Kasama: Marunong ang Diyos""Awit ng Kasama: Dapat ngang magtiwala""Awit ng mga Aktor bilang papuri sa Dalawang

Pinakamahalagang Katangian ng Tao: Tiyaga atLakas ng Loob""Awit ng mga Aktor tungkol sa Hustisya Sosyal""Awit ng Senyor: Mangilag sa tao""Awit ng mga Aktor tungkol sa Bisa ng

Kapangyarihan"

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"Awit ng Senyor: Huwag matakot sa tulisan""Awit ng mga Tulisan: Pagbaba ng Arkanghel""Pangwakas na Awit ng mga Aktor"

1974 Mga Awit Pamasko--melodies by Rolando S. Tinio, sung byselected members of the Ateneo English, Theology andPhilosophy department at a Christmas carolling tour ofthe university campus:

"Pasko na""Mundo'y ating talikdan""Masdan ang musmos""Meme na""Awit sa Mesiyas""Sa puso ng tao""Awit ng baka""Nasaan ang Sanggol?""Pag Disyembre"

1975 Mga Awit Pambayan--music by Jerry A. Dadap, premieredon August by Jovita Eugenio-Castro, soprano, with JerryA. Dadap conducting the CCP Philharmonic Orchestra atthe Cultural Center of the Philippines Main Theater:

1. "Nalabnot at sukat"2. "Aking kasama, malasin"3. "Kay ganda ng maya"4. "Dayuhan, ingatan ang pagyapak"5. "Inang tahanan"6. "Kung ako'y mamatay"

Mga Awit Pangmisa--music by Eduardo P. Hontiveros,S.J., sung at a Lenten Mass in the Ateneo Grade SchoolChapel:

"Sa pagdurusa ng iba""Buksan ang aming puso""Pooon, Iyong kahabagan""Ano ang maihahandog""Ituro sa amin"

1981 Mga Malalabsang Awit--music by Jerry A. Dadap,premiered by Lilia Reyes, soprano, with Jerry A. Dadapconducting the Philippine Philharmonic Orchestra at theCultural Center of the Philippines Main Theater:

1. "Sintigas ng belo ang hanging panggabi"2. "Pinakagugunita: Hangin ay sakdal lugod"3. "Anong mga lihim ang hinahabi mo?"4. "Sa pagitan ng mga anasan ng kuliglig"5. "Paghihintay ko'y puno ng kamatayan"6. "Tulog na, pag-ibig"

1992 Pitong Mga Pasalitang Awit: A Song Cycle for Tenor--music by Lucrecia R. Kasilag, premiered by Sal MineoMalaki, tenor, with Zenas Lozada, pianist, at theCultural Center of the Philippines Main Theater:

1. "Sa iyo hahapon"2. "Ka lalim ba ng iniisip?"

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3. "Akin pang nilalagari"4. "Sa pagdakang tahiming"5. "Mangusap kang muli, mahal"6. "May ligayang halos hindi"7. "Narito ang aking akala"

"Requiem" [adapted from Robert Louis Stevenson]--musicby Lucrecia R. Kasilag

Lyrics for songs recorded:1974 "Alay Kapwa"--music by Eduardo P. Hontiveros, S.J.;

sung by the U.P. Madrigal Singers (Alay Kapwa)1976 Translated lyrics sung by Celeste Legaspi as her

first LP, Celeste (Blackgold Records Corp.):"Hindi maa'ring hindian" ("Love is stronger far then

we")--P. Barouh, F. Lai, J. Keller"Kung marinig mo lang" ("Loving arms")--Tom Jans"Di na hahainan" ("One bell less to answer")--B.

Bacharach, H. David"Awit sa iyo" ("A song for you")--L. Russell"Araw-araw na hiwaga" ("Daily Miracle")--V. Lyebedev,

R. Rozhdestvensky"Langit mo, ulap mo" ("Summer me, winter me")--H.

Mancini, F. Mancini"Batang-isip" ("Pieces of dreams")--M. Legrand, A. & M.

Bergman"Nakanino ang buong buhay mo?" ("What are you doing the

rest of your life?")--M. Legrand, A. & M. Bergman"Irog ko" ("Loving you")--R. Rudolf, M. Ripperton"Awit ng pagmamahal" ("Love song")--L. Duncan"Ako'y bakyang-bakya" ("The lady is a tramp")--R.

Rodgers. L. Hart"Sa'n pa ba ibig magpunta?" ("Do you know where you're

going to"--M. Masser, G. Goffin1976 Original lyrics for songs entered in the 1st Metro

Manila Popular Music Festival:"Suwerte-suwerte lang pag-umuulan"--music by Joel

Navarro; sung by Joel Navarro"Minsan pa"--music by Jose Mari Chan; sung by Janet

Basco"Ibig kong ibigin ka"--music by Vic Villafuerte; sung

by Anthony Castelo"Pangako"--music by James Villafuerte; sung by Aristeo

Dimavivas1977 Original lyrics sung by Basil Valdez in his LP, Ngayon

at Kailannman (Blackgold Records Corp.):"Pagsinta'y pang-araw at ulan"--music by Joel Navarro

Translated lyrics recorded by Hajji Alejandro in hisLP, Hajji Magic (Jem Recording Co., In.):

"Bakit Mrs. ka?" ("Mrs. Robinson")--music by Gamble

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Other original lyrics recorded:"Babae sa likod ng salamin"--music by Willy Cruz; sung

by Celeste Legaspi as theme song for the movie ofthe same title

"Suwerte-swuerte lang pag umuulan"--music by JoelNavarro; sung by Joel Navarro

"Matagal na rin" [adapted from the text of Servando delos Angeles' book for the zarzuela, Ang Kiri]--music by Willy Cruz; sung by Pilita Corrales(Blackgold Recording Corp.)

"Buti pa"--music by Sonny Ilacad; sung by Leo Valdez(OctoArts International)

Other translated lyrics recorded:"Go with the wind" ("Magsimula ka")--music and English

lyrics by Gines Tan; sung by Leo Valdez

Operatic arias, art songs, songs from Broadway musicalsand pop songs translated [non-English texts throughEnglish translations] and performed:1974 Performed by Jovita Eugenio-Castro, soprano, May 3 at

the CCP Little Theater with Lourdes de Leon, pianist:"Sa'n nagtungo, oras at araw" ("Dove sono i bei

momenti") from Le Nozze de Figaro (WolfgangAmadeus Mozart)

"Kaya't hahayong tunay" ("Ebben, ne andro lontana")from La Wally (Alfredo Catalani)

"Minsang nangulila" ("Einsam in truben Tagen") fromLohengrin (Richard Wagner)

"Luha! Lumuha ka" ("Pleurez! pleurez mes yeux") from LeCid (Jules Massenet)"Buhat noon" ("Depuis le jour") from Louise (Gustave

Charpentier)1975 Performed by Aurelio Estanislao, baritone, on September

2 at the CCP Little Theater with Regalado Jose,pianist:"Dito nga" ("Ici-bas"), music by Gabriel Faurè, words

by Sully Prudhomme"Sa tabi ng batis" ("Au bord de l'eau"), music by

Gabriel Faurè, words by Sully Prudhomme"Kailanman ("Toujours"), music by Gabriel Faurè, words

by Charles Grandmougin"Buntong-hininga" ("Soupir"), music by Henri Duparc,

words by Sully Prudhomme"Dating Buhay" ("La Vie antèrieure"), music by Henri

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Duparc, words by Charles Baudelaire"Sa Libingan" ("Au Cimetière"), music by Gabriel Faurè,

words by Jean Richepin"Awit ng Pagmamahal" ("Chanson d'amour"), music by

Gabriel Faurè, words by Armand Silvestre"Katapatan" ("Zueignung"), music by Richard Strauss,

words by Hermann von Gilm"Ang Gabi" ("Die Nacht"), music by Richard Strauss,

words by Hermann von Gilm"At bakit, Giliw" ("Wozu noch, Mädchen"), music by

Richard Strauss, words by A. F. von Schack"Tulog, aking Puso" ("Ruhe, meine Seele"), music by

Richard Strauss, words by Karl Henckel"Pag-ibig kong Napipi" ("Ich trage meine Minne"), musicby Richard Strauss, words by Karl Henckel"Ang Pag-iisip" ("All' mein Gedanken"), music by

Richard Strauss, words by Felix Dahn"Lihim na Paanyaya" ("Heimliche Aufforderung"), music

by Richard Strauss, words by John Henry MacKay1975 Performed by Celeste Legaspi on November 8 at the CCP

Little Theater with Willy Cruz, pianist:"Tunay na tunay" ("So in love")--Cole Porter"Bakit iisipin" ("What's the use of wond'ring?")--

Richard Rodgers and Oscar Hammerstein II"Kung siya'y sukat magbalik" ("If he walked into my

life")--Jerry Herman"Saan o kailan" ("Where or when")--Richard Rodgers and

Lorenz Hart"Kung sakali" ("If I loved you")--Richard Rodgers and

Oscar Hammerstein II"Pait" ("Polin")--A. Pakmutova and R. Rozhdestvensky"Di ko mawari" ("Sinyaya vechnost")--M. Magomaev and G.

Kozlovsky"Araw-araw na hiwaga"--V. Lyebedev and R. Rozhdestvensky"Lamig" ("Zimnayaya lyubov")--A. Babadzhanian and R.

Rozhdestvensky"Manawagan ka" ("Pazavi minya")--A. Babadzhanian and R.

Rozhdestvensky"Ang kailangan pa'y magmahalan" ("What the world needs

now")--Burt Bacharach and Hal David"Awit sa Iyo" ("A Song for You")--Leon Russell"Langit mo, ulap mo" ("Summer me, winter me")--Michel

Legrand and Alan & Marilyn Bergman"Minsan" ("Sometimes")--Henry Mancini and Felice

Mancini"Akala'y di na darating" ("The trouble with hello is

goodbye")--Dave Grusin and Alan & Marilyn Bergman"Madayang Pangarap" ("April Fools")--Burt Bacharach and

Hal David"Batang-isip" ("Pieces of Dreams")--Michel Legrand and

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Alan & Marilyn Bergman"Nakanino and buong buhay mo?" ("What are you doing the

rest of your life?")--Michel Legrand and Alan &Marilyn Bergman

"Irog ko" ("Loving you")--R. Rudolf and MinnieRipperton

"Alaala'y aanhin?" ("The way we were")--Marvin Hamlischand Alan & Marilyn Bergman

1976 Performed by Frankie Aseniero, Jr., tenor, on February10 at the CCP Little Theater with Regalado Jose,pianist:"Di sapat, aking pag-ibig" ("Vainement, ma bien-aimee")

from Le Roi d'Ys (Edouard Lalo)"Mutyang kay bini at dalisay" ("Salut! demeure chaste

et pure") from Faust (Charles Gounod)"Ang alaala mong iniwan" ("Le fleur que tu m'avais

jetee") from Carmen (Georges Bizet)"Anong rikit, anong ganda" ("Dies Bildniss ist

bezaubernd schon") from Die Zauberflöte (WolfgangAmadeus Mozart)

"Minsang umaga'y nagrosas mandin" ("Morgenlichleuchtend im rosigen Schein") from DieMeistersinger von Nurnberg (Richard Wagner)

"Gabi'y kapag dumapit" ("Je crois entendre encore")from Les Pecheurs de Perles (Georges Bizet)

"Anong lamig ng palad" ("Che gelida manina") from LaBohème (Giacomo Puccini)

"Dapat magbihis" ("Vesti la giubba") from I Pagliacci(Ruggiero Leoncavallo)

"Laging nag-iiba" ("La donna e mobile") from Rigoletto(Giuseppe Verdi)

"Hindi sila" ("It must be me") from Candide (LeonardBernstein)

"Yakap mo'y aking napangarap" ("I have dreamed") fromThe King and I (Richard Rodgers and OscarHammerstein II)

"Ganyan ang aking giliw" ("Ang this is my beloved")from Kismet (Robert Wright and George Forrest)

"Langit ng pagsinta" ("Stranger in paradise") fromKismet (Robert Wright and George Forrest)

"Harana" ("Serenade") from The Student Prince (SigmundRomberg)

Performed by Celeste Legaspi on March 9 at the CCPLittle Theater with Willy Cruz, pianist:"Habang nabubuhay" ("As long as he needs me")--Lionel

Bart"Palagi akong iibig" ("Whoever you are, I love you")--

Burt Bacharach and Hal David"Labis ang asap" ("Smoke gets in your eyes")--Jerome

Kern and Otto Harbach

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"Tag-araw" ("Summertime")--Geroge Gershwin and D. BosseHoward

"Masamang hangin" ("Ill wind")--Harold Arlen and TedKoehler

"Pag wala ka" ("Stormy weather")--Harold Arlen and TedKoehler

"Kahit minsan" ("Maybe this time")--John Kanden asndFred Ebb

"Walang nagpapalit" ("A house is not a home")--BurtBacharach and Hal David

"Ang puso ko'y parang kakanta" ("I feel a song")--TonyCamillo and Mary Sawyer

"Di ba" ("Feelings")--Morris Albert"Pag-ulan at Lunes" ("Rainy days and Mondays")--Paul

Williams and Roger Nichols"Awit ng pagmamahal" ("Love song")--L. Duncan"Ako'y bakyang-bakya" ("The lady is a tramp")--Richard

Rodgers and Lorenz Hart"Sa'n pa ba ibig magpunta?" ("Do you know where you're

going to?")--M. Masser and G. Goffin

Performed by Nomer Son, baritone, on April 6 at the CCPLittle Theater with Lourdes de Leon-Gregorio, pianist:"Paraluman! Narito ang listahan" ("Madamina! Il

catalogo e questo") from Don Giovanni (WolfgangAmadeus Mozart)

"Kung nasa ulo'y sayawan 'ka mo" ("Se vuol ballare,Signor contino") from Le Nozze di Figaro (WolfgangAmadeus Mozart)

"Nagwakas, masintahin bubuyog" ("Non piu andrai") fromLe Nozze di Figaro (Wolfgang Amadeus Mozart)

"Bayang ubod ang ganda" ("Di provenza il mar") from LaTraviata (Giuseppe Verdi)

"Di ako handang magpatalo" ("Votre toast, je peux nousle rendre") from Carmen (Georges Bizet)

"Tuwing siya'y ngingiti" ("Il balen del suo sorriso")from Il Trovatore (Giuseppe Verdi)

"Ang mangingisda" ("Ah! Pescator") from La Gioconda(Amilcare Ponchielli)

"Heto'ng alila ng sinuman" ("Largo al factotum dellacitta") from Il Barbiere di Siviglia (GioacchinoRossini)

"Kung sakali" ("If I loved you") from Carousel (RichardRodgers and Oscar Hammerstein II)

"Paano bang lilisan" ("If ever I would leave you") fromCamelot (Frederick Lowe and Alan Jay Lerner)

"Minsan may bigla ka" ("Some enchanted evening") fromSouth Pacific (Richard Rodgers and OscarHammerstein II)

"Ay, ayaw ko na ng ganyan" ("Ill never fall in love

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again") from Promises, Promises (Burt Bacharachand Hal David)

Other translated lyrics performed:"Dream of Love"--music by Franz Lizst; sung by Maricris

Bermont at a live concert, Concert in the Park"Minsang makayakap mo" ("La vie en rose")--music by

Louiguy, French lyrics by Edith Piaf; sung byCeleste Legaspi in a live concert, Celeste withStrings

Religious lyrics published:1990 Singable English paraphrases of Pilipino lyrics for

Christian songs in Masdan, O YahweH: Mga Awit ng Bayanpara sa Kalayaan at Kapayapaan: Patatag (AILMCollection of Asian Church Music No. 15), published bythe Asian Institute for Liturgy and Music:"Cry" [original text by Rody Vera: "Taghoy"; music

by Jonas Baes"The Beatitudes" [original text by Rody Vera:

"Pinagpapala"; music by Ronnie Quesada, vocalarr. Dodjie Fernandez

"Carry your Cross" [original text by AloysiusBaes: "Pasanin mo ang Krus"; music byAloysius Baes, arr. Jonas Baes]

"Veronica" [original text by Rody Vera:"Veronika"; music by Dodjie Fernandez]

"Why have you forsaken me" [original text by F.Okur, Tagalog text by Rody Vera: "Bakit moako pinabayaan"]; music by Francisco F.Feliciano]

"Your will be done" [original text by Rody Vera:"Sundin ang loob mo"; music by Lucien Letaba,vocal arr. Upeng Fernandez]

"A Boy's Prayer" [original text by Rody Vera:"Panalangin ni Totoy"; music by Jonas Baes

"Song of Internal Refugees" [original text byFidel Rillo: "Ang Paglikas"; music by RonnieQuesada, vocal arr. Jonas Baes]

"A Lullaby" [original text by Rolando S. Tinio:"Matulog pa, bunsong mahal"; music byFrancisco F. Feliciano]

Singable English paraphrases of lyrics in various Asianlanguages [through English free translations provided]for church hymns in Sound the Bamboo: CCA Hymnal 1990(Trial Edition) published by the Christian Conferenceof Asia and the Asian Institute for Liturgy and Music:"The Lord will be with me" [original Indonesian words

by Toga P.L. Rajagukguk: "Tuhan Besertaku"; music

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by Toga P.L. Rajadukduk]"O Lord who made all the heavens" [original Pilipino

words by J.M.C. Francisco: "Panginoon ngkalangitan at karagatan"; music by Eduardo P.Hontiveros

"When my troubles arose" [original Pilipino words forPsalm 120: "Nang ako'y manganib"; music by JudithLaoyan; ostinato, Francisco F. Feliciano]

"Sing the Lord a new song" [original Indonesian wordsfor Psalm 148, T. Lubis: "Nyanyikanlah nyanyianbaru"; traditional Batak melody (Toba, Indonesia)]

"On the night of Christmas" [original Kurukh words byPicas Khess: "Hare inna makha"; traditional Kurukhmelody (Chotanagpuri, India), arr. Picas Khess]

"A Boy's Prayer" [original Pilipino words by Rody Vera:"Panalangin ni Totoy"; muisc by Jonas Baes]

"With the grace of this day's food" [original Pilipinowords by Rolando S. Tinio: "Sa harap ng pagkaingdulot mo"; music by Francisco F. Feliciano]

"My Hevenly Father loves me" [original Paiwan words byVuluk Lai: "Ku ma lia i ni ka ve nu"; traditionalPaiwan melody (Taiwan)]

"Three Women" [original Pilipino words by Tom Maddela;music by Francisco F. Feliciano]

"I sing praise to Your Holy Name" [original anonymousMalayalam words: "Enyesuvin Sannidhiyil";Malayalam melody (India)]

"Why, O Lord, Why?" [original Thamilz words by E.Soundararajan: "Een aandevenee?"; music by S. JohnBarathi (India)]

"When you travel far" [original Indonesian words byLiberty Manik: "Bila kau pergi ketampat yangjauh"; music by Liberty Manik

"Christ, our peace" [original English words by RolandoS. Tinio; music by Francisco F. Feliciano]

"Jesus, Your last cry on the Cross" [originalIndonesian words by Fridolin Ukur: "Tuhanku,mengapa"; music by Francisco F. Feliciano]

"Sleep through the night, beloved child" [originalPilipino words by Rolando S. Tinio: "Matulog pa,bunsong mahal"; music by Francisco F. Feliciano

"Bear the weight of the Cross" [original Pilipino wordsby Aloysius Baes: "Pasanin mo ang Krus"; music byAloysius and Jonas Baes]

[Co-authored by James Minchin]:"Worship and praise we give" [original anonymous

Thamilz words, tr. C.R.W. David: "Un paadam paninden enaalum thudiye"; Thamilz melody(Singapore/India)]

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"Mighty God, power over heav'n and earth" [originalBurmese words by U Lin Sein, tr. Sang Maung:"Phaya sin ye bung taka miat"; music by U Lin Sen]

"Everywhere sorrow on Calvary's Hill" [originalPilipino words by Vicente Mar. Aguila: "AngKalbaryo, sagisag ng lumbay"; music by Eliseo M.Pajaro

"Behold the Man we nailed on the Cross" [originalPilipino words by Albert E. Alejo: "Tingnan,masdan ang tao sa Krus"; music by Eduardo P.Hontiveros

"Death steals like a thief" [original Pilipino words byCirilo A. Rigos: "Dahil sa pagpanaw ng mahal sabuhay"; music by Jerry Dadap]

"Grant, Lord, that we may not faint" [originalanonymous Thamilz words, tr. C.R.W. David:"Thaagaththai thiirum ayaa"; Thamilz melody(Singapore/India)]

"You have come, Lord Christ" [original anonymouys Amiswords, tr. I-to Loh: "Taini ci Yes"; Amis melody(Taiwan)]

"Gracious Father, love divine" [original Burmese wordsby George Kya Bing, tr. Sang Maung: "Mo-taung yanka-ne Bung ci asin"; music by George Kya Bing]

"Dear friends, walk with me, let us go" [originalMundhri words by Daud Dayal Singh Horo, tr. BishopHans: "Sene sakinge seneme"; music by Daud DayalSingh Horo (India)]

"Come, children, men and women all" [original Thaiwords by Sook Pongnoi, tr. Cher Lue Vang: "Choenthaan thang-lai, thang-yiang, thang-chai";traditional Thai melody]

"He rules over all" [original anonymous Thai words:"Ong-phra Yee-su Jao"; Thai melody]

"Holy are the Bible's many books" [original Thai wordsby Songsan Prasopsin: "Kam pra sird sak sit phrakhrit kamn pii"; music by Songsan Prasopsin]

"There was once a time" [original Burmese words by SawSi Hae: "Dilo achin yauh yin"; music by Saw SiHae]

[Co-authored by I-to Loh]:"Praise be to God" [original Amis words by Mayaw Lin:

"Pahemeken no Mita"; traditional Amis melody(Taiwan), arr. Mayaw Lin]

"Lilies of the Field" [original Balinese words by WayanMastra: "Bunga Bakung Ditegale"; Balinese melody(Indonesia)]

Short story published:

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1964 "Two is a Crowd," Chronicle Magazine, Vol. 19, No. 26,June 27, pp. 16-19

Critical prose published:1959 "Trying to Read Villa," Philippine Studies, Vol. 7, No.

4, October, pp. 494-4991962 "A Theater Misunderstood." Philippine Studies, Vol. 10,

No. 1, April, pp. 133-137"Possibilities of the School theater," Philippine

Studies, Vol. 10, No.3, July, pp. 481-483"The Writer's Dilemma," Philippine Studies, Vol. 10,

No. 4, October, pp. 679-683"Notes on the Theater," Comment 15, 3rd Quarter

1964 "On Staging Shakespeare," Woman and the Home (Specialissue on Shakespeare). Apr. 19

"Footnotes to Dance," Chronicle Magazine (Special Issueon Philippine Entertainment), Nov. 21

"The Play's the Thing," Philippine Studies, Vol. XII,No. 2, April, pp. 277-287

1965 "More Notes on the Theater," U.P. Humanities Journal,1965, pp. 144-145

1966 "A Poetry of Statement." Solidarity, Vol. 1, No. 4,October-December, pp. 144-145

1967 "Villa's Values," Brown Heritage, ed. Antonio G.Manuud, Ateneo de Manila University Press, 1967,pp. 722-738

"Period of Awareness: The Poets," Brown Heritage, ed.Antonio G. Manuud, Ateneo de Manila UniversityPress, 1967, pp. 618-633

"Retracing Old Grounds: The Paradox of PhilippineTheater," Brown Heritage, ed. Antonio G. Manuud,Ateneo de Manila University Press, 1967, pp. 689-701

1970 "Astigmatism in Our Literary Outlook," PAGE Journal,Vol. 7, No. 1, January-June, pp. 43-51

1972 "Toward a Future for Philippine Theater," UNESCOSymposium on the Culture Police of the Philippines,Dec. 11

"There seems to be nothing wrong with ivory towers,"The Guidon, March, p. 25

1973 "Towards a Re-orientation of Literary Studies,"Philippine Studies, Vol. 21, No. 4, pp. 438-442

1974 "The Thoroughly Modern Zarzuela," Ang Kiri program,1974

"The Proper Study of Literature," Philippine Studies,Vol. 22, 3rd-4th Quarters, pp. 346-362

1975 "Panitikan para sa Kaisahan ng Bayan," Sagisag, Tom. 1,Blg. 1, Mayo, pp. 6-7, 58

"Pilipino para sa mga Intelektuwal," Sagisag, Tom. 1,

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Blg. 4, Agosto1976 "Why I am not in Television," TV Times, Vol. 1, No. 14,

Sept. 5-11, pp. 12-14"Ang Hirap sa Ating Musika," Sagisag, Tom. 2, Blg. 1,

Enero, pp. 7-11"Notes for the Kunoscenti," program for Teatro Pilipino

production of Shakespeare's Paano Man Ang Ibig(June)

1977 "Notes for the Illiterati" [mimeo only], program forTeatro Pilipino production

"The Teatro Pilipino Story," Metro Manila, Apr. 16-30,p. 19

"National Meaning in our Theater," Metro Manila,Jun. 1-15, pp. 20-21

"The Bautista Syndrome: Charlatanism Among MyReviewers," program for Teatro Pilipino productionof Balagtas' Orosman at Zafira (December)

"Pilipino as a Medium for Higher Learning," TheFilipino Bilingual: Studies on PhilippineBilingualism and Bilingual Education, ed. Emy M.Pascasio, Ateneo de Manila University Press, pp.153-160

1977 "The Immorality of Our Films," Philippines DailyExpress, Jul. 6, p. 25

"Life and Literature into Film," Metro Manila, Vol. 2,No. 7, Dec. 1-31, pp. 12-13

"Melodrama as Morality Play," Metro Manila, Vol. 2, No.7, Dec. 1-31, pp. 16-17

"The Futility of Pure Film," Metro Manila, Vol. 2, No.7, Dec. 1-31, p. 18

1979 "But Hamlet is Funny; or, Charlatanism Rides Again,"program for Teatro Pilipino production of Plautus'Ang Kambal (August)

1980 "Philippine Playwriting at the Present Time," ArtsMonthly, Vol. 2, No. 2. pp. 5-7

1989 "Dula sa Dulaan: Estetika Bukas," Mithi: Ang EstetikangFilipino at Hinaharap, Writers Union of thePhilippines, pp. 48-77

"Naked Theater," The Manila Chronicle, Sept. 27,p. 27-28

1990 Reaction paper to "The Constitutional Mandate on theNational Language" delivered by WilfridoVillacorta at a Round Table discussion onEducation co-sponsored by the Department ofEducation, Culture and Sports and the educationcommittees of the Senate and the House ofRepresentatives, FAPE Review, Vol. 16, No. 2,November-April 1989-90, pp. 77-80

"Williams' `Glass Menagerie' to be staged in four

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versions" [under pseudonymn: R. Danilo J. SantosT.], The Manila Chronicle, Section Four, Aug. 31,p. 18

1991 "The Filipino Temperament," Philippine Smile: ALifestyle and Travel Book, K. Krieger, Germany,pp. 1-4

"Kitty's kili-kili journalism," The Manila Chronicle,Plus, Apr. 27-May 3, p. 24

"A memory of gretness," The Manila Chronicle, Plus,May 4-10, p. 25

"Enough of English, please!," The Manila Chronicle, TheNation, Jul. 6-12, p. 10

"The prose and poetry of violence," The ManilaChronicle, Plus, Jul. 27-Aug. 2, p. 21

"A haze of remembered old Tagalog flicks," The ManilaChronicle, Section Four, Aug. 3-9, p. 30

"An afternoon of pure Marcos," The Manila Chronicle,Plus, Dec. 28-Jan. 3, p. 36

1992 "Silhouettes of Filipina wear," The Manila Chronicle,Plus, Feb. 22-28, p. 31

"Eddie Romero's `Noli'," The Manila Chronicle, Plus,May 2-8, p. 34

"In the twilight zone," The Manila Chronicle, Plus,May 9-15, p. 34

"Bonifacio: The rise and fall of the Supremo," TheManila Chronicle, Focus, Nov. 28-Dec. 4, p. 11

1993 "Romancing the jeepney," Man, January, p. 4, 25

Palanca prize-winning plays:1960 "It's April. What Are We Doing Here?" (1st Prize, One-

act Play in English)1970 "May Katwiran ang Katwiran" (2nd Prize, One-act Play in

Pilipino)"The Boxes" (Honorable mention, One-act Play in

English)1975 "A Life in the Slums" (1st Prize, One-Act Play in

English)1981 "Claudia and Her Mother" (1st Prize, One-Act Play in

English)1993 "Kuwento ni A" (1st Prize, Teleplay in Pilipino)

Besame Mucho, Love Me Forever (3rd Prize, Full-lengthPlay in English)

Plays translated [non-English texts through Englishtranslations] and produced:1966 Tennessee Williams: Laruang Kristal [The Glass

Menagerie]Arthur Miller: Pahimakas sa Isang Ahente [Death of a

Salesman]

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1967 Samuel Beckett: Pagputi ng Uwak [Waiting for Godot]Federico Garcia Lorca: Bernarda Alba [The House of

Bernarda Alba]August Strindberg: Bb. Julie [Miss Julie]

1969 Henrik Ibsen: Kaaway ng Bayan [An Enemy of the People]1975 Albert Camus: Salising Landasin [Cross Purposes]

Carlo Goldoni: Ang Abaniko [The Fan]1976 Anton Chekhov: Tiyo Vanya [Uncle Vanya]

William Shakespeare: Paano Man ang Ibig [As You LikeIt]

Alexei Arbuzov: Kawawang Marat [The Promise]1977 William Shakespeare: Ang Negosyante ng Venecia [The

Merchant of Venice]John van Druten: Para Akong Kamera [I Am a Camera]George Bernard Shaw: Santa Juana [Saint Joan]Henrik Ibsen: Hedda Gabler

1978 Sophocles: Haring Edipo [Oedipus Rex]Sophocles: AntigoneWilliam Shakespeare: Romeo at Julieta [Romeo and

Juliet]Molière: Ang Kuripot [The Miser]Alexander Dumas fils: Camille [The Lady of the

Camellias]Oscar Wilde: Ang Halaga ng Pagiging Masigasig [The

Importance of Being Earnest]1979 Anton Chekhov: Ang Tagak [The Sea Gull]

Tennessee Williams: Laruang Kristal [new translation ofThe Glass Menagerie]

William Shakespeare: HamletPlautus: Ang Kambal [The Menaechmi]August Strindberg: Ang Malakas [The Stronger]August Strindberg: Bb. Julie [new translation of Miss

Julie]William Shakespeare: Ikalabindalawang Gabi [Twelfth

Night]1980 George Bernard Shaw: Armas at ang Lalaki [Arms and the

Man]Friedrich Dürrenmatt: Ang Pagdalaw ng Senyora [The

Visit of the Old Lady]Molière: TartuffeWilliam Shakespeare: Pangarap sa Isang Gabi ng GitnangTag-araw [A Midsummer Night's Dream]

1981 Albert Camus: CaligulaAnton Chekhov: Pamamanhikan [The Proposal]Anton Chekhov: Ang Bastos [The Boor]Anton Chekhov: Anibersaryo [The Anniversary]August and Ruth Goetz: Ang Eredera [The Heiress]Gerhart Hauptmann: Ang Mga Tagahabi [The Weavers]Rolando S. Tinio: Ang Mga Kahon [The Boxes]

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1982 Beaumarchais: Ang Barbero ng Sevilla [The Barber ofSeville]

Jean Anouilh: AntigoneMax Frisch: AndorraRolando S. Tinio: Isang Buhay sa Tambakan [A Life in

the Slums]1983 Ugo Betti: Ang Reyna at ang mga Rebelde [The Queen and

the Rebels]Bertolt Brecht: Ang Mabuting Tao ng Setzuan [The Good

Woman of Setzuan]1984 Carlo Goldoni: Ang Senyor ng Otel [The Mistress of the

Inn]Samuel Beckett: Paghihintay kay Godo [new translation

of Waiting for Godot]1985 Armand Salacroux: Kuwentong Katawa-tawa [When the Music

Stops]Hnerik Ibsen: Mga Multo [Ghosts]

1987 Frank Wedekind: Ang Tenor [The Tenor]Eugene Ionesco: Ang Sopranong Kalbo [The Bald Soprano]

1988 Euripides: Medea1989 William Shakespeare: Makbet [Macbeth]1993 Oscar Wilde: Salome

Complete vocal works translated [non-English textsthrough English translations]:1975 La Traviata (opera in 4 acts by Giuseppe Verdi)

Madama Butterfly (opera in 4 acts by Giacomo Puccini)1977 Ang Unikorniyo, ang Gorgonyo at ang Mantikor (madrigal

sequence by Gian-Carlo Menotti)1979 Mga Awit ng mga Bata (song cycle for children by Kurt

Pahlen)1982 Gianni Schicchi (opera in one act by Giacomo Puccini)1992 La Bohème (opera in 4 acts by Giacomo Puccini)

Plays directed on stage [italicized titles in Pilipino,original or translation]:1959 Pygmalion (George Bernard Shaw), Summer Studio

Dramatic reading: A Sleep of Prisoners (ChristopherFry), Ateneo Experimental Theater

1960 Funeral Pyre (Gabriel Marcel), Summer StudioOedipus Rex (Sophocles), Ateneo Experimental Theater

1961 The Misanthrope (Molière), Ateneo Experimental Theater1962 Homage to Shakespeare (Scenes from Shakepearean

plays), Ateneo Experimental TheaterThe Royal Gambit (Herman Gressieker), Young Ladies

Association of CharityCavort with Angels (Alberto Florentino), All Nations'

Women's Group

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The Oresteia (collage of texts from Aeschylus,Sophocles and Euripides by Rolando S. Tinio),Ateneo Experimental Theater

The Blood of God (Alfonso Sastre), Aquinas DramaticGuild

1963 Macbeth (Shakespeare), Ateneo Experimental Theater1964 Richard III (Shakespeare), Ateneo de Manila University1966 Murder in the Cathedral (T. S. Eliot), Ateneo

Experimental TheaterTwin-bill: Claudia and Her Mother; It's April. What Are

We Doing Here? (Rolando S. Tinio), Ateneo deManila Unviersity Department of Communication

Laruang Kristal (Tennessee Williams), Ivy PlayhousePahimakas sa Isang Ahente (Arthur Miller), Ivy

Playhouse1967 Waiting for Godot (Samuel Beckett), Ateneo Experimental

TheaterPagputi ng Uwak (Samuel Beckett), Ateneo Experimental

TheaterHedda Gabler (Henrik Ibsen), University of the

Philippines Committee on CultureBb. Julie (August Strindberg), Repertory PhilippinesThe Cherry Orchard (Anton Chekhov), Drama Federation of

the PhilippinesBernard Alba (Federico Garcia Lorca), Barangay Theater

GuildThe Zoo Story (Edward Albee), Bristol University Drama

Department1968 Three Sisters (Anton Chekhov), Bristol University Drama

DepartmentHoy, Boyet, Hatinggabi Na (Tony Perez), Ateneo de

Manila University Department of CommunicationThe Promise (Alexei Arbuzov), Ateneo de Manila

University Department of Communication" (Abstract theater piece by Rolando S. Tinio), Ateneo

de Manila University Department of CommunicationIbong Mandaragit (Oscar Miranda's adaptation of Lillian

Hellman's Little Foxes), Philippine Theater ofPerforming Arts

1970 Anak ng Araw (Tony Perez), Ateneo de Manila UniversityDepartment of Communication

1971 The Onyx Wolf (Virginia Moreno), Cultural Center of thePhilippines Little Theater Inauguration

Prinsipe Baldovino (Moro-moro in 3 acts by anonymousdramatist from Palawan), Cultural Center of thePhilippines Little Theater Inauguration

1974 Ang Kiri (Zarzuela in 3 Acts by Leon Ignacio-Servandode los Angeles), Bancom Eurasia Arts

1975 Ang Abaniko (Carlo Goldoni), Teatro PilipinoBayan-bayanan (Bienvenido Noriega, Jr.), Teatro

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Pilipino1976 Tiyo Vanya (Anton Chekhov), Teatro Pilipino

Ana Maria (Zarzuela in 2 Acts by Leon Ignacio-SeverinoReyes), Teatro Pilipino

Paano Man Ang Ibig (William Shakespeare), TeatroPilipino

Kawawang Marat (Alexei Arbuzov), Teatro PilipinoBayan-bayanan (re-written version by Bienvenido

Noriega, Jr.), Teatro Pilipino1977 Ang Negosyante ng Venecia (William Shakespeare), Teatro

PilipinoPara Akong Kamera (John van Druten), Teatro PilipinoSanta Juana (George Bernard Shaw), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro PilipinoHedda Gabler (Henrik Ibsen), Teatro PilipinoOrosman at Zafira (Balagtas), Teatro Pilipino

1978 Twin bill: Haring Edipo; Antigone (Sophocles), TeatroPilipino

Ang Kambal (Plautus), Teatro PilipinoRomeo at Julieta (William Shakespeare), Teatro PilipinoAng Kuripot (Molière), Teatro PilipinoCamille (Alexander Dumas fils), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

Pilipino1979 Ang Tagak (Anton Chekhov), Teatro Pilipino

Laruang Kristal (Tennessee Williams), Teatro PilipinoHamlet (William Shakespeare), Teatro PilipinoAng kambal (Plautus), Teatro PilipinoTwin bill: Ang Malakas; Bb. Julie (August Strindberg),

Teatro PilipinoIkalabindalawang Gabi (William Shakespeare), Teatro

PilipinoLet's Get a Divorce (Victorièn Sardou), Repertory

Philippines1980 Tiyo Vanya (Anton Chekhov), Teatro Pilipino

Armas at Ang Lalaki (George Bernard Shaw), TeatroPilipno

Ang Pagdalaw ng Senyora (Friedrich Dürrenmatt), TeatroPilipino

Hedda Gabler (Henrik Ibsen), Teatro PilipinoTartuffe (Molière), Teatro PilipinoPangarap sa Gabi ng Gitnang Tag-araw (William

Shakespeare), Teatro Pilipino1981 Caligula (Albert Camus), Teatro Pilipino

Triple bill: Pamamanhikan; Ang Bastos; Anibersaryo(Anton Chekhov), Teatro Pilipino

Ang Eredera (Augustus and Ruth Goetz), Teatro PilipinoAng Mga Tagahabi (Gerhart Hauptmann), Teatro PilipinoTwin bill: Ang Mga Kahon; May Katwiran ang Katwiran

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(Rolando S. Tinio), Teatro PilipinoTwin bill: Ang Mga Kahon; May Katwiran ang Katwiran

(Rolando S. Tinio), Teatro Pilipino on tourRomeo at Julieta (William Shakepeare), Teatro Pilipino

1982 Hamlet (William Shakespeare), Teatro PilipinoHamlet (William Shakespeare), Teatro PilipinoAng Tagak (Anton Chekhov), Teatro PilipinoThe Sea Gull (Anton Chekhov), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro PilipinoThe Promise (Alexei Arbuzov), Teatro PilipinoAng Barbero ng Sevilla (Beaumarchais), Teatro PilipinoThe Barber of Sevile (Beaumarchais), Teatro PilipinoAntigone (Jean Anouilh), Teatro PilipinoAntigone (Jean Anouilh), Teatro PilipinoAndorra (Max Frisch), Teatro PilipinoAndorra (Max Frisch), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

PilipinoThe Importance of Being Earnest (Oscar Wilde), Teatro

PilipinoTwin bill: Ang Tagapagligtas (Edgar Maranan); Flor at

Gusting (Jose Dalisay, Jr.), Teatro PilipinoTwin bill: Bonsai (Reuel Aguila); Sexy Dancers

(Bonifacio Ilagan), Teatro PilipinoTwin bill: Regina Ramos sa Greenwich Village

(Bienvenido Noriega, Jr.); Isang Buhay sa Tambakan(Rolando S. Tino), Teatro Pilipino

1983 Ang Reyna at ang Mga Rebelde (Ugo Betti), TeatroPilipino

The Queen and the Rebels (Ugo Betti), Teatro PilipinoAng Mabuting Tao ng Setzuan (Bertolt Brecht), Teatro

PilipinoThe Good Woman of Setzuan (Bertolt Brecht), Teatro

PilipinoThe Burnt Flower Bed (Ugo Betti), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

Pilipino1984 Ang Senyora ng Otel (Carlo Goldoni), Teatro Pilipino

The Mistress of the Inn (Carlo Goldoni), TeatroPilipino

Ang Senyora ng Otel (Carlo Goldoni), Teatro Pilipino1985 Mga Multo (Henrik Ibsen), Teatro Pilipino1986 Bb. Julie (August Strindberg), Teatro Pilipino

Mga Multo (Henrik Ibsen), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro Pilipino

1987 Ang Halaga ng Pagiging Masigasig (Oscar Wilde), TeatroPilipino

Twin bill: Ang Tenor (Frank Wedekind); Ang SopranongKalbo (Eugene Ionesco), Teatro Pilipino

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Ang Tenor (Frank Wedekind), Teatro PilipinoAng Sopranong Kalbo (Eugene Ionesco), Teatro PilipinoHamlet (William Shakespeare), Teatro Pilipino

1988 Medea (Euripides), Teatro Pilipino1989 May Katwiran ang Katwiran (Rolando S. Tinio), Teatro

PilipinoMakbet (William Shakesepare), Teatro Pilipino

1990 Laruang Kristal Version A (Tennessee Williams), TeatroPilipino

Laruang Kristal Version B (Tennessee Williams), TeatroPilipino

Laruang Kristal Version C (Tennessee Williams), TeatroPilipino

1991 Babae sa Panitik (one-woman show by Ella Luansing: acollage of texts featuring women in PhilippineLiterature by Rolando S. Tinio), Teatro Pilipino

1992 Ikalabindalawang Gabi ("re-framing" of WilliamShakespeare romantic comedy, with speeches fromplays in which Ella Luansing appeared, as elegy toElla Luansing and farewell performance for TeatroPilipino), Teatro Pilipino

Operas/operatorio/operetta/zarzuelas/musical directedon stage [italicized titles in Pilipino, original ortranslation]:1965 The King and I (Richard Rodgers-Oscar Hammerstein),

University of the Philippines Conservatory ofMusic

1967 Binhi ng Kalayaan (Opera in 3 Acts by Eliseo Pajaro),Unversity of the Philippines Conservatory of Music

1969 Ang Gintong Salakot (Operatorio in 1 Parts by LucreciaR. kasilag-Jose Lardizabal), Cultural Center ofthe Philippines Main Theater Inauguration

The Merry Widow (Operetta in 3 Acts by Franz Lehar),Philippine Theater of Performing Arts

Ako (Zarzuela in 2 Acts by Bayani de Leon), CulturalCenter of the Philippines

Paglipas ng Dilim (Zarzuela in 3 Acts by Leon Ignacio-Precioso Palma), Ateneo de Manila UniversityDepartment of Communication

1970 Ang Mestisa (Zarzuela in 3 Acts by Leon Ignacio-Engracio Valmonte), Philippine Theater ofPerforming Arts

1990 La Traviata (Opera in 4 acts by Giuseppe Verdi adaptedto 19th c. Philippine setting, sung in Pilipinoand Italian), Cultural Center of the Philippines

1992 La Bohème (Opera in 4 acts by Giacomo Puccini adaptedto contemporary Philippine setting, sung in

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Pilipino), Cultural Center of the Philippines1993 Help! Help! the Globolinks! (Gian-Carlo Menotti),

Cultural Center of the Philippines

Ballets choreographed:1964 The Unicorn, the Gorgon and the Manticore (modern dance

ballet for Gian-Carlo Menotti madrigal sequence),University of the Philippines Conservatory ofMusic

1965 "Uncle Tom's Cabin ballet" for The King and I (RichardRodgers-Oscar Hammerstein), University of thePhilippines Conservatory of Music

Staging for television productions:1970 Kaaway ng Bayan (Henrik Ibsen), ABS-CBN in cooperation

with the Ateneo de Manila University Department ofCommunication, TV directing by Nestor Torre, Jr.

1975 Pasyong Pilipino (Bienvenido L. Lumbera adaptation ofnarrative poem by Gaspar Aquino de Belen, music byEduardo P. Hontiveros, S.J.) ABS-CBN incooperation with the Department of PublicInformation, TV direction by Nestor Torre, Jr.

Teleplay directed:1987 Rolando S. Tinio: Ang Mga Kahon (Director's Hour: Mga

Kuwentong Buhay, PTV-4)

Sets and costumes designed for the stage [italicizedtitles in Pilipino, original or translation]:1959 Pygmalion (George Bernard Shaw), Summer Studio

Dramatic reading: A Sleep of Prisoners (ChristopherFry), Ateneo Experimental Theater

1960 Funeral Pyre (Gabriel Marcel), Summer StudioOedipus Rex (Sophocles), Ateneo Experimental Theater

1961 The Misanthrope (Molière), Ateneo Experimental Theater1962 Homage to Shakespeare (Scenes from Shakespearean

plays), Ateneo Experimental TheaterThe Royal Gambit (Herman Gressieker), Young Ladies

Association of CharityCavort with Angels (Alberto Florentino), All Nations'

Women's Group)The Oresteia (collage of texts from Aeschylus,

Sophocles and Euripides by Rolando S. Tinio),Ateneo Experimental Theater

The Blood of God (Alfonso Sastre), Aquinas DramaticGuild

1963 Macbeth (Shakespeare), Ateneo Experimental Theater1964 Richard III (Shakespeare), Ateneo de Manila University

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The Unicorn, the Gorgon and the Manticore (modern danceballet based on Gian-Carlo Menotti)

1965 The King and I (Richard Rodgers-Oscar Hammerstein),University of the Philippines Conservatory ofMusic

1966 Murder in the Cathedral (T. S. Eliot), AteneoExperimental Theater

Twin-bill: Claudia and Her Mother; It's April. What AreWe Doing Here? (Rolando S. Tinio), Ateneo de

Manila Unviersity Department of CommunicationLaruang Kristal (Tennessee Williams), Ivy PlayhousePahimakas sa Isang Ahente (Arthur Miller), Ivy

Playhouse1967 Waiting for Godot (Samuel Beckett), Ateneo Experimental

TheaterPagputi ng Uwak (Samuel Beckett), Ateneo Experimental

TheaterHedda Gabler (Henrik Ibsen), University of the

Philippines Committee on CultureBinhi ng Kalayaan (Opera in 3 Acts by Eliseo Pajaro),

Unversity of the Philippines Conservatory of MusicBb. Julie (August Strindberg), Repertory PhilippinesThe Cherry Orchard (Anton Chekhov), Drama Federation of

the PhilippinesBernard Alba (Federico Garcia Lorca), Barangay Theater

GuildThe Zoo Story (Edward Albee), Bristol University Drama

Department1968 Three Sisters (Anton Chekhov), Bristol University Drama

DepartmentHoy, Boyet, Hatinggabi Na (Tony Perez), Ateneo de

Manila University Department of CommunicationThe Promise (Alexei Arbuzov), Ateneo de Manila

University Department of Communication" (Abstract theater piece by Rolando S. Tinio), Ateneo

de Manila University Department of CommunicationIbong Mandaragit (Oscar Miranda's adaptation of Lillian

Hellman's Little Foxes), Philippine Theater ofPerforming Arts

1969 Ang Gintong Salakot (Operatorio in 1 Parts by LucreciaR. kasilag-Jose Lardizabal), Cultural Center ofthe Philippines Main Theater Inauguration

The Merry Widow (Operetta in 3 Acts by Franz Lehar),Philippine Theater of Performing Arts [set designonly]

Ibong Mandaragit (Oscar Miranda's adaptation of LillianHellman's Little Foxes) Philippine Theater ofPerforming Arts

Ako (Zarzuela in 2 Acts by Bayani de Leon), CulturalCenter of the Philippines

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Paglipas ng Dilim (Zarzuela in 3 Acts by Leon Ignacio-Precioso Palma), Ateneo de Manila UniversityDepartment of Communication

1970 Anak ng Araw (Tony Perez), Ateneo de Manila UniversityDepartment of Communication

Ang Mestisa (Zarzuela in 3 Acts by Leon Ignacio-Engracio Valmonte), Philippine Theater ofPerforming Arts [set design only]

1971 The Onyx Wolf (Virginia Moreno), Cultural Center of thePhilippines Little Theater Inauguration

Prinsipe Baldovino (Moro-moro in 3 acts by anonymousdramatist from Palawan), Cultural Center of thePhilippines Little Theater Inauguration

1976 Ana Maria (Zarzuela in 2 Acts by Leon Ignacio-SeverinoReyes), Teatro Pilipino

Paano Man Ang Ibig (William Shakespeare), TeatroPilipino

Kawawang Marat (Alexei Arbuzov), Teatro PilipinoBayan-bayanan (re-written version by Bienvenido

Noriega, Jr.), Teatro Pilipino1977 Ang Negosyante ng Venecia (William Shakespeare), Teatro

PilipinoPara Akong Kamera (John van Druten), Teatro PilipinoSanta Juana (George Bernard Shaw), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro PilipinoHedda Gabler (Henrik Ibsen), Teatro PilipinoOrosman at Zafira (Balagtas), Teatro Pilipino

1978 Twin bill: Haring Edipo; Antigone (Sophocles), TeatroPilipino

Ang Kambal (Plautus), Teatro PilipinoRomeo at Julieta (William Shakespeare), Teatro PilipinoAng Kuripot (Molière), Teatro PilipinoCamille (Alexander Dumas fils), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

Pilipino1979 Ang Tagak (Anton Chekhov), Teatro Pilipino

Laruang Kristal (Tennessee Williams), Teatro PilipinoHamlet (William Shakespeare), Teatro PilipinoAng kambal (Plautus), Teatro PilipinoTwin bill: Ang Malakas; Bb. Julie (August Strindberg),Teatro PilipinoIkalabindalawang Gabi (William Shakespeare), Teatro

Pilipino1980 Tiyo Vanya (Anton Chekhov), Teatro Pilipino

Armas at Ang Lalaki (George Bernard Shaw), TeatroPilipno

Ang Pagdalaw ng Senyora (Friedrich Dürrenmatt), TeatroPilipino

Hedda Gabler (Henrik Ibsen), Teatro Pilipino

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Tartuffe (Molière), Teatro PilipinoPangarap sa Gabi ng Gitnang Tag-araw (William

Shakespeare), Teatro Pilipino1981 Caligula (Albert Camus), Teatro Pilipino

Triple bill: Pamamanhikan; Ang Bastos; Anibersaryo(Anton Chekhov), Teatro Pilipino

Ang Eredera (Augustus and Ruth Goetz), Teatro PilipinoAng Mga Tagahabi (Gerhart Hauptmann), Teatro PilipinoTwin bill: Ang Mga Kahon; May Katwiran ang Katwiran

(Rolando S. Tinio), Teatro PilipinoTwin bill: Ang Mga Kahon; May Katwiran ang Katwiran

(Rolando S. Tinio), Teatro Pilipino on tourRomeo at Julieta (William Shakepeare), Teatro Pilipino

1982 Hamlet (William Shakespeare), Teatro PilipinoHamlet (William Shakespeare), Teatro PilipinoAng Tagak (Anton Chekhov), Teatro PilipinoThe Sea Gull (Anton Chekhov), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro PilipinoThe Promise (Alexei Arbuzov), Teatro PilipinoAng Barbero ng Sevilla (Beaumarchais), Teatro PilipinoThe Barber of Sevile (Beaumarchais), Teatro PilipinoAntigone (Jean Anouilh), Teatro PilipinoAntigone (Jean Anouilh), Teatro PilipinoAndorra (Max Frisch), Teatro PilipinoAndorra (Max Frisch), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

PilipinoThe Importance of Being Earnest (Oscar Wilde), Teatro

PilipinoTwin bill: Ang Tagapagligtas (Edgar Maranan); Flor at

Gusting (Jose Dalisay, Jr.), Teatro PilipinoTwin bill: Bonsai (Reuel Aguila); Sexy Dancers

(Bonifacio Ilagan), Teatro PilipinoTwin bill: Regina Ramos sa Greenwich Village

(Bienvenido Noriega, Jr.); Isang Buhay sa Tambakan(Rolando S. Tino), Teatro Pilipino

1983 Ang Reyna at ang Mga Rebelde (Ugo Betti), TeatroPilipino

The Queen and the Rebels (Ugo Betti), Teatro PilipinoAng Mabuting Tao ng Setzuan (Bertolt Brecht), Teatro

PilipinoThe Good Woman of Setzuan (Bertolt Brecht), Teatro

PilipinoThe Burnt Flower Bed (Ugo Betti), Teatro PilipinoAng Halaga ng Pagiging Masigasig (Oscar Wilde), Teatro

Pilipino1984 Ang Senyora ng Otel (Carlo Goldoni), Teatro Pilipino

The Mistress of the Inn (Carlo Goldoni), TeatroPilipino

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Ang Senyora ng Otel (Carlo Goldoni), Teatro PilipinoPaghihintay kay Godot (Samuel Beckett)

1985 Kuwentong Katawa-tawa (Armand Salacroux)Mga Multo (Henrik Ibsen), Teatro PilipinoPaghihintay kay GodotAntigone (Anouil)

1986 Bb. Julie (August Strindberg), Teatro PilipinoMga Multo (Henrik Ibsen), Teatro PilipinoKawawang Marat (Alexei Arbuzov), Teatro Pilipino

1987 Ang Halaga ng Pagiging Masigasig (Oscar Wilde), TeatroPilipinoTwin bill: Ang Tenor (Frank Wedekind); Ang Sopranong

Kalbo (Eugene Ionesco), Teatro PilipinoAng Tenor (Frank Wedekind), Teatro PilipinoAng Sopranong Kalbo (Eugene Ionesco), Teatro PilipinoHamlet (William Shakespeare), Teatro Pilipino

1988 Medea (Euripides), Teatro Pilipino1989 May Katwiran ang Katwiran (Rolando S. Tinio), Teatro

PilipinoMakbet (William Shakespeare), Teatro Pilipino

1990 Laruang Kristal Versions A, B, C (Tennessee Williams),Teatro Pilipino

1991 Twin-bill: Pamamanhikan; Ang Bastos (Anton Chekhov),Teatro Pilipino

Babae sa Panitik (one-woman show: a collage of textsfrom Philippine Literature by Rolando S. Tinio),Teatro Pilipino

1992 Ikalabindalawang Gabi (William Shakespeare), TeatroPilipino

Sets and costumes designed for television:1971 Sets and costumes: Kaaway ng Bayan (Henrik Ibsen)

ABS-CBN in cooperation with the Ateneo de ManilaUniversity Department of Communication, directedby Nestor Torre, Jr., ABS-CBN-2

1987 Sets and costumes: Ang Mga Kahon (Rolando S. Tinio)Director's Hour: Mga Kuwentong Buhay, directed by

Rolando S. Tinio, PTV-41990 Costumes: Laruang Basag (Rolando S. Tinio adaptation of

Tennessee Williams play), directed by NickLizaso, Balintataw, PTV-4

Costumes: Pasyong Pilipino (Bienvenido L. Lumberaadapatation of narrative poem by Gaspar Aquino deBelen, music by Eduardo P. Hontiveros, S.J.),directed by Nick Lizaso, Balintataw, PTV-4

Screenplays written:1972 Now and Forever (Vilma Santos, Edgar Mortiz), directed

by Ishmael Bernal, Tagalog Ilang Ilang

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Productions1976 Good Morning, Sunshine (Vilma Santos, Junior), directed

by Ishmael Bernal, LEA Productions1984 Gamitin Mo Ako (Rita Gomez, Al Tantay, William

Martinez, Stella Suarez, Jr.), directed by IshmaelBernal, VH Films

1985 Till We Meet Again (Nora Aunor, Tirso Cruz III),directed by Elwood Perez, Regal Films

1994 Kulay Luha ang Pag-ibig [1st prize, 1994 PalancaContest, Screenplay Category, originally writtenin 1985 as a Regal Films project entitled Love,Must We Say Goodbye? for direction by MarilouDiaz-Abaya, starring Dina Bonnevie, GabbyConcepcion, Eddie Garcia, Charito Solis, RichardGomez, Mary Walter]

1995 Kalapati [2nd prize, 1995 Palanca Contest, ScreenplayCategory, originally written in 1985 as a TagalogIlang Ilang project entitled Mainit for directionby Marilou Diaz-Abaya to star Stella Strada, VicSilayan, Al Tantay, Rez Cortez, Edgar Mande]

1996 Magtanong Ka Rin sa Ulap (film project to be directedby Joel Lamangan)

TV Documentary written:1991 Juan dela Cruz, Santo, directed by Maria V.

Montelibano, St. John of the Cross Foundation andRPN-9

Teleplays written:1987 Ang Mga Kahon (Ella Luansing, Ruel Vernal), directed by

Rolando S. Tinio, Director's Hour, PTV-41990 Si Claudia at ang Kanyang Ina (Adul de Leon, Coney

Reyes), directed by Nick Lizaso, Balintataw,PTV-4

Laruang Basag (Ella Luansing, Victoria L. Tinio)directed by Nick Lizaso, Balintataw, PTV-4

1993 Initial Episode of 17 Bernard Club: "Little Boy Lost"(Rustom Padilla, Bing Loyzaga), directed by JoelC. Lamangan, ABC-5, Viva TV

Besame Mucho, Love Me Forever (Lorna Tolentino),directed by Chito Roño, Star Drama Anthology, ABS-CBN

Kuwento ni A (Dina Bonnevie, Al Tantay), directed byJoel C. Lamangan, Viva Spotlight, GMA 7

Ang Lalaki sa Pisngi ng Buwan (Alice Dixon, RustomPadilla), directed by Joel C. Lamangan, GMATelesine Specials, Viva TV

1994 Sumpang Pag-ibig (Chanda Romero, Miguel Rodriguez,

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Jaclyn Jose), directed by Joel C. Lamangan, GMATelesine Specials, 4-D Films International

Camila (Zsa Zsa Padilla, Gary Estrada), directed byJoel C. Lamangan, GMA Telesine Specials, Viva TV,

Wrong Number (Lorna Tolentino), directed by Chito Roño,Mother Studio Presents, Regal TelvisionFamily Affair [for production, Reyna Television]Habulin ang Pagbaba ng Araw (Alice Dixson), directed by

Joel Lamangan, GMA Telesine Specials, KristineFilms

1995 Ang Daddy Kong si Marilyn Monroe (Arnel Ignacio, Iande Leon), directed by Chito Roño, Mother StudioPresents, Regal Television

1996 Kindat sa Karimlan (Maricel Laxa, Jackie Lou Blanco),directed by Joel Lamangan, GMA Telesine Specials,FAME's Productions Enterprises

Roles played on stage [italicized titles in Pilipino,original or translation]:1958 Edward Chamberlayne (Dramatic reading, T. S. Eliot: The

Cocktail Party, directed by Eric Torres, Ateneode Manila English Department)

Brother (Wilfrido D. Nolledo: "Goodbye, My Gentle,"directed by Severino Montano, Arena Theater)

First Tempter (T. S. Eliot: Murder in the Cathedral,directed by Fr. Antonio O. Piñon, O.P., AquinasDramatic Guild)

Ariston (Severino Montano: "Sabina," directed bySeverino Montano, Arena Theater)

Bitoy (Nick Joaquin: Portrait of the Artist asFilipino, directed by Severino Montano, ArenaTheater)

1960 Aaron (Dramatic reading, Christopher Fry: The First-Born, directed by Fr. Antonio O. Piñon, O.P.,Aquinas Dramatic Guild)

1961 Tonio (C. V. Pedroche: "A Little Corner of the City,"directed by Lamberto V. Avellana, Barangay TheaterGuild)

Doctor (William Shakespeare: Macbeth in Black, directedby Lamberto V. Avellana, Barangay Theater Guild)

Christopher Wren (Agatha Christie: The Mousetrap,directed by Fr. Antonio O. Piñon, ,O.P., AquinasDramatic Guild)

1980 Propesor (Friedrich Dürrenmatt: Ang Pagdalaw ngSenyora, directed by Rolando S. Tinio, TeatroPilipino)

Jorgen Tesman (Henrik Ibsen: Hedda Gabler [inPilipino], directed by Rolando S. Tinio, TeatroPilipino)

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Tartuffe (Molière: Tartuffe, directed by Anton C. Juan,Teatro Pilipino)

Lisandro (Shakespeare: Pangarap sa Isang Gabi ngGitnang Tag-araw. directed by Rolando S. Tinio,Teatro Pilipino)

1981 Caligula (Albert Camus: Caligula, directed by RolandoS. Tinio, Teatro Pilipino)

Morris Townsend (Augustus and Ruth Goetz: Ang Eredera,directed by Rolando S. Tinio, Teatro Pilipino)

Tandang Hilse (Gerhart Hauptmann: Ang Mga Tagahabi,directed by Rolando S. Tinio, Teatro Pilipino)

Mandy (Rolando S. Tinio: Ang Mga Kahon, directed byRolando S. Tinio, Teatro Pilipino)

Kasama (Rolando S. Tinio: May Katwiran ang Katwiran,directed by Rolando S. Tinio, Teatro Pilipino)

Senyor (Rolando S. Tinio: May Katwiran ang Katwiran,directed by Rolando S. Tinio, Teatro Pilipino)

Romeo (Shakespeare: Romeo at Julieta, directed byRolando S. Tinio, Teatro Pilipino)

1982 Guildernstern (Shakespeare: Hamlet, directed by RolandoS. Tinio, Teatro Pilipino)

Guildernstern (Shakespeare: Hamlet, directed by RolandoS. Tinio, Teatro Pilipino)

Treplev (Anton Chekhov: The Sea Gull, directed byRolando S. Tinio, Teatro Pilipino)

Treplev (Anton Chekhov: Ang Tagak, directed by RolandoS. Tinio, Teatro Pilipino)

Marat (Alexei Arbuzov: The Promise, directed by RolandoS. Tinio, Teatro Pilipino)

Marat (Alexei Arbuzov: Kawawang Marat, directed byRolando S. Tinio, Teatro Pilipino)

Creon (Jean Anouilh: Antigone, directed by Rolando S.Tinio, Teatro Pilipino)

1883 Amos (Ugo Betti: The Queen and the Rebels, directed byRolando S. Tinio, Teatro Pilipino)

Giovanni (Ugo Betti: The Burnt Flower Bed, directed byRolando S. Tinio, Teatro Pilipino)

1984 Baron (Carlo Goldoni: The Mistress of the Inn, directedby Rolando S. Tinio, Teatro Pilipino)

1986 Leonidik (Alexei Arbuzov: Kawawang Marat, directed byRolando S. Tinio, Teatro Pilipino)

1987 John Worthing (Oscar Wilde: Ang Halaga ng PagigingMasigasig, directed by Rolando S. Tinio, TeatroPilipino)

1993 Pedro Paterno (Floy Quintos: Saint Louis Loves DemFilipinos, directed by Tony Mabesa, Dulaang UP)

Roles played on film and television:1980 Teacher (Aguila, produced by Bancom Audiovision

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Corporation, Inc., directed by Eddie R. Romero)College dean (Blue Jeans, produced by Regal Films,

directed by Joey Gosiengfiao)1982 Factory worker (Wild Lips, produced by PMP Productions,

directed by Cloyd Robinson)1984 Barrio teacher (Karnal, produced by Cine Suerte,

directed by Marilou Diaz-Abaya)1985 Religious freak (Alyas Baby Tsina, produced by Viva

Films, directed by Marilou Diaz-Abaya)Aguinaldo's military band conductor (Virgin Forest,

produced by Regal Films, directed by PequeGallaga)

1986 Hardinero (Senswal, produced by Regal Films, directedby Marilou Diaz-Abaya)

Pop composer (Ang Daigdig ay Isang Butil na Luha,produced by JPM Productions, directed by CelsoAd. Castillo)

1988 Cardinal Sin (A Dangerous Life, miniseries written byDavid Williamson, produced by McElroy & McElroy inassociation with Film Accord and AustralianBroadcasting Corporation, directed by RobertMarkowitz, ABS-CBN-2)

1989 Professor (Demonstone, International Film EntertainmentPty. Limited in association with Brian Trenchard-Smith, directed by Andrew Prowse)

Claro (Balintataw: "Bigas," teleplay by Piedad L.Salvatierra based on a story by Estrella D. Alfon,produced by Cecile Guidote-Alvarez, directed byLupita A. Kashiwahara, PTV-4)

Juan (Balintataw: "Tubig," teleplay by Edith R. Amanbased on a one-act play by Estrella D. Alfon,produced by Cecile Guidote-Alvarez, directed byLupita A. Kashiwahara, PTV-4)

Manolo (Balintataw: "Gabi ng Fiesta," teleplay bySuzette Doctolero, produced by Cecile Guidote-Alvarez, directed by Joe Gruta, PTV-4)

1990 Pariseo 3 (Balintataw: "Pasyong Pilipino," teleplay byBienvenido L. Lumbero based on a narrative poem byGaspar Aquino de Belen, music by Eduardo P.Hontiveros, S.J., produced by Cecile Guidote-Alvarez, directed by Nick Lizaso, PTV-4)

1993 Pilosopong Tasyo (Noli Me Tangere, adapted in Englishby Eddie R. Romero from the novel of Jose Rizal,translated into Pilipino by Jorge Arago, NicanorTiongson and Rolando Tinio, produced by theCultural Center of the Philippines, directed byEddie R. Romero, ABC-5)

Attorney (Hanggang Saan, Hanggang Kailan, produced byViva Films, directed by Joel C. Lamangan)

Turing (Viva Spotlight: "Dandansoy," teleplay by Neil

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Gumban, produced for GMA by Viva TelevisionCorporation, directed by Joel C. Lamangan, GMA-7)

Papa (GMA Telesine Specials: "Gaano Ko Ikaw Kamahal,"teleplay by Frank G. Rivera, produced for GMA byViva Television, directed by Joel C. Lamangan,GMA-7)

V.O. for Philippine Charity Sweepstakes "CordilleraDraw" commercial, produced by J. Walter Thompson

Mang Berong (Ikaw, produced by Viva Films, directed byJoel C. Lamangan)

Priest (Gaano Kita Kamahal, produced by Stellar Films,directed by Butch Perez)

Kapitan (Viva Spotlight on Vina Morales: "Himala saPanahon ng Digma," teleplay by Frank G. Rivera,produced for GMA by Viva Television Corporation,directed by Joel C. Lamangan, GMA-7)

Ama ni Zeny (Star Drama Theater--Lorna: "Lamat,"teleplay by Olivia M. Lamasan, produced by ABS-CBN, directed by Joel C. Lamangan, ABS-CBN 2)

Itay (Ipaglaban Mo: "Salbaheng Panaginip," teleplay byRonaldo C. Carballo, directed by Nick Lizaso,ABS-CBN 2)

Mang Pekto (Viva Spotlight on Vina Morales: "IsusumpaKita," teleplay by RJ Nuevas, produced for GMA byViva Television Corporation, directed by Mac C.Alejandre, GMA-7)

Mr. Verganza (Viva Spotlight on Dina Bonnevie:"Suspect," teleplay by Ronnie Tumbokon, producedfor GMA by Viva Television Corporation, GMA-7)

Ama ni Jo-Ann (Star Drama Theater--Zsa Zsa: "Tinik,"teleplay by Olivia M. Lamasan, directed by OliviaM. Lamasan, ABS-CBN 2)

1994 Mayor (Brat Pack, produced by Viva Films, directed byDeo L. Fajardo, Jr.)

Fr. Barrientos (Kadenang Bulaklak, produced by VivaFilms, directed by Joel C. Lamangan)

Mang Terio (GMA Telesine Specials: "Sumpang Pag-ibig,"teleplay by Rolando S. Tinio, produced for GMA by4-D Films International, directed by Joel C.Lamangan, GMA-7)

Mang Leoncio (Maalala Mo Kaya?: "Perya," teleplay byJerry L. Sineneng, directed by Rory B. Quintos,ABS-CBN 2)

Itay (GMA Telesine Specials: "Saan Ako Nagkamali,"teleplay by Ronaldo C. Carballo, produced for GMAby J and K Productions for GMA-7, directed by JoelC. Lamangan, GMA-7)

Don Amorsolo (Ober Da Bakod, written by Deo Directo,produced for GMA-7 by Viva Television Corporation,directed by Leo Martinez, GMA-7)

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Celso (Star Drama Theater--Aiko: "Candidate Number 5,"written by Lualhati Bautista, directed by Joel C.Lamangan, ABS-CBN 2)

Mang Bestre (Pangako ng Kahapon, produced by VivaFilms, directed by Joel Lamangan)

Syndicate head (Tatlong Ama, Isang Anak, produced byDiamond Jade Productions, directed by Deo L.Fajardo, Jr.)

Mr. Malicsi (Forever, produced by Viva Films, directedby Rowell Santiago)

Lawyer (Bilibid Boys 2, produced by Diamond JadeProductions, directed by Deo L. Fajardo, Jr.)

1995 Colonel (True Stories: "Kasama," teleplay by LualahatiBautista, directed by Joel Lamangan, GMA-7)

Judge (Viva Cable TV: "Akusado," teleplay by Roi C.Iglesias, directed by Joel Lamangan)

History teacher (Beach Boys, produced by OctoArts,directed by Tony Reyes)

Head of music audiotape cassette pirating syndicate(Run, Barbie, Run, produced by Cinemax, directedby Tony Reyes)

Kunê (Viva Spotlight on Bing Loyzaga: "Siete Dolores,"teleplay by Galo T. Ador, Jr., directed by Mac C.Alejandre, GMA-7)

Julio (Ipaglaban Mo: "Hiram ang mga Kulay ngBahaghari," teleplay by Edmund Coronel and WennDeramas, directed by Nick Lizaso, ABS-CBN 2)

Father of Efren Contemplacion (The Flor ContemplacionStory, produced by Viva Films, directed by JoelLamangan)

Matanda (Fairy Tales: "Ang Batang Nangarap na MagingIbon," teleplay by Uro G. dela Cruz, directed byUro G. dela Cruz, ABS-CBN Foundation,ABS-CBN 2)

Lolo (Host for 3 mos., Bayani, ABS-CBN Foundation,ABS-CBN-2)

Gobernador (Dama de Noche: Episode 1, teleplay by CesarBuendia, Bien Ojeda and Rustico Fernandez,directed by Emmanuel Borlaza, IBC-13)

Gobernador (Dama de Noche: Episode 2, teleplay by CesarBuendia, Bien Ojeda and Rustico Fernandez,directed by Emmanuel Borlaza, IBC-13)

Mang Ambo (Maalaala Mo Kaya: "Batis," teleplay by JerryL. Sineneng, directed by Jerry L. Sineneng,ABS-CBN 2)

Tata Miron (GMA Telesine Specials: "Walang KatapusangWakas," teleplay by Frank G. Rivera, produced forGMA by Kristine Films, directed by Joel Lamangan,GMA-7)

Padre Anselmo (Viva SkyCable: "Mga Bulong sa Dilim,"

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teleplay by Henry P. Nadong, produced for VivaTelevision by 4 Aces Entertainment, Inc., directedby Edgardo "Boy" Vinarao)

Daddy ni Gerry (Viva SkyCable: "Dekada '80: May IsangPag-ibig," teleplay by Dado C. Lumibao, producedfor Viva Televison by 4 Aces Entertainment, Inc.,directed by Joel Lamangan)

Dindo (Muling Umawit ang Puso, produced by Viva Films,directed by Joel Lamangan)

Lolo Tiago (Viva Spotlight: "Diwata ng AkingPanaginip," teleplay by Suzette S. Doctolero,directed by Mark A. Reyes, GMA-7)

Fr. Nicandro (May Nagmamahal sa Iyo, produced by StarCinema, directed by Marilou Diaz-Abaya)

1996 Elder (Viva Spotlight: "Lakambini," teleplay by SuzetteP. Doctolero, directed by Emmanuel Borlaza, GMA-7)

Gatekeeper, (Hirayamanawari: "Hardin ng mga Kaluluwa,"teleplay by Charles Aaron U. Bautista, directed byNoel Añonuevo, ABS-CBN Foundation, ABS-CBN-2)

Lolo (Maalaala Mo Kaya: "Bala," teleplay by Boni P.Ilagan, directed by Michael de Mesa, ABS-CBN 2)

Inkong Kasaysayan (Hirayamanawari: "Buklat-Aklat,"teleplay by Gladys de Leon, directed by NoelAñonuevo, ABS-CBN Foundation, ABS-CBN-2)

Mang Cecilio (Mother Studio Presents: "Sa MulingPagkabata," teleplay by Wilson S. Araya, directedby Ipe Felino, GMA-7)

Don Ramon Montes (August 23 special: "Pugad Lawin,"script by Rene O. Villanueva, directed by JoelLamangan, GTV-4)

Lolo Manuel (Love Notes: "American Dream," teleplay byF. Alfaro Tria, directed by Mario J. de los Reyes,ABC-5)

Mumbaki (1896: "Hagabi," teleplay by Uro de la Cruz,directed by Jose Mari Avellana, ABC-5)

Tata Tiago (1896: "Bayang Pinagpala," teleplay by FrankRivera, directed by Joel Lamangan, ABC-5)

Mang Leoncio (Mga Lihim ng Gabi: "Multo sa Riles,"teleplay by Anna Pineda, directed by Chito Roño,GMA-7)

Lolo Ponso (Maricel Drama Special: "Singungaling angBuwan," teleplay by Alejandro Bong Ramos, directedby Mel Chionglo, ABS-CBN-2)

Tata Ambo (Guni-guni: "Hiwaga sa Villa Verzosa,"teleplay by Jaime de Leon and Enrique de Villa,directed by Nick Lizaso, ABC-5)

Lolo Igme (Star Drama Theater New Year Special:"Nurses' Station," teleplay by Ricardo Lee,directed by Ricky Davao, ABS-CBN 2)

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Ngidulu (Mumbaki, produced by Neofilms, directed byButch Perez)

Priest-psychologist (Bakit May Kahapon Pa? produced byViva Films, directed by Joel Lamangan)

Barangay Captain (Kahit sa Bala, Kakapit Ako, producedby IAM Productions Unlimited, Inc., directed byWillie Milan)

1997 Tata Fidel (GMA Telesine Special: "Diwata," teleplay byLualhati Bautista, directed by Joel Lamangan,produced by Sampaguita Pictures Inc. TV, GMA-7)

Ingkong (Mga Lihim ng Gabi: "Sumpang Hubad," teleplayby Dwight Gaston, directed by Chito Roño, GMA-7)

Apo (The Sarah Balabagan Story, produced by Viva Films,directed by Joel Lamangan)

Fr. Fermin, (Milagros, produced by Merdeka Films,directed by Marilou Diaz-Abaya)

Ninong Charlie (Bayad-puri, produced by DiscoveryFilms, directed by Joel Lamangan)

Papu Sulak (Anak ng Bulkan, produced by PremiereEntertainment Productions, Inc., directed by CirioSantiago)

Mr. Tinio (Tropang Trumpo: "Commencement Day Episode,"directed by Edgar Mortiz and Al Tantay, ABC-5)

Lolo (Mananayaw, produced by Four Aces Films, directedby Celso Ad Castillo)

Apo (Pulang Buli, produced by Cinemax, directed byMarilou Diaz-Abaya)

Koro (Kuracha, produced by Regal Films, directed byChito Roño)

Ka Pedring (Kadre, produced by Premiere EntertainmentProductions, Inc., directed by Joel Lamangan)

George (Pira-pirasong Pangarap: "Isang Hardin ngSanlibong Tula," teleplay by Lualhati Bautista,directed by Joel Lamangan, GMA-7)