rip script

8/8/2019 RIP Script

http://slidepdf.com/reader/full/rip-script 1/4

1 .

Agency Merajio Writer Merajio

Client Hood Producer Merajio

Project A2 Media Director Merajio

Title Requiescat In Pace Art Director

Subject Medium

Job # Contact

Code # Draft

SCENE 1: Inside Office

POV Shot of Colleague walking upstairs.

Medium-shot of David from POV of Colleague looking in.

A medium-shot panning David'slunch bag being thrown onto hisdesk.

A medium close-up of David lookingat his computer.

A close-up of his face shows hisexpression

Medium-shot of David doing his work.

Close-up of the clock as timeincreases.

Medium-shot pans David getting upand leaving the room.

Close-up of the picture frame as it hitsthe ground

A long shot shows David leaving the

building, heading towards his car.

Camera cuts to a medium shot of himgetting in his car and starting theengine

SCENE 2: Driving Home

Long shot from behind David's car;he is sat in traffic.

(Footsteps)

(Door opening)

COLLEAGUE:

"Dave, lunch!"

(Door closes,music begins)

(Engine starting)

(Faint horn)

VIDEO AUDIO

8/8/2019 RIP Script


2 .

Close-up of him sat tapping thesteering wheel; camera outside thecar.

SCENE 3: Arriving Home for Dinner

Long shot shows David on his drive,he turns off the engine and gets outthe car.

Medium-shot shows David unlockingthe door from behind.

Match-on-action from the previousshot as he is shown entering thehouse; camera inside.

A long shot shows David sat at thetable, the camera zooms in closer tohim, Emma comes into shot.

Over-the-shoulder shot shows Davidlooking at his food, holding his fork.

Camera pans around David, gettingcloser as he stares at his reflection.

POV shot from David as his handscover his face.

POV shot as David removes his handfrom his face. Several POV shotswithin scene of fantasy.

Camera pans 360 around him in amedium shot, back to normality

Close up of alarm clock with focuspull to foreground. Focus pull swapsas David stops alarm clock

J-cut; hear sound of shower beforeclose up of water hitting David's face.

A 2-shot of the two having a water

(Car door closing)

EMMA:

"You're never home from work on time David! How

would we ever raise a family if you're never around...

it's like you don't even care! I thought you hated work

David, why are you always there?!

EMMA:

"David a00000re you even listening to me?!

EMMA:"Won't you even look at me?! David? David?!

(Music fades in, also atmospheric noise begins)

EMMA:

"" (Her voice slowly fading)

(music playing in background, fades)

(alarm)

(shower running)

VIDEO AUDIO

8/8/2019 RIP Script


3 .

fight; superimposed on the previousshot.

SCENE 4: Back in the office

Medium shot of David leaningforward in his chair

Swivels to look at the time and seespicture on the floor

Close up zoomed in on the picture

medium shot of David holding the twopictures deep in thought

Medium shot changes to extreme

close up of David's face

SCENE 5: On the way home

medium/close up of David in the car with Emma from David's POV

SCENE 6: Reminiscing in the park

Long shot showing the couple lyingon the blanket

POV shot showing David lookingaround, with his back to Emma

David turns around, switches tolong/crane shot. Realizing he's alone.Fall to knees.

SCENE 7: At the graveyardEstablishing shot of David stood ingraveyard

Camera pans past severaltombstones; getting closer to Davidthen an over-the-shoulder shot

SCENE 8: Police station

(ticking clock)

DAVID:

'Emma... Oh, Emma I do love these days we spend

with each other, oh, I hope nothing spoils it. Whatwas that? What was that loud sound?!

(background music)

'Emma, do you know? Emma?!

'Where did you go Emma? EMMA?!'

VIDEO AUDIO

8/8/2019 RIP Script


4 .

Medium-long shot of David sat onbench in police station, slowlymoving closer revealing hisuntidiness

SCENE 9: Emma's death

POV shots of David's thoughts. Quick/morphed jump shots

Medium-long shot; circling roundDavid as he is crying on his knees

Mid-shot of David calling for emergency services. He is short of breath

SCENE 10: Police station

2-shot of David being escorted out of his room by an officer.

SCENE 11: Credits

Credits roll as camera moves throughthe different rooms of the empty

house.

DAVID:

'Ambulance, come quickly, my wife, she's just

collapsed, unconscious on the f-f-ground, she's

suffering from heaving bleeding...'

(soundtrack fades in)

(Music fades out)

VIDEO AUDIO

rip script

Documents