revisiting allegory -...
TRANSCRIPT
52
Revisiting Allegory
Eleanor Antin, The Triumph of Pan, 2004
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Revisiting Allegory
Joel Peter Witkin, Las Me ninas
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The Particularity of Photos
Cf Victorian uses of photographs inillustrations, tableaux
Oscar Rejlander, “The Two Ways of Life,” 1858
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Modern PhotographicFictions
Cindy Sherman
Yinka Shonibare, from "Diary ofa Victorian Dandy"
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Modern PhotographicFictions
fotonovelas
Tina Barney
Sam Taylor-Wood Paul Outerbridge, TheCoffee Drinkers, 1939
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Fictionalizing Photos
Illustration to Henry James’The Golden Bowl, 1904
Henry Peach RobinsonThe Lady of Shalott
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Fictionalizing Photos
Cf Victorian uses of photographs in illustrations,"Any dodge, trick and conjuration of any kind is open to thephotographer's use.... It is his imperative duty to avoid the mean,the base and the ugly, and to aim to elevate his subject.... and tocorrect the unpicturesque.....” Henry Peach Robinson
Julia Cameron,Lancelot and Guinevere,1875
Henry Peach Robinson, Fading Away, 1858
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Photos of Concepts
Can a photo illustrate a concept?"Photographs are necessarily of unidealized individual things,whether zebras, geese, or medieval churches [whereas] drawingsmay represent a composite distillation.” Sydney Landau
American Heritage illustrations for brioche, brocade, espadrille.
Merriam Webster illustrations for rampant, skunk, skeleton, etc.
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Photos of Concepts
Sandy Skoglund, “Shelter, “Clothing,” “Food”
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Photographing Types
Photographic kitsch
From Norman Rockwell’s “FourFreedoms” paintings, 1941
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Photographing Types
Photographs by August Sander
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The arbitrariness ofphotographic "truth"
We regard the photograph, the picture on our wall,as the object itself (the man, landscape, and so on)depicted there.
This need not have been so, We could easilyimagine people who did not have this relation tosuch pictures. Who, for example, would be repelledby photographs, because a face without color andeven perhaps a face in reduced proportions struckthem as inhuman.
Ludwig Wittgenstein, Philosophical Investigations,IIxi
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The New Realism/"StraightPhotography"
Paul StrandEdward Weston
Leica 1, 1924Andre Kertesz
Cartier-Bresson
Sometimes it happens that you stall, delay, wait forsomething to happen. Sometimes you have the feelingthat here are all the makings of a picture—except for justone thing that seems to be missing. … You wait and wait,and then finally you press the button—and you departwith the feeling (though you don't know why) thatyou've really got something…
If you start cutting or cropping a good photograph,it means death to the geometrically correct interplay ofproportions. Besides, it very rarely happens that aphotograph which was feebly composed can be saved byreconstruction of its compositon under the darkroom'senlarger; the integrity of vision is no longer there. HenriCartier-Bresson, "The Decisive Moment"
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Pictorialism: An Aesthetes' Reactionto Popular Photography?
Robert Demachy, "Behindthe Scenes," 1905 Gumprint
My picture, 'Fifth Avenue, Winter' isthe result of a three hours' standduring a fierce snow-storm onFebruary 22nd 1893, awaiting theproper moment. My patience wasduly rewarded. Of course, the resultcontained an element of chance, as Imight have stood there for hourswithout succeeding in getting thedesired pictures." Alfred Stieglitz
Emil Mayer, "The Hand-Scale," from VienneseTypes. Bromoil process,1910
Edward Steichen,Rodin/"TheThinker," 1902
Steiglitz, The FlatironBuilding, 1902
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Photos for the millions
1884 George Eastman invents paper roll film;
1888 introduces Kodak camera
1900 introduces Brownie camera for $1
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Composite Types
1870's: Darwin's cousin Francis Galton makescomposite photographs, part as aid to criminology,part as effort to apply Darwinism to human
differences. Coins eugenics, "nature vs nurture,""regression to the mean," notion of statisticalcorrelation, pioneers questionaires and surveys.
With Wm. Herschel,tries to put study offingerprintson a scientific basis.
Francis Galton
Composite: Violent Criminals
Composite: Jews
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The "Criminal Type"
Lombroso: Hereditary criminals are identified bylarge jaws, handle-shaped ears, shifty eyes, etc.
Cesare Lombroso
"Revolutionaries and political criminals -- the semi-insane and morally insane"
The criminal is "an atavistic beingwho reproduces in his person theferocious instincts of primitivehumanity and the inferioranimals."
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The Renown of Bertillon
"I came to you, Mr. Holmes, because I recognizedthat I am myself an unpractical man and because Iam suddenly confronted with a most serious andextraordinary problem. Recognizing, as I do, thatyou are the second highest expert in Europe ------"
"Indeed, sir! May I inquire who has the honour to bethe first?" asked Holmes with some asperity.
"To the man of precisely scientific mind the work ofMonsieur Bertillon must always appeal strongly."
"The Hound of the Baskervilles"
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Classifying Deviance
1882: Bertillon presents system of criminalidentification, anthropometry (later calledBertillonage)
AlphonseBertillon
"Unchangeable in formfrom birth, this organ[the ear] is theimmutable legacy ofheredity andintrauterine life."
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Documenting the OtherWalker Evans and Dorothea Lange, Farm SecurityAdministration, mid-1930s
Walker Evans
Image from"Let Us NowPraiseFamousMen" Lange, photos of Dust Bowl and Japanese
relocation in WWII
Evans
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Documenting the OtherLewis Hine, Carolina Cotton Mill, 1909
"Some boys and girls were so smallthey had to climb up on to thespinning frame to mend brokenthreads and to put back the emptybobbins. Bibb Mill No. 1. Macon,Ga."
The golf links lie so near the mill That almost every dayThe laboring children can look out And see the men at play.
-- Sarah Norcli e Cleghorn, 1916
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Documenting the other, 2
Photography and the awakening of socialconscience
Jacob Riis:How the Other
Half Lives
Lithograph preparedfrom Riis photo
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Documenting the Other
Photography as an instrument of social control
Photographs of Modoc Indiansmade by gov't following 1874war.
Photos of Downieville CA ChinesePrepared by Justice of the Peace, ca. 1890
One of a set of images prepared for Harvard naturalistLouis Agassiz to support thesis that human races weredifferent species.Truth before all. The more pity I felt at the sight of thisdegraded and degenerate race, the more impossible itbecomes for me to repress the feeling that they are notof the same blood as we are. 1846
Auschwitzdocumentary photo
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The Documentation ofDeath
Robert Capa, The Falling Soldier, Spain,1936
Eddie Adams: South Vietnampolice chief executing Viet Congcaptaim, Feb 1, 1968
Kent State, 1970
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The Sordid Details
Public obsession with crime-scene photos
Murder scenes, Paris, 1890s
Arthur Fellig("WeeGee"),
1930s
Police display body of Baby-Face Nelson, 1934
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Documenting the Deviant
Wanted posters for Lincolnassassins, Butch Cassidy
"Bank book" prepared for bank clients byPinkerton Detective Agency, ca. 1875
Inmate of Bethlam Royal Hospitalfor the Criminally Lunatic, 1870s
Entry for 13-year-old"vagrant," San JoaquinCounty Jail, ca. 1900
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Fixing Identities
Communards, Paris 1871
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Fixing Identities
Communards, Paris 1871
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Modern alterations:A shifting standard?
Kent State, 1970
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Modern alterations:A shifting standard?
Photo of Beiruit following Israeliraid, 8/5/6, as published byReuters and as originally taken
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Modern alterations:A shifting standard?
I discover my photographic death. Do I exist? I am a little black, I am a little white, I am a little shit, On Fidel's vest.Carlos Franqui
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Doctoring the Truth
1871: Paris Commune: Photographs of executions bycommunards are doctored to change identity ofvictims.
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The Case of the DisappearningCannonballs
“The Valley of Death,” photographs byJames Fenton, April 4, 1855
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Crimea: The First“Reported” War
Half a league, half a league,Half a league onward,All in the valley of DeathRode the six hundred."Forward the Light Brigade!Charge for the guns!" he said.Into the valley of DeathRode the six hundred.
Forward, the Light Brigade!"Was there a man dismay'd?Not tho' the soldier knewSome one had blunder'd.Theirs not to make reply,Theirs not to reason why,Theirs but to do and die...
Oct 25, 1854: Light Brigade charges the Russian gunsat Balaclava
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Manipulating thePhotographic Truth
1854-55: Wm. Howard Russell reports for Times from Crimeaon incompetence of general staff, suffering of troops.
1855: At urging of Prince Albert, Roger Fenton sent to Crimeato take photos to counter Russell’s Times reports
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Second Thoughts
During this lamentable period, a new industry arose which
contributed not a little to confirm stupidity in its faith and to ruin
whatever might remain of the divine in the French mind. The
idolatrous mob demanded an ideal worthy of itself and appropriate to
its nature. In matters of painting and sculpture, the present-day Credo
of the sophisticated, above all in France is this: “I believe that Art is,
and cannot be other than, the exact reproduction of Nature. Thus an
industry that could give us a result identical to Nature would be the
absolute of Art.” A revengeful God has given ear to the prayers of this
multitude. Daguerre was his Messiah. ... From that moment our
squalid society rushed, Narcissus to a man, to gaze at its trivial image
on a scrap of metal.
Charles Baudelaire
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The brief, happy reign ofthe Daguerreotype
The photograph as a record ofpersonal existence, family continuity
Connection to the “postal age”
The photograph as an instrument offameIn Daguerrotype,
we beat the world.Horace Greeley
1854: Phineas Barnumstages first modern beautypageant, usingDaguerrotypes for judging
"General" Tom Thumb
Sarah Bernhardt, by Nadar
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The brief, happy reign ofthe Daguerreotype
By 1840's, improved lens andincreased senstivity of plates reduceexposure time for portraits.Daguerreotype becomes "the mirrorwith a memory" (Oliver WendellHolmes)
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The Photographic Truth
The news as “A daily photograph of the day'sevents.” (Charles Dana)
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The capture of motion
Eadward Muybridge, Galloping Horse, 1878
Richard Caton Woodville, "Charge of the LightBrigade, 1856 (image reversed)
Art for the purpose of representation does not require to give the eyemore than the eye can see, and when Mr. Sturgess gives us a pictureof a close finish for the Gold Cup, we do not want Mr. Muybridge totell us that no horses ever strode in the fashion shown in the picture.It may indeed be fairly contended that the correct position(according to science) is the incorrect position (according to art).London Daily Globe
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The truth of photographs
While we give [sunlight]credit only for depictingthe merest surface, it actually brings out the secretcharacter with a truth that no painter would everventure upon, even if he could detect it.
The Daguerrotypist Holgrave, in Nathaniel Hawthorne’s TheHouse of Seven Gables, 1851
What he [the camera] saw was faithfully reported,exact, and without blemish.
Am. Photgrapher James F. Ryder in 1902, recalling his firstcamera from the 1850’s
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The truth of photographs
1839: In truth, the Daguerreotyped plate isinfinitely more accurate in its representation thanany painting by human hands. If we examine awork of ordinary art, by means of a powerfulmicroscope, all traces of resemblance to naturewill dissapear -- but the closest scrutiny of thephotographic drawing discloses only a moreaccurate truth., a more perfect identity of aspectwith the thing represented.
E. A. Poe
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The earliest photographs1839: In photograph of rue du Temple, Daguerreinadvertently makes first photograph of a person
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The earliest photographs
1839: William Henry Fox Talbot invents "photogenicdrawing": method of printing on paper, later thecalotype, which makes use of latent image,permitting 1-3 min exposures.
Permits multiple prints, less sharp than daguerrotype with"painterly" effects.
1851: Collodion process permits sharp printing onpaper
Cuneiformtablet, Ninevah
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The earliest photographs
1826: Nicéphore Niépce makes"heliograph" on plate from window in Gras;requires > 8 hr. exposure.
From 1829, Niépce collaborates with LouisDaguerre, who announces in 1837 a new"chemical and physical process" which "isnot merely an instrument which serves todraw Nature; it gives her the ability toreproduce herself."
Daguerreotype permits shorter exposures(but still minutes long); does not permitmaking multiple images
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Creating a permanentimage
1725: Johann Heinrich Schulze demonstrates thatsilver compounds are visibly changed by the actionof light; makes stencil impressions on glass, but doesnot try to capture images from nature.
1800: Thomas Wedgewood makes images on leatherimpregnated with silver nitrate, but is unable toprevent progressive darkening
1819: Sir John Herschel discovers that sodiumhyposulfite ("hypo") will dissolve silver halides, canbe used to "fix" photographic prints. Later inventsthe words "negative" and "positive" and"photography"
Sir John Herschel, photographedby Julia Cameron, 1867
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Photography BeforePhotographs
Lenses and mirrors -- an oldmasters' "cheat"?
Detail from Jan van Eyck's Arnolfini portrait, 1434
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Photography BeforePhotographs
The camera lucida
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Photography BeforePhotographs
The prettiest Landskip I ever saw was one drawn on the Walls of adark Room, which stood opposite on one side to a navigableRiver…. Here you might discover the Waves and Fluctuations ofthe Water in strong and proper Colours, with a Picture of a Shipentering at one end and sailing by Degrees through the wholePiece. I must confess, the Novelty of such a Sight may be oneoccasion of its Pleasantness to the Imagination, but certainly thechief reason is its near resemblance to Nature. Joseph Addision, inthe Spectator, 1712, on the camera obscura at Greenwich
G. Canaletto, LondonGreenwich Hospital fromthe North Bank of theThames, 1753
Greenwich Royal Observatory
Camera obscura at Cliff House,Ocean Beach
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Photography BeforePhotographs
The camera obscura: images fromnature
Ibn al-Hatham 965-1039
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Agenda
The invention of photography
The photographic "truth"
Manipulating & questioning the photographictruth, then and now
Photography as documentation
Fixing identitiesDocumenting the deviant
The physical classification of deviance: Looking for thecriminal type
How we read photographs: as particular, real,veridical, "objective"
(What's left out: photography and art)
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The Impact ofPhotography:
Geoff Nunberg
IS103
History of Information
Oct. 31, 2007