return to rome worked on tomb for julius ii sistine chapel

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Return to Rome Worked on tomb for Julius II Sistine Chapel

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Page 1: Return to Rome Worked on tomb for Julius II Sistine Chapel

Return to Rome

• Worked on tomb for Julius II

• Sistine Chapel

Page 2: Return to Rome Worked on tomb for Julius II Sistine Chapel

Sistine Chapel

Page 3: Return to Rome Worked on tomb for Julius II Sistine Chapel

Sistine Chapel

Page 4: Return to Rome Worked on tomb for Julius II Sistine Chapel

Moses• Received funding

from Pope Leo X– The Moses

Page 5: Return to Rome Worked on tomb for Julius II Sistine Chapel

St. Peter’s

• Architect for St. Peter’s

Page 6: Return to Rome Worked on tomb for Julius II Sistine Chapel

Legacy• World’s greatest

sculptor– See the figure inside the

stone and remove excess

• Painter– Mannerism

• Poet• Architect• Engineer

Page 7: Return to Rome Worked on tomb for Julius II Sistine Chapel

Raphael

Page 8: Return to Rome Worked on tomb for Julius II Sistine Chapel

Early Life

• Born in Urbino• Quick learner and hard worker

Page 9: Return to Rome Worked on tomb for Julius II Sistine Chapel

Time in Rome

• Borrowed techniques from other great artists

• Often sketched women and children• Architect for St. Peter’s• Died at 37 and buried in Pantheon

Page 10: Return to Rome Worked on tomb for Julius II Sistine Chapel

School of Athens

Page 11: Return to Rome Worked on tomb for Julius II Sistine Chapel

School of Athens

Page 12: Return to Rome Worked on tomb for Julius II Sistine Chapel

Madonna of the Meadow

Page 13: Return to Rome Worked on tomb for Julius II Sistine Chapel

Legacy of Raphael

• Refinement • Exemplar of the Renaissance• Expertise:

– Artist, archeologist, writer, philosopher, teacher

Page 14: Return to Rome Worked on tomb for Julius II Sistine Chapel

Titian and the Venetian School

• Characteristics:– Vivid colors– Dynamics and dramatic

movement– Sensuality

Page 15: Return to Rome Worked on tomb for Julius II Sistine Chapel

Renaissance Music

Page 16: Return to Rome Worked on tomb for Julius II Sistine Chapel

Basic structure

• Words dominate• Tone painting

Page 17: Return to Rome Worked on tomb for Julius II Sistine Chapel

Texture

• Middle ages:– Monophonic

• Renaissance:– Polyphonic

• Late Renaissance:– Homophonic

• Harmonies based upon Pythagoras

Page 18: Return to Rome Worked on tomb for Julius II Sistine Chapel

Musical Notation

• Invented to publish books of music• Invented instruments• Instrumental arrangements appeared

Page 19: Return to Rome Worked on tomb for Julius II Sistine Chapel

Religious Music

• Natural sounding music

• Mass• Composer’s

music had to be screened

Page 20: Return to Rome Worked on tomb for Julius II Sistine Chapel

Giovanni Palestrina

• Adult life in Rome– Choirmaster, singer,/ director of

music

• Reactionary period– Church suppressed music that did

not enhance words of the Mass– Polyphony was distracting

• Works were conservative

Page 21: Return to Rome Worked on tomb for Julius II Sistine Chapel

Giovanni Palestrina

• Wrote over 100 masses– Gregorian chant– Mass in Honor of Pope Marcellus

• Influenced later music• Buried in St. Peter’s Basilica

– “The Prince of Music”

Page 22: Return to Rome Worked on tomb for Julius II Sistine Chapel

Secular Music

• New instruments• Chansons favored in the court

– Courtly Love

• Madrigals– Poetry and Music

Page 23: Return to Rome Worked on tomb for Julius II Sistine Chapel

Dances

• As important as music• First considered a separate form of

art• Some courts had dance masters

– “balli”

Page 24: Return to Rome Worked on tomb for Julius II Sistine Chapel