research paper theme-understanding french literature, art and culture
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French Culture: War& Literature 1
Understanding the French Revolution of 1789 using various literature works
by Non-Fictional and Fictional Thinkers.
Tristan Guesdon,
Research Scholar, Lycée félix le dantec,
Utsav Shah,
Research Scholar, Symbiosis College of Arts and Commerce
Abstract:
The French Revolution has an incredible impact on the world and has played an
important role in giving birth to the other revolutions. But the major impact has been on France
as it has given the founding bases for all the modern French culture. To explain the theme and
the subject, we are starting with an introduction of the French revolution and further, have
hereby chosen to analyze the writings of various fictional and non fictional writers and have
compared their philosophies.
French Culture: War& Literature 2
I. The French Revolution
The French Revolution of 1789 has always been considered as a period witnessing a
complete political and social uplift between the years 1789 and 1799, further continued by
Napoleon, to expand his empire of France. This revolution introduced a modern revolution
bearing the idea that humans can always change the world, if followed a specific plan and
therefore, the French Revolution has reportedly been the most important aspect in the study of
Social Sciences. The liberal and progressive ideology in the latter half of the 18th century had
successfully inspired the overthrow of the monarchy, thus establishing a permanent republic after
a series of periods of violent political turmoil. However, the revolution finally led to a
dictatorship rule of Napoleon who had further implied his principles in Western Europe. (Frey,
The French Revolution)
With the help of revolutionary wars, the French Revolution encouraged a lot of global
conflicts right from the Southern American region to the Middle East. It marked the start of
‘modernity’ by wiping out the old regime, which included the eradication of Monarchy and
Aristocracy, establishment of absolutist politics, an alliance of the church and the state and a
vision to have a new righteous universe. The causes behind this ‘Révolution française’ are still
debated by historians and sociologists all around the world as this revolution is considered to be
one of the most important events in the history of humanity. (Fehér). Today, the modern era has
taken place in the shadow of this revolution which has given France, its cultural symbols of
Liberty, Equality and Fraternity. In fact, the future revolutions which took place always looked
back to the French Revolution as a precursor. The French Revolution encouraged the rise of the
democrats and the republics globally and became a medium for development of modern political
and social ideologies. (Avrom)
France had suffered enormous losses post The Seven Years War (1755-1764) and
The America Revolutionary War (1775-1783) which was followed by an inefficient tax system.
The Economic conditions intensified when the crop failure in 1788 and cold weather conditions
in 1788/89 lead to revolts in the various parts of France. (Waldinger, Drought and the French
Revolution:). Louis XVI was conferred the throne in the middle of the crisis situation when the
state was just nearing bankruptcy. After the dismissal of then finance minister Turgot in 1776, a
French Culture: War& Literature 3
foreigner named Jacques Necker was appointed as the Comptroller General of Finance of France.
However, he was not given the post of an official minister as he was a Protestant by religion.
Necker pointed that the excessive regressive tax system in France burdened the lower classes
who could not be taxed further. To solve the country’s fiscal shortages, there should be a
reduction in the exemptions given to the Nobles and the Clergies. However, this was not
accepted by the King’s ministers. (Hibbert)
The Estate’s General of 1789 was made of representatives from all the three estates
which had not convened since 1614. They convoked on 5th May 1789, which was then followed
by a number of events like the direct declaration of the National Assembly of the Communes,
attempts of the king to prevent the meeting of the delegates, the Tennis Court Oath and the
failure of Louis to disperse the delegates. The National Constituent Assembly was formed on the
9th of July which then began to function as a constitution drafter and work as a government body.
(Fling)
The revolutionists had always set their eyes upon the large ammunitions and weapons
hidden inside the fortress of Bastille, which were considered to be mark of royal power. After
hours and hours of combat, the prison fell by the afternoon of 11th July 1789. Although the
Prison had held not more than seven prisoners, the fortress of Bastille had always served as a
symbol of everything hated since the times of the ancient regimes. After returning to the Hôtel de
Ville, the city hall, the mob charged the mayor, Jacques de Flesselles for disloyalty and
butchered him. (Schama)
The reign of Terror between 5 September 1793 and 28 July 1794, also known as ‘The
Terror’ took place after the commence of the French Revolution, mainly because of the conflict
between the two political rivals, the Girondins and the Jacobins. The death toll went up to tens of
thousands. Many historians have discussed the reasons behind the French Revolution taking
radical turns during ‘The Terror’. The promises by the revolution about social equality and
implementation of anti poverty measures were not fulfilled which frustrated the public to no
extends. (Linton)
On 25 December 1793, Maximilien Robespierre stated: The goal of the constitutional
government is to conserve the republic; the aim of the revolutionary government is to find it. The
French Culture: War& Literature 4
revolutionary government owes to the good citizen all the protection of the nation; it owes
nothing to the enemies of the people but death. These notions would be enough to explain the
origin and the nature of laws that we call revolutionary. If the revolutionary government must be
more active in its march and freer in his movements than an ordinary government, is it for that
less fair and legitimate? No, it is supported by the most holy of all laws: the salvation of the
people. (Heynen)
On 5 February 1794, Robespierre stated more succinctly that, "Terror is nothing else
than justice, prompt, severe, inflexible. (Stearns)
The government in a revolution is the despotism of liberty against tyranny. (Halsall)
The fall of Robespierre was brought by a mutual agreement of those who wished to have
more authority for the Public Safety Committee than Robespierre was willing to permit and the
moderates who were opposing the revolutionary government throughout. Therefore after
Robespierre’s execution, new members were elected, also reducing the powers one by one.
The French revolution has received huge amounts of historical recognition, both from
scholars as well as the general public. It was a fundamental transformation altogether which
started from the elimination of privileges and continued with the replacement by rights, thus
promoting the decline in social differences and encouraging the establishment of the principle of
equality throughout the Revolution. Thus socialism, which is a co-operative model of the society,
was introduced by the French revolution which further influenced revolutions in future.
II. Non-fictional writers and the Revolution
We have seen that the French Revolution was not just a single event of riot and protest in a
given moment of history but was, a set of complex events which led to political, social and
economic transformations. The continued transformations in the XIXth century encouraged many
thinkers to make historical and social inquiries in order to understand the true nature of this
Revolution. Alexis de Tocqueville (1805-1859) and Jules Michelet (1798-1874) were two
famous examples, who had published studies about the French Revolution. Though their points
French Culture: War& Literature 5
of views are different, their studies are interesting as the two men had opposite political leanings
and their historical methods were contrasting.
A) Their lives
1. Tocqueville
Alexis de Tocqueville was born in 1805 in Paris, during the First Empire, in a noble, monarchist
and pious family. Tocqueville always feared any type of Revolution and popular violence as his
parents had escaped death with the grace of the 9th-Thermidor military coup (MÉLONIO). He
was a advocate by profession and became a judge in 1826, when France had come back to a
constitutional monarchy, under the reign of Charles X. But what made him famous was a nine-
month journey in the USA in 1831, from which he published his major work De la Démocratie
en Amérique in 1835 and 1840. In this book, he analyses the American spirit and the way
American democracy guarantees both freedom and equality (Aron). This study has been having
an international influence since always, and hence, Tocqueville is considered as the father of
sociology.
Though he was always interested in American issues, France remained his main preoccupation.
He became a Member of the Parliament in 1839 and after the end of constitutional monarchy in
1848; he was named as the minister for foreign affairs of the Second Republic. According to
him, the supreme goal of political action was to protect freedom, abolish colonial serfdom and
guarantee press liberty for instance, the Larousse. But his political career was ended by the
Second Empire, in 1851. Then he went back to writing and published L'Ancien Régime et la
Révolution in 1856, a sociological and historical analysis of the Revolution's long-term
consequences. Tocqueville died in 1859 at the age of 54 but still remains a fore-seeing thinker of
modern times.
2. Michelet
Jules Michelet was born in 1798 in Paris, a few years before Napoleon seized power. Unlike
Tocqueville, his family members were commoners and poor. His father was a printer and went
bankrupt in 1808 after which, daily life became hard. But young Jules was brought up by his
French Culture: War& Literature 6
father in a revolutionary and republican spirit. A brilliant schoolboy, he passed his high-school
degree in 1817 and finished his Ph.D. in 1819 (Encyclopedie). He made his career under the
monarchy, both as a teacher at the École Normale Supérieure, where he was famous for his
passionate and improvised lessons, and as a writer (Henri). He published many historical books
and novels, but his masterwork is undoubtedly his book, ‘Histoire de la Révolution Française’,
published between 1847 and 1853. As he refused to pledge allegiance to the new emperor
Napoleon IIIrd in 1851, he was kept out of the public affairs. But he still assisted the Republican
victory before his death in 1874, thus remaining as a talented writer and historian in our
memories.
B) Their political opinions
1. Tocqueville: Monarchist in his heart, republican in his mind
Raymond Aron thinks that Tocqueville's political ideal is “a compromise between a society's
democratization and a strengthening of liberal institutions in a constitutional monarchy.” (261).
This idea comes both from the Constitutive Assembly of 1789, who wished to preserve the
monarchy by giving it a democratic impetus, and also from the United States, the main example
of a liberal and democratic country in the world, according to Tocqueville. He regrets that France
could not conciliate liberty and equality. For example, the wish of having social justice led to the
Terror, a freedom-killing government, in 1793, just like Minister Guizot's liberal policy triggered
the 1848 Revolution. But liberty is not as strong as equality. Tocqueville thinks that “the gradual
and progressive development of equality is both from the past and the future of History.” This
means that democracy, which is defined as an attempt to reach equality, is an indomitable, an
irresistible force; whereas liberty, is a weaker value which is never a definitive conquest.
“I have no other purpose, no other cause than human freedom and dignity”, he writes in an 1850
letter.
Revolutions, as they are always outlawed, are considered as possible threats by Tocqueville
(Aron). Consequently, he is very cautious in his political choices and actions, for both his
monarchist values and his strong attraction liberalism, but he was never a democrat. This in fact,
French Culture: War& Literature 7
explains why his work has always been unknown to the French for almost a century, which
became famous only after the Second World War.
2. Michelet: “People's theologian”, patriot and republican.
Michelet's political ideas are both stronger and less cautious than Tocqueville's ideas. In his
book, ‘Histoire de France’ which was published in 1833, he wrote about the French people's
history instead of the French history (Encyclopedie) He insisted on modest lives, for instance,
describing cathedral builders or revolted peasants. His son-in-law, Dumesnil, called him a
“people's theologian” as Michelet considered his people, his religious idols.
He was also moved by a deep national feeling. This is seen clearly when he describes the battle
of Valmy, which opposed the new Republican army to the Prussian soldiers. The French were
observed shouting “Vive la Nation!” (Long live the Nation!). Although they were negatively
geared, they won the battle with the grace of their republican ideas. (Michelet 205).
Michelet's work was widely acknowledged under the Third Republic (1870-1940) because of his
republican opinion. His vision of History inspired school teaching during this period, as it was
used to grow a patriotic feeling in children’s minds, and it also contributed to remembering the
great national heroes.
C) Their methods
Although they wrote studies about the Revolution in the same period, Tocqueville and Michelet
are totally opposite in the way they studied History.
1. Michelet
Reading ‘L'Histoire de la Révolution Française’ is a very interesting experience. Events are
chronologically classified and cut into various episodes, which were firstly published in a
newspaper, like a novel. History looks like a great and epic story: Michelet is not only describing
and listing facts, he is painting and giving life to persons and events.
He writes about General Dumouriez :
French Culture: War& Literature 8
“This daring Gascon (from Gascony, a French region), who was leading the French to the battle,
had a Southerner's sparkle in his eye as well as in his speech, brightening this dark weather.
Dumouriez's look was firing their hearts. It was said that, as a hussar at twenty, he had been
hacked to pieces. Well, he was now fifty, and he was no worse for it...”
Michelet's talent appears in the above lines. A detailed, short but expressive use words.
However, (Henri) Calvet underlines that these literary qualities “lead historians to reproach
Michelet of being more of a poet than a scientist” (9). Indeed, the beauty of republican lyricism
has a cost, giving up impartiality, or to explain with scientific words; axiologic neutrality.
Though he had been the director of Paris archives, and had access to a wide range of
information, he was often blamed for not taking these sources into account and for giving way to
his fantasy. Moreover, Michelet himself acknowledges that for him “social issues, understood as
a perpetual quarrel between proprietors and non-proprietors” are secondary (11). Yet, this is
surely the sign of an obsolete historical epistemology, which has since been replaced by an
analysis of class conflicts to understand society.
2. Tocqueville
L'Ancien Régime et la Révolution is an “attempt to explain historical events sociologically”
(Aron)
Indeed, Tocqueville's purpose is contrary to Michelet’s purpose who aims to tell History and to
understand the deeper causes of it. He does not consider the Revolution as a “fortuity pure and
simple” (240) and tries to analyze the continuity between the old order and the Revolution,
instead of their disconnection (as many of his contemporaries did). According to him, the
absolute monarchy already represented a tendency to fight against the Aristocrats' feudal power
through the development of a centralized administration. Therefore, his work is that of an
investigator, who as a witness of his troubled times, refuses to take the visible events into
account and wants to dwell on long-term dynamics.
He also contrasts with Michelet on the epistemological aspect and claims, before Karl Marx:
French Culture: War& Literature 9
“I am speaking of classes. They must be our only focus.” This holistic point of view enables him
to write in a sober and more rational style than Michelet's narratives which are full of passion.
Hence, his numerous scientific works have an overwhelming relevance even today.
III. Fictional writers and the Revolution
We have seen that the French Revolution had always been a popular topic for thinkers, like
the historians or the sociologists. But, it was always one of the major parts of the French
literature, especially during the XIXth century. Novelists and poets, who often worked the same,
wrote some great work on the French Revolution: Here, we shall be reading about Balzac
Châteaubriand and Hugo, three famous writers from the XIXth century.
A) Balzac et le roman historique
Honoré de Balzac (1799-1850), often called as the leader of realist novels, is one of the most
famous writers of all the French literature. While he was young, he moved to Paris to try
climbing the social ladder and, after trying to write plays in verse, he was able to buy a printing
house in 1825.
But as he could not earn from his business very well, he was forced to start writing novels. The
‘Human Comedy’, a result of a very slow evolution, was a compilation of the immense work by
Balzac between 1829 and 1850. It is a compilation of around 91 finished works, which include
stories, novels and analytical essays and 46 unfinished works (some of which exist only in titles).
This title, in fact, shows his wish to create an overall picture of the moral, philosophical,
economic and political portrait of the society of his times. He died at a very young age of 51.
His first novel, published in 1829, speaks of the revolutionary period, especially, the period of
resistance against the counter revolutionary monarchist in Brittany. The Chouans, who gave their
name to the novel, were Breton soldiers who defended the King and the Catholic Church against
the Republic after the Revolution. The action, fictitious but realistic, takes place in 1799 during
Napoleon's seizure of power. It tells the struggle between Hulot, an officer in the Republican
French Culture: War& Literature 10
Army, and the Marquis de Montauran, noble leader of the Chouans. The French police, led by
Fouché, a real historical personality, sends a spy, Marie de Verneuil, to trap the Marquis, but she
falls in love with him…
To write this novel, Balzac, in the year 1827, traveled to the town of Fougeres in Brittany and
listened to many stories (The Varende 11). The events he talks about had taken place only 30
years ago and hence, the memory of the Breton was still easy to operate. Balzac, who in all his
novels wants to write realistically, gave a lot of importance to proper documentation of his work.
The characters and the Brittany’s landscapes were represented faithfully by him.
The political aspects of Balzac and the novel Chouans are interesting because they are partly
contradictory. Balzac is often known for his "monarchist and Catholic views" (Lagarde and
Michard 303). He was close to the aristocratic values perhaps by literary fantasy. It would have
been expected that the Chouans disclose those views. But according to Jean de La Varende, the
novel is "surprisingly impartial" (11), and thus, we cannot guess the political ideas of the author
just by reading the text directly. Indeed, the descriptions of the soldiers and the various
characters in the story do not take any particular person’s side and also, do not defend anybody.
The art of the author is primarily that of a painter, who wants to show a colored picture to his
readers, somewhat in Michelet’s way of conducting a political fight. All the liveliness of
Balzac’s realism is already present in his first novel.
B) Chateaubriand, A worried Romanticist
François-René de Chateaubriand (1768-1848) is nowadays perhaps less famous than Balzac. But
this writer is an aristocrat from Brittany and a very important figure of his time. In the French
literature, he is generally considered as the first French romantic author because of his style full
of personal lyricism. ‘René’, his short novel which was published in 1802, is the voice of a
generation disoriented by political changes and social upheaval of the revolution, and of
loneliness resulting from the abandonment of traditions from one generation who were unable to
live in their own way in this century.
Chateaubriand’s views about the Revolution have changed during his life. First an atheist and
then a freedom lover, he favors to start the Revolution. (Lagarde and Michard 29). However, he
French Culture: War& Literature 11
is shocked by the scenes of violence, as he tells in his autobiography, ‘Mémoires d'Outre-
Tombe’. Seeing the revolutionaries carrying two heads of the ministers of the King at the end of
the spades he reacts:
« « Bandits ! » I exclaimed, full of an indignation I could not hold back, « is it your way to
express freedom ? » Had I had a gun at hand I would have fired off these scoundrels like
wolves. […] These heads and others I saw soon after made me change my political leanings ; I
loathed these cannibal feasts and the idea of leaving France for some faraway country
germinated in my mind. » (de.)
Indeed, Chateaubriand went into exile for 9 years, before returning to France in 1800. He
published ‘Génie du Christianisme’ in 1802. This book is an apologia in favor of the Catholic
religion, which the Revolution wished to remove from the mindsets; to which is attached by
Chateaubriand in his education and social standing. The publication of this work is a political
act, because the monarchy and the Catholic Church worked together. The publication had a
major impact on French culture, as explained by Lagarde and Michard.
« Génie du Christianisme made people enthusiastic because it showed to the French that they did
not have to be ashamed of their religion. » (44)
But the author himself had great political career. For instance, he opposed with violence the
tyranny of Napoleon through a pamphlet, ‘De Buonaparte et des Bourbons’ in 1814, which
according to King Louis XVIII, was more useful to the return of the monarchy than an army of
one hundred thousand men. (Lagarde and Michard 30). He then became a leader of the ultra-
royalists in the Assembly and organized, as then Minister of Foreign Affairs, a counter
revolution against Spain in 1823. His political ideas clearly became hostile to the Revolution.
However, he died in 1848, being aware that he had lived in a crucial period which could not be
avoided.
« I have lived betwixt and between two centuries, like at the confluence of two rivers ; I have
plunged into their troubled waters, moving away from the old riverbank where I was born, with
regrets but swimming towards an unknown shore with hope. » (Lagarde)
French Culture: War& Literature 12
C) Hugo, a passionate republican.
"I want to be Chateaubriand or nothing" wrote Victor Hugo (1802-1885) at the age of 14. Today,
one can reasonably assume that Hugo has exceeded its model. He has himself become the
symbol of literary genius in France, and his name is attached to the victory of romanticism. His
work is colossal and varied: novels, plays, lyric poetry are all literary genres he explored
throughout his life. After spending his childhood making trips in Italy and Spain, he studied in
Paris and was acknowledged for his talent very early in his life by the prestigious French
Academy, for example, which includes the major French writers today.
In 1819, he wrote with his brothers in a Catholic and monarchist journal ‘Le Conservateur
Littéraire’ (Lagarde and Michard 153). But in reality, although he retains a respect for tradition,
Hugo is a great innovator in arts just like in politics. Thus, the first performance of his play
Hernani in 1830 triggered a riot between the classicists and the romantic spectators, because the
style of this piece was very new and mixed comedy and tragedy. Hugo talks about this event in
his preface by saying that "Romanticism is after all, nothing but liberalism in literature. "(154).
He defines his idea of the relationship between poetry and political poet in his ‘Fonction du
poète’, published in 1839:
« Malheur à qui prend ses sandales
Quand les haines et les scandales
Tourmentent le peuple agité !
Honte au penseur qui se mutile
Et s'en va, chanteur inutile,
Par la porte de la cité ! »
"Woe betide him who takes his sandals
When hatred and scandals
Torment the agitated people !
Shame upon the thinker who censors himself
And leaves, useless songster,
Through the doors of the city !"
French Culture: War& Literature 13
Hugo feels indeed, very concerned for public affairs. He was elected in 1848 and is very
enthusiastic for the Republic. He fought the death penalty and campaigning for the abolition of
slavery in the French colonies. He became entirely Republican. In addition, he is famous for
having fought against the new Empire of Louis Napoleon Bonaparte (1851-1870) in Les
Châtiments, a collection of satirical poems against the Emperor. He multiplies the attacks, but in
different forms. For example, he wants to show the contrast between the magnanimity of the
Revolution (= magnanimity) and the infamy of the Empire by writing a an epic poem on the
soldiers of the First Republic (Lagarde and Michard 167 ):
« La Révolution leur criait : — Volontaires,
Mourez pour délivrer tous les peuples vos
frères ! —
Contents, ils disaient oui. »
"The Revolution called on the soldiers :
Volunteers,
Let's die to free all the peoples, your brothers !
Happy, they acquiesced."
At the end of his life, after the return of the Republic in France, his popularity was immense.
Parisians had celebrated his Eightieth birthday publicly. On the occasion of his death in 1885, he
was given the honor of a state funeral at the famous Pantheon and the Arc de Triomphe. Today,
many public buildings, schools, streets, libraries, bear his name.
Conclusion
Hence, to conclude, the French revolution has always and might always play an
important role in determining the importance of the other world revolutions and it is because of
these above writers that these revolutions are still alive. We hope that the above paper explained
well the major ideas behind the French Revolution viz. the overthrowing of the tyranny and the
establishment of freedom as a political value.
Works CitedAron, Raymond. Les étapes de la pensée sociologique. . Paris: Gallimard , 1976.
French Culture: War& Literature 14
Avrom, David. The First Total War: Napoleon's Europe and the birth of warfare as we know it. New York, 2007.
de., François-René. Mémoires d'Outre-Tombe. . Paris: Larousse, 1973.
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Épisodes de la Révolution Française. Perf. and MICHELET, Jules Henri. 1966.
Fehér, Ferenc. The French Revolution and the Birth of Modernity. University of California Press; Reprint edition (August 4, 1990, 1990.
Fling, Fred Morrow. Source problems on the French revolution. New York and London: Harper & Brothers, 1913.
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Halsall, Paul. Modern History SourceBook. 1997.
Heynen, Jacques. Murders Without Assassins. Lulu.com (14 September 2008), 2008.
Hibbert, Christopher. The Days of the French Revolution. New York: William Morrow and Company, 1980.
Lagarde. XIXe siècle, les grands auteurs français du programme. Bordas: 1985, Amdre and Micnar.
Linton, Dr. Marisa. "The Terror in the French Revolution." n.d. Kingston University, UK. <http://www.port.ac.uk/special/france1815to2003/chapter1/interviews/filetodownload,20545,en.pdf>.
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Stearns, Raymond P. Pageant of Europe. 1947.
Waldinger, Maria. Drought and the French Revolution. n.d.
—. Drought and the French Revolution:. n.d. London School of Economics. <https://personal.lse.ac.uk/fleischh/Drought%20and%20the%20French%20Revolution.pdf>.
∑ Quotations from the French books have been translated by Anne-Marie GUESDON.