REPETICIONES Para tres o mas ejecutantes / for three o more performers

Luis Toro (2012)

Instructions for applying

This work is written by way of a share distribution matrix of the instrumentalists on

the instrument. The numbers shown in the score are used to determine the type

and sequence of such actions in the course of the work. Performers must perform

a silent internal account and indicated speed (beats per minute)

Each instrumentalist makes his separate account, without considering

synchronization issues such speeds moment by moment over another

instrumentalist and without a pulse dial a director general.

The Numbers

Six basic instructions that are encoded by adding the sign numerical signs, are

used for this embodiment the first instance.

7 >> - A number followed by two "arrows" indicates that the action should start at

the beginning and end of the account strictly to finish it.

7 - The number "only" indicates that the action on the instrument (and only one)

should start at the beginning of the account but may end when the performer

deems appropriate.

7 - The number "strikethrough" indicates that the action (one and only one) can

begin and end at any time of the account, but always "inside" of that amount

7 - The underlined number indicates that the action should be repeated as often

as directed by the number, in sync with the internal account. This repetition does

not necessarily imply the repetition of the sound, as this action may vary (at any

level).

(7) - The number in parentheses indicates silence, complete absence of action. It

is a silent mind active and instrumentalists must remain stationary during these

silences

[7] - Indicates a silent passive account. Overall general suspensions of musical

action, that can be used by the director to "regroup" accounts.

The Actions

The performers perform actions that are indeterminate and may be limited to a

single sound or gesture the same action on the instrument body, generating a

sound group composed of the same action, in all cases, if the sign indicates

action, not silence, action must be one and only one.

Dynamics

The dynamic levels are indicated with the conventional notation, by minimum and

maximum ranges: [p - f]. Within these ranges the performer determines ad

libitum.

To Direction

It can be performed with or without direction. In the second case, to facilitate

direction marks are arranged distributed in capitals along the score and dotted

lines. Indicate precise synchronization points for the ensemble. The players can

accommodate your accounts to synchronize with management.

REPETICIONES

Tempo 70 x 3 x2 x 5 x 7

a) : 3 (2) 5>> : : 7 (2) 3 1 (1) 2 (1) : (7) : 3 (2) 5>> : : (5) 7 (2) : 19>> (5) 11>> (13) 13>>

a, b, c) 13>> b) : 5 (2) 1 (1) 1 : : (1) 2 (1) 3 (3) 7>> : (7) : (3) 7 : : (3) 11 : 17>> (3) 13>> (11) 17>> mf

c) : (2) 3 (2) 3 : : (5) 5 5>> 2 : 7>> : (1) 3 (1) 2 (2) 1 : : (7) 7 : (13) 17>> (11) 13>> (7) Doble tempo

a) : 5>> (3) 2 (1) 1 (2) : x3 (5) 7 (19) 5 : 2 (2) 2 (1) 3 (2) 2 (2) 2 (3) 2 (3) : x3 Tempo Doble Tempo b) : (2) 3 (3) 1 : x3 (1) 11 19>> (7) 11>> (5) 3>> (17) 11>> (5) Doble Tempo

c) : 7>> 2 2 2 (1) 3 (3) : x2 11>> (1) 23 (1) : (2) 3 (2) 3 (2) 2 (1) 3 (2) 1 (1) 1 (2) 1 : x3 Tempo x7 x5

a) : 1 (1) 1 (1) 2 : : 2 (1) 1 (1) 2 1 : [11] 7 (3) 2 (1) 2 (7) 3 (5) 11 2 3 2 (1) 5 3 2 3 Tempo

b) : (3) 3 : : (1) 7 (1) : [11] (5) 2 2 3 (5) 11 (3) 2 3 2 (7) 5 2 3 2 5

Tempo

c) : (1) 1 (1) 2 1 : : (1) 2 (1) 2 1 2 : [11] (11) 13 (2) 19 2 3 2 (3) 7 Córdoba diciembre 2012 Concierto de Alquimistas

A

B C

D