Renaissance Quarterly Books Received October–December 2014 Abramov-van Rijk, Elena. Singing Dante: The Literary Origins of Cinquecento Monody. Royal Music Association Monographs 26. Farnham: Ashgate Publishing Limited, 2014. viii + 148 pp. $109.95. ISBN 978-1-4724-3799-0. Ambrosini, Federica. Una Gentildonna Davanti al Sant’Uffizio: Il processo per eresia a Isabella della Frattina 1568–1570. Travaux d’Humanisme et Renaissance 535. Geneva: Librairie Droz, 2014. lxxxx + 440 pp. $98.40. ISBN 978-2-600-01930-9. Appleford, Amy. Learning to Die in London, 1380–1540. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2014. x + 320 pp. $65. ISBN 978-0-8122-4669-8. Babel, Rainer. Garde et protection: Der Königsschutz in der französischen Außenpolitik vom 15. bis zum 17. Jahrhundert. Beihefte der Francia 72. Ostfildern: Jan Thorbecke Verlag, 2014. 394 pp. €56. ISBN 978-3-7995-7456-3. Barnard, Mary E. Garcilaso de la Vega and the Material Culture of Renaissance Europe. Toronto: University of Toronto Press, 2014. xiv + 226 pp. $70. ISBN 978-1-4426-4755-8. Bartolovich, Crystal, David Hillman, and Jean E. Howard. Marx and Freud: Great Shakespeareans, Volume X. The Arden Shakespeare. London: Bloomsbury, 2012. xiv + 222 pp. $39.95. ISBN 978-1-4725-1714-2. Berger, Thomas L., and Sonia Massai, eds. Paratexts in English Printed Drama to 1642. 2 vols. Cambridge: Cambridge University Press, 2014. xx + 1040 pp. $250. ISBN 978-0-521-85184-8. Blum, Anna. La Diplomatie de la France en Italie du nord au temps de Richelieu et de Mazarin. Histoire des Temps Modernes 1. Paris: Classiques Garnier, 2014. 702 pp. €49. ISBN 978-2-8124-2030-6. Boggi, Flavio, and Robert Gibbs. Lippo di Dalmasio: “Assai valente pittore.” Bologna: Bononia University Press, 2013. 212 pp. €60. ISBN 978-88-7395-846-8. Bouhaik-Gironès, Marie, Jelle Koopmans, and Katell Lavéant, eds. Recueil des sotties françaises. Tome I. Bibliothèque du Théâtre Français 19. Paris: Classiques Garnier, 2014. 676 pp. €68. ISBN 978-2-8124-3011-4. Bregoli, Francesca. Mediterranean Enlightenment: Livornese Jews, Tuscan Culture, and Eighteenth-Century Reform. Stanford Studies in Jewish History and Culture. Stanford: Stanford University Press, 2014. xvi + 340 pp. $65. ISBN 978-0-8047-8650-8.

Bruno, Giordano. Candelaio. Trans. Alan Powers. n.p.: Alan W. Powers, 2014. 140 pp. $10.25. ISBN 978-1-78407-501-9. Bullinger, Heinrich. Briefe von Januar bis Mai 1546. Eds. Reinhard Bodenmann, Alexandra Kess, and Judith Steiniger. Heinrich Bullinger Werke: Zweite Abteilung Briefwechsel 16. Zurich: Theologischer Verlag Zürich, 2014. 444 pp. €108. ISBN 978-3-290-17760-7. Calloway, Katherine. Natural Theology in the Scientific Revolution: God’s Scientists. Pickering Studies in Philosophy of Religion. London: Pickering & Chatto, 2014. x + 206 pp. $99. ISBN 978-1-84893-464-1. Cavagna, Anna Giulia. La biblioteca di Alfonso II del Carretto marchese di Finale: Libri tra Vienna e la Liguria nel XVI secolo. Fonti, memorie e studi del Centro Storico del Finale 2. Finale Ligure: Centro Storico del Finale, 2012. 430 pp. €20. ISBN 978-88-901669-2-1. Chambers, Douglas D.C., and David Galbraith, eds. The Letterbooks of John Evelyn. 2 vols. Toronto: University of Toronto Press, 2014. lxiv + 1236 pp. $195. ISBN 978-1-4426-4786-2. Chance, Jane. Medieval Mythography, Volume 3: The Emergence of Italian Humanism, 1321–1475. Gainesville: University Press of Florida, 2015. xxx + 666 pp. $100. ISBN 978-0-8130-6012-5. Chang, Leah L., and Katherine Kong, eds. Portraits of the Queen Mother: Polemics, Panegyrics, Letters; Catherine de Medicis and Others. The Other Voice in Early Modern Europe: The Toronto Series 35. Toronto: Iter Inc. / Centre for Reformation and Renaissance Studies, 2014. xii + 284 pp. $31.95. ISBN 978-0-7727-2172-3. Chappuys, Gabriel. Le Secrettaire (1588). Ed. Viviane Mellinghoff-Bourgerie. Textes Littéraires Français 628. Geneva: Librairie Droz, 2014. c + 788 pp. $135.84. ISBN 978-2-600-01773-2. Cole, Michael W. Leonardo, Michelangelo, and the Art of the Figure. New Haven: Yale University Press, 2014. xiv + 192 pp. $45. ISBN 978-0-300-20820-7. Connor, Francis X. Literary Folios and Ideas of the Book in Early Modern England. History of Text Technologies. Basingstoke: Palgrave Macmillan, 2014. xii + 236 pp. $95. ISBN 978-1-137-43834-8. Cornaro, Alvise. Writings on the Sober Life: The Art and Grace of Living Long. Ed. and trans. Hiroko Fudemoto. With Greg Critser and Marisa Milani. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2014. xxxii + 252 pp. $55. ISBN 978-1-4426-4509-7.

Corneille, Pierre. Théatre. Tome I. Eds. Claire Carlin, Jean de Guardia, Marc Vuillermoz, and Liliane Picciola. Bibliothèque du Théâtre Français 20. Paris: Classiques Garnier, 2014. 974 pp. €49. ISBN 978-2-8124-2975-0. Crane, Mary Thomas. Losing Touch with Nature: Literature and the New Science in Sixteenth-Century England. Baltimore: Johns Hopkins University Press, 2014. xiv + 228 pp. $49.95. ISBN 978-1-4214-1531-4. Cull, Marisa R. Shakespeare’s Prince of Wales: English Identity and the Welsh Connection. Oxford: Oxford University Press, 2014. x + 204 pp. $99. ISBN 978-0-19-871619-8. Cuttini, Elisa. Natura, morale e seconda natura nell’aristotelismo di Giacomo Zabarella e John Case. Collana di Scienze dell’Interpretazione. Padua: Cleup, 2014. 130 pp. €17. ISBN 978-88-6787-228-2. Dante Alighieri. Dante’s Lyric Poetry: Poems of Youth and of the Vita Nuova. Ed. Teodolinda Barolini. Trans. Richard Lansing and Andrew Frisardi. The Lorenzo da Ponte Italian Library. Toronto: University of Toronto Press, 2014. viii + 336 pp. $39.95. ISBN 978-1-4426-2619-5. De Larivière, Claire Judde. La révolte des boules de neige: Murano face à Venise, 1511. L’épreuve de l’histoire. Paris: Fayard, 2014. 356 pp. €22. ISBN 978-2-21367-814-6. De Valdés, Juan. Diálogo de la lengua: A Diplomatic Edition. Ed. K. Anipa. Modern Humanities Research Association, Critical Texts 38. Cambridge: Modern Humanities Research Association, 2014. x + 134 pp. $15.99. ISBN 978-1-907322-82-2. Digby, Tom. Love and War: How Militarism Shapes Sexuality and Romance. New York: Columbia University Press, 2014. xiv + 226 pp. $22. ISBN 978-0-231-16841-0. Eckstein, Nicholas A. Painted Glories: The Brancacci Chapel in Renaissance Florence. New Haven: Yale University Press, 2014. x + 282 pp. $75. ISBN 978-0-300-18766-3. Esch, Arnold. Die Lebenswelt des Europäischen Spätmittelalters: Kleine Schicksale selbst erzählt in Schreiben an den Papst. Munich: Verlag C.H. Beck, 2014. 544 pp. €29.95. ISBN 978-3-406-66770-1. Everett, Nigel. The Woods of Ireland: A History, 700–1800. Dublin: Four Courts Press, 2014. xii + 314 pp. €50. ISBN 978-1-84682-505-7. Finocchiaro, Maurice A., ed. The Trial of Galileo: Essential Documents. Indianapolis: Hackett Publishing Company, Inc., 2014. xii + 160 pp. $12. ISBN 978-1-62466-132-7.

Flavin, Susan. Consumption and Culture in Sixteenth-Century Ireland: Saffron, Stockings and Silk. Irish Historical Monographs 13. Woodbridge: The Boydell Press, 2014. xvi + 304 pp. $115. ISBN 978-1-84383-950-7. Fransen, Bart. Rogier van der Weyden and Stone Sculpture in Brussels. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands 2. Turnhout: Brepols, 2013. 238 pp. €100. ISBN 978-1-909400-15-3. Fromont, Cécile. The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo. Chapel Hill: University of North Carolina Press, 2014. xx + 284 pp. $45. ISBN 978-1-4696-1871-5. Gill, Meredith J. Angels and the Order of Heaven in Medieval and Renaissance Italy. Cambridge: Cambridge University Press, 2014. xvi + 324 pp. + 32 color pls. $120. ISBN 978-1-107-02795-4. Gómez-Bravo, Ana M. Textual Agency: Writing Culture and Social Networks in Fifteenth-Century Spain. Toronto Iberic 7. Toronto: University of Toronto Press, 2013. 332 pp. $65. ISBN 978-1-4426-4720-6. Hailwood, Mark. Alehouses and Good Fellowship in Early Modern England. Studies in Early Modern Cultural, Political and Social History 21. Woodbridge: The Boydell Press, 2014. x + 254 pp. $99. ISBN 978-1-843830942-2. Hammond, Paul. Milton and the People. Oxford: Oxford University Press, 2014. xiv + 272 pp. $74. ISBN 978-0-19-968237-9. Hatfield, Rab. The Three Mona Lisas. Milan: Officina Libraria, 2014. viii + 236 pp. €30. ISBN 978-88-97737-39-1. Hellinga, Lotte. Texts in Transit: Manuscript to Proof and Print in the Fifteenth Century. Library of the Written Word 38; The Handpress World 29. Leiden: Brill, 2014. xiv + 452 pp. $193. ISBN 978-90-04-27716-8. Hopkins, Lisa. Renaissance Drama on the Edge. Farnham: Ashgate Publishing Limited, 2014. viii + 192 pp. $104.95. ISBN 978-1-4094-3819-9. Huguenin, Angela Fabienne. Hässlichkeit im Portrait: Eine Paradoxie der Renaissancemalerei. Hamburg: Verlag Dr. Kovač, 2012. 586 pp. €98. ISBN 978-3-8300-6431-2. Janssen, Geert H. The Dutch Revolt and Catholic Exile in Reformation Europe. Cambridge: Cambridge University Press, 2014. xvi + 218 pp. $95. ISBN 978-1-107-05503-2.

Jennings, Lauren McGuire. Senza Vestimenta: The Literary Tradition of Trecento Song. Music and Material Culture. Farnham: Ashgate Publishing Limited, 2014. xiv + 288 pp. $119.95. ISBN 978-1-4724-1888-3. Kerl, Katharina. Die doppelte Pragmatik der Fiktionalität: Studie zur Poetik der Gerusalemme Liberata (Torquato Tasso, 1581). Text und Kontext: Romanische Literaturen und Allgemeine Literaturwissenschaft 35. Stuttgart: Franz Steiner Sterlag, 2014. 420 pp. €66. ISBN 978-3-515-10717-4. Kleinert, Corina. Peter Paul Rubens (1577–1640) and His Landscapes: Ideas on Nature and Art. Pictura Nova: Studies in Sixteenth- and Seventeenth-Century Flemish Painting and Drawing 20. Turnhout: Brepols, 2014. 398 pp. €120. ISBN 978-2-503-55038-1. Krämer, Fabian. Ein Zentaur in London: Lektüre und Beobachtung in der frühneuzeitlichen Naturforschung. Kulturgeschichten. Studien zur Frühen Neuzeit 1. Affalterbach: Didymos-Verlag, 2014. 436 pp. + 8 pls. €39. ISBN 978-3-939020-42-4. Lesser, Zachary. Hamlet After Q1: An Uncanny History of the Shakespearean Text. Material Texts. Philadelphia: University of Pennsylvania Press, 2015. 292 pp. $59.95. ISBN 978-0-8122-4661-2. L’Estoile, Pierre de. Journal du règne de Henri IV. Tome II: 1592–1594. Eds. Gilbert Schrenck and Xavier Le Person. With Mecking Volker. Textes Littéraires Français 630. Geneva: Librairie Droz, 2014. xxiv + 548 pp. $73.06. ISBN 978-2-600-01774-9. L’Hospital, Michel de. Carmina: Livre I. Eds. and trans. Perrine Galand and Loris Petris. With David Amherdt. Travaux d’Humanisme et Renaissance 531. Geneva: Librairie Droz, 2014. 398 pp. $84. ISBN 978-2-600-01785-5. Lipking, Lawrence. What Galileo Saw: Imagining the Scientific Revolution. Ithaca: Cornell University Press, 2014. xviii + 314 pp. $35. ISBN 978-0-8014-5297-0. Llewellyn, Kathleen M. Representing Judith in Early Modern French Literature. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2014. 150 pp. $104.95. ISBN 978-1-4724-3533-0. Lobis, Seth. The Virtue of Sympathy: Magic, Philosophy, and Literature in Seventeenth-Century England. Yale Studies in English. New Haven: Yale University Press, 2014. x + 418 pp. $85. ISBN 978-0-300-19203-2. López, David Martín. Orígenes y evolución de la Universidad de Toledo (1485–1625). Toledo: Ediciones Parlamentarias de Castilla-La Mancha, 2014. 292 pp. ISBN 978-84-691-2594-6.

MacPhail, Eric M. Dancing around the Well: The Circulation of Commonplaces in Renaissance Humanism. Brill’s Studies of Intellectual History 232. Leiden: Brill, 2014. vi + 170 pp. $120. ISBN 978-90-04-27439-6. Manzano Baena, Laura. Conflicting Words: The Peace Treaty of Münster (1648) and the Political Culture of the Dutch Republic and the Spanish Monarchy. Avisos de Flandes 13. Leuven: Leuven University Press, 2011. 282 pp. €39.50. ISBN 978-90-5867-867-6. Margócsy, Dániel. Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age. Chicago: The University of Chicago Press, 2014. xii + 320 pp. $40. ISBN 978-0-226-11774-4. Mariani Zini, Fosca. La pensée de Ficin: Itinéraires néoplatoniciens. Bibliothèque d’histoire de la Philosophie. Paris: J. Vrin, 2014. 298 pp. €25. ISBN 978-2-7116-2583-3. Marsilius of Inghen. Quaestiones super quattuor libros Sententiarum, Volume 3: Super primum, quaestiones 22-37. Eds. Maarten J.F.M. Hoenen and Markus Erne. Studies in the History of Christian Traditions 173. Leiden: Brill, 2014. xii + 454 pp. $219. ISBN 978-90-04-27242-2. Martín, José Manuel Díaz. Leyendo a Fray Luis de León. Newark: Juan de la Cuesta - Hispanic Monographs, 2014. 318 pp. $34.95. ISBN 978-1-58871-245-5. McIver, Katherine A. Cooking and Eating in Renaissance Italy: From Kitchen to Table. Rowman & Littlefield Studies in Food and Gastronomy. Lanham: Rowman & Littlefield, 2015. xii + 204 pp. $38. ISBN 978-1-4422-2718-7. Morgan, Rhys. The Welsh and the Shaping of Early Modern Ireland, 1558–1641. Irish Historical Monograph Series 11. Woodbridge: The Boydell Press, 2014. xii + 230 pp. $120. ISBN 978-1-84383-924-8. Morrill, Penny C. The Casa del Deán: New World Imagery in a Sixteenth-Century Mexican Mural Cycle. Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture. Austin: University of Texas Press, 2015. xiii + 298 pp. $75. ISBN 978-0-292-75930-5. Moss, Daniel D. The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England. Toronto: University of Toronto Press, 2014. xii + 256 pp. $65. ISBN 978-1-4426-4868-5. Nirenberg, David. Neighboring Faiths: Christianity, Islam, and Judaism in the Middle Ages and Today. Chicago: The University of Chicago Press, 2014. vi + 342 pp. $45. ISBN 978-0-226-16893-7. Noble Wood, Oliver J. A Tale Blazed Through Heaven: Imitation and Invention in the Golden Age of Spain. Oxford Modern Languages and Literature Monographs. Oxford: Oxford University Press, 2014. x + 236 pp. $125. ISBN 978-0-19-870735-6.

Oldenburg, Scott. Alien Albion: Literature and Immigration in Early Modern England. Toronto: University of Toronto Press, 2014. 290 pp. $65. ISBN 978-1-4426-4719-0. Olson, Kristina M. Courtesy Lost: Dante, Boccaccio, and the Literature of History. Toronto: University of Toronto Press, 2014. x + 248 pp. $65. ISBN 978-1-4426-4707-7. Ortega, Stephen. Negotiating Transcultural Relations in the Early Modern Mediterranean: Ottoman-Venetian Encounters. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2014. xiv + 198 pp. $109.95. ISBN 978-1-4094-2858-9. Paul, J. Gavin. Shakespeare and the Imprints of Performance. History of Text Technologies. Basingstoke: Palgrave Macmillan, 2014. xxiv + 226 pp. £57.50. ISBN 978-1-137-43843-0. Pederson, Randall J. Unity in Diversity: English Puritans and the Puritan Reformation, 1603–1689. Brill’s Series in Church History 68. Leiden: Brill, 2014. xiv + 380 pp. $181. ISBN 978-90-04-27850-9. Pinkus, Assaf. Sculpting Simulacra in Medieval Germany, 1250–1380. Farnham: Ashgate Publishing Limited, 2014. xvi + 234 pp. $119.95. ISBN 978-1-4724-2265-1. Quinn, Mary B. The Moor and the Novel: Narrating Absence in Early Modern Spain. Basingstoke: Palgrave Macmillan, 2013. xii + 186 pp. $85. ISBN 978-1-137-29992-5. Ramsay, Nigel. Heralds and Heraldry in Shakespeare’s England. Donington: Shaun Tyas, 2014. x + 342 pp. £40. ISBN 978-1-907730-35-1. Reid, Lindsay Ann. Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2014. xii + 218 pp. $109.95. ISBN 978-1-4094-5735-0. Reinke-Williams, Tim. Women, Work and Sociability in Early Modern London. Genders and Sexualities in History. Basingstoke: Palgrave Macmillan, 2014. viii + 226 pp. $95. ISBN 978-1-137-37209-3. Rossiter, William T. Wyatt Abroad: Tudor Diplomacy and the Translation of Power. Studies in Renaissance Literature 32. Woodbridge: Boydell & Brewer, 2014. x + 246 pp. $99. ISBN 978-1-84384-388-7. Rubright, Marjorie. Doppelgänger Dilemmas: Anglo-Dutch Relations in Early Modern English Literature and Culture. Philadelphia: University of Pennsylvania Press, 2014. 342 pp. $69.95. ISBN 978-0-8122-4623-0.

Rupp, Stephen. Heroic Forms: Cervantes and the Literature of War. Toronto: University of Toronto Press, 2014. xvi + 254 pp. $60. ISBN 978-1-4426-4912-5. Scattergood, John. John Skelton: The Career of an Early Tudor Poet. Dublin: Four Courts Press, 2014. 432 pp. €55. ISBN 978-1-84682-337-4. Scham, Michael. Lector Ludens: The Representation of Games and Play in Cervantes. Toronto: University of Toronto Press, 2014. xii + 384 pp. $70. ISBN 978-1-4426-4864-7. Schmitt, Natalie Crohn. Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios. Toronto: University of Toronto Press, 2014. xiv + 328 pp. $80. ISBN 978-1-4426-4899-9. Schulman, Alex. Rethinking Shakespeare’s Political Philosophy: From Lear to Leviathan. Edinburgh Critical Studies in Shakespeare and Philosophy. Edinburgh: Edinburgh University Press, 2014. x + 232 pp. £70. ISBN 978-0-7486-82416. Schulz, Anne Markham. The Sculpture of Tullio Lombardo. Vistas: New Scholarship on Sculpture 1250–1780. London: Harvey Miller Publishers, 2014. 464 pp. €140. ISBN 978-1-909400-17-7. Shephard, Tim. Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530. Oxford: Oxford University Press, 2014. xii + 170 pp. $49.95. ISBN 978-0-19-993613-7. Sigüenza y Góngora, Carlos de. The Glories of Querétaro: Chronicle of an Early Mexican Church Honoring the Virgin of Guadalupe. Trans. Stephanie Merrim. Newark: Juan de la Cuesta - Hispanic Monographs, 2015. 100 pp. $28.45. ISBN 978-1-58871-239-4. Stanton, Domna C. The Dynamics of Gender in Early Modern France: Women Writ, Women Writing. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2014. x + 256 pp. $104.95. ISBN 978-1-4724-4201-7. Stavreva, Kirilka. Words Like Daggers: Violent Female Speech in Early Modern England. Early Modern Cultural Studies. Lincoln: University of Nebraska Press, 2015. xxvi pp. $55. ISBN 978-0-8032-5488-6. Tadié, Alexis. Francis Bacon: Le continent du savoir. Perspectives Comparatistes 27; Série Classique/Moderne 1. Paris: Classiques Garnier, 2014. 222 pp. €34. ISBN 978-2-8124-3058-9. Tarlinskaja, Marina. Shakespeare and the Versification of English Drama, 1561–1642. Farnham: Ashgate Publishing Limited, 2014. xii + 412 pp. $129.95. ISBN 978-1-4724-3028-1.

Vance, Jacob. Secrets: Humanism, Mysticism, and Evangelism in Erasmus of Rotterdam, Bishop Guillaume Briçonnet, and Marguerite de Navarre. Brill’s Studies in Intellectual History 231. Leiden: Brill, 2014. x + 180 pp. $128. ISBN 978-90-04-28124-0. Vidler, Laura L. Performance Reconstruction and Spanish Golden Age Drama: Reviving and Revising the Comedia. Palgrave Studies in Theatre and Performance History. Basingstoke: Palgrave Macmillan, 2014. xvi + 188 pp. $90. ISBN 978-1-137-43975-8. Walker, William. Antiformalist, Unrevolutionary, Illiberal Milton: Political Prose, 1644–1660. Farnham: Ashgate Publishing Limited, 2014. viii + 208 pp. $109.95. ISBN 978-1-4724-3133-2. Walsham, Alexandra. Catholic Reformation in Protestant Britain. Catholic Christendom, 1300–1700. Farnham: Ashgate Publishing Limited, 2014. xviii + 490 pp. $139.95. ISBN 978-0-7546-5723-1. Walters, Lisa. Margaret Cavendish: Gender, Science and Politics. Cambridge: Cambridge University Press, 2014. vi + 260 pp. $95. ISBN 978-1-107-06643-4. Wieland, Christian. Nach der Fehde: Studien zur Interaktion von Adel und Rechtssystem am Beginn der Neuzeit : Bayern 1500 bis 1600. Frühneuzeit-Forschungen 20. Epfendorf: Biblioteca Academica Verlag, 2014. 564 pp. ISBN 978-3-928471-92-3. Wiggins, Martin, and Catherine Richardson. British Drama: 1533–1642: A Catalogue, Volume IV: 1598–1602. Oxford: Oxford University Press, 2014. xiii + 474 pp. $160. ISBN 978-0-19-926574-9. Wilding, Nick. Galileo’s Idol: Gianfrancesco Sagredo and the Politics of Knowledge. Chicago: The University of Chicago Press, 2014. 200 pp. $35. ISBN 978-0-226-16697-1. Williams, Alan. The Sword and the Crucible: A History of the Metallurgy of European Swords up to the 16th Century. History of Warfare 77. Leiden: Brill, 2012. viii + 292 pp. $196. ISBN 978-90-04-22783-5. Zarnowiecki, Matthew. Fair Copies: Reproducing the English Lyric from Tottel to Shakespeare. Toronto: University of Toronto Press, 2014. xiv + 234 pp. $65. ISBN 978-1-4426-4718-3. Edited Collections: Ackermann, Silke, Richard L. Kremer, and Mara Miniati, eds. Scientific Instruments on Display. History of Science and Medicine Library 46; Scientific Instruments and Collections 4. Leiden: Brill, 2014. xxxiv + 232 pp. $142. ISBN 978-90-04-26439-7.

Includes: Silke Ackermann, Richard L. Kremer and Mara Miniati, “Introduction”; Marco Beretta, “Andrea Corsini and the Creation of the Museum of the History of Science in Florence (1930–1961)”; Alyson Boyle, “‘Not for their beauty’: Instruments and Narratives at the Science Museum, London”; Richard Dunn, “‘More Artistic than Scientific’: Exhibiting Instruments as Decorative Arts in the Victoria & Albert Museum”; Silke Ackermann, “‘Of sufficient interest…, but not of such value…’: 260 Years of Displaying Scientific Instruments in the British Museum”; Laurence Bobis and Suzanne Débarbat, “Instruments on Display at the Paris Observatory”; Richard L. Kremer, “Looking at Scientific Instruments on Display at the United States Centennial Exhibition of 1876”; Steven C. Turner, “Permanent Demonstrations: The Science Teaching Museum at the University of Chicago”; Richard A. Paselk, “The Display of Twentieth-Century Instruments at Humboldt State University”; Peggy Aldrich Kidwell and Amy Ackerberg-Hastings, “Slide Rules on Display in the United States, 1840-2010”; Ingrid Jendrzejewski, “‘Exceedingly Ridiculous’: Telescopes on Display on the Seventeenth-Century Stage”; Ileana Chinnici, Donatella Randazzo and Fausto Casi, “Instruments on Movie Sets: A Case Study”; and Inga Elmqvist Söderlund, “Display of Instruments on Seventeenth Century Astronomical Frontispieces.” Albonico, Simone, Marco Limongelli, and Barbara Pagliari, eds. Valorosa vipera gentile: Poesia e letteratura in volgare attorno ai Visconti fra Trecento e primo Quattrocento. Studi lombardi 4. Rome: Viella, 2014. 250 pp. €32. ISBN 978-88-6728-310-1. Includes: Simone Albonico, “Premessa”; Cristiano Lorenzi, “Fazio degli Uberti a Milano (con una nota sulla tradizione settentrionale di alcune rime)”; Nadia Belliato, “I Visconti nel Dittamondo di Fazio degli Uberti”; Roberta Manetti, “Vannozzo e il Conte di Virtù: una relazione virtuale?”; Marco Limongelli, “Poeti e istrioni tra Bernabò e Gian Galeazzo”; Barbara Pagliari, “Per il testo dei Funerali di Pietro Canterino da Siena”; Simone Albonico, “Un testo pavese in prosa del primo Quattrocento”; Teresa Nocita, “I rimatori di ambito visconteo nel quadro della poesia trecentesca”; and Barbara Pagliari, “Il perduto (?) Canzoniere di Giovanni de Bonis d’Arezzo.” Albright, Daniel, ed. Berlioz, Verdi, Wagner, Britten: Great Shakespeareans, Volume XI. The Arden Shakespeare. London: Bloomsbury, 2012. xii + 242 pp. $39.95. ISBN 978-1-4725-1851-4. Includes: Peter Holland and Adrian Poole, “Series Editors’ Preface”; Daniel Albright, “Introduction”; Peter Bloom, “Berlioz”; Daniel Albright, “Verdi”; David Trippett, “Individuation as Worship: Wagner and Shakespeare”; and Seth Brodsky, “Britten as Another: Six Notes on a Mystic Writing Pad.” Attar, Karina F., and Lynn Shutters, eds. Teaching Medieval and Early Modern Cross-Cultural Encounters. The New Middle Ages. Basingstoke: Palgrave Macmillan, 2014. xxiv + 254 pp. $90. ISBN 978-1-137-48133-7.

Includes: Lisa Lampert-Weissig, “Foreword”; Karina F. Attar and Lynn Shutters, “Introduction”; Seth Kimmel, “Andalusian Iberias: From Spanish to Iberian Literature”; Megan Moore, “Using Feminist Pedagogy to Explore Connectivity in the Medieval Mediterranean;” Kyunghee Pyun, “A Journey through the Silk Road in a Cosmopolitan Classroom”; Elizabeth Pentland, “Teaching English Travel Writing from 1500 to the Present”; Julia Schleck, “Stranger than Fiction: Early Modern Travel Narratives and the Antiracist Classroom”; Barbara Sebek, “Different Shakespeares: Thinking Globally in an Early Modern Literature Course”; Ambereen Dadabhoy, “The Moor of America: Approaching the Crisis of Race and Religion in the Renaissance and the Twenty-First Century”; Andrea Mirabile and Lynn Ramey, “‘Real’ Bodies? Race, Corporality, and Contradiction in The Arabian Nights and Pier Paolo Pasolini’s Il fiore delle mille e una notte (1974)”; Jo Ann Cavallo, “Encountering Saracens in Italian Chivalric Epic and Folk Performance Traditions”; Janice Hawes, “Beowulf as Hero of Empire”; Jenna Soleo-Shanks, “Resurrecting Callimachus: Pop Music, Puppets, and the Necessity of Performance in Teaching Medieval Drama”; and Tison Pugh, “Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter.” Bernier, Marc André, Clorinda Donato, and Hans-Jürgen Lüsebrink, eds. Jesuit Accounts of the Colonial Americas: Intercultural Transfers, Intellectual Disputes, and Textualities. Toronto: University of Toronto Press, 2014. x + 464 pp. $80. ISBN 978-1-4426-4572-1. Includes: Marc André Bernier, Clorinda Donato, Hans-Jürgen Lüsebrink, “Introduction”; Girolamo Imbruglia,”A Peculiar Idea of Empire: Missions and Missionaries of the Society of Jesus in Early Modern History”; Clorinda Donato, “The Politics of Writing, Translating, and Publishing. New World Histories in Post-Expulsion Italy: Filippo Salvatore Gilij’s 1784 Saggio di Storia Americana”; Eileen Willingham, “Imagining the Kingdom of Quito: Reading History and National Identity in Juan de Velasco’s Historia del Reino de Quito”; Beatriz de Alba-Koch, “For Love of Patria: Locating Self and Nation in Clavijero’s Rendition of the Conquest of Mexico”; Hans-Jürgen Lüsebrink, “Between Ethnology and Romantic Discourse: Martin Dobrizhoffer’s History of the Abipones in a (Post)modern Perspective”; Perla Chinchilla Pawling, “From Sacred Rhetoric to the Republic of Letters: Jesuit Sermons in Seventeenth-Century New Spain”; Sara E. Melzer, “France’s Colonial Strategy of Cultural Assimilation”; Wiebke Röben de Alencar Xavier, “José Basílio da Gama’s Epic Poem O Uraguay (1769): An Intellectual Dispute about the Jesuit State of Paraguay”; Ute Fendler, “Changing Perspectives: The Other, the Self, the In-Between of the Jesuit Experience in the Eighteenth Century”; Karen Stolley, “East from Eden: Domesticating Exile in Jesuit Accounts of their 1767 Expulsion from Spanish America”; Isabelle Lachance, “‘Ils estoient si subjects à leur bouche’: La Relation de 1616 face à la topique antijésuite”; Klaus-Dieter Ertler, “Les Relations des jésuites et la construction de l’observateur européen face au monde indigène”; Catherine Broué, “Une rhétorique du silence: l’œuvre jésuite dans la Description de la Louisiane du récollet Louis Hennepin”; Pierre Berthiaume, “L’héritage de José de Acosta”; Marie-Christine Pioffet, “La Nouvelle-France dans l’imaginaire jésuite: Terra doloris ou Jérusalem céleste?”; Margaret R. Ewalt,

“The Legacy of Joseph Gumilla’s Orinoco Enlightened”; Réal Ouellet and Marc André Bernier, “Pierre Pelleprat’s Accounts of the Jesuit Missions in the Antilles and in Guyana (1655)”; Andréanne Vallée, “Dans le sillage du père Joseph-François Lafitau: Les Avantures de Claude Le Beau”; and Hans-Jürgen Lüsebrink, “Postface: De l’usage de la comparaison dans les écrits des Jésuites sur les Amériques.” Bollermann, Karen, Thomas M. Izbicki, and Cary J. Nederman, eds. Religion, Power, and Resistance from the Eleventh to the Sixteenth Centuries: Playing the Heresy Card. The New Middle Ages. Basingstoke: Palgrave Macmillan, 2014. xviii + 242 pp. $90. ISBN 978-1-137-43104-2. Includes: Karen Bollermann, Thomas M. Izbicki, and Cary J. Nederman, “Introduction”; Karen Bollermann and Cary J. Nederman, “Standing in Abelard’s Shadow: Gilbert of Poitiers, the 1148 Council of Rheims, and the Politics of Ideas”; Andrew E. Larsen, “Secular Politics and Academic Condemnation at Oxford, 1358–1411”; Thomas A. Fudge, “‘O Cursed Judas”: Formal Heresy Accusations against Jan Hus”; Henry Ansgar Kelly, “Questions of Due Process and Conviction in the Trial of Joan of Arc”; Thomas Turley, “Making a Heresiarch: Guido Terreni’s Attack on Joachim of Fiore”; Frank Godthardt, “The Papal Condemnation of Marsilius of Padua’s Defensor Pacis: Its Preparation and Political Use”; Thomas M. Izbicki, “Tarring Conciliarism with the Brush of Heresy: Juan de Torquemada’s Summa de ecclesia”; Takashi Shogimen, “Ockham, Almain, and the Idea of Heresy”; John Phillip Lomax, “Hints and Allegations: The Charge of Infidelity in Papal and Imperial Propaganda, 1239–1245”; Jerry B. Pierce, “Autonomy, Dissent, and the Crusade against Fra Dolcino in 14th Century Valsesia”; and Bettina Koch, “Religious Dissent in Pre-Modern Islam: Political Usage of Heresy and Apostasy in Nizam al-Mulk and Ibn Taymiyya.” Brown, Richard Danson, and J. B. Lethbridge, eds. A Concordance to the Rhymes of The Faerie Queene: With Two Studies of Spenser’s Rhymes. The Manchester Spenser. Manchester: Manchester University Press, 2013. xx + 548 pp. £65. ISBN 978-0-7190-8888-9. Includes: Richard Danson Brown, “‘Charmed with inchaunted rimes’: An Introduction to The Faerie Queene Rhymes Concordance”; and J.B. Lethbridge, “The Bondage of Rhyme in The Faerie Queene: Moderate ‘this Ornament of Rhyme’.” Caesar, Mathieu, and Marco Schnyder, eds. Religion et pouvoir: Citoyenneté, ordre social et discipline morale dans les villes de l’espace suisse (XIVe–XVIIIe siècles). Neuchatel: Alphil-Presses universitaires suisses, 2014. 262 pp. $42. ISBN 978-2-88930-025-9. Includes: Mathieu Caesar et Marco Schnyder, “Avant-propos”; Pierre Monnet, “Ville et citoyenneté: En guise d’introduction”; Kathrin Utz Tremp, “Une institution presque étatique: Le curé de Fribourg”; Odile Kammerer, “Former un bon mulhousien (XIIIe–XVIe siècles)”; Mathieu Caesar,

“Vertus civiques et cléricalisation des élites à Genève (XVe–début XVIe siècle)”; Olivier Richard, “Le citoyen assermenté: Le serment comme instrument d’encadrement de la population urbaine, XVe–XVIe siècles (Bâle, Berne, Lucerne, Zurich)”; Stéphanie Manzi, “Les couvents mendiants et les autorités laïques de Lausanne: Des tentatives observantes à la sécularisation protestante (1436–1536)”; Antonietta Moretti, “‘Ad honore di dio et benefitio universale di questo paese’: Il borgo di Lugano e i suoi conventi (secoli XIII–XIX)”; Davide Adamoli, “Être confrère dans le patriciat et devant Dieu: Le rôle des confréries dans la construction de la société du bourg de Lugano (XVIIe–XVIIIe siècles)”; Marco Schnyder, “Édification spirituelle, ordre social et prestige municipal: La prédication dans le bourg de Lugano (fin XVIIe–début XIXe siècle)”; Pierre-Oliver Léchot, “‘Mettre les ministres sous les pieds’? Critique du magistrat, cléricalisme et réforme de la société à Neuchâtel au miroir de l’expérience de Jean-Frédéric Ostervald (1663–1747)”; Nicole Staremberg, “Le contrôle des moeurs à Lausanne au XVIIIe siècle: discours, normes et pratiques consistoriales”; and François Walter, “Pour conclure: Au-delà d’un dispositif symbolique.” Canettieri, Paolo, and Arianna Punzi, eds. Dai pochi ai molti: Studi in onore di Roberto Antonelli. 2 vols. Rome: Viella, 2014. xx + 1846 pp. €160. ISBN 978-88-6728-136-7. Includes: Paolo Canettieri and Arianna Punzi, “Premessa”; Alberto Abruzzese, “Contro l’umanesimo e i suoi dispositivi”; Annamaria Annicchiarico, “La Biblis di Joan Roís de Corella (introduzione, edizione critica, traduzione)”; Rossend Arqués, “Dante y Octavio Paz: Poética moderna y erotismo”; Valentina Atturo, “Languor carnis: Echi di memoria salomonica nella fisiologia emozionale dei trovatori”; Anna Maria Babbi, “‘Je sui la pucele a la rose’: ancora sul Guillaume de Dole”; Sonia Maura Barillari, “La ‘coppia d’Arimino’ fra il Triumphus cupidinis e il Purgatorio di san Patrizio. (Una ballata per Viola Novella dal codice Magliabechiano VII, 1078)”; Maria Carla Battelli, “Il karma e la letteratura: insegnare in India”; Fabrizio Beggiato and Antoni Rossell, “Ara que·m sui lonhatz d’est mestier brau”; Pietro G. Beltrami, “Il Manfredi di Jean de Meun (esercizio di traduzione dal Roman de la Rose)”; Vicenç Beltrán and Isabella Tomassetti, “Refrains ed estribillos: Dalla citazione all’imitazione”; Valentina Berardini, “‘Praedicatio est manifesta et publica instructio morum et fidei…’. How did preachers act on the pulpit?”; Francesca Bernardini Napoletano, “‘Difficoltà di vita’ e ‘ragioni dell’anima’. Lettere di Alfonso Gatto a Enrico Falqui”; Fabio Bertolo, “Minima filologica: quattro lettere inedite di Bruno Migliorini a Ettore Li Gotti”; Valeria Bertolucci Pizzorusso, “‘… non so che “Gentucca”’: Analisi di Purgatorio XXIV, 37”; Simonetta Bianchini, “‘Il mio tesoro’ (Paradiso XVII, 121)”; Dominique Billy, “La Complainte de Geneviève de Brabant ou l’inconstance de la césure”; Piero Boitani, “Identità europea e canoni letterari”; Corrado Bologna, “Gli ‘eroi illustri’ e il potere ‘illuminato’”; Massimo Bonafin, “Rileggendo Les Vêpres de Tibert (branche 12 del Roman de Renart)”; Luciana Borghi Cedrini and Walter Meliga, “La sezione delle tenzoni del canzoniere di Bernart Amoros”; Mercedes Brea, “Esquemas rimáticos y cantigas de refrán”; Margaret Brose, “Leopardi and the gendering of the sublime. A meditation for Roberto Antonelli, in gratitude for his friendship”; Furio Brugnolo, “Esercizi di commento al Dante lirico: Ballata, i’ vòi che tu ritrovi Amore (Vita nuova, XII [5]) e Tutti li miei penser’ parlan d’Amore (Vita nuova, XIII [6])”; Giuseppina Brunetti, “Per un magnifico settenario”; Rosanna Brusegan, “Una crux

della Passione di Ruggeri Apugliese: ‘bistartoti’”; Eugenio Burgio, “Achbaluch, ‘nella provincia del Cataio’. (Ramusio, I Viaggi di Messer Marco Polo, II 28, 6–7)”; Rosalba Campra, “Costumbre de Primavera”; Paolo Canettieri, “Politica e gioco alle origini della lirica romanza: Il conte di Poitiers, il principe di Blaia e altri cortesi”; Nadia Cannata and Maddalena Signorini, “‘Per trionfar o Cesare o poeta’: La corona d’alloro e le insegne del poeta moderno”; Mario Capaldo, “Eine altrussische sagenhafte Erzählung über Attilas Tod”; Maria Grazia Capusso, “Forme di intrattenimento dialogato: La tenzone fittizia di Lanfranco Cigala (BdT 282, 4)”; Maria Careri, “Una nuova traccia veneta di Folchetto di Marsiglia e Peire Vidal (Biblioteca Apostolica Vaticana, Vat. lat. 89)”; Attilio Castellucci, “La sovrapposizione semantica di morriña e saudade”; Simone Celani, “A empresa fornecedora de mitos: Un inedito di Fernando Pessoa tra ironia e mitopoiesi”; María Luisa Cerrón Puga, “¿Espía o traductor? El oficio de Alfonso de Ulloa en Venecia (1552–1570)”; Paolo Cherchi, “Il rito della visita omaggio al maestro”; Claudia Cieri Via, “Qualche riflessione sull’ekphrasis nell’arte del tardo Quattrocento: Da Leon Battista Alberti ad Alfred Gell”; Fabrizio Cigni, “Il lai tristaniano Folie n’est pas vasselage e i suoi contesti (con edizione del manoscritto braidense)”; Mariella Combi, “Qualche riflessione antropologica: Ri-mappare i sensi e le emozioni”; Anna Maria Compagna, “Il sentimento tradotto: da Ausiàs March a Baltasar de Romaní”; Emma Condello, “Gentil donsella, l’amourousou visou: Un nuovo testo poetico in margine alla scuola poetica siciliana?”; Silvia Conte, “Il principiare del canto: Per una nuova edizione di Marcabru, Al departir del brau tempier (BdT 293, 3)”; Fabrizio Costantini, “Su alcune rubriche del canzoniere Laurenziano: paratesto, struttura, metrica”; Marco Cursi and Maurizio Fiorilla, “Un ignoto codice trecentesco della Commedia di Dante”; Alfonso D’Agostino, “Gli occhi di Lisabetta (Decameron IV 5)”; Franco D’Intino, “Raccontare lo Zibaldone”; Silvia De Laude, “‘Is Cardinal Roncalli still alive?’. Sull’edizione italiana di Mimesis di Erich Auerbach”; Gabriella De Marco, “I luoghi del fare arte: L’atelier dell’artista tra valorizzazione museografica, pagine di critica d’arte e letteratura”; Tullio De Mauro, “Dieci neosemie e neologismi d’autore”; Silvia De Santis, “La similitudo dantesca nelle illustrazioni di William Blake”; Giovannella Desideri, “La guerra ’15–’18 di Cacciaguida (ancora su Fortuna in Dante)”; Rocco Distilo, “Sguardi sul vocabolario trobadorico: lessemi e rime (fra ansa, ensa e ilh, ilha)”; Carlo Donà, “Marie de France, Alfredo e la scrittura dell’Esope”; Luciano Formisano, “‘Dantis erat’: notula sul Fiore di Marin Sanudo”; Anatole Pierre Fuksas, “La cobla tensonada e la ‘dama del torto’ di Peire Rogier”; Massimiliano Gaggero, “L’épée brisée dans le Conte du Graal et ses Continuations”; Gaia Gubbini, “Amor de lonh: Jaufre Rudel, Agostino e la tradizione monastica”; Saverio Guida, “Tremoleta.l Catalas (BdT 305, 16, v. 49) = Pons d’Ortafa?”; Marco Infurna, “Ideali cavallereschi in Valpadana: Il Roman d’Hector et Hercule e l’Entrée d’Espagne”; Annalisa Landolfi, “La ‘finta innocenza’ di Alberico: Qualche nota sul prologo del Frammento su Alessandro”; Lino Leonardi, “Postilla a una postilla inedita (di Gianfranco Contini) su Federico II”; Monica Longobardi, “Una traducson per Guiraut Riquier”; Lorenzo Mainini, “Rusticus, civis aut philosophus: Epistemi a confronto, modelli intellettuali e una ‘memoria dantesca’ nel de Summo bono di Lorenzo de’ Medici”; Mario Mancini, “‘Qu’il fet bon de tout essaier’ (Roman de la rose, v. 21521)”; Paolo Maninchedda, “Amore e politica: Una variante del dualismo europeo”; Luigi Marinelli, “Tra canone e molteplicità: Letteratura e minoranze”; Sabina Marinetti, “L’altra interpretazione di ‘voce’ e ‘vello’”; Paolo Matthiae, “Materia epica preomerica nell’Anatolia hittita: Il Canto della liberazione e la conquista di Ebla”; Maria Luisa Meneghetti, “Sordello, perché… Il nodo

attanziale di Purgatorio VI (e VII–VIII)”; Roberto Mercuri, “La morte del poeta”; Camilla Miglio and Domenico Ingenito, “Ḥāfeẓ, Hammer e Goethe: La forma ghazal: Weltliteratur e contemporaneità”; Luisa Miglio, “Ernesto Monaci, Vincenzo Federici, il Gabinetto di Paleografia e la Collezione manoscritta”; Laura Minervini, “Gli altri Siciliani: Il poema sul Sacrificio di Isacco in caratteri ebraici”; Mira Mocan, “Un cuore così illuminato: Etica e armonia del canto nella poesia dei trovatori (Bernart de Ventadorn, Marcabru, Raimbaut d’Aurenga)”; Sonia Netto Salomão, “Carlos Drummond de Andrade: a Máquina do Mundo em palimpsesto”; Roberto Nicolai, “Letteratura, generi letterari e canoni: Alcune riflessioni”; Teresa Nocita, “Loci critici della tradizione decameroniana”; Sandro Orlando, “Un sonetto del Trecento su Bonifacio VIII”; Mario Pagano, “Un singolare testimone del Testament di Jean de Meun: ms. Paris, B.N., fr. 12483”; Gioia Paradisi, “Materiali per una ricerca su Petrarca e le emozioni (‘spes seu cupiditas’, ‘gaudium’, ‘metus’ e ‘dolor’)”; Nicolò Pasero, “L’amor cortese: Modello, metafora, progetto”; Rienzo Pellegrini, “Pasolini traduttore di Georg Trakl”; Silvano Peloso, Letteratura, filologia e complessità: Il caso del Brasile”; Gianfelice Peron, “Realtà zoologica e tradizione letteraria: Il ‘gatto padule’”; Vanda Perretta, “Nostalgia di buone maniere”; Marco Piccat, “La novella dei tre pappagalli”; Antonio Pioletti, “Cercando quale Europa: Appunti per un canone euromediterraneo”; Mauro Ponzi, “Goethe e gli ‘oggetti significativi’ del cambiamento epocale”; Norbert von Prellwitz, “Quando il canone dipende dai centimetri”; Carlo Pulsoni and Antonio Ciaralli, “Tra Italia e Spagna: il Petrarca postillato Esp. 38–8o della Biblioteca de Catalunya di Barcellona (primi appunti)”; Arianna Punzi, “Quando il personaggio esce dal libro: Il caso di Galeotto signore delle isole lontane”; Giovanni Ragone, “L’occhio e il simulatore”; Roberto Rea, “‘Di paura il cor compunto’: Teologia della Paura nel prologo dell’Inferno”; Eugenia Rigano, “Tra arte e scienza, la bellezza si fa meraviglia”; Barbara Ronchetti, “Arte, scienza e tecnica fra immaginazione e realtà: Alcune riflessioni attraverso le pagine di Velimir Chlebnikov”; Luciano Rossi, “Les Contes de Bretaigne entre vanité (charmante) et eternité (précaire)”; Giovanna Santini, “‘Or chanterai en plorant’: Il pianto di Jehan de Neuville per la morte dell’amata (Linker 145, 6)”; Maria Serena Sapegno, “‘L’Italia dee cercar se stessa’: La Storia di De Sanctis tra essere e dover essere”; Elisabetta Sarmati, “Metanovela, microficciones e racconti interpolati in El desorden de tu nombre di Juan José Millás”; Anna Maria Scaiola, “La passione triste della vergine: Atala di Chateaubriand”; Emma Scoles, “‘que al que mil extremos tiene / lo extremado le conviene’: Il codice cortese fra virtuosismo stilistico e rovesciamento parodico in un Juego de mandar cinquecentesco”; Luigi Severi, “La resistenza della poesia: Costanti petrarchesche e dantesche in Zanzotto”; Emanuela Sgambati, “L’Ars poetica di Feofan Prokopovič fra teoria e prassi”; Margherita Spampinato Beretta, “La violenza verbale nel tardo Medioevo italiano: Analisi di corpora documentari”; Giorgio Stabile, “Favourite Poet: Alma-Tadema e una promessa in codice per Roberto Antonelli”; Justin Steinberg, “Dante e le leggi dell’infamia”; Carla Subrizi, “‘Cercando l’Europa’ nel 1945: Dolore e follia nei disegni di Antonin Artaud”; Giuseppe Tavani, “Codici, testi, edizioni”; Stefano Tortorella, “Archi di Costantino a Roma”; Luisa Valmarin, “Una possibile lettura di Năpasta”; Gisèle Vanhese, “Imaginaire du voyage baudelairien et mallarméen dans Asfinţit marin et Ulise de Lucian Blaga”; Alberto Varvaro, “Considerazioni sulla storia della Filologia Romanza in Italia”; Sergio Vatteroni, “‘Il mistero del nome’: Sull’essenza della poesia nel giovane Pasolini”; Riccardo Viel, “La tenzone tra Re Riccardo e il Delfino d’Alvernia: Liriche d’oc e d’oïl a contatto”; Claudia Villa, “Un oracolo e una ragazza: Dante fra Moroello e la gozzuta alpigina”; Maurizio

Virdis, “Un Medioevo trasposto: il Perceval di Eric Rohmer: Dalla scrittura letteraria alla rappresentazione cinematografica”; Hayden White, “History and Literature”; Claudio Zambianchi, “Marionette o dei: Qualche riflessione su un saggio di Kleist”; and Carmelo Zilli, “Su un ‘errore d’autore’ nel Poemetto di Lelio Manfredi.” Cazals, Géraldine, and Stéphan Geonget, eds. Des “arrests parlans”: Les arre ts notables à la Renaissance entre droit et littérature. Travaux d’Humanisme et Renaissance 534. Geneva: Librairie Droz, 2014. 268 pp. $61.92. ISBN 978-2-600-01791-6. Includes: Géraldine Cazals and Stéphan Geonget, “Introduction”; Patrick Arabeyre, “L’ombre portée du parlement de Paris sur le premier recueil d’arrêts toulousain (début du XVIe siècle)”; Marie Houllemare, “De la collecte aux collections d’arrêts du parlement de Paris au XVIe siècle”; Xavier Godin, “Prolégomènes aux premiers recueils d’arrêts notables du parlement de Bretagne”; Sonia Vernhes Rappaz, “Avis de droit ou arrêts ‘ notables ’, la jurisprudence à Genève au XVIe siècle”; Valérie Hayaert, “Serio ludere et humanisme juridique : Les Gloses de Benoît Le Court aux Arrêts d’Amour de Martial d’Auvergne”; Olivier Descamps, “Quelques remarques sur certains aspects de la responsabilité dans les arrêts notables de Jean Papon”; Bruno Méniel, “Les Plus notables et solennels arrests du Parlement de Bretagne de Noël du Fail”; Stéphan Geonget, “Louis le Caron, l’écriture de l’arrêt notable entre droit et littérature”; Jean-Louis Thireau, “Les flottements de l’arrestographie au XVIe siècle : Les Décisions notables de Gilles Le Maistre”; Géraldine Cazals, “Les arrêts notables et la pensée juridique de la Renaissance”; Nicolas Warembourg, “‘ Non exemplis sed legibus ’; L’autorité des arrêts à la lumière des droits savants”; and Anne Rousselet-Pimont, “Valeur et typologie des arrêts d’après les arrêtistes.” Cefalu, Paul, Gary Kuchar, and Bryan Reynolds, eds. The Return of Theory in Early Modern English Studies, Volume II. Basingstoke: Palgrave Macmillan, 2014. xii + 310 pp. $95. ISBN 978-1-137-35104-3. Includes: Paul Cefalu, Gary Kuchar, and Bryan Reynolds, “Introduction”; Julian Yates, “‘Hello Everything’: Renaissance/Post/Human”; Dan Mills, “Mad Madge’s Bestiary: Philosophical Animals and Physiognomic Philosophers in Margaret Cavendish’s The Blazing World”; Joseph Campana, “The Bee and the Sovereign (II): Segments, Swarms, and the Shakespearean Multitude”; Ken Hiltner, “Early Modern Ecocriticism”; Edward J. Geisweidt, “Horticulture of the Head: The Vegetable Life of Hair in Early Modern English Thought”; Douglas Trevor, “The Private Lives of Trees and Flowers”; Julia Reinhard Lupton, “Shakespearean Softscapes: Hospitality, Phenomenology, Design”; Matthew J. Smith, “Describing the Sense of Confession in Hamlet”; James A. Knapp, “‘Tis insensible then?’: Time, Language, and Action in 1 Henry IV”; Christopher Stokes, “‘We Prove Mysterious by This Love’: John Donne and the Intimacy of Flesh”; James Kuzner, “Milton, Habermas, and the Dynamics of Debate”; Kenneth J.E. Graham, “The Sidney

Psalter and the Spiritual Economies of Abundance”; and Drew Daniel, “The Empedoclean Renaissance.” Cleland, Elizabeth, ed. Grand Design: Píeter Coecke van Aelst and Renaissance Tapestry. Exh. Cat. New York, The Metropolitan Museum of Art. New Haven: Yale University Press, 2014. x + 402 pp. $75. ISBN 978-0-300-20805-4. Includes: Thomas P. Campbell, “Director’s Foreword”; Elizabeth Cleland, “Acknowledgments”; Elizabeth Cleland, “Recognizing Pieter Coecke van Aelst”; Mary W. Ainsworth, Stijn Alsteens, and Nadine M. Orenstein, “Catalogues 1–23”; Sarah W. Mallory, “Designing and Defining Tapestries: The Three Stages of Tapestry Production”; Stijn Alsteens, “Pieter Coecke van Aelst’s Drawings for Tapestries”; Stijn Alsteens, “Catalogue 24”; Guy Delmarcel, “The Life of Saint Paul”; Stijn Alsteens and Elizabeth Cleland, “Catalogues 25–44”; Nadine M. Orenstein, “Customs and Fashions of the Turks”; Nadine M. Orenstein, “Catalogue 45”; Elizabeth Cleland, “The Seven Deadly Sins”; Elizabeth Cleland and Concha Herrero Carretero, “Catalogues 46–53”; Iain Buchanan, “The Story of Joshua”; Stijn Alsteens and Katja Schmitz-von Ledebur, “Catalogues 54–59”; Elizabeth Cleland, “The Story of Abraham”; Elizabeth Cleland, “Catalogue 60”; Lorraine Karafel, “The Story of Julius Caesar”; Lorraine Karafel, “Catalogue 61–62”; Stijn Alsteens, “The Story of Tobias”; Stijn Alsteens, “Catalogue 63”; Elizabeth Cleland, “The Story of Vertumnus and Pomona”; Elizabeth Cleland and Concha Herrero Carretero, “Catalogues 64–66”; Stijn Alsteens, “The Triumph of Mordechai”; Stijn Alsteens, “Catalogue 67”; Cecilia Paredes, “The Poesia”; Concha Herrero Carretero, “Catalogue 68”; Lucia Meoni, “The Story of the Creation”; Elizabeth Cleland, “Catalogue 69”; Iain Buchanan, “The Conquest of Tunis”; Concha Herrero Carretero, “Catalogue 70”; Nello Forti Grazzini, “Verdures with Animals”; Elizabeth Cleland, “Catalogue 71”; and Elizabeth Cleland, “Epilogue: Virtue Triumphs over Death.” Cole, Michael W., ed. Donatello, Michelangelo, Cellini: Sculptors’ Drawings from Renaissance Italy. Exh. Cat. Boston: Isabella Stewart Gardner Museum. London: Paul Holberton Publishing, 2014. 256 pp. $60. ISBN 978-1-907372-70-4. Includes: Michael W. Cole, “Why Did Sculptors Draw?”; Davide Gasparotto, “The Power of Invention: Goldsmiths and Disegno in the Renaissance”; Alina Payne, “The Sculptor-Architect’s Drawing and Exchanges between the Arts”; Linda Wolk-Simon, “Disegno as Ritratto: Drawing in the Biography of Baccio Bandinelli”; and Oliver Tostmann, “The Sculptor as Draftsman: A Motif in Florentine Portraiture.” Deneire, Tom B. Dynamics of Neo-Latin and the Vernacular Language and Poetics, Translation and Transfer. Medieval and Renaissance Authors and Texts 13. Leiden: Brill, 2014. x + 328 pp. €115. ISBN 978-90-04-26907-1.

Includes: Tome Deneire, “Introduction: Dynamics of Neo-Latin and the Vernacular: History and Introduction”; Jan Bloemendaal, “Introduction: Dynamics of Neo-Latin and the Vernacular: Some Thoughts Regarding its Approach”; Tom Deneire, “Neo-Latin and the Vernacular Poetics of Self-Fashioning in Dutch Occasional Poetry (1635–1640)”; Harm-Jan van Dam, “Liminary Poetry in Latin and Dutch: The Case of Pieter Bor’s Nederlantsche Oorloghen”; Johanna Svensson, “Exploring the Borderlands: On the Division of Labour between Latin and the Vernacular(s) in the Church in Scania under Danish and Swedish Rule in the Seventeenth Century”; Ümmü Yüksel, “Daniel Heinsus als Leitfigur auf dem Wege zur deutschen Kulturnation im Spannungsfeld von Latein und Landssprachen”; Eva van Hooijdonk, “News, Propaganda and Poetry: Language and Imagery in Hugo Grotius’s Maurice Epigrams”; Annet den Haan, “Translation into the Sermo Maternus: The View of Giannozzo Manetti (1396–1459)”; Beate Hintzen, “Daniel Heinsius, Martin Opitz und Paul Fleming: Übersetzung und Tranfer von Griechischen ins Deutsche und vom Deutschen ins Lateinsche”; Guillaume van Gemert, “Zum dynamischen Wechselverhältnis von Latein und Landessprache im deutschen Umgang mit niederländischen neulateinischen Autoren im Umfeld der Opitzschen Reform, am Beispiel von Hugo Grotius’ De veritate religionis Christianae”; Ingrid A. R. De Smet, “‘An Art unknown to the Ancients’: Falconer’s Parlance in Jacques Auguste de Thou’s Hieracosophioy de re accipitraria libri III (1582/84–1612)”; Bettina Noak, “Glossaries and Knowledge-Transfer: Andreas Wissowatius and Abraham Rogerius”; David Kromhout, “Latin and the Vernacular between Humanism and Calvinism: The Leiden University Discourse and the Crisis of 1618”; Ingrid D. Rowland, “Vitruvius and his Sixteenth-Century Readers, in Latin and Vernacular”; and Tom Deneire, “Conclusion: Methodology in Early Modern Multilingualism.” Di Branco, Marco, and Kordula Wolf, eds. “Guerra santa” e conquiste islamiche nel Mediterraneo (VII–XI secolo). I libri di Viella 179. Rome: Viella, 2014. 196 pp. €25. ISBN 978-88-6728-308-8. Includes: Kordula Wolf, “Introduzione”; Samir Khalil Samir, “L’Apocalypse de Samuel de Qalamun et la domination des Hagaréens”; Marco Di Branco, “Dalla guerra navale alla conquista delle grandi isole del Mediterraneo: Cipro, Rodi, Creta”; Ann Christys, “From gihād to diwān in two providential histories of Hispania/al-Andalus”; Giuseppe Mandalà, “Tra minoranze e periferie: Prolegomeni a un’indagine sui cristiani arabizzati di Sicilia”; Marco di Branco, Kordula Wolf, “Terra di conquista? I musulmani in Italia meridionale nell’epoca aghlabita (184/800–269/909)”; Aldo A. Settia, “‘In locis qui sunt Fraxeneto vicina’: Il mito dei Saraceni fra Provenza e Italia occidentale”; and Lutz Berger, “Postface: Continuity and Change in the Early Medieval Mediterranean.” Dimmock, Matthew, Andrew Hadfield, and Paul Quinn, eds. Art, Literature and Religion in Early Modern Sussex: Culture and Conflict. Farnham: Ashgate Publishing Limited, 2014. xvi + 270 pp. $124.95. ISBN 978-1-4094-5703-9.

Includes: Matthew Dimmock, Andrew Hadfield and Paul Quinn, “Introduction: Contesting Early Modern Sussex”; Caroline Adams, “Elizabeth I’s Progresses into Sussex”; Matthew Dimmock and Andrew Hadfield, “Two Sussex Writers: Thomas Drant and Anthony Copley”; Karen Coke, “Lambert Barnard, Bishop Shirborne’s ‘Paynter’”; Andrew Foster, “Intellectual Networks Associated with Chichester Cathedral, c.1558–1700”; Daniel Starza Smith, “‘This strange conglomerate of books’, or ‘Hobbs’ Leviathan’: Bishop Henry King’s Library at Chichester Cathedral”; Elizabeth McCutcheon, “‘Your daughter, most devoted’: The Sententious Writings of Mary Arundel, Duchess of Norfolk, given to the Twelfth Earl of Arundel”; Michael Questier, “‘The government of this church by Catholic bishops hath always been a strength and defence unto the kingdom’: Episcopacy and the Catholic Community in Early 17th-Century Sussex and Beyond”; Paul Quinn, “Richard Woodman, Sussex Protestantism and the Construction of Martyrdom”; Nigel Llewellyn; “‘The happy preserver of his brother’s posterity’: From Monumental Text to Sculptural Figure in Early Modern Sussex”; and Duncan Salkeld, “Afterword: Not the Last Word: Scraps of History.” Dinkova-Bruun, Greti, James Hankins, and Robert A. Kaster, eds. Catalogus Translationum et Commentariorum, Volume X. Mediaeval and Renaissance Latin Translations and Commentaries. Toronto: Pontifical Institute of Medieval Studies, 2014. xxxvi + 404 pp. $95. ISBN 978-0-88844-950-4. Includes: Greti Dinkova-Bruun, “Preface”; Paul Oskar Kristeller, “Preface to Volume I”; Francesco Tissoni, “Pindarus”; Silvia Fiaschi, “Aelianus Tacticus”; Paolo Eleuteri, “Musaeus”; Réka Forrai, “Agathias”; Leofranc Holford-Strevens, “Aulus Gellius”; Ada Palmer, “Lucretius”; Didier Marcotte, “Dionysius Periegetes”; and Patricia J. Osmond and Robert W. Ulery, Jr., “Sallustius.” Duran, Angelica, ed. The King James Bible across Borders and Centuries. Pittsburgh: Duquesne University Press, 2014. x + 398 pp. $60. ISBN 978-0-8207-0477-7. Includes: Angelica Duran, “Introduction: ‘In the Beginning’ of the KJV’s Fifth Century”; Gordon Campbell, “Listening and Reading”; Sandor Goodhart, “Back to the Garden: Jewish Hermeneutics, Biblical Reading, PaRDeS, and the Four-Fold Way”; Stuart Robertson, “‘Them’s Fightin’ Words’: The KJV, Its Predecessors, and Its Inheritors”; Beth Quitslund, “Old Wine in New Boxes: Niche Bibles and the KJV”; Angelica Duran, “The KJV Translators on the Spanish Inquisition’s Index of Prohibited Books”; Scott Manning Stevens, “‘The Voice of One Crying in the Wilderness’: The KJV and the Ethno-Exegesis in Iroquoia”; John Harris, “Words of Justice in a Secular Society: The KJV in Australia”; Bruce Robertson, “Vox Dei in the King’s English: The KJV, Global English, and Indian Vernaculars”; Katherine Clay Bassard, “Reading between the Lines: Neo-Slave Narratives and the KJV”; Raymond-Jean Frontain, “‘Passing the Love of Women’: Sexual Codes and the KJV”; Trevor Cook, “The KJV Plagiarized: Joseph Smith’s Mormon Scriptures”; and Patricia Demers, “‘For the Bible Tells Me So’: The KJV in Children’s Literature.”

Ferrand, Mathieu, and Nathaël Istasse, eds. Nouveaux regards sur les “Apollons de collèges”: Figures du professeur humaniste en France dans la première moitié du XVIe siècle. Travaux d’Humanisme et Renaissance 532. Geneva: Librairie Droz, 2014. 414 pp. $105.30. ISBN 978-2-600-017367. Includes: Mathieu Ferrand et Nathaël Istasse, “Introduction”; J. Lecointe, “François Dubois et l’enseignement de la poésie au collège de Montaigu”; N. Istasse, “Joannes Ravisius Textor: Entre pédagogie et poétique”; M.-F. André, “Nicolas Bérauld, professeur de droit humaniste”; M.-D. Couzinet, “La ‘conjonction’ entre les disciplines chez Pierre de La Ramée”; M.M. Fontaine, “Une génération sacrifiée: Les régents de collège du deuxième tiers du XVIe siècle en France”; P. Galand, “Orphée a l’école: Le poète-pédagogue, de Politien à ses émules français”; J. Pendergrass, “Guillaume Castel, poète et éducateur au collège de Bourgogne”; A. Laimé, “Les vies parallèles (?) de Nicolas Petit et Jean Des Fossés, au miroir des Elegiae de redemptione humana (Paris, Jean Petit, 1517)”; E. Gauthier (C.E.S.R. de Tours), “Un professeur et poète du début du XVIe siècle: Nicolas Barthélemy de Loches”; C. Langlois-Pézeret, “Gilbert Ducher, Apollon d’Aigueperse, poète et principal de collège dans les années 1530 à Lyon”; P. Ford, “George Buchanan et la poésie d’amitié”; V. Leroux, “Le Julius Caesar de Muret: une tragédie de collège”; J. Nassichuk, “Références à l’enseignement dans les épigrammes et hendécasyllabes de Nicolas Chesneau (1553)”; S. Laigneau-Fontaine, “L’image du professeur dans l’oeuvre de Nicolas Bourbon: Un idéal humaniste”; M. Ferrand, “Rôles et images de professeurs dans le théâtre des collèges: Le Dialogus longe facetissimus (Paris, c. 1533)”; J.-E. Girot, “Les contributions des humanistes de collège à la querelle de Marot et de Sagon (1534–1537)”; M. Magnien, “Itinéraire d’un ‘ hussard noir ’ de l’Humanisme: le cas Robert Breton (c. 1510 –c. 1545)”; and M. Huchon, “Figures du professeur humaniste chez Rabelais.” Fischlin, Daniel, ed. OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation. Toronto: University of Toronto Press, 2014. xii + 402 pp. $34.95. ISBN 978-1-4426-1593-9. Includes: Daniel Fischlin, “Introduction: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation”; Christy Desmet, “YouTube Shakespeare and the Rhetorics of Invention”; Jennifer Ailles, “‘Is there an app for that?’: Mobile Shakespeare on the Phone and in the Cloud”; Don Moore, “Melted into Media: Understanding Julie Taymor’s Film Adaptation of The Tempest in the Wake of 9/11 and the War on Terror”; Daniel Fischlin, Tom Magill, and Jessica Riley, “Transgression and Transformation: Mickey B and the Dramaturgy of Adaptation — An Interview with Tom Magill”; Kim Fedderson and Michael Richardson, “Slings & Arrows: Pedagogical Theory and Practice in an Intermediated Shakespeare”; Andrew Bretz, “Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio”; Daniel Fischlin, “Sounding Shakespeare: Intermedia Adaptation and Popular Music”; James McKinnon, “‘Playing the Race Bard’: How Shakespeare and Harlem Duet Sold (at) the 2006 Stratford Festival”; Monika Smialkowska, “Patchwork Shakespeare: Community Events at the American Shakespeare Tercentenary (1916)”; Sujata Iyengar, “Upcycling Shakespeare: Crafting Cultural Capital”; and Mark Fortier, “Beyond Adaptation.”.

Fumagalli, Elena, and Raffaela Morselli, eds. The Court Artist in Seventeenth-Century Italy. Kent State University European Studies 1. Rome: Viella, 2014. 246 pp. €29. ISBN 978-88-6728-276-0. Includes: Marcello Fantoni, “Preface”; Elena Fumagalli and Raffaella Morselli, “Introduction”; Patrizia Cavazzini, “Painters vs. Architects at the Papal Court (1550–1672)”; Raffaella Morselli, “In the Service of Francesco Maria II della Roverein Pesaro and Urbino (1549–1631)”; Elena Fumagalli, “On the Medici Payroll: at Courtfrom Cosimo I to Ferdinando II (1540–1670)”; Barbara Ghelfi, “A bolletta and fuori bolletta at the Este Courtin Modena (1598–1709)”; Roberta Piccinelli, “The Position of Artists at the Gonzaga Court (1587–1707)”; and Anna Maria Bava and Clara Goria, “Artists Working for the House of Savoyin the Seventeenth Century.” García-Arenal, Mercedes, and Gerard Wiegers, eds. The Expulsion of the Moriscos from Spain: A Mediterranean Diaspora. The Medieval and Early Modern Iberian World 56. Leiden: Brill, 2014. xii + 492 pp. $234. ISBN 978-90-04-25920-1. Includes: Mercedes García-Arenal and Gerard Wiegers, “Introduction”; Bernard Vincent, “The Geography of the Morisco Expulsion: A Quantitative Study”; Miguel Ángel de Bunes Ibarra, “The Expulsion of the Moriscos in the Context of Philip III’s Mediterranean Policy”; Antonio Feros, “Rhetorics of the Expulsion”; Rafael Benítez Sánchez Blanco, “The Religious Debate in Spain”; Stefania Pastore, “The Vatican’s Position towards the Expulsion”; Paolo Broggio, “The Religious Orders and the Expulsion of the Moriscos: Doctrinal Controversies and Hispano-Papal Relations”; Juan Ignacio Pulido, “The Unexecuted Plans for the Eradication of Jewish Heresy in the Hispanic Monarchy and the Example of the Moriscos: The Thwarted Expulsion of the Judeoconversos”; James B. Tueller, “The Moriscos Who Stayed Behind or Returned: Post-1609”; Luis F. Bernabé Pons and Jorge Gil Herrera, “The Moriscos Outside Spain: Routes and Financing”; Youssef El Alaoui, “The Moriscos in France after the Expulsion: Notes for the History of a Minority”; Tijana Krstić, “Moriscos in Ottoman Galata, 1609–1620s”; Mercedes García-Arenal, “The Moriscos in Morocco: From Granadan Emigration to the Hornacheros of Salé”; Sakina Missoum, “Andalusi Immigration and Urban Development in Algiers (Sixteenth and Seventeenth Centuries)”; Olatz Villanueva Zubizarreta, “The Moriscos in Tunisia”; Gerard Wiegers, “The Expulsion of 1609–1614 and the Polemical Writings of the Moriscos Living in the Diaspora”; and Natalia Muchnik, “Converted Jews and Moriscos in the Diaspora.” Ghia, Francesco, and Fabrizio Meroi, eds. Francesco Panigarola: Predicazione, filosofia e teologia nel secondo Cinquecento. Studi e Testi 50. Florence: Leo S. Olschki Editore, 2013. viii + 200 pp. €24. ISBN 978-88-222-6316-2.

Includes: Samuele Giombi, “Francesco Panigarola e la trattatistica sulla predicazione nel XVI secolo”; Fabio Giunta, “Eloquenza sacra e retorica nelle prediche del Panigarola”; Gregorio Piaia, “I filosofi e la filosofia nelle prediche di Francesco Panigarola”; Filippo Mignini, “Il Trattato della memoria locale di Francesco Panigarola”; Guido Ghia, “‘Panigarolare’ e ‘fichteggiare’: Linee di un confronto tra due aristocratici ‘sacerdoti della verità’”; Vittorio Croce, “Le Lezioni torinesi contro Calvino: Un modello di apologetica tridentina”; Michele Nicoletti, “Sulla teologia politica di Francesco Panigarola”; Francesco Ghia, “Teodicea e diritto: Nota su Panigarola e il ‘paradigma tridentino’”; Ilario Manfredini, “Da Panigarola a Botero: La rappresentazione del ‘perfetto principe’ nella Torino di Carlo Emanuele I”; Ezio Claudio Pia, “‘Riposare sotto lo scettro sabaudo?’: Autonomia contrattata e rappresentazione della città in Asti nel Cinquecento”; Debora Ferro, “Sulle edizioni del Panigarola nel fondo antico della Biblioteca del Seminario Vescovile di Asti”; and Fabrizio Meroi, “Francesco Panigarola tra mito e storia.” Grabski, Józef. Artibus et historiae: An Art Anthology. Vol. 69. Cracow: IRSA, 2014. 240 pp. €90. ISSN 0391-9064. Includes: Charles Burroughs, “Indicating Heaven: Botticelli’s Coronation of the Virgin and Mediated Imagery”; Ricahrd Stapleford, “Botticelli and the Golden Section in the Lehman Annunciation”; Joseph Polzer, “Michelangelo’s Sistine Last Judgment and Buffalmacco’s Murals in the Campo Santo of Pisa”; Paula Carabell, “Figura Serpentinata: Becoming over Being in Michelangelo’s Unfinished Works”; William E. Wallace, “Michelangelo, Luigi del Riccio, and the Tomb of Cecchino Bracci”; Martha Dunkelman, “What Michelangelo Learned in Bologna”; Achim Timmermann, “Locus calvariae: Walking and Hanging with Christ and the Good Thief, c. 1350 – c. 1700”; Claudia Steinhardt-Hirsch, “Tra iconologia e teologia cassinese: La luce divina nella Notte del Correggio”; Eugene J. Johnson, “The Theater at Lyon of 1548: A Reconstruction and Attribution”; Marilyn Aronberg Lavin, “Signed, Sealed, and Delivered: Federico Barocci’s Indulgenced Print of the Perdono”; Damien Bril, “A la croisée des genres: Louis XIV et le portrait équestre”; Sarah Lippert, “Salomé to Medusa by Way of Narcissus: Moreau and Typological Conflation”; Nawojka Cieślińska-Lobkowicz, “Das Spannungsfeld von Nationalgedächtnis und Politik: Restitution in Europa”; Elizabeth Richards Rivenbark, “Corporeal Furnishings in the Sixties: Furniture as Art and Its Intimacy with the Body”; Pan Yaochang, “The Posters of the Mao Era: A Perspective of Art and Society”; and Zdzislaw Żygulski, Jr., “The Prophetic Shield of John III Sobieski and the Edict of Milan.” Gray, Catharine, and Erin Murphy, eds. Milton Now: Alternative Approaches and Contexts. Early Modern Cultural Studies 1500–1700. Basingstoke: Palgrave Macmillan, 2014. x + 284 pp. $90. ISBN 978-1-137-38309-9. Includes: Erin Murphy and Catharine Gray, “Introduction”; Sharon Achinstein, “‘Shipwreck is everywhere’: Lycidas and the Problems of the Secular”; Jonathan Goldberg, “‘What dost thou in this

world?’”; Feisal G. Mohamed, “Milton’s Capitalist Son of God? Temporality and Divine Order in De doctrina Christiana”; Ann Baynes Coiro, “Sufficient and Free: The Poetry of Paradise Lost”; Rachel Trubowitz, “As Jesus Tends To Divinity in Paradise Regained: Mathematical Limits and the Arian Son”; Christopher Warley, “Uncouth Milton”; Molly Murray, “The Liberty of the Subject and the ‘Pris’ner Samson’”; Diane Purkiss, “What Do Men Want? Satan the Rake, and Masculine Desire”; Katharine Gillespie, “Shades of Representation: Lucy Hutchinson’s Ghost and the Politics of the Representative”; Mary Nyquist, “Equiano, Satanism, and Slavery”; and Reginald A. Wilburn, “When Milton was in Vogue: Cross-Dressing Miltonic Presence and William Craft’s Slave Narrative.” Gray, Patrick, and John D. Cox, eds. Shakespeare and Renaissance Ethics. Cambridge: Cambridge University Press, 2014. x + 310 pp. $95. ISBN 978-1-107-07193-3. Includes: Patrick Gray and John D. Cox, “Introduction: Rethinking Shakespeare and Ethics”; Gordon Braden, “Fame, Eternity, and Shakespeare’s Romans”; Indira Ghose, “Shakespeare and the Ethics of Laughter”; Jane Kingsley-Smith, “Aristotelian Shame and Christian Mortification in Love’s Labour’s Lost”; Leah Whittington, “Shakespeare’s Virgil: Empathy and The Tempest”; John D. Cox, “Shakespeare’s Prayers”; Beatrice Groves, “The Morality of Milk: Shakespeare and the Ethics of Nursing”; Russell M. Hillier, “Hamlet the Rough-Hewer: Moral Agency and the Consolations of Reformation Thought”; Robert S. Miola, “‘Wrying but a little?’: Marriage, Punishment, and Forgiveness in Cymbeline”; Patrick Gray, “‘Hide Thy Selfe’: Montaigne, Hamlet, and Epicurean Ethics”; William M. Hamlin, “Conscience and the God-Surrogate in Montaigne and Measure for Measure”; Peter Holbrook, “Shakespeare, Montaigne, and Classical Reason”; and Peter Mack, “Madness, Proverbial Wisdom, and Philosophy in King Lear.” Hadfield, Andrew, Matthew Dimmock, and Abigail Shinn, eds. The Ashgate Research Companion to Popular Culture in Early Modern England. Ashgate Research Companion. Farnham: Ashgate Publishing Limited, 2014. xiv + 382 pp. $144.95. ISBN 978-1-4094-3684-3. Includes: Matthew Dimmock, Andrew Hadfield and Abigail Shinn, “Introduction: Thinking About Popular Culture in Early Modern England”; Arnold Hunt, “Recovering Speech Acts”; Edel Lamb, “Youth Culture”; Tracey Hill, “Festivals”; Femke Molekamp, “Popular Reading and Writing”; Tara Hamling, “Visual Culture”; Angus Vine, “Myth and Legend”; Mike Rodman Jones, “Religious Belief”; Ian Frederick Moulton, “Courtship, Sex and Marriage”; Phil Withington, “Food and Drink”; Mark Netzloff, “Work”; Helen Smith, “Gendered Labour”; Duncan Salkeld, “Crime”; Matthew Birchwood and Matthew Dimmock, “Popular Xenophobia”; Joachim Frenk, “Games”; Abigail Shinn, “Cultures of Mending”; Andrew Hadfield, “Politics”; Elizabeth Sauer, “Riot and Rebellion”; Neil Rhodes, “Time”; Ceri Sullivan, “Property”; Margaret Healy, “Popular Medicine”; Simon Davies, “Superstition and Witchcraft”; Rory Rapple, “Military Culture”; and Lawrence Manley, “London and Urban Popular Culture.”

Henke, Robert, and Eric Nicholson, eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. xvi + 304 pp. $109.95. ISBN 978-1-4094-6829-5. Includes: Robert Henke and Eric Nicholson, “Introduction”; Robert Henke, “The Taming of the Shrew, Italian Intertexts, and Cultural Mobility”; Richard Andrews, “Resources in Common: Shakespeare and Flaminio Scala”; Melissa Walter, “‘Are You a Comedian?’: The Trunk in Twelfth Night and the Intertheatrical Construction of Character”; Susanne L. Wofford, “Hymen and the Gods on Stage in Shakespeare’s As You Like It and Italian Pastoral”; Eric Nicholson, “Et in Arcadia the Dirty Brides”; Pamela Allen Brown, “Dido, Boy Diva of Carthage: Marlowe’s Dido Tragedy and the Renaissance Actress”; Christian M. Billing, “Forms of Fashion: Material Fabrics, National Characteristics, and the Dramaturgy of Difference on the Early Modern English Stage”; M.A. Katritzky, “Shakespeare’s ‘portrait of a blinking idiot’: Transnational Reflections”; Pavel Drábek, “English Comedy and Central European Marionette Drama: A Study in Theater Etymology”; Jacques Lezra, “Trade in Exile”; Alessandro Serpieri, “Found and Lost in Translation”; David Schalkwyk, “Shakespeare’s Untranslatability”; Shormishtha Panja; “Lebedeff, Kendal, Dutt: Three Travelers on the Indian Stage”; and Jane Tylus, “Early Modern Theater in Motion: The Example of Orpheus.”. Hirai, Hiro, ed. Jacques Gaffarel: Between Magic and Science. Bruniana e Campanelliana: Ricerche filosofiche e materiali storico-testuali supplementi 39; Studi 17. Pisa: Fabrizio Serra Editore, 2014. 112 pp. €36. ISBN 978-88-6227-730-3. Includes: Hiro Hirai, “Foreword”; Peter Forshaw, “Concealed Mysteries and Unheard-of Curiosities: Jacques Gaffarel’s Defence of Celestial Writing and Divine Kabbalah”; Saverio Campanini, “Jacques Gaffarel e gli Abdita divinae cabalae mysteria”; Frédéric Gabriel, “Figures des téraphim, entre causalités, intention du culte et supports de croyance: Gaffarel orientaliste”; Sylvie Taussig, “La réception des Curiositez inouyes par Gassendi et Mersenne”; Hiro Hirai, “Images, Talismans and Medicine in Jacques Gaffarel’s Unheard-of Curiosities”; and Juliet Odgers, “Resemblance and Figure in Garden and Laboratory: Gaffarel’s Influence on John Evelyn”. Hirschbiegel, Jan, Werner Paravicini, and Kurt Andermann, eds. In der Residenzstadt: Funktionen, Medien, Formen bürgerlicher und höfischer Repräsentation. Residenzenforschung: Neue Folge 1. Ostfildern: Jan Thorbecke Verlag, 2014. 268 pp. €55. ISBN 978-3-7995-4530-3. Includes: Werner Paravicini, “Krieg der Zeichen? Funktionen, Medien, Formen bürgerlicher und höfischer Repräsentation in Residenzstädten des Alten Reichs: Einführung Zusammenfassung”; Kurt Andermann, “Viele Herren – viele Schlösser. Residenzstädte im Hohenlohischen”; Sascha Köhl,

“Idealresidenzen en miniature? Kleinstädtische Herrschaftszentren in den Niederlanden um 1500”; Christof Paulus, “Vnnser statt: Herzogsstadt und städtischer Hof im spätmittelalterlichen München”; Thomas Martin, “Ein lichter Punkt in einem so felsig waldigen Lande: Die Residenzstadt Saarbrücken”; Christian Katschmanowski, “Die Stadt als fürstliche Projektionsfläche? Die Organisation des bürgerlichen und höfischen Bauwesens im frühneuzeitlichen Mainz”; Heiko Lab, “Stadtkirchen und Hofkirchen im residenzstädtischen Kontext der Frühen Neuzeit”; Christian Hagen, “Vom Stadttor zum Wappentrum. Über Gestaltung, Funktion und Wahrnehmung eines repräsentativen Bauwerks in der Residenzstadt Innsbruck”; Ines Elsner, “Die Celler Silberkammer und das Huldigungssilber der Herzöge von Braunschweig-Lüneburg”; Jean-Dominique Delle Luche, “Schützenfeste und Schützengesellschaften in den Residenzstädten: Konfigurationen zwischen Stadt und Fürsten im 15. und 16. Jahrhundert (Pforzheim, Würzburg, Ansbach, Stuttgart”; Julia Brenneisen, “Hals starrige, wiederspenstige, unchristliche Bürger: Herzog und städtischer Rat zwischen Konflikt und Konsens im Umgang mit Armut”; and Michael Hecht, “Konsensstiftung und Integration durch symbolische Praktiken: Rituale der städtisch-höfischen Interaktion in Halle an der Saale (15.–17. Jahrhundert).” Hitzbleck, Kerstin, and Klara Hübner, eds. Die Grenzen des Netzwerks 1200–1600. Ostfildern: Jan Thorbecke Verlag, 2014. 270 pp. €29.90. ISBN 978-3-7995-0897-1. Includes: Kerstin Hitzbleck, “NetzWerkGrenzen”; Kerstin Hitzbleck, “Verflochten, vernetzt, verheddert? Überlegungen zu einem erfolgreichen Paradigma”; Kristina Odenweller, “Von der Liste zum Netz? Nutzen und Schwierigkeiten der netzwerkanalytischen Betrachtung historischer Quellen am Beispiel der Quellenliste des Capodilista-Kodex”; Jessika Nowak, “Der Codex des Rolando Talenti – Abbild eines wahrhaften ‘Netzwerkes’ oder Spiegel eines bemerkenswerten Kunstwerkes?”; Andreas Fischer, “Die Grenzen der Verflechtung: Funktionsweisen und Reichweite kardinalizischer Beziehungen im 13. Jahrhundert”; Jörg Schwarz, “Von der Mitte an den Rand. Johann Waldner (ca. 1430–1502) in den Netzwerken der Höfe Kaiser Friedrichs III. und Maximilians I”; Bastian Walter-Bogedain, “Informelle Kontaktnetze in der Eidgenossenschaft und am Oberrhein im Kontext der Burgunderkriege (1468–1477)”; Christoph Dartmann, “Über die Schwierigkeiten, Netzwerke zu zerreiben. Zur politischen Kultur der italienischen Stadtrepubliken”; Regula Schmid, “‘Vorbehalt’ und ‘Hilfskreis’: Grenzsetzungen in kommunalen Bündnissen des Spätmittelalters”; Heinrich Speich, “Netzwerke im Stresstest”; Andreas Bihrer, “Hofparteien – ein Konzept für die Mediävistik”; Gerald Schwedler, “Bindungen lösen: Die Anleitung des Bernhard von Clairvaux zum Vergessen”; and Christian Hesse, “Netzwerke und ihre Grenzen – zusammenfassende Bemerkungen.” Holland, Peter, ed. Garrick, Kemble, Siddons, Kean: Great Shakespeareans, Volume II. The Arden Shakespeare. London: Bloomsbury, 2014. xii + 218 pp. $39.95. ISBN 978-1-4725-1728-9.

Includes: Peter Holland and Adrian Poole, “Series Preface”; Peter Holland, “Introduction”; Peter Holland, “David Garrick”; Michael Dobson, “John Philip Kemble”; Russ McDonald, “Sarah Siddons”; and Peter Thomson, “Edmund Kean.” Hopkins, Lisa, and Helen Ostovich, eds. Magical Transformations on the Early Modern English Stage. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2014. xii + 266 pp. $109.95. ISBN 978-1-4724-3286-5. Includes: Helen Ostovich and Lisa Hopkins, “Introduction: Transformations and the Ideology of Witchcraft Staged”; Barbara H. Traister, “Magic and the Decline of Demons: A View from the Stage”; Bronwyn Johnston, “Who the Devil is in Charge? Mastery and the Faustian Pact on the Early Modern Stage”; Laura Levine, “Danger in Words: Faustus, Slade, and the Demonologists”; Alisa Manninen, “‘The Charm’s Wound Up’: Supernatural Ritual in Macbeth”; Verena Theile, “Demonising Macbeth”; Jill Delsigne, “Hermetic Miracles in The Winter’s Tale”; Peter Kirwan, “‘We ring this round with our invoking spells’: Magic as Embedded Authorship in The Merry Devil of Edmonton”; Jasmine Lellock, “Boiled Brains, ‘Inward Pinches,’ and Alchemical Tempering in The Tempest”; Lisa Hopkins, “Profit and Delight? Magic and the Dreams of a Nation”; Brett D. Hirsch, “Three Wax Images, Two Italian Gentlemen, and One English Queen”; Judith Bonzol, “‘In good reporte and honest estimacion amongst her neighbours’: Cunning Women in the Star Chamber and on the Stage in Early Modern England”; Jessica Dell, “‘A witch, a quean, an old cozening quean!’: Image Magic and Shakespeare’s The Merry Wives of Windsor”; Helen Ostovich, “‘Gingerbread Progeny’ in Bartholomew Fair”; and Andrew Loeb, “‘My poor fiddle is bewitched’: Music, Magic, and the Theatre in The Witch of Edmonton and The Late Lancashire Witches.” Hopper, Andrew, and Philip Major, eds. England’s Fortress: New Perspectives on Thomas, 3rd Lord Fairfax. Farnham: Ashgate Publishing Limited, 2014. xvi + 290 pp. $134.95. ISBN 978-1-4724-1856-2. Includes: Andrew Hopper and Philip Major, “Introduction”; John Callow, “‘In So Shifting a Scene’: Thomas Fairfax as Lord of the Isle of Man, 1651–60”; Robert Barcroft, “Sir Thomas Fairfax and Siege Warfare During the English Civil Wars”; Mandy de Belin, “Naseby: Landscape of a Battlefield”; Ian Atherton, “Remembering (and Forgetting) Fairfax’s Battlefields”; Andrew Hopper, “Images of Fairfax in Modern Literature and Film”; Jacqueline Eales, “Anne and Thomas Fairfax, and the Vere Connection”; Philip Major, “‘Oh how I Love these Solitudes’: Thomas Fairfax and the Poetics of Retirement”; Keith McDonald, “‘The Genius of the house’: Andrew Marvell’s Private Lord Fairfax”; Rory Tanner, “An Appleton Psalter: The Shared Devotions of Thomas Fairfax and Andrew Marvell”; and Richard Nash, “Gentlemen’s Recreation and Georgic Improvement: Lord Fairfax on Horse Breeding.”

Howard, Deborah, and Henrietta McBurney, eds. The Image of Venice: Fialetti’s View and Sir Henry Wotton. London: Paul Holberton Publishing, 2014. 172 pp. £30. ISBN 978-1-907372-48-3. Includes: William Waldegrave, “Foreword”; Deborah Howard and Henrietta McBurney, “Introducing Fialetti’s View of Venice”; Deborah Howard, “Venice: Reality and Representation”; Allison Sherman, “The Image of Venice in the Sixteenth Century”; Laura Walters, “Odoardo Fialetti: Painter and Printmaker”; Ruth Bubb, “Odoardo Fialetti’s View of Venice Restored”; Andrew Hopkins, “Sights and Sighs in the Serenissima: Built Architecture and its Depiction”; Henrietta McBurney, “Sir Henry Wotton: Collector and Patron”; Daniel McReynolds, “Lying Abroad for the Good of his Country: Sir Henry Wotton and Venice in the Age of the Interdict”; Christy Anderson, “The Learned Art of Architecture: Henry Wotton’s Elements of Architecture (1624)”; Henrietta McBurney, “‘This wonderful picture of a city that seems to float’: Sir Henry Wotton’s Gift to Eton of Fialetti’s View of Venice”; and Ruth Bubb, “Technical Appendix.” Huang, Alexa, and Elizabeth Rivlin, eds. Shakespeare and the Ethics of Appropriation. Reproducing Shakespeare: New Studies in Adaptation and Appropriation. Basingstoke: Palgrave Macmillan, 2014. viii + 274 pp. £62.50. ISBN 978-1-137-37576-6. Includes: Alexa Huang and Elizabeth Rivlin, “Introduction”; Doug Lanier, “Shakespearean Rhizomatics: Adaptation, Ethics, Value”; Christy Desmet, “Recognizing Shakespeare, Rethinking Fidelity: A Rhetoric and Ethics of Appropriation”; Adrian Streete, “Ethics and the Undead: Reading Shakespearean (Mis)appropriation in Francis Ford Coppola’s Dracula”; Elizabeth Rivlin, “Adaptation Revoked: Knowledge, Ethics, and Trauma in Jane Smiley’s A Thousand Acres”; Courtney Lehmann, “Double Jeopardy: Shakespeare and Prison Theater”; Margaret Litvin, “Theatre Director as Unelected Representative: Sulayman Al-Bassam’s Arab Shakespeare Trilogy”; Robert Sawyer, “A ‘whirl of aesthetic terminology’: Swinburne, Shakespeare, and Ethical Criticism”; Yukari Yoshihara, “‘Raw-Savage’ Othello: The First Staged Japanese Adaptation of Othello (1903) and Japanese Colonialism”; Gitanjali Shahani and Brinda Charry, “The Bard in Bollywood: The Fraternal Nation and Shakespearean Adaptation in Hindi Cinema”; Ema Vyroubalová, “Multilingual Ethics in Henry V and Henry VIII”; Sheila T. Cavanagh, “In Other Words: Global Shakespearean Transformations”; Thomas Cartelli, “‘State of Exception’: Forgetting Hamlet”; and Margaret Litvin, “For the Record: Interview with Sulayman Al-Bassam.”. Hudson, John, and Ana Rodríguez, eds. Diverging Paths? The Shapes of Power and Institutions in Medieval Christendom and Islam. The Medieval Mediterranean: Peoples, Economies and Cultures, 400–1500 101. Leiden: Brill, 2014. xx + 436 pp. $210. ISBN 978-90-04-27736-6. Includes: John Hudson and Ana Rodríguez, “Preface”; Gadi Algazi, “Comparing Medieval Institutions: A Few Introductory Remarks”; Caroline Humfress, “Institutionalisation between Theory and Practice: Comparative Approaches to Medieval Islamic and Late Roman Law”; Susana

Narotzky and Eduardo Manzano, “The Ḥisba, the Muḥtasib and the Struggle over Political Power and a Moral Economy: An Enquiry into Institutions”; Bernard H. Stolte, “Codification in Byzantium: From Justinian to Leo VI”; Emanuele Conte and Magnus Ryan, “Codification in the Western Middle Ages”; Maribel Fierro, “Codifying the Law: The Case of the Medieval Islamic West”; John Hudson, “Law and Codification: Conclusion”; Sandro Carocci and Simone M. Collavini, “The Cost of States: Politics and Exactions in the Christian West (Sixth to Fifteenth Centuries)”; Hugh Kennedy, “Landholding and Law in the Early Islamic State”; Vivien Prigent, “The Mobilisation of Fiscal Resources in the Byzantine Empire (Eighth to Eleventh Centuries)”; Annliese Nef, “State, Aggregation of the Elites and Redistribution of Resources in Sicily in the Eleventh and Twelfth Centuries: Proposals for a New Interpretation”; Eduardo Manzano, “Resources and Power: Conclusion”; Stuart Airlie, “The Palace Complex”; Simon MacLean, “Palaces, Itineraries and Political Order in the Post-Carolingian Kingdoms”; Michel Kaplan, “Monasteries: Institutionalisation and Organisation of Space in the Byzantine World until the End of the Twelfth Century”; Nadia Maria El Cheikh, “The Institutionalisation of ʿAbbāsid Ceremonial”; and Ana Rodríguez, “Palaces and Places: Conclusion.” Kirk, Stephanie, and Sarah Rivett, eds. Religious Transformations in the Early Modern Americas. The Early Modern Americas. Philadelphia: University of Pennsylvania Press, 2014. vi + 352 pp. $49.95. ISBN 978-0-8122-4654-4. Includes: Stephanie Kirk and Sarah Rivett, “Introduction”; J. H. Elliott, “Religions on the Move”; Ralph Bauer, “Baroque New Worlds: Ethnography and Demonology in the Reformation and Counter-Reformation”; David A. Boruchoff, “Martín de Murúa, Felipe Guaman Poma de Ayala, and the Contested Uses of Saintly Models in Writing Colonial American History”; David D. Hall, “Transatlantic Passages: The Reformed Tradition and the Politics of Writing”; Asunción Lavrin, “Dying for Christ: Martyrdom in New Spain”; Matt Cohen, “Believing in Piety: Spiritual Transformation Across Cultures in Early New England”; Júnia Ferreira Furtado, “Return as a Religious Mission: The Voyage to Dahomey Made by the Brazilian Mulatto Catholic Priests Cipriano Pires Sardinha and Vicente Ferreira Pires (1796–98)”; Carmen Fernández-Salvador, “Jesuit Missionary Work in the Imperial Frontier: Mapping the Amazon in Seventeenth-Century Quito”; Teresa A. Toulouse, “‘Reader . . . Behold One Raised by God’: Religious Transformations in Cotton Mather’s Pietas in Patriam: The Life of His Excellency Sir William Phips, Knt.”; and Sandra M. Gustafson, “Between Cicero and Augustine: Religion and Republicanism in the Americas and Beyond.” Lelli, Fabrizio, ed. Giovanni Pico e la Cabbalà. Centro Internazionale di Cultura, “Giovanni Pico della Mirandola,” Studi Pichiani 16. Florence: Leo S. Olschki Editore, 2014. xiv + 292 pp. €29. ISBN 978-88-222-6314-8.

Includes: Moshe Idel, “Premessa”; Fabrizio Lelli, “Introduzione: Giovanni Pico della Mirandola e la cabbalà”; Brian P. Copenhaver, “Pico risorto: Cabbalà e dignità dell’uomo nell’Italia post-unitaria”; Moshe Idel, “The Kabbalistic Backgrounds of the ‘Son of God’ in Giovanni Pico della Mirandola’s Thoughts”; Guido Bartolucci, “Marsilio Ficino e le origini della cabala cristiana”; Michela Andreatta, “Filosofia e cabbalà nel Commento al Cantico dei cantici di Lewi ben Gersom tradotto in latino per Giovanni Pico della Mirandola”; Fabrizio Lelli, “Pico, i Da Pisa e ’Eliyyà Hayyim da Genazzano”; Brian Ogren, “The Law of Change and the Nature of the Chameleon: Yosef ben Salom ’Askenazi and Giovanni Pico della Mirandola”; Patrizia Castelli, “Simboli ed emblemi della cabbalà cristiana nel rinascimento”; Saverio Campanini, “Il commento alle Conclusiones cabalisticae nel Cinquecento”; and Crofton Black, “Eucherius of Lyon, Giovanni Pico della Mirandola and Sixtus of Siena: Early Christian Exegesis and Kabbalah in the Bibliotheca sancta (1566).” Lombaerde, Piet, ed. The Notion of the Painter-Architect in Italy and the Southern Low Countries. Architectura Moderna 11. Turnhout: Brepols, 2014. xxiv + 312 pp. €95. ISBN 978-2-503-54850-0. Includes: Piet Lombaerde, “Introduction”; Howard Burns, “Painter-Architects in Italy during the Quattrocento and Cinquecento”; Werner Oechslin, “Die universale Zeichunung (‘disegno’) des Künstlers und/versus die ‘graphidis scientia’ des Architekten”; Sabine Frommel, “Sebastiano Serlio as a Painter-Architect”; Bruno Adorni, “Vignola, a Serious Training: Painting, Perspective, Architecture”; Oliver Kik, “From Lodge to Studio: Transmissions of Architectural Knowledge in the Low Countries 1480–1530”; Edward H. Wouk, “Humanae Societati Necessaria: The Painted Façade of the House of Frans Floris”; Tine L. Meganck, “Wensel Cobergher (1556/61–1634): Painter, Antiquarian, Architect”; Christopher P. Heuer, “On the Peripatetics of the Sixteenth-Century Sketchbook”; Stefano F. Musso, “Painting and Painted Architectures in Genoa: What Peter Paul Rubens Probably Saw”; Giulio Girondi, “Frans Geffels, Rubens and the Palazzi di Genova”; Piet Lombaerde, “Rubens, Architectural Space and Light”; Stefan Boeykens, “Reflections on the Digital Reconstruction of the Portico and Garden Pavilion of the Rubens House”; and Carolien De Staelen, “Rubens: The Ingenious Master as an Architect?” Lurati, Patricia, ed. Doni d’amore: Donne e rituali nel Rinascimento. Exh. Cat. Rancate (Svizzera): Pinacoteca Züst. Cinisello Balsamo: Silvana Editoriale, 2014. 240 pp. €30. ISBN 978-8836629862. Includes: Patricia Lurati, “Introduzione”; Patricia Lurati, “‘Metti in ordine le gioie, e belle, ché la moglie è trovata’”; Jill Burke, “Il nudo femminile nella vita e nell’arte del Rinascimento”; Patricia Lurati, “‘Per la speranza ch’ i’ ho, che voi togliate donna’”; Roberta Bartoli, “Banchetti d’oro e d’argento: A tavola per le nozze nel Quattrocento”; Patricia Lurati, “‘Ha facte octo femine primo che habbia facto questo maschio’”; Cristina Giorgetti, “Le vesti dell’infanzia, il tempo dimenticato”; and Tatiana Crivelli, “Fedeltà, maternità, sacralità: Reinterpretazioni del legame matrimoniale nell’opera di Vittoria Colonna.”

Mardock, James D., and Kathryn R. McPherson, eds. Stages of Engagement: Drama and Religion in Post-Reformation England. Medieval & Renaissance Literary Studies. Pittsburgh: Duquesne University Press, 2014. viii + 352 pp. $58. ISBN 978-0-8207-0473-9. Includes: James D. Mardock, “Introduction: ‘Reformation in a flood’: The Religious Turn’s Second Wave”; William W.E. Slights, “The Reformed Conscience: Woodes, Marlowe, and Shakespeare”; Daniel Cadman, “Stoicism, Calvinism, and Determinism in Fulke Greville’s Alaham”; Robert Hornback, “The Jacob and Esau Paradigm: Nicholas Udall’s Predestinarian Problem Comedy”; Adrian Streete, “Conciliarism and Liberty in Shakespeare and Fletcher’s Henry VIII”; Elizabeth Pentland, “Martyrdom and Militancy in Marlowe’s Massacre at Paris”; Brian J. Harries, “Sacral Objects and the Measure of Kingship in Shakespeare’s Henry VI”; Kathyrn R. McPherson, “Performing Catechism in Measure for Measure”; Katherine A. Gillen, “ Authorial Anxieties and Theatrical Instability: John Bale’s Biblical Plays and Shakespeare and Wilkins’s Pericles”; Terri Bourus, “Counterfeiting Faith: Middleton’s Theatrical Reformation of Measure for Measure”; Lisa Hopkins, “Theatricality, Faith, and Color Imagery in Philip Massinger”; Jay Zysk, “Of Ceremonies and Henry VIII”; and John D. Cox, “Afterword.” Maryks, Robert Aleksander, ed. A Companion to Ignatius of Loyola: Life, Writings, Spirituality, Influence. Brill’s Companions to the Christian Tradition 52. Leiden: Brill, 2014. xiv + 346 pp. $199. ISBN 978-90-04-25113-7. Includes: Robert Aleksander Maryks, “Introduction: The Quest for the Historical Ignatius”; Elizabeth Rhodes, “Ignatius, Women, and the Leyenda de los santos”; Stefania Pastore, “Unwise Paths: Ignatius Loyola and the Years of Alcalá de Henares”; Sabina Pavone, “A Saint Under Trial: Ignatius of Loyola Between Alcalá and Rome”; José García de Castro Valdés, “Ignatius of Loyola and His First Companions”; Robert Aleksander Maryks, “Ignatius of Loyola and the Converso Question”; Pierre-Antoine Fabre, “The Writings of Ignatius of Loyola as Seminal Text”; Markus Friedrich, “Ignatius’s Governing and Administrating the Society of Jesus”; William David Myers, “Ignatius Loyola and Martin Luther: The History and Basis of a Comparison”; Rady Roldán-Figueroa, “Ignatius of Loyola and Juan de Ávila on the Ascetic Life of the Laity”; Emanuele Colombo, “Defeating the Infidels, Helping Their Souls: Ignatius Loyola and Islam”; Christopher van Ginhoven Rey, “The Jesuit Instrument: On Saint Ignatius of Loyola’s Modernity”; Moshe Sluhovsky, “Loyola’s Spiritual Exercises and the Modern Self”; David Marno, “Attention and Indifference in Ignatius’s Spiritual Exercises”; Javier Melloni Ribas, “Ignatian Spirituality and Buddhism”; Frédéric Conrod, “The Spiritual Exercises: From Ignatian Imagination to Secular Literature”; and Robert A. Maryks, “Conclusion.”

Matthews-Grieco, Sara F., ed. Cuckoldry, Impotence and Adultery in Europe (15th–17th century). Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2014. xx + 294 pp. $119.95. ISBN 978-1-4724-1439-7. Includes: Sara F. Matthews-Grieco, “Introduction: Sexual Transgression as Social Metaphor”; Jacqueline Marie Musacchio, “Adultery, Cuckoldry and House-Scorning in Florence: The Case of Bianca Cappello”; Molly Bourne, “Vincenzo Gonzaga and the Body Politic: Impotence and Virility at Court”; M. A. Katritzky, “Historical and Literary Contexts for the Skimmington: Impotence and Samuel Butler’s Hudibras”; Matteo Duni, “Impotence, Witchcraft, and Politics: A Renaissance Case”; Laura Giannetti, “The Satyr in the Kitchen Pantry”; Meredith K. Ray, “Impotence and Corruption: Sexual Function and Dysfunction in the Early Modern Italian Books of Secrets”; Francesca Alberti, “‘Divine cuckolds’: Joseph and Vulcan in Renaissance Art and Literature”; Christiane Andersson, “Niklaus Manuel and Urs Graf: Cuckolds, Impotence and Sex Workers in Swiss Renaissance Art (c.1510–1517)”; Louise Rice, “The Cuckoldries of Baccio del Bianco”; and Sara F. Matthews-Grieco, “Picart’s Browbeaten Husbands in 17th-Century France: Cuckoldry in Context.” Nelson Burnett, Amy, Kathleen M. Comerford, and Karin Maag, eds. Politics, Gender, and Belief: The Long-Term Impact of the Reformation, Essays in Memory of Robert Kingdon. Geneva: Librairie Droz, 2014. 320 pp. $49.20. ISBN 978-2-600-01820-3. Includes: Barbara Pitkin, “John Calvin, François Hotman, and the Living Lessons of Sacred History”; Martin I. Klauber, “Showdown at Fontainebleau: The Debate between Philippe Duplessis-Mornay (1549–1623) and Cardinal Jacques-Davy du Perron (1556–1618) on the Nature of the Eucharist”; James Tracy, “Reformed Perspectives on the Habsburg-Ottoman Conflict, 1564–1576: Notes on the Correspondence of Beza, Bullinger and Gwalther”; Kathleen M. Comeford, “Cosimo I dei Medici’s Cooperation with the Jesuits in Creating a Christian Realm in His Expanding State”; Sean T. Perrone, “Mapping the Collection of the Ecclesiastical Subsidy in Castile, 1530–1558”; David Mayes, “Beyond Discipline: The Consistory in the Central Reformed Territories of the Holy Roman Empire”; Timothy Fehler, “Anabaptism and Calvinism around Emden: Disputation and Discipline”; Marjorie Elizabeth Plummer, “Persona non grata? Property Rights, the Defense of Marriage, and the Legal Standing of Nuns during the Early German Reformation”; William Bradford Smith, “Tragic Romances: Narratives of Love, Sex, and Betrayal in Early Modern Germany”; and William G. Naphy, “Secret Pregnancies & Presumptions of Guilt: Infanticide in Early Modern Geneva, 1558–1642.” Ottenheym, Konrad, and Krista De Jonge, eds. The Low Countries at the Crossroads: Netherlandish Architecture as an Export Product in Early Modern Europe (1480–1680). Architectura Moderna 8. Turnhout: Brepols, 2013. x + 514 pp. €130. ISBN 978-2-503-54333-8.

Includes: Konrad Ottenheym and Krista De Jonge, “Introduction”; “The Architecture of the Low Countries and its International Receptions, 1480–1680: A Bird’s Eye View”; Dirk Van de Vijver and Krista De Jonge, “‘Ces fleurons lointains à notre splendide diadème artistique’: The Historiography of the Influence of Netherlandish Architecture in Europe”; Konrad Ottenheym, “Travelling Architects from the Low Countries and their Patrons”; Ethan Matt Kavaler, “The Diaspora of Netherlandish Sculptors in the Second Half of the Sixteenth Century”; Konrad Ottenheym, “Sculptors’ Architecture: The International Scope of Cornelis Floris and Hendrick de Keyser”; Hugo Johannsen, “The Steenwinckels: The Success Storyof a Netherlandish Immigrant Family in Denmark”; Jacek Tylicki, “The Van den Blocke Family in Gdansk and in Central Europe”; Franciszek Skibinski, “The Expansion of Gdansk and the Rise of Taste for Netherlandish Sculpture in the Polish-Lituanian Commonwealth in the Sixteenth and Seventeenth Century”; Bernardo J. García García, “The Cross-Influences in Architectural Patronage between Spain and the Low Countries as Revealed in the Letters of Infanta Isabel Clara Eugenia (1598–1621); Gabri van Tussenbroek, “Amsterdam and the International Trade in Stone, Brick and Wood”; Konrad Ottenheym, “Foreign Architects in the Low Countries and the Use of Prints and Books”; Krista De Jonge, “Netherlandish Models from the Habsburg Sphere: From Spain to Germany and Denmark”; Birgitte Boggild Johanssen, “Promising Enterprises and Broken Dreams: An Early Incident of Netherlandish Architectural Import in Sixteenth-Century Denmark”; Heiner Borggrefe, “Building for a Career at the Spanish Court and Building in the Manner of Hans Vredeman de Vries in the Weser Region”; Ojars Sparitis, “Joris Jorissen Frese and the Origins of Renaissance Sacral Architecture in Livonia”; Anthoyn Wells-Cole, “Paper Architecture: Mechanisms for the Migration of Architecture from the Low Countries to England”; Gabri van Tussenbroek, “Classicism in Berlin and the Brandenburg: Architects, Enterpreneurs and the Restoration after the Thirty Years’ War (1648–1688); Konrad Ottenheym, “Models of Modesty and Dignity in the Age of Absolutism”; Pieter Martens and Konrad Ottenheym, “Fortifications and Waterworks: Engineers on the Road”; Piet Lombaerde, “Exporting Urban Models from the Low Countries to Denmark, Schleswig-Holstein, and Northern Germany”; Nils Ahlberg, “Sweden 1521–1721: Town Planning and the Low Countries”; Dirk van de Vijver, “Epilogue: Paradigm Change in the Ealry Eighteenth Century”; and Konrad Ottenheym and Krista De Jonge, “Conclusions: Shifts in Time and Place.” Öztürkmen, Arzu, and Evelyn Birge Vitz, eds. Medieval and Early Modern Performance in the Eastern Mediterranean. Late Medieval and Early Modern Studies 20. Turnhout: Brepols, 2014. xxxvi + 576 pp. €130. ISBN 978-2-503-54691-9. Includes: Metin And, “Storytelling as Performance”; Revital Refael-Vivante, “The Maqama — Between a Tale and a One-Man Show: In Search of its Form of Performance”; Arzu Öztürkmen, “Orality, Text, and Performance in the Book of Dede Korkut”; Marija-Ana Dürrigl, “Signals of Performability in the Croatian Glagolitic ‘Legend of St John Chrysostom’”; Michael Curschmann, “The Performance of Joinville’s Credo”; David Rotman, “Medieval Folktales, Modern Problems, and a Gifted Preacher: The Case of Rabbi Joseph Hayyim and the ‘Tale of a Fox that Left his Heart at Home’”; Evelyn Birge Vitz, “‘The Seven Sleepers of Ephesus’: Can We Reawaken Performance of

this Hagiographical Folktale?”; Przemysław Marciniak, “How to Entertain the Byzantines: Some Remarks on Mimes and Jesters in Byzantium”; Tivadar Palágyi, “Between Admiration, Anxiety, and Anger: Views on Mimes and Performers in the Byzantine World”; Koray Durak, “Performance and Ideology in the Exchange of Prisoners between the Byzantines and the Islamic Near Easterners in the Early Middle Ages”; Suraiya Faroqhi, “Fireworks in Seventeenth-Century Istanbul”; Özdemir Nutku, “Clowns at Ottoman Festivities”; Danielle Haase-Dubosc, “Lady Mary Wortley Montagu (1689–1762): Her Turkish Performances”; Ehud R. Toledano, “The Fusion of Zar-Bori and Sufi Zikr as Performance: Enslaved Africans in the Ottoman Empire”; Cemal Kafadar, “How Dark is the History of the Night, How Black the Story of Coffee, How Bitter the Tale of Love: The Changing Measure of Leisure and Pleasure in Early Modern Istanbul”; Daryo Mizrahi, “One Man and His Audience: Comedy in Ottoman Shadow Puppet Performances”; Mas’Ud Hamdan, “Shadow Theatre, the Karagoz (Kara Gyooz) and the Texts of Ibn Daniyal (1248–1311?)”; Noune Zeltsburg-Poghosyan, “Armenian Traditional Music and the Performance Practices in the Armenian Community of Jerusalem”; Judith R. Cohen, “Constructing the Performed Identity of Sephardic Songs”; Elena Marushiakova and Vesselin Popov, “Gypsy Musicians and Performances in the Ottoman Balkans”; Viktoria Kepetzi, “Scenes of Performers in Byzantine Art, Iconography, Social and Cultural Milieu: The Case of Acrobats”; Anestis Vasilakeris, “Theatricality of Byzantine Images: Some Preliminary Thoughts”; Emma Petrosyan, “Theatrical Features in Armenian Manuscripts”; Hrant Khachikyan, “Capital Initials with Images of Musicians in Armenian Manuscripts”; Gabriela Currie, “Glorious Noise of Empire”; Samia Mehrez, “Representing the Moulid: Salah Jahin’s Al-Layla al-Kabira between Populist and Nationalist Aspirations”; Yücel Demirer, “Performative Conceptions of Social Change: The Case of Nevruz Celebrations in Pre-Ottoman and Ottoman Anatolia”; Fahriye Dinçer, “Alevi Ritual Movement: Its Representation in Fifteenthand Sixteenth-Century Texts and Today”; Elsie Ivancich Dunin, “The Moreška Dance/Drama on the Island of Korčula (Croatia): A Turkish Connection?”; Cem Behar, “The Show and the Ritual: The Mevlevî Mukabele in Ottoman Times”; Zhenya Khachatryan, “The Ritual of Vardan Mamikonyan”; and Peter Burke, “Epilogue: The Performative Turn in Recent Cultural History. Pender, Patricia, and Rosalind Smith, eds. Material Cultures of Early Modern Women’s Writing. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, 2014. xiv + 214 pp. $90. ISBN 978-1-137-34242-3. Includes: Patricia Pender and Rosalind Smith, “Introduction: Early Modern Women’s Material Texts: Production, Transmission and Reception”; Helen Smith, “Women and the Materials of Writing”; Patricia Pender, “Dispensing Quails, Mincemeat, Leaven: Katherine Parr’s Patronage of the Paraphrases of Erasmus”; Rosalind Smith, “‘Le pouvoir de faire dire’: Marginalia in Mary Queen of Scots’ Book of Hours; Deborah Uman, “Translation and Community in the Work of Elizabeth Cary”; Michelle O’Callaghan, “The ‘great Queen of Lightninge flashes’: The Transmission of Female-Voiced Burlesque Poetry in the Early Seventeenth Century”; Kate Lilley, “‘Philo-Philippa’ as Author-Reader”; Margaret J.M. Ezell, “Late Seventeenth-Century Women Writers and the Penny Post: Early Social Media Forms and Access to Celebrity”; Paul Salzman, “Henrietta’s Version: Mary

Wroth’s Love’s Victory in the Nineteenth Century”; and Marie-Louise Coolahan, “‘One of the finest Poems of that nature I ever read’: Quantitative Methodologies and the Reception of Early Modern Women’s Writing.”. Poole, Adrian, ed. Joyce, T.S. Eliot, Auden, Beckett: Great Shakespeareans, Volume XII. The Arden Shakespeare. London: Bloomsbury, 2012. xvi + 226 pp. $39.95. ISBN 978-1-4725-1850-7. Includes: Peter Holland and Adrian Poole, “Series Editors’ Preface”; Adrian Poole, “Introduction”; Maud Ellmann, “James Joyce”; Anne Stillman, “T.S. Eliot”; Jeremy Noel-Tod, “W.H. Auden”; and Dan Gunn, “Samuel Beckett.” Poole, Adrian, ed. Scott, Dickens, Eliot, Hardy: Great Shakespeareans, Volume V. The Arden Shakespeare. London: Bloomsbury, 2011. xii + 212 pp. $39.95. ISBN 978-1-4725-1729-6. Includes: Peter Holland and Adrian Poole, “Series Editors’ Preface”; Adrian Poole, “Introduction”; Nicola J. Watson, “Sir Walter Scott”; Adrian Poole and Rebekah Scott, “Charles Dickens”; John Rignall, “George Eliot”; and Peter Holbrook, “Thomas Hardy.” Quiring, Björn, ed. “If Then the World a Theatre Present...”: Revisions of the Theatrum Mundi Metaphor in Early Modern England. Pluralisierung & Autorität 32. Berlin: De Gruyter, 2014. vi + 240 pp. $126. ISBN 978-3-11-029229-9. Includes: Björn Quiring, “Introduction”; Enno Ruge, “Having a Good Time at the Theatre of the World: Amusement, Antitheatricality and the Calvinist Use of the Theatrum Mundi Metaphor in Early Modern England”; Julia Reinhard Lupton, “‘Out, out, brief candle’: Shakespeare and the Theatrum Mundi of Hospitality”; Andreas Höfele, “Potraits of Hydra: Theatre and the Many-Headed Multitude”; Christopher Wild, “‘They Have Their Exits and Their Entrances’: On Two Basic Operations in the Theatrum Mundi”; Björn Quiring, “‘Look on the Tragic Loading of this Bed’: Performing Community and its Other in Shakespeare’s Othello”; Anselm Haverkamp, “A Narrow Thing Within One Word: The Foreclosure of Nature in Post-Shakespearian Worlds and Times”; Jane O. Newman, “Doubtful Visibilities: The Theatrum Mundi of the German Baroque Trauerspiel”; Freya Sierhuis, “Metaphysical Skepticism, Incertitude and the Dissolution of the Theatrum Mundi”; Nigel Smith, “Theatrum Mundi and the Politics of Rebellion in Seventeenth-Century Drama”; and Martin Harries, “The End of a Trope for the World.” Radke, Gary M., Gabriele Giacomelli, Patrick Macey, Marica S. Tacconi, and Timothy Verdon, eds. Make a Joyful Noise: Renaissance Art and Music at Florence Cathedral. Exh. Cat. Atlanta: High

Museum of Art; Detroit: Detroit Institute of Arts. New Haven: Yale University Press, 2014. 96 pp. $45. ISBN 978-0-300-20918-1. Includes: Michael E. Shapiro, “Director’s Foreword”; Gary M. Radke, “Curator’s Introduction and Acknowledgments”; Gary M. Radke, “Luca Della Robbia’s Cantoria: Good, Better, and Best”; Gabriele Giacomelli, “Fifteenth-Century Pipe Organs and Organists at Florence Cathedral”; Patrick Macey, “Singing in and Around Florence Cathedral: Oral and Written, Local and Imported Traditions”; Marica S. Tacconi, “The Choirbooks of Florence Cathedral: Liturgy, Music, and Art”; and Timothy Verdon, “Postscript: Recontextualizing Sculpture from Florence Cathedral in the Newly Expanded Museo Dell’Opera.” Residori, Matteo, Hélène Tropé, Danielle Boillet, and Marie-Madeleine Fragonard, eds. Vies d’écrivains, vies d’artistes: Espagne, France, Italie, XVIe–XVIIe siècles. Paris: Presses Sorbonne Nouvelle, 2014. 352 pp. €26.50. ISBN 978-2-87854-624-8. Includes: Matteo Residori and Hélène Tropé, “Avant-propos”; Johannes Bartuschat, “Vie du poète et paratexte: Girolamo Squarciafico, les éditions de Boccace à la Renaissance et les enjeux de la biographie”; Pedro M. Cáterda, “Biografía, altrobiografía y reinvindicación autobiográfica”; Gilles Guilhem Couffignal, “Jean de Nostredame, Vies de poètes et vie littéraire”; Franco Tomasi, “Le vite dei poeti nelle edizioni cinquecentesche tra esegesi e storia della letteratura”; Alessandra Villa, “Les trois premières Vies de l’Arioste”; Ricardo Saez, “La Vie de Garcilaso de la Vega (1498?–1536) dans les Anotaciones de Fernando de Herrera (1580)”; Benedikte Andersson, “La Vie de Ronsard par Binet: Présences du biographe dans la Vie de son grand homme”; Catherine Magnien–Simonin, “Le Sommaire discours sur la vie Michel, Seigneur de Montaigne (1608): Biographie d’auteur ou bonnes feuilles des Essais?”; Ismène Cotensin, “La destinée des Vite de G.B. Passeri au XVIIIe siècle: Entre réécriture et plagiat”; Jacobo Sanz Hermida, “Una biografía política barroca, la Historia de la Vida del Primer César de Juan Enríquez de Zúñiga”; Julien Gœury, “Théodore de Bèze a-t-il eu une vie de poète?”; Dinah Ribard, “Artisan, poète: Littérature et biographie”; Pablo Jauralde Pou, “El ascenso espiritual de Luisa de Carvajal”; Matteo Residori, “Vie d’artiste, mélancolie de poète dans la Galleria de la Casa Buonarroti”; Agnès Morini, “Vies ‘Incognite’”; Hélène Tropé, “La première biographie de Francisco de Quevedo par Paolo Antonio de Tarsia (1663)”; Florence Ferran, “Notoriété et obscurité: Notices biographiques d’artistes dans les Mémoires secrets et le Journal de Paris (XVIIIe siècle)”; René Démoris, “Le comte de Caylus, biographe engagé”; and Pierre Musitelli, “Vers une histoire littéraire unitaire: Usages de la biographie en Italie au XVIIIe siècle.” Ribeiro, Roberto M., and John W. O’Malley, S.J., eds. Jesuit Mapmaking in China: D’Anville’s Nouvelle Atlas de la Chine (1737). Early Modern Catholicism and the Visual Arts Series 11. Philadelphia: Saint Joseph’s University Press, 2014. 172 pp. $70. ISBN 978-0-91610-181-7.

Includes: Roberto M. Ribeiro, “Preface: Friendship and Science”; R. Po-chia-Hsia, “Imperial China and the Jesuit Mission”; Mario Cams, “Jean-Baptiste Bourguignon d’Anville and the Nouvelle atlas de la Chine”; and Han Qi, “Cartography during the Times of the Kangxi Emperor: The Age and the Background.” Sinnema, Donald, Christian Moser, and Herman J. Selderhuis, eds. Acta of the Synod of Dordt. Acta et Documenta Synodi Nationalis Dordrechtanae (1618–1619) 1. Göttingen: Vandenhoeck & Ruprecht, 2015. CVIII + 540 pp. €175. ISBN 978-3-525-55078-6. Includes: Herman J. Selderhuis, “Introduction to the Synod of Dordt (1618–1619)”; Christian Moser, “Scope of Edition and Editorial Guidelines”; Donald Sinnema, “Introduction to the Acta Authentica, Acta Contracta and Printed Acta”; Johanna Roelevink, “Introduction to the Acts and the Instructions of the Delegates of the States General”; Fred van Lieburg, “The Participants at the Synod of Dordt”; Donald Sinnema and Janika Bischof, “I.1: Acta Authentica”; Donald Sinnema, “I.2: Acta Synodi Nationalis: First Printed Edition”; Janika Bischof and Donald Sinnema, “I.3: Acta Contracta”; Johanna Roelevink, “I.4: Instructions for the Delegates of the States General”; and Johanna Roelevink, “I.5: Acts of the Delegates of the States General.” Van Egmond, Anne-Maria J., and Claudine A. Chavannes-Mazel, eds. Medieval Art in the Northern Netherlands before Van Eyck: New Facts and Features. Kunsthistorische Monografieën 23. Utrecht: Clavis, 2014. 224 pp. €34.95. ISBN 978-90-75616-00-2. Includes: Wessel Krul, “Introduction: G.J. Hoogewerff. Explorer in Art History”; Kees Van Der Ploeg, “The Reception of Hoogewerff’s ‘De Noord-Nederlandsche Schilderkunst’”; Emanuel S. Klinkenberg, “The Medieval Mural Paintings in the Dutch Reformed Church at Bristum: A Reflection of Frisian Crusade Participation”; Anne-Maria J. Van Egmond, “Art and Archives, Clerics and Counts: New Insights on the Crucifixion Mural in the Utrecht Burial Chapel of Guy of Avesnes”; Indra Kneepkens and Arie Wallert, “A Note on the Unfortunate Lords of Montfoort”; Susan Suèer, “The Instructions in the Bethlehem Plenary and its Production Process”; Wendelien A.W. Van Welie-Vink, “Genesis Jumbled: The Creation Miniatures in Maerlant’s Rijmbijbel in the Museum Meermanno in the Hague”; Claudine A. Chavannes-Mazel, “Michiel van der Borch: Discerning Fact from Fable”; Wim Van Anrooij, “Armorials, Heralds and Heraldry around 1400: The Importance of the Manuscript and the Cultural-Historical Context”; Miranda Bloem, “Presentatio, Imitatio, Innovatio: The Imitation and Correction of a Corrupt Pictorial Tradition by the Masters of Zweder van Culemborg”; Elizabeth Den Hartog, “The ‘Cindarella’ of the Arts: The Study of Architectural Sculpture up to 1420 from G.J. Hoogewerff’s Time to the Present”; Sanne Frequin, “A Voice from the Grave: The Tomb of Guy of Avesnes in Saint-Martin’s Cathedral in Utrecht”; Jitske Jasperse, “Duke Charles of Guelders and the ‘Restoration’ of the Tomb Monument of Gerard IV and Margaret in the Roermond Minster”; and Claudine A. Chavannes-Mazel, “Epilogue: After Hoogewerff.”

Vaughan, Alden T., and Virginia Mason Vaughan, eds. The Tempest: A Critical Reader. Arden Early Modern Drama Guides. London: Bloomsbury, 2014. xviii + 278 pp. $29.95. ISBN 978-1-4725-1840-8. Includes: Andrew Hiscock and Lisa Hopkins, “Series Introduction”; Alden T. Vaughan, “Introduction”; Virginia Mason Vaughan, “The Critical Backstory: ‘What’s Past is Prologue’”; Eckart Voigts, “A Theatre of Attraction: Colonialism, Gender, and The Tempest’s Performance History”; Brinda Charry, “Recent Perspectives on The Tempest”; Andrew Gurr, “New Directions: Sources and Creativity in The Tempest”; Helen M. Whall, “New Directions: Commedia dell’Arte, The Tempest, and Transnational Criticism”; Jeffrey A. Rufo, “New Directions: ‘He needs will be Absolute Milan’: The Political Thought of The Tempest”; Scott Maisano, “New Directions: Shakespeare’s Revolution — The Tempest as Scientific Romance”; and Nathaniel Amos Rothschild, “‘volumes that / I prize’: Resources for Studying and Teaching The Tempest.” Vergara, Alexander, and Anne T. Woollett, eds. Spectacular Rubens: The Triumph of the Eucharist. Los Angeles: J. Paul Getty Museum, 2014. 112 pp. $24.95. ISBN 978-1-60606-430-6. Includes: Miguel Zugaza and Timothy Potts, “Foreword”; Anne T. Woollett, “Faith and Glory: The Infanta Isabel Clara Eugenia and the Triumph of the Eucharist”; Ana García Sanz, “The Tapestries of the Triumph of the Eucharist: Function and Placement in the Monasterio de las Descalzas Reales”; Alejandro Vergara, “High and Passionate Songs: Thoughts on Rubens’s Pictorial Language”; Alejandro Vergara and Anne Woollett, “Catalogue”; George Bisacca, José de la Fuente, and Jonathan Graindorge Lamour, “The Restoration of Six Panel Paintings by Rubens: Supports”; Maria Antonia López de Asiaín, “The Restoration of Six Panel Paintings by Rubens: Paint Surface”; and Alejandro Vergara, “Technical Study of the Modelli by Rubens for the Eucharist Series.” Vermeir, René, Dries Raeymaekers, and José Eloy Hortal Muñoz, eds. A Constellation of Courts: The Courts and Households of Habsburg Europe, 1555–1665. Avisos de Flandes 15. Leuven: Leuven University Press, 2014. 394 pp. €49.50. ISBN 978-90-5867-990-1. Includes: José Martínez Millán, “The Political Configuration of the Spanish Monarchy: The Court and Royal Households”; Manuel Rivero, “The Court of Madrid and the Courts of the Viceroys”; Carlos Javier de Carlos Morales, “The Economic Foundations of the Royal Household of the Spanish Habsburgs, 1556–1621”; José Eloy Hortal Muñoz, “The Household of Archduke Albert of Austria from his Arrival in Madrid until his Election as Governor of the Low Countries: 1570–1595”; Alicia Esteban Estríngana, “Flemish Elites under Philip III’s Patronage (1598–1621): Household, Court and Territory in the Spanish Habsburg Monarchy”; Werner Thomas, “The ‘Spanish Faction’ at the Court of the Archdukes Albert and Isabella”; Birgit Houben, “‘Vous estez les

premiers vassaux que j’aye et que j’aime le plus’: Burgundians in the Brussels Courts of the Widowed Isabella and of the Cardinal-Infant don Ferdinand (1621–1641)”; Olivier Chaline, “Anne of Austria, Founder of the Val-de-Grâce in Paris”; Alejandro López Álvarez, “Some Reflections on the Ceremonial and Image of the Kings and Queens of the House of Habsburg in the Sixteenth and Seventeenth Centuries”; Katrin Keller, “From Graz to Vienna: Structures and Careers in the Frauenzimmer between 1570 and 1657”; and Astrid von Schlachta “The Innsbruck Court in the 17th Century: Identity and Ceremonial of a Court in Flux.” Watkins, John, and Kathryn L. Reyerson, eds. Mediterranean Identities in the Premodern Era: Entrepôts, Islands, Empires. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2014. xiv + 272 pp. $109.95. ISBN 978-1-4094-5599-8. Includes: John Watkins and Kathryn L. Reyerson, “Mediterranean Identities in the Premodern Era: Entrepôts, Islands and Empires”; David M. Perry, “The Material Culture of Medieval Venetian Identity”; Eric R. Dursteler, “Language and Identity in the Early Modern Mediterranean”; Cameron W. Bradley, “Hybrid Identities: Ethnicity, Religion, and the Janissaries in 16th-Century Constantinople”; Mark Netzloff, “Jonson’s Volpone and the Information Economy of Anglo-Venetian Travel and Intelligence”; Timothy Smit, “‘This Island of Many Natural Riches and Many Peoples’: Geography, Population, and the Economic Identities of Norman Sicily”; Theresa M. Vann, “The Role of Rhetoric and Diplomacy in the Creation of Muslim Identity in 15th-Century Rhodes”; Kevin Mummey, “Enchained in Paradise: Slave Identities on the Island of Mallorca, ca. 1360–1390”; Wadad Kadi (al-Qāḍī), “Identity Formation of the Bureaucracy of the Early Islamic State: ‘Abd al-Hamīd’s ‘Letter to the Secretaries’”; Bernard S. Bachrach, “Charlemagne’s Mediterranean Empire”; James G. Schryver, “Identities in the Crusader East”; Galina I. Yermolenko, “Tatar-Turkish Captivity and Conversion in Early Modern Ukrainian Songs”; Nabil Matar, “Muslim Conversion to Christianity in the Early Modern Period: Arabic Texts, European Contexts”; Javier Irigoyen-García, “The Game of Canes from the Lusus Troiae to the Albanian Stradioti: Defining Moorish and Classical in the Early Modern Spanish Mediterranean”; and Ronald E. Surtz, “Botanical and Racial Hybridity in the Commentarios reales of El Inca Garcilaso.” Weststeijn, Thijs, ed. Art and Knowledge in Rome and the Early Modern Republic of Letters, 1500–1750. Fragmenta: Journal of the Royal Netherlands Institute in Rome 5 (2011). Turnhout: Brepols, 2014. viii + 372 pp. €74. ISBN 978-2-503-53638-5. Includes: Thijs Weststeijn, “Art and Knowledge in Rome and the Early Modern Republic of Letters, 1500–1750”; Ilse Slot, “Michelangelo’s ‘Q’: A Contribution to the Interpretation of the Sistine Chapel’s Sibyls’; Marieke van Wamel, “An Iberian Dialogue: Francisco de Holanda versus Felipe de Guevara”; Simone Kaiser, “Garden Design as an Artistic Form of Organized Knowledge: The Villa d’Este in Tivoli and its Dragons of 1572”; Jan de Jong and Sjef Kemper, “‘Where the Gate Drips Near the Vipsanian Columns’: Aernout van Buchel Gathering Information on the Culture and

History of Rome: The Pantheon”; Irina Oryshkevich, “Through a Netherlandish Looking-Glass: Philips van Winghe and Jean l’Heureux in the Catacombs”; Barbara Tramelli, “Artists and Knowledge in Sixteenth-Century Milan: The Case of Lomazzo’s Accademia de la Val di Blenio”; Barbara Uppenkamp and Ben van Beneden, “Rubens and Antiquarianism: New Thoughts on the Two Versions of The Massacre of the Innocents”; Sabine du Crest, “Fluidity of Meaning: The Elusive ‘Aztec’ Mask in the Medici Collections”; Joris van Gastel, “Guido Reni and the Poets: Painting through a Different Lens”; Margherita Fratarcangeli, “On an Architect’s Library: The Intellectual World of Francesco Peparelli (1587–1641)”; Thijs Weststeijn, “Between Rome and Amsterdam: Barthold Nihusius (1589–1657) and the Origins of Egyptology”; Anne-Lise Tropato, “The Eloges of Gaspard de Monconys: A Forgotten Paper Museum of the Respublica Litteraria”; Alessandro Borgomainerio, “Borromini’s Facade of San Carlino and the ‘Greek’ Tripod: A Question of Method”; Ulrike Feist, “Francesco Bianchini’s Discovery of the Venus Markings: Strategies of Evidence and the Foundation of Knowledge in the Early Modern Astronomical Community”; and Louis Cellauro and Gilbert Richaud, “Drawn to the Eternal City: Marie-Joseph Peyre’s European Circle in Rome and the Origins of Neo-Classicism, 1753–1756.”