reliving the past: film noir film noir. comparison of cinamatography components of classical cinema...
TRANSCRIPT
RELIVING THE PAST:RELIVING THE PAST:
FILMFILM
NOIRNOIR
COMPARISON OF CINAMATOGRAPHY COMPONENTS COMPARISON OF CINAMATOGRAPHY COMPONENTS OF CLASSICAL CINEMA AND FILM NOIROF CLASSICAL CINEMA AND FILM NOIR
CLASSICAL CINEMACLASSICAL CINEMA HIGH KEY(LOW HIGH KEY(LOW
CONTRAST)LIGHTINGCONTRAST)LIGHTING BALANCED THREE-POINT BALANCED THREE-POINT
LIGHTINGLIGHTING DAY-FOR-NIGHTDAY-FOR-NIGHT SHALLOW FOCUSSHALLOW FOCUS
SYMMETRICAL MISE-EN-SCENESYMMETRICAL MISE-EN-SCENE EYE-LEVEL CAMERAEYE-LEVEL CAMERA
OPEN,UNOBSTRUCTED VIEWSOPEN,UNOBSTRUCTED VIEWS
FILM NOIRFILM NOIR LOW KEY(HIGH CONTRAST LOW KEY(HIGH CONTRAST
LIGHTINGLIGHTING IMBALANCED LIGHTINGIMBALANCED LIGHTING NIGHT FOR NIGHTNIGHT FOR NIGHT
DEEP FOCUSDEEP FOCUS WIDE ANGLE FOCAL LENGTHWIDE ANGLE FOCAL LENGTH DISSYMMETRICAL DISSYMMETRICAL EXTREME LOW AND HIGH EXTREME LOW AND HIGH
ANGLESANGLES FOREGROUND OBSTRUCTIONSFOREGROUND OBSTRUCTIONS
NEO-NOIR 1981 NEO-NOIR 1981 BODY HEATBODY HEAT KATHLEEN TURNER AND WM HURT KATHLEEN TURNER AND WM HURT—FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER —FLORIDA WIFE SEDUCES ATTORNEYBOYFRIEND TO KILL HER
HUSBANDHUSBAND
GREGORY PECK , INGRID BERGMAN SPELLBOUND
EARLYEARLYHITCHCOCKHITCHCOCKSOUND TRACKSOUND TRACKBY MIKLOS ROZCABY MIKLOS ROZCA
NOIR CHARACTERSNOIR CHARACTERS ROBERT MITCHUM ROBERT MITCHUM
EX ESCAPED EX ESCAPED CONVICTCONVICT
MULTITALENTED.MULTITALENTED. WROTE ORATORIO WROTE ORATORIO
PREMIERED PREMIERED HOLLYWOOD BOWLHOLLYWOOD BOWL
DOUBLE INDEMNITYDOUBLE INDEMNITYGREAT TRIANGLE OF GREAT TRIANGLE OF
STANWYCH, STANWYCH, MCMURRAY, MCMURRAY, ROBINSONROBINSON
PROBLEM WITH PROBLEM WITH CODECODE
Barbara StanwychBarbara Stanwych
DOUBLE INDEMNITYDOUBLE INDEMNITY
POP ART FILM NOIRPOP ART FILM NOIR
NNYYMM
MURDER IS AN MURDER IS AN INTEGRAL INTEGRAL PART OF NOIR.PART OF NOIR.
THE MURDER THE MURDER MAY BE FOR MAY BE FOR HIRE, HIRE, CLASSICALLY CLASSICALLY THE THE MURDERER IS MURDERER IS MANIPULTED MANIPULTED INTO INTO PERFORMING PERFORMING THE ACT.THE ACT.
IMPORTANCE OR INVESTIGATOR IMPORTANCE OR INVESTIGATOR OR DETECTIVE AS MALE LEADOR DETECTIVE AS MALE LEAD
Bogey and BacallBogey and Bacall
Cinematography StyleCinematography Style
Vertical BlindsVertical Blinds Technology Technology
aspects: phone, aspects: phone, lightlight
Angle shotsAngle shots Cameraman on Cameraman on
GroundGround Day shots at nightDay shots at night
Noir Special EffectsNoir Special Effects
RAIN, FOGRAIN, FOG ISOLATIONISOLATION LABYRINTHLABYRINTH FEMME FATALEFEMME FATALE VOICE OVERVOICE OVER FLASHBACKFLASHBACK
RAIN, RAIN,RAINRAIN, RAIN,RAIN
► COBBLE STONESCOBBLE STONES► DARKDARK► ANGLED SHOT ANGLED SHOT
FROM GROUNDFROM GROUND
DARK PHOTOGRAPHYDARK PHOTOGRAPHY
DARK DIFFUSED LIGHTINGDARK DIFFUSED LIGHTING
DIFFUSION LENS DIFFUSION LENS AND NIGHT AND NIGHT PHOTOGRAPHY PHOTOGRAPHY BROUGHT BY BROUGHT BY GERMAN GERMAN CINAMATOGRAPHECINAMATOGRAPHERS AND RS AND DEVELOPED DEVELOPED DURING WAR FOR DURING WAR FOR NIGHT WARFARE.NIGHT WARFARE.
NIGHT IN THE CITYNIGHT IN THE CITY
RICHARD WIDMARKRICHARD WIDMARK
MIKE MAZURKIMIKE MAZURKI
GENE TIERNEYGENE TIERNEY