reflections diffraction diffusion sound observations report aud202 audio and acoustics theory
TRANSCRIPT
ReflectionsDiffraction
DiffusionSound Observations Report
AUD202Audio and Acoustics Theory
The Doppler EffectDelay Perception
SPL Meters
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18 Days - Sound Observations Report
28 Days - Exam
Topics So Far
Sound Properties
Wavelength
Frequency
Amplitude
Period
Comb Filtering
Speed of Sound
Wave Interaction
Phase Concepts
Standing Waves
The Inverse Square Law
Harmonics and Overtones
The Decibel
White and Pink Noise
Envelope of Sound
Anatomy of the Ear
Hearing Protection
OH&S principles
SPL Meters
NIHL
Psychoacoustics
Waveforms
Masking
Reflection
Diffraction
Diffusion
Haas Effect
Doppler Effect
Delay Perception
Beat Frequencies
Loudness Curves
Ranges of Hearing
Delay Perception
up to 10ms – comb filtering effects from wave interaction
10-40ms – a ‘thickening’ effect
40ms and over – a distinct repeat or echo of the sound
COMB FILTERING
When a delayed version of a sound interacts with the original sound causing constructive
and destructive interference
Comb Filtering
Write down three situations where this could occur
If two identical signals are shifted against each other in time some frequencies will be cancelled and some will be reinforced
Odd harmonics of the fundamental frequency of cancellation will cancel
Even harmonics of the fundamental frequency of cancellation will reinforce
Comb Filtering
How to Calculate the fundamental frequency of cancellation of a comb filter:
Find the longest wavelength that can occur between two points (a 2m room will have a 4m wavelength), from that find the frequency of the full wavelength. This is your fundamental frequency of cancellation.
Comb Filtering
Given the following room length axis measurements, calculate the fundamental frequency of cancellation
5 meters7 meters1 meter
Comb Filtering
Remembering that odd harmonics cancel and even harmonics reinforce,
what are the first 3 cancellations for the following fundamental frequencies:
100Hz2500Hz600Hz
Comb Filtering
REFLECTION
Sound acoustics is the field primarily concerned with the reflections of sound.
Reflected sound reveals the size and materials within a space. Changing the size or materials will alter the quality and amount of reflections.
Reflection
Reflection
Direct sound is the original sound
Early Reflections are the first
reflections you hear after the direct
signal.
Direct Sound vs. Reflected Sound
The diffuse field is where the reflected sound is higher in level than the direct sound. The near field is where the direct sound is the louder.
Reflection
Reflections
Sound bounces off reflective surfaces in the same behaviour as light – and follows the law "angle of incidence equals angle of reflection"
Reflections
Reflected waves can interfere with incident waves, producing constructive and destructive interference which can result in standing waves
Standing Waves
What can be done to combat standing waves?
Reflections
Reflection from a HARD boundary
Reflections
Reflection from a HARD boundary
DIFFRACTION
Diffraction
Diffraction is the bending of waves around small obstacles and the spreading out of waves beyond small openings.
Diffraction
Diffraction
When sound passes through a hole in a barrier, the hole becomes a new ‘point source’ and the sound will spread out from that point.
DIFFUSION
Diffusion
In acoustics, diffusion is the scattering of sound waves to reflect them in different directions. Or breaking the soundwaves into smaller pieces.
Diffusion is commonly used to reduce specular reflections and echo. Also to direct sound energy to specific areas.
Diffusers
The purpose of a diffuser is to break up sound waves and disperse them in various directions.
There are two main types of diffuser, the barrel diffuser and the quadratic diffuser.
Adding sound diffusion to your acoustic room treatment can improve the speech and instrument intelligibility and improve the overall listening environment within the room
Barrel Diffusers
Quadratic Diffusers
Quadratic Diffusers
SPL Meters
SPL Meters
A weighting is based on the human perception of loudness (e.g. the equal loudness curves) and is
used for most situations.
SPL Meters
C weighting provides a flatter response and is useful for peak sound analysis
Reverberation Parameters and ConceptsAbsorption Co-Efficients
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