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UNLVpresents

THE PIRATES OF PENZANCEor, The Slave of Duty

Although unanticipated, programs and artists are subject to change without notice.

Friday, March 9, 2018 • 7:30 p.m.Artemus W. Ham Concert Hall

University of Nevada, Las Vegas Performing Arts Center

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Albert Bergeret, Artistic Director

Libretto by Sir William S. Gilbert Music by Sir Arthur SullivanFirst Performed at the Fifth Avenue Theatre, New York, NY, U.S.A., December 31, 1879

Stage Direction: Albert Bergeret & David Auxier

Music Director: Albert Bergeret Asst. Music Director: Andrea Stryker-Rodda

Scenic Design: Lou Anne Gilleland Costume Design: Gail J. Wofford

Lighting Design: Benjamin WeillProduction Stage Manager: Joshua Strone Assistant Stage Manager: Annette Dieli

The New York Gilbert & Sullivan Players Orchestra conducted by Albert Bergeret






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From the Deanof the College of Fine ArtsDear Performing Arts Center patron,

I am delighted to welcome you to the Performing Arts Center at UNLV. We are proud to present a wide range of exceptional performances, richly contributing to the culture of this region. Las Vegas is, without a doubt, one of the most important arts and entertainment centers in the world. How exciting it is to be part of such a dynamic community!

The College of Fine Arts at UNLV celebrates the visual and performing arts, architecture and a program in entertainment engineering and design through the distinctive education we provide to our thousands of students, through the scholarship and creative activities of our stellar faculty, and through our many region-al, national and international partnerships. The Performing Arts Center is one of our most significant and vital resources and has been remarkably successful in delivering the highest quality arts experiences, in addition to a thriving educational program, to our city and environs.

If this is your first experience here, please come back often. If you are a subscriber or frequent guest thank you so much for sharing in our joy of the arts. Please stay in touch!

We are thrilled that you are part of our growing UNLV Performing Arts Center family.

Sincerely,

Nancy J. UscherDean, UNLV College of Fine Arts

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Dramatis Personae

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Major-General Stanley ..........................................................................................James Mills*The Pirate King ..................................................................................................David Wannen*Samuel (His Lieutenant) ...............................................................................David Macaluso*Frederic (The Pirate Apprentice) .........................................................................Alex CorsonSergeant of Police ................................................................................................David Auxier*Mabel ...................................................................................................... Sarah Caldwell Smith*

Major-General Stanley’s WardsEdith ........................................................................................................................Erika Person*Kate ..............................................................................................................Amy Maude Helfer*Isabel ..................................................................................................................Laura Sudduth*

Ruth (Pirate Maid-of-all-work) .........................................................Angela Christine Smith*

Ensemble of Pirates, Police, and Major-General Stanley’s WardsElisabeth Cernadas*, Brooke Collins*, Louis Dall’Ava*, Lauren Frankovich*,

Michael Galante, Merrill Grant*, Andy Herr*, Sarah Hutchison*, Lance Olds*, Chris-Ian Sanchez*, Cameron Smith, Matthew Wages*, Emily Wright*

Dance Captain: David Auxier*

SceneACT I - A Rocky Seashore on the Coast of Cornwall

ACT II - A Ruined Chapel by Moonlight

There will be one fifteen minute-intermission.Latecomers will be seated at an appropriate interval in the performance.

*These Actors and Stage Managers are members of Actor’s Equity Association, the Union of professional Actors and Stage Managers in the United States.

The photographing or sound recording of this performance or possession of any device for such photographing or sound recording is prohibited.

Company & Production StaffArtistic Director/General Manager ................................................................ Albert BergeretExecutive Director .............................................................................................. David WannenDirector of Administration & Box Office ..........................................................Joseph RubinWardrobe.....................................................................................Gail J. Wofford, Annette DieliConcession Sales ......................................................................................................... Alan HillGeneral Counsel ........................................................... Kramer Levin Naftalis & Frankel LLPCompany Photographers ............................................................................ William ReynoldsOrchestra Contractor .................................................................................Stephen K. CharpieTravel Agency ............................................................................ Tour Resources International

Synopsis

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When Frederic was still a little boy, his nurse (Ruth) was told to apprentice him to become a pilot. She heard the word incorrectly and apprenticed him to a band of pirates, remaining with them herself as a maid-of-all-work. Although Frederic loathed the trade to which he had thus been bound, he dutifully served. As the curtain rises, his indentures are up and he announces his intention to leave the band and devote himself to the exter-mination of piracy. He urges the pirates to join him in embracing a more lawful call-ing, but they refuse. Ruth, however, wish-es to become his wife. Having seen but few women during his pirate life at sea, Frederic hesitates to accept a woman so much older than himself, but he finally consents to take her. Just then a group of girls, all the wards of Major-General Stanley, happen upon the scene. Frederic sees their beau-ty – and Ruth's plainness – and renounc-es her. Of these girls, Mabel takes a par-ticular interest in Frederic, and he in her. The other girls are seized by the pirates and threatened with immediate marriage. When the Major-General arrives, he can dissuade the pirates only by a ruse: he tells them that he is an orphan, and so works upon their sympathies that they let him and his wards go free.

During the ensuing days and nights, however, this lie troubles the Major-Gen-eral's conscience. He sits brooding over it at night in a ruined chapel. He is con-soled by his wards' sympathy and Freder-ic's plan of immediately leading a band of police against the pirates. The police are reluctant, but Frederic is still enthusiastic. Meanwhile the Pirate King and Ruth seek out Frederic with surprising news. They have discovered that his indentures were to run until his twenty first birthday, and – as he was born in Leap Year on February 29th – he has really had as yet only five birthdays. Obeying the dictates of his strong sense of duty, he immedi-ately rejoins the pirates and tells them of the deception that has been practiced upon them by Major-General Stanley. The Pirate King and Ruth storm off threaten-ing revenge, and Frederic sadly bids Ma-bel farewell. When Mabel tells the police of this change they comment on their unfortu-nate lot, then decide to hide. The pirates storm the chapel, seize the Major-Gener-al, and easily defeat the unarmed police-men; however, when requested to yield “in Queen Victoria’s name,” they do so at once. Ruth reveals that these apparent-ly lawless pirates are “all noblemen who have gone wrong.” The Major-General pardons all and allows them to marry his wards.

Musical NumbersOVERTURE

ACT I"Pour, O Pour the Pirate Sherry" (Opening Chorus and Solo) ........... Pirates and Samuel"When Frederic Was a Little Lad" (Solo) ..........................................................................Ruth"Oh, Better Far to Live and Die" (Solo and Chorus) ...................... Pirate King and Pirates"Oh, False One, You Have Deceived Me!" (Recitative and Duet) ........ Frederic and Ruth"Climbing over Rokcy Mountain" (Chorus and Solos) ...................... Girls, Edith, and Kate"Stop, Ladies, Pray!" (Recitative and Chorus) ....................Frederic, Edith, Kate, and Girls

Musical Numbers, continued from page 6

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continued on page 8

"Oh, Is There Not One Maiden Breast" (Solos and Chorus) ....Frederic, Mabel, and Girls"Poor Wandering One!" (Solo and Chorus) .................................................. Mabel and Girls"What Ought We to Do" (Solos and Chorus) ...................................... Edith, Kate, and Girls"How Beautifully Blue the Sky" (Chattering Chorus and Duet) ...................... Girls, Mabel and Frederic"Stay, We Must Not Lose Our Senses" (Recitative and Chorus) .................Frederic, Girls and Pirates"Hold, Monsters!" (Recitative and Chorus) ....................................................Mabel, Samuel Major-General, Girls, and Pirates"I am the Very Model of a Modern Major-General" (Solo and Chorus) Major-General Girls, and Pirates"Oh, Men of Dark and Dismal Fate" (Finale of Act 1) .......................................... Ensemble

ACT II"Oh, Dry the Glistening Tear" (Opening Chorus and Solo) ........................ Girls and Mabel"Then, Frederic, Let Your Escort Lion-Hearted" (Recitative).......................Major-General and Frederic"When the Foeman Bears Hist Steel" (Solos and Chorus)........... Sergeant, Mabel, Edith Kate, Major-General, Police, and Girls"Now for the Pirates' Lair!" (Recitative) .............................. Frederic, Pirate King, and Ruth"When You Had Left Our Pirate Fold" (Solos, Trio, and Chant) .................. Ruth, Frederic and Pirate King"Away, Away! My Heart's on Fire" (Trio) ............................. Ruth, Frederic, and Pirate King"All is Prepared" (Recitative) .....................................................................Mabel and Frederic"Stay, Frederic, Stay!" (Duet) .....................................................................Mabel and Frederic"No, I am Brave!" (Recitative, Solo, and Chorus) ...................Mabel, Sergeant, and Police"When a Felon's Not Engaged in His Employment" (Solo and Chorus) ............Sergeant and Police"A Rollicking Band of Pirates We" (Chorus and Solo) ........ Pirates, Sergeant, and Police"With Cat-Like Tread, upon Our Prey We Steal" (Chorus and Solo) ..........Pirates, Police and Samuel"Hush, Hush! Not a Word" (Recitative, Chorus, and Solo) ....................... Frederic, Pirates Police and Major-General"Sighing Softly to the River" (Ballad and Finale of Act II) ............................Major-General and Ensemble

Who's Who in the CastDavid Auxier (Sergeant of Police) Isaac Asimov Award Recipient for Artistic Achievement 2015-16. Favorite NYGASP roles: Captain Corcoran (Pinafore), Ser-geant (Pirates), Pish-Tush (Mikado). Mr. Auxier has been co-director and compa-ny choreographer since 2010 and has

worked in or on all 13 G&S operas. He conceived and directed last year's criti-cally acclaimed, reimagined production of The Mikado and the award-winning hit G&S cabaret revue I’ve Got a Little Twist, and wrote the book for NYGASP's origi-

Who's Who in the Cast, continued from page 7


nal G&S à la Carte! David is also a MAC Award nominated songwriter and is cur-rently penning an all-original musical. www.davidauxier.com

Elisabeth Cernadas (Ensemble) Off- Broadway: New York Gilbert and Sullivan Players at New York City Center - Pirates of Penzance (Kate), The Mikado, HMS Pinafore, also national tours: Ruddigore; Iolanthe; Utopia, Limited; The Grand Duke (Berthe); Patience; Yeomen of the Guard. Regional: Godspell (Joanne), The Full Monty (Estelle), Cinderella (Cinderella) Into The Woods (The Baker’s Wife), Bye Bye Birdie (Mayor’s Wife); New York Fringe Festival, New York Musical Theater Festi-val, Algonquin Arts Theater, Morgan Wix-on Theater, Jarvis Conservatory, Bay Area Classical Harmonies, Ivoryton Playhouse, Shakespeare Santa Cruz. International: Festival Lyrique en Mer, Belle Ile (France), Spoleto Festival (Italy) The International Gilbert & Sullivan Festival (England).

Brooke Collins (Ensemble) has performed the entire G&S canon! Favorite roles in-clude Josephine (H.M.S. Pinafore), Ange-lina (Trial by Jury), Fiametta (The Gondo-liers) and Phylla (Utopia, Limited). She has received awards from the Commission on Presidential Scholars in the Arts, the National Foundation for Advancement in the Arts, and the National Association of Teachers of Singing. Brooke attended the Walnut Hill School for the Arts, Harvard University, and the Peabody Conservato-ry. Her children, Isadora (6) and Asher (3) are huge NYGASP fans.

Alex Corson (Frederic) is excited to re-turn for his fifth year with NYGASP af-ter his debut in The Sorcerer in 2012. Appearing in operas and operettas with companies such as Light Opera of New Jersey, New Jersey State Opera, and New Jersey Youth Theatre, credits include Er-nesto (Don Pasquale), Frederic (Pirates of

Penzance), Ralph (H.M.S. Pinafore), Mar-co (The Gondoliers), Monostatos (The Magic Flute), Mercury/Orpheus (Orpheus in the Underworld), and Tony (West Side Story).

Louis Dall'Ava (Ensemble) has performed 29 principal G&S roles, 21 of those with NYGASP. Some of his favorite NYGASP credits include Don Alhambra del Bolero (The Gondoliers), Pooh-Bah (The Mikado), the little klutzy cop as well as the Pirate King (The Pirates of Penzance), and Dick Deadeye (H.M.S. Pinafore). Pooh-Bah with Mobile Opera and Sorg Opera. Di-recting: The Theatre at Monmouth (ME), Opera Naples & Gulfshore Opera (FL), Op-era Northeast. Mr. Dall’Ava is the 2005–06 recipient of NYGASP’s Isaac Asimov Award for Artistic Achievement.

Lauren Frankovich (Ensemble) NYGASP since 2009, including: The Mikado (Peep-Bo), Princess Ida (Sacharissa), The Sor-cerer (covering Constance), Patience, Iolanthe, and The Pirates of Penzance. Lauren made her Carnegie Hall solo de-but in 2014 performing “Make Our Gar-den Grow” with EVUSA and the NY Pops. Other credits include: Babes in Toyland (The Little Orchestra Society), Le nozze di Figaro (Barbarina), Fairy Queen (Fairy), West Side Story (Maria), and Gypsy (Baby June). TV: Celebrity Ghost Stories (Debbie Matenopoulos); M.M. Manhattan School of Music, B.M. University of Illinois at Ur-bana-Champaign.

Michael Galante (Ensemble) NYGASP since 1987! Michael has performed the entire G&S canon and The Rose of Persia with NYGASP. Credits include Lord Dra-maleigh in Utopia, Limited and Francesco in The Gondoliers. Other theatre cred-its include: Flute (A Midsummer Night’s Dream), Fenton (The Merry Wives of Windsor), Lennie (Of Mice and Men) and


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Moonface (Anything Goes). Michael was the 2008-2009 recipient of NYGASP’s Isaac Asimov Award for Artistic Achieve-ment.

Merrill Grant (Ensemble) is thrilled to join NYGASP for her third season! She has performed Yum-Yum in The Mikado in Indianapolis, and sang and danced in several operas as a member of the Opera Chorus with Indianapolis Opera. She per-formed operetta arias in Graz, Austria and a Spanish Zarzuela in Napa Valley. In New York, she has participated in developing new works for musical theatre in many Equity readings, and with the NYMF and Fringe festivals. Her cabaret act on Shir-ley Temple played New York and the Ed-inburgh Festival in Scotland.

Amy Maude Helfer (Kate) Entire G&S canon with NYGASP since 2008, includ-ing: Phoebe, Tessa, Pitti-Sing, Kate, Me-lissa, Angela, Saphir, Leila, Kalyba. Opera: Cherubino at Dayton Opera, Nancy (Albert Herring) at Bronx Opera, Hansel at Bos-ton Lyric Opera, Cenerentola, Stéphano. Recently: Phoebe (Yeomen) at Winter Op-era Saint Louis, Petra (Night Music), Lord Nelson Mass at Carnegie Hall, Baba the Turk with String Orchestra of Brooklyn, Mercédès at Opera Theater of CT. Lotte Lenya Competition Semi-Finalist (2013). Upcoming: Golden Age/Bernstein con-cert at Sanibel Music Festival, Mrs. Lovett (Sweeney Todd) at Hawaii Performing Arts Festival. Proud member of AEA. For Mom. www.amymaudehelfer.com

Andy Herr (Ensemble) NYGASP credits include Pooh-Bah (The Mikado), Synthius (Princess Ida), The Pirates of Penzance, H.M.S. Pinafore, Ruddigore, and The Gon-doliers. Other past credits include: Mid-summer Night’s Dream (Bottom), Play On (Billy), Amigo Duende (Barrigon), Barefoot in the Park (Paul), among others. He is

also a proud member of AEA. Enjoy the show!

Sarah Hutchison (Ensemble) Proud NY-GASPer since 2009! She was last seen as Lady Psyche in Princess Ida, as well as Kate (Yeomen of the Guard), Olga (Grand Duke), and in 8 additional G&S produc-tions in NYC and on tour. Her most excit-ing "strange adventure" took her to Chi-na as soloist for the Hollywood Concert Orchestra's 2013-2014 China tour, along with fellow NYGASPer Chris-Ian Sanchez. Graduate of Muhlenberg College. Thanks to my amazing family & friends for their love and support! Proud member of Ac-tors’ Equity. "Keep Calm & Patter On..."

David Macaluso (Samuel) A graduate of Manhattan School of Music, David has performed in operas, musicals, new works and recordings throughout the US, Off-Broadway & abroad. Most recently he was managing producer, performer & col-laborative director in NYGASP's sold out Cox & Box. Credits include Sir Joseph/Buttercup in NY Drama Desk Award-nom-inated Pinafore (Vortex Theater) and Robin Oakapple/co-producer of the in-ternationally-acclaimed House of Murga-troyd at the International G&S Festival in England. Favorite roles include Strephon, Grosvenor, Luiz, Che (Evita), Sparky (For-ever Plaid), Motel (Fiddler), Molina (Spi-derwoman), Falke (Fledermaus).

James Mills (Major-General Stanley) cel-ebrated his 10th season with NYGASP last year by completing the G&S canon. Recently seen as John Wellington Wells (The Sorcerer), favorite G&S roles include the Lord Chancellor (Iolanthe), Reginald Bunthorne (Patience), Jack Point (The Yeomen of the Guard), and Major-Gener-al Stanley (The Pirates of Penzance). In addition to performing, James is a Stage



Director for the College Light Opera Com-pany in Falmouth, MA where he recently mounted productions of The Yeomen of the Guard, Patience, and The Hunchback of Notre Dame. He is a proud member of AEA.

Lance Olds (Ensemble) NYGASP since 1997: 11 of the 13 (all but Grand Duke and Sorcerer). Lance married company member Lauren Wenegrat 10 years ago and they are the proud parents of Anwyn and Declan. First national tour Footloose (understudied Christian Borle). Off-Broad-way: Mark Twain’s Blues. Regional: Ken-nedy Center, Seattle Rep, Weston Play-house. Film/TV: MTV’s Eye Candy, Far From Heaven, ballroom danced in En-chanted, Stepford Wives, Mona Lisa Smile, Kate & Leopold. On-camera and singer/songwriter clips at www.lanceolds.com

Erika Person (Edith) debuted with NY-GASP as Iolanthe in 2004. She has since sung Tessa (Gondoliers), Phoebe (Yeo-men), Pitti-Sing (Mikado), Lady Angela (Patience), Dame Hannah (Ruddigore), Hebe (Pinafore), and Lady Sophy (Uto-pia, Limited), and received NYGASP’s 2014 Isaac Asimov Award. She has sung at Carnegie Hall, New York City Center, Jazz at Lincoln Center, Symphony Space, and with opera companies across the country. With NYGASP, she has sung in theaters across the U.S., and made inter-national debuts in Canada and England. Erika resides and teaches voice in the Los Angeles area. www.erikaperson.com

Chris-Ian Sanchez (Ensemble) NYGASP since 2004: has performed the entire G&S canon with this Company! Other credits include Passing It On (Coconut Grove Playhouse with Len Cariou), Ga-stone in La Traviata (Queens Symphony Orchestra), Thuy in Miss Saigon (Actor’s Playhouse–Carbonell Nomination, Virgin-

ia Music Theatre, Carousel Dinner The-atre and Surflight Theatre!), Mereb (Aida), Judah (Joseph), Roger (Grease), Tommy Keeler in Annie Get Your Gun (Surflight Theatre), and James the Elder in Jesus Christ Superstar (K.C. Starlight Theatre). Worked with NY City Opera in Dead Man Walking, Carmen and L’Etoile.

Sarah Caldwell Smith (Mabel) Debut with NYGASP: Mabel (The Pirates of Penzance) at New York City Center. Ms. Smith’s prin-cipal roles with the company include the title role in Patience, Yum-Yum (The Mikado), Rose Maybud (Ruddigore), Gi-anetta (The Gondoliers), and Constance (The Sorcerer), among others. Sarah also tours with NYGASP's award-winning cabaret, I've Got A Little Twist. NYC: City Center Encores! (Music in the Air), VHRP LIVE! (title roles in Naughty Marietta and The Fortune Teller, Grace Holbrook in The Princess Pat, Gretchen in The Red Mill), Avery Fisher solo debut as Infant Casmi-ra (Candide) with National Chorale, Blond-chen (Die Entführung aus dem Seraglio).

Angela Christine Smith (Ruth) most re-cently appeared in the title role of Prin-cess Pat with Victor Herbert Renaissance Project LIVE!. G&S roles: Queen of the Fairies, Buttercup, Ruth, Katisha, Lady Blanche, Lady Jane, Dame Carruthers, Duchess of Plaza-Toro, and Baroness von Krakenfeldt. Additional credits: Proud cast member of NYGASP’s award-win-ning cabaret I've Got a Little Twist; 2014 International G&S Festival in Harrogate, England; recipient of the Isaac Asimov Award for Artistic Achievement; perfor-mances with Ardea Arts, Opera Singers Initiative, Belleayre Festival Opera, Light Opera of New York (LOONY), Opera Sara-toga and Opera Delaware.

Cameron Smith (Ensemble) has sung Nanki-Poo, Ralph Rackstraw, Edwin, and Lord Tolloller with NYGASP; other credits


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include Lake George Opera, Tanglewood, and Caramoor. M.M. Manhattan School of Music. He is a marathoner and triath-lete, plays guitar and drums, brews his own beer, and takes care of two amazing daughters!!

Laura Sudduth (Isabel) NYGASP since 2012. Laura made her NYGASP debut in The Mikado at New York City Center and is thrilled to be back. Favorite roles performed include Anne in A Little Night Music, Amor in L’Incoronazione di Pop-pea, Peep-Bo in The Mikado and Susan-na in Le Nozze di Figaro (Pacific Opera Theatre-UOP), Despina in Cosi Fan Tutte, Gianetta in L’elisir d’Amore (UMKC Opera), and Sandy in The Prime of Miss Jean Bro-die (Santa Rosa Summer Repertory The-atre). Regional Theatre: Kansas City Rep-ertory Theatre (Saved! The Musical), The Coterie Theatre (The Outsiders).

Matthew Wages (Ensemble) began his professional endeavors in Opera Comíque with NYGASP and complet-ed the entire G&S canon last season as Florian (Princess Ida). Recent ‘dramatis personae’: Bouncer (Sullivan’s Cox & Box), Lord Mountararat (Iolanthe), Giuseppe Palmieri (Gondoliers), Major Murgatroyd (Patience), Dick Deadeye & Bill Bobstay (H.M.S. Pinafore), Sergeant of Police & Samuel (Pirates of Penzance), and Rod-eric (Ruddygore: Revisited) at the Interna-tional Gilbert and Sullivan Festival in Har-rogate, U.K.; Principal Bass with VHRP, Live!, Sandor (The Fortune Teller), Rome-

ro (The Serenade). Proud member of AEA and SAG/AFTRA. www.matthewwages.com

David Wannen (The Pirate King) NYGASP since 2004. NYGASP favorites include The Pirate King (The Pirates of Penzance), Wilfred Shadbolt (The Yeomen of the Guard), Colonel Calverley (Patience), Par-amount (Utopia), Pvt. Willis (Iolanthe), Sul-tan (The Rose of Persia), Arac (Princess Ida), Bill Bobstay (H.M.S. Pinafore) and the title role in The Mikado. Tours: Beauty and the Beast (Beast u/s), Camelot with the late Robert Goulet (Lancelot u/s); Re-gional: Nominated Best Featured Actor by Philadelphia Inquirer for Camelot with Media Theater. Producer, 2017 The Mika-do; Co-Producer & Original Cast, I've Got a Little Twist! Executive Director, NYGASP. David would like to send his love to his family: Cole, Sam, Olivia, Jamé!

Emily Wright (Ensemble) NYGASP since 2009. Emily has performed most of the Gilbert & Sullivan Canon and choreo-graphed community productions of The Pirates of Penzance and The Mikado. She is well-versed in many music genres, and performs nationally in concert work alongside her husband, tenor, Vincent Ricciardi. Her favorite musical theatre roles include: Eliza Doolittle (My Fair Lady), Julie Jordan (Carousel), and Lucy (You're a Good Man Charlie Brown). But her favorite role is being Mom to Mikey. Proud member of AEA. www.eandventer-tainment.com

Who's Who in the Company

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Albert Bergeret (Artistic Director/General Manager) Mr. Bergeret is a career-long professional specialist in the works of Gilbert & Sullivan, having performed, staged, conducted and designed every opera in the repertoire over a 40 year pe-riod. He has directed G&S productions for university students and residency pro-grams for elementary schools. He has been hailed as “The leading custodian of the G&S classics” by New York Magazine (Peter Davis) and his work as both stage and musical director has been widely acclaimed in the press both in New York and on tour throughout the United States, Canada, and the UK. Mr. Bergeret found-ed NYGASP in 1974 and has served as Ar-tistic Director/General Manager since its inception. He has conducted and staged all 13 of the works in the G&S canon as well as the company’s smash hit produc-tion of George Gershwin’s Of Thee I Sing. He has conducted programs with the Buffalo Philharmonic, Orchestra London in Ontario Canada, Northwest Indiana Symphony and the Erie Philharmonic in a program featuring Metropolitan Opera baritone Robert Goodloe. With NYGASP he has also conducted and directed such diverse personalities as Hal Linden, Steve Allen, John Astin, Pat Carroll, Noel Harri-son, John Rubenstein, Louis Quilico, Lan-do Bartolini, and John Reed, O.B.E.

Annette Dieli (Assistant Stage Manager) Credits include: Hartford Stage Co. (run-ning crew), Bronx Opera (props, costume assistant), Artistic Director of her own puppet company, assistant stage man-ager and wardrobe for NYGASP at City Center and touring venues. Stage man-ager for Beshert, an original musical by Ari Gold, for the NYMTF, 2012. In 2009 she was a Venue Director for NY Fringe Festival.

Joshua Strone (Production Stage Manag-er) is a graduate of University of Miami in Theatre Arts, Motion Pictures, and Music Business and Entertainment Industries (2015). Joshua performed with NYGASP in his younger years as Drummer Boy in Gondoliers and Young Yeoman in Yeo-men of the Guard. He's back after 2 years as House Manager and Event Services Coordinator as a part of the Broward Cen-ter for the Performing Arts.

Benjamin Weill (Lighting Designer) Benja-min Weill thrilled to be back for his fourth season as resident lighting designer for NYGASP. He is the recent recipient of the BroadwayWorld New Jersey award for Best Lighting Design of a Musical. He has designed touring and sit-down shows on both coasts, including: The Pi-rates of Penzance, HMS Pinafore, Fiddler on the Roof, Les Miserables, Ruddigore, South Pacific, …Charlie Brown, Songs for a New World, The Diary of Anne Frank, Into the Woods, Book of Days, The Crucible, Cloud 9, Cyrano de Bergerac, and Lorca in a Green. www.benjaminweilldesign.com

Gail J. Wofford (Costume Designer/Co-Founder of NYGASP) holds a Masters of Arts in Theatre Arts from Texas Tech University. As resident costume designer she designed and constructed costumes for The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Iolanthe, Trial by Jury and other operettas. Gail was Costume Coordinator for N.J. State Opera for 12 years and head of wardrobe for the NY Grand Opera. She has executed projects for WNET, Channel 13, National Tour of Dreamgirls, the film Mission Apollo, and worked with numer-ous opera companies throughout the US.

About New York Gilbert & Sullivan Players

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Now in its forty-fourth year of opera-tion, New York Gilbert & Sullivan Players (NYGASP) is America's preeminent profes-sional Gilbert & Sullivan repertory ensem-ble. Under the dynamic leadership of Artis-tic Director Albert Bergeret, who has been hailed as "the leading custodian of the G&S classics" by New York Magazine, NYGASP has created its own special niche in the cultural mosaic of New York City and the nation. Since its founding in 1974, the com-pany has presented over 2000 performanc-es of the G&S masterpieces throughout the United States, Canada, and the U.K. capti-vating audiences of all ages. NYGASP’s CD, Oh, Joy! Oh, Rapture!, contains an exuberant selection of G&S highlights and is available for purchase at www.nygasp.org or for download on iTunes. Mr. Bergeret’s vision for his company’s mission is clear: to build and maintain an ensemble of professional repertory sing-ers, actors, dancers, and musicians dedi-cated to bringing quality performances of the Gilbert & Sullivan masterpieces to as wide an audience as possible. To do so he has developed a unique blend of creative spontaneity and classical precision which is neither revisionist in nature nor mired in the rigidity of the more typical view of “tra-dition.” NYGASP's productions are charged with contemporary energy while retaining that traditional respect for the shows them-selves which is so important to Gilbert & Sullivan enthusiasts. The use of elaborate, but relevant, choreography and movement is a particularly important element. Where possible, topical references from the nine-teenth century are updated when the original intent would be lost on a modern musical theatre audience, but without dis-turbing the shape or scope of the material as written. Gilbert’s satire of human foibles and sophisticated wit remain intact, while Sullivan’s evocative scores, which need no revision at all, are given the full range of vo-cal and orchestral color for which they call. The company has in its repertory thirteen different complete G&S operettas

(cast, orchestra and crew of 50-80 people), special versions of the most popular oper-ettas designed for children's audiences, and a variety of charming concert programs created especially for NYGASP's "Wand'ring Minstrels" ensemble. The company's recognition and stat-ure continue to grow. In January of 2002 the company mounted its first triumphant season at New York’s venerable City Cen-ter, playing 3 of its most popular produc-tions to over 20,000 G&S enthusiasts in 3 weeks. NYGASP has now played a total of 9 seasons on the City Center stage. The company makes an annual appearance at Wolf Trap Park in Vienna, Virginia where a loyal and exuberant audience of over 5,000 attends each performance. NYGASP's annual New York season has included performances at the Peter Norton Symphony Space on Manhattan's Upper West Side since 1978. NYGASP is performing at two venues for the 2017-18 season, the Marjorie S. Deane Little Theatre and the Kaye Playhouse at Hunter College. Productions include The Sorcerer, H.M.S. Pinafore and Ruddigore. The company has also produced a unique cabaret act. I’ve Got a Little Twist, created and directed by NYGASP principal David Auxier, won a 2010 Bistro Award, is currently touring throughout the country, and appeared in Lincoln Center’s 2011 Atri-um series. “Take Gilbert & Sullivan, add a TWIST of Broadway, and stir!” is Twist’s rec-ipe. Highlighting Musical Theatre’s roots in Gilbert & Sullivan, the show is entertaining for all ages. In honor of NYGASP’s 25th anniversa-ry, a dedicated fund and annual award for artistic achievement were established in the name of a noted and much loved Gilbert & Sullivan fan, the late Isaac Asimov who was a devoted fan of the company’s work. To date, 13 dedicated NYGASP artists have been honored with the award.

Rediscover the Arts

Ticket Sales and Exchanges: Major credit cards accepted. Please check all tickets, dates, and times before leaving the window as there are no refunds or exchanges.

Late Seating: All performances begin promptly. Latecomers may not be seated until an appropriate pause in the program as designated by the management/artist.

Wheelchair Patrons: Please advise the Box Office of your seating needs when purchasing tickets and inform the House Manager upon your arrival for assistance.

Quiet… Please: Watches, pagers, and cell phones are distracting; please turn them off during the performance. Please unwrap candy prior to the performance. During musical performances, hold all applause until the end of the entire piece.

Smoking: Strictly prohibited in all university facilities including lobbies and restrooms.

Cameras and Recorders: The use of cameras or recording equipment in the

Box Office Hours:Monday - Friday, 10 a.m. - 6 p.m.

Saturday 10 a.m. - 4 p.m.One hour before performances (windows only)

Phone: (702) 895-ARTS (2787) (24-hr. information and ticket purchases during box office hours)

Web: pac.unlv.edu

theatre during performances is strictly prohibited. Please check any cameras or recorders with the House Manager in the lobby.

Refreshments: Available in the lobby of the Artemus W. Ham Concert Hall. At select performances, souvenir theatre cups are available if you wish to enjoy your refreshment in the Hall.

In Case of Emergency: In the event it becomes necessary to evacuate the theatre due to an emergency, please proceed in orderly manner to the exit nearest your seat and away from the theatre.

Sign Language Interpretation: Available for most performances with 72 hours advance notice of the performance. Please contact the Box Office for assistance.

Program Changes: Due to the nature of the performing arts, all programs are subject to change without notice.

Tell Us about Your UNLV PAC Experience

We strive to make a difference in your life with the arts performances we present, and we want to provide you with the best experience possible. You can help by telling us about your experience - what was great and what wasn't so great.

Visit pac.unlv.edu and click on Tell Us about Your UNLV PAC Experience.

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SupportersArts Supporters are those donors who give annually to the UNLV Performing Arts Center to help us present world-class artists to the thousands of people who attend our performances each year. They have our gratitude. To donate (or for corrections to your listing below), call Lori Pullen, Executive Director, at (702) 895-4711.

Directors Circle$5,000 - $9,999Dr. Mitchell & Pearl Forman

Choreographers Circle$2,500- $4,999

Conductors Circle$1,000 - $2,499

Concertmasters Circle$600 - $999Mr. & Mrs. Lawrence & Laura Henley

Principals Circle$300 - $599Russ Dorn & Diane Mooney

Artists Circle$100 - $299Philip & Laura BabinJoseph & Jan BarazzaRachael KE BlackKarl & Mary BrunerW.C. (Bill) Dentinger, Jr.Paul KimmelMark A. Keiserman & Dr. Karl KingsleyBernard & Gerta MalamudDavid MillerVicky & Lloyd RichardsonRita & Roger ReidToby SulenskiJack D. Taylor, Sr.

Lori Pullen ...................................................................................................Executive DirectorDenise Flores ............................................................................... Administrative AssistantShaun Franklin-Sewell ............................................ Director of Marketing & Patron ServicesJoy Montano ................................................................................... Guest Relations ManagerLynn Ware ....................................................................................................Technical DirectorDave Gruzin ............................................................................................ Theatre Technician IIPaulo Martins ......................................................................................... Theatre Technician IIKeith Widmann..........................................................................................Theatre Technician IMarilyn Raines ....................................................................................Senior House ManagerIsabel Del Monte ............................................................................................ House ManagerGordon McGhie .............................................................................................. House ManagerPamela Pitcher ............................................................................................... House ManagerDeAnn Weis .................................................................................... Assistant House Manager

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UNLV Performing Arts Center Staff

Kevin J. Page, ChairmanJason Geddes, Ph.D.,Vice Chairman Dr. Andrea AndersonDr. Patrick CarterCedric Crear

Carol Del CarloMark W. Doubrava, M.D.Trevor HayesSam LiebermanCathy McAdooJohn T. Moran

Allison StephensRick Trachok

Dean J. Gould, Chief of Staff and Special Counsel to the Board

UNLV appreciates the leadership and support of ourNevada System of Higher Education Board of Regents

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rediscover the - unlv...ed cassidy, vp marketing 702.383.4664 | [email protected]...

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