SEATTLE RECORDER SOCIETY

April 2017Vol. XLVIII, No. 8

www.seattle-recorder.org

Recorder Notes

SRSMeeting

Friday,

April7th,2017@7:30pm

AnnualSRSMeeting

PlayingSession(MatthiasMaute)Praetorius,Handel,

aYiddishsong,andMaute

Allsizesofrecordersandviolsarewelcome.Lowbassrecordersareneeded!

NoBackroomGangJointhelargegroup!

FromtheMusicDirector(VickiBoeckman;photobyBillStickney)

;

NewsletterDeadline

forMayIssue:Sunday,April23rd

Greetings,Everyone,

Anotherwhirlwindofamonth!Letusembracethespringequinoxwithnewintentsandthefiretoignitethem.Takedelightinthescintillatingyellowhuesthattheforsythiaanddaffodilsaresoproudlydisplaying.Experiencethebubblingjoywithinattheverysightofabuddingtree,andallowourselvestotaketimetofully‘drinkin’theintoxicatinglyfragrantDaphneodorathataresoabundantinthePacificNorthwest.Whatagorgeoustimeofyear.April,herewecome!

TheApril7thmeetingwillbeledbyourveryspecialguest,

MatthiasMaute.Therewillnotbeanopeningprogram,butpleasedobeontimesothatwecanholdourSRSannualmeetingtoelectournewofficers.

Allsizesofrecordersfromsopraninoondowntocontraareneeded,themorelowbassesthebetter,andofcourseviolsarealwayswelcome.Matthiashasalreadysentthemusictobecopied,soifanyoneneedsmusicaheadoftimepleaseletmeknowwhatpartyouareinterestedin,andIwillsendapdfassoonasIcan.Hereiswhathehasplannedforus.

ThemusicfortheSRSplayingsessionwillrangefrommusicofthe17thcenturytomusiccomposedasrecentlyasafewyearsago:Praetorius’danceswillpartnerwithHandel’sdramatic“Ombramaifu,”Sting’smelancholy“FieldsofGold,”“Oidortn”—aYiddishsong,andapiecebyMatthiashimself.

Seeyousoon,everyone!

Remembertoputthe“DuelingRecorders”concertonyourcalendarforSaturday,April8th,orSunday,April9th!

(Fordetails,seetherecentemailfromBettySwiftwithconcertflyerandthenewsletterCalendarsection.)

Refreshments(April)

BakedGoodsChristineShultzBettySwift

Fruit

DavidGlogen

VeggiesSharonSchuldt

Thankyouforvolunteering!

ThemasterclasswithMatthiasMautewillbeheldonSaturday,April8th,2017from9:30amuntil1:45pm.ThelocationistheCommunityRoomatMapleLeafLutheranChurch(whereourSRSmeetingsareheld).

MatthiasMauteisundeniablyoneofthemostspectacularandinnovativerecordervirtuososofourtime.Heisanunstoppableenergeticforceofnature,alwaysstrivingforexcellence.HewillbehereinSeattletoleadtheSRSAprilplayingsessiononFriday,April7th,teachamasterclassonSaturday,April8th,andperformtwoconcertswithGallery

Concerts,oneonSaturday,April8that7:30pmandoneonSunday,the9that3pm.HeiseagertofitasmuchteachingashecanintothetightSeattleschedule,andweareveryfortunatetohavehimherewithus.Bepreparedtobewowedineverysenseoftheword.WearenottakinganymoreperformersforMatthias'masterclassonApril8th,butthereareunlimitedslotsforauditors.Thecostforauditingis$25.CashorcheckmadeouttoSeattleRecorderSociety.Forthoseofyouwonderingwhatamasterclassis,itissimplyafancynameforan“open”lesson.Thereisastudent(theactiveparticipant),ateacher,andanaudience(theauditors).Thebeautyofamasterclassisthatitisawin/winsituationforauditorsandparticipantsalike,becauseeveryoneisarecipienttothesameinstruction!Auditorswhoarenot“performing”learnatremendousamountbyfollowingalongwiththeteachingandlearningprocessofsomeoneelse'slesson,withoutthedistractionofgettingnervous.Itisafascinatingwaytoabsorbinformation,beitconfirmationofwhatyoualreadyknow,orintroductiontosomethingnew—aninvitationtolookatthingsthroughadifferentlens.Pleasejoinusforthisinvigoratingdayandhelpcheeronyourfellowplayers!9:30-10:10 LauraFaber&MikeWoolf

(Telemann:DuettoinBbmajor)10:15-10:55 JillCarlsen&SabineEndrigkeit

(Hirose:Ode)11:00-11:40 CarolynLober(TBA)

11:40-12:10 Shortbreakforcoffee/tea/snacks

12:10-12:50 IsabellaPagel(TBA)

12:55-1:40 “WildWomen”NancyGorbman,AnneDennis,GerrityShupe(Castrucci:SonataPrima)

Coffeeandteawillbeavailableduringtheshortbreak.Pleasebring:

*foodifyouneedanenergyboost,

*apillowifyouneedmoresupportthanthefoldingchairsprovide,and

*anotepadandpen/penciltojotdownallthepearlsofwisdom thatMatthiashastooffer!

UpcomingMasterClasswithMatthiasMaute(FromVickiBoeckman)

Members’Night!

Members’NightisonFriday,May12th,2017.

It’stimetostartthinkingaboutwhatyou’dliketoperform.

Theonlycriteriaarethatyourentrydoesnotexceed5minutes(includingspeaking)andthatyouarenotinmorethan3

ensembles.AtleastonememberofyourgroupmustbeacurrentSRSmember.

Asign-upsheetwillbeavailableattheAprilmeeting,

oryoucanemailMollyatmolly.warner@ymail.com

RegistrationIsOpenforthePortTownsendEarlyMusicWorkshop!

JoinyourfellowmusiciansattheSeattleRecorderSocietyPortTownsendEarlyMusicWorkshop—aweeklongworkshopinthePacificNorthwestwithastellarfaculty!When:Sunday,July9th–Saturday,July15th,2017Where:ThebeautifulcampusofUniversityofPugetSound(UPS)inTacoma

Recorder/Flute/EarlyWinds:AdamGilbert,AlisonMelville,CleaGalhano,MiyoAoki,NinaStern,PaulLeenhouts,PeterSeibert,RotemGilbert,andVickiBoeckmanVoices/Viols/MixedConsorts:JackAshworth,JoannaBlendulf,WendyGillespie,andEllenSeibert

WeMissYou!

Someofourmembersarehavingtroublegettingtomeetingsbecausetheyneedaride!Ifthisdescribesyou,pleaseletusknowbycallingoremailinganyoftheBoardmembersfromthe“SRSBoardMembers”boxinthisnewsletter.

Wewanttohelpyoufindaride,whetherwithoneofus,orwithsomeothermember!

RecorderClasses(LauraFaber)

Note:Newplayersarewelcomeatanytime.

ContactLauratogetstarted.

AdvancedBeginner/LowerIntermediateEnsemble

Mondays–12:30to2:30pm

IntermediateEnsembleThursdays–12:30to2:30pm

* * *

ClassDescriptions

AdvancedBeginner/Lower

IntermediateEnsemble(SATB)Simpleandfunmusicchosenfor

playerswhoarenewtoensembleplaying,addinganewsizeinstrument,orprefera

moremodesttempo.

IntermediateEnsemble(SATBGB)

Medievaltomodernmusicforplayerscomfortablewithcommonfingeringsand

rhythmswhoareinterestedindevelopingtheirtechniquefurther.SkillsincludeplayingbothFandCinstruments,

readingaltoup,countinghalves,andreadingfromparts.

BassEnsemble,

BeginningEnsemble,andEveningEnsembleAvailableifinterestarises!

***

Peoplewhoareinterested

shouldcontactLaurabyemailatbeginbaroque@gmail.com

orbycalling(206)619-0671.

Meetingsareusually(butnotalways)heldonthefirstFridayofeachmonth,SeptembertoMay,at7:30p.m.,MapleLeafLutheranChurch,1000532ndNE,Seattle.

Meetingsincludeashortperformanceorlectureofinterestto

recorderandviolplayers,ensembleplayingforalllevelsofrecorderplayers,andabeginningrecorderensemble.A$5.00donationisrequestedfornon-members.

September 16, 2016

October 7, 2016 November 4, 2016 December 2, 2016

January 6, 2017 February 10, 2017

March 3, 2017 April 7, 2017 May12,2017

2016-2017SRSMeetings

MeetingNotes:March3rd,2017(KathleenArends;photosbyBillStickney)

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Businessandannouncementsincluded:

Members’Night!Thisyearit’sFriday,May12th.Ifyouand/oryourensemblewouldliketoplay,emailMollyWarner.Detailsarenicebutnotrequired;firstMollyneedstoknowhowmanyperformanceswillbeontheprogram.

Ifyou'dliketoauditMatthiasMaute’smasterclassonApril8th,VickiBoeckmanwouldappreciateanemailfromyou,justtobecertaintherewillbesufficientchairsforeveryone.

TheprintedflyerforthePortTownsendWorkshopisnowavailableandmaybedisplayedforpublicitypurposes.

* * * * * * * *

InstrumentalistsNancy

Gorbman,RuthPattison,NoreenJacky,andJoeBichseljoinedelevenvocalistsfromthe35-year-oldUniversityofWashingtonLibrariesSingerstodeliverouropeningprogramofmusicfromthetimeofShakespeare.ThesingerswereKariAnderson,ElizabethBedford,JohnBolcer,RoseFrazier,MargaretFulton,AnnGlusker,JudithHenchy,MarkKelly,LindaPitts,BeckPrigot,andMarc-AlbertVandermeerssche.

Theinstrumentalgroupoftworecordersandtwostringinstrumentsgaveus“PastimewithGoodCompany,”asongandajigfromPurcell’sFairyQueen,asongfromTheTempest,andabouree(withtambourineplayedbysingerMargaret)fromPraetorius’Terpsichore.

TheinstrumentsaccompaniedsoloistRoseFrazierassheperformedMorley’s“ItWasaLoverandHisLass,”andlater,ThomasArne’s“TheCuckoo,”fromLove'sLabour'sLost.Andtheinstru-mentsaddedalittlesparkleandrein-forcementastheUWLSingersdeliveredtheMorleymadrigals“AprilisinMyMistress’Face”and“SingWeandChantIt.”Theirvocalsoundwasfullandconfident.TheyclosedwithDowland’s“Now,OhNow,INeedsMustPart.”Forthesesoundswerethewords“charming”and“delightful”coined,andthegroupwasverywarmlyapplauded.Ourthankstothem!

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RoadScholarEarlyMusicWorkshopinCarmelValley,CAWorkshopDirector:TishBerlintishberlin@sbcglobal.netHiddenValleyMusicSeminarsDirector:PeterMeckelhvms@aol.comWeek1:Oct.29–Nov.4,2017Recorder-LetitiaBerlin,FrancesBlaker,LouiseCarslake,andMiyoAokiVioladagamba-JohnDornenburgWeek2:Nov.5-11,2017Recorder-LetitiaBerlin,FrancesBlaker,JanetBeazleyVioladagamba-LarryLipnikDulcianandshawm-JoanKimballStringsandEarlyRepertoire-ShiraKammenInformation/RegistrationTheRoadScholar(formerlyElderhostel)EarlyMusicWorkshopisopentoadultrecorderandviolplayersofallageswhoplayatintermediatetoadvancedlevels.Harpsi-chordistsalsowelcome.Weektwoincludesarenaissancereedstrack,openbypermissionofinstructor.PleasecontactworkshopdirectorTishBerlintoarrangeanauditionordiscussthereedprogram.Formoreinformation,contactPeterMeckelat(831)659-3115oremailinfo@hiddenvalleymusic.orgToregisterbytelephone,callRoadScholarRegistrationat(800)454-5768andaskforprogramnumber#6254RJ.Toregisteronline,gotohttp://www.hiddenvalleymusic.org/event-road-scholar-early-music-workshop-week-1_134.htm

MeetingNotes:(continued)

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Vickibegantheplayingsessionbycreatingsevengroupsofplayerstorenderthesevenvoicesof“LaudatepueriDominum,”byRenaissancemasterOrlandedeLassus.Thegroupsincludedrecordersofmorethanonesize,sothepartsgenerallywereplayedinoctaves,givinganunusuallyfullsound.Thisbeautifulpieceisfullofcontrastscreatedbyfeaturingvariousgroupstogetherandseparately.

Vickinoted“thelowerthenote,thewarmertheair”requiredforplayingit.Cross-fingerednotes(withholesskipped)alsorequirethewarmththatisaresultofsofterblowing/slowerair;pushingmakesthembuzz.Anothertip:themelismas(stringsofnotestobesungonasinglesyllable)shouldbeplayedassmoothlyaspossible.

Nextweplayedtwofive-partmadrigalscomposedbytheDanishcomposerMogensPedersønafterhestudiedwithGiovanniGabrieli.Firstwas“Eccolaprimavera,”heraldingthespring.Givingusthelyrics,Vickinoted,"TheDsinDanishareverysoft,andtheGsalmostimperceptible.”Thesunisrevivingtherosesandviolets,saysthesong,andthesmallbirdsaresingingfromtheirwoundedhearts,weepingwithsheerlove.Thelittlebirdsfeaturedprominently,theirvoicescomingcloserandcloserrhythmi-callytocreatestretto.Weworkedtomatchourarticulationtothestresses,andlackofstresses,inthelyrics.

Thesecondmadrigalwas“Ochesoavebaccio.”“Suchakissmyladyhasgivenme!OrdidIstealit?AndifIdidstealit,mayshestealitback,andletstealingflourish!”Delightfully,thevoicesthickentoindicatemoreandmorestealing!

Finally,weplayed“DersturmendeAeolus,”theseventhmovementofTelemann'sWaterMusicSuite.IoncereadanaptdescriptionofTelemann;itsaidthathehadthegiftofwritingmusicwhichmusiciansenjoyplaying.Westormedalonginlong,longstringsofsixteenthnotes,themajorityofwhichwererepeatedpitches.Vickisuggested“tu-tu-turutu-tu-turu”or“di-di-diddledi-di-diddle,”whichmadethenotesflowbetterwhileatthesametimegroupingthesixteenths(whichhelpedusstaytogether.)

Thankyou,Vicki,forallthemusic!

SRSBoardMembers(2016/2017)

MusicDirector:VickiBoeckman(206-985-9916)vickiboeckman@comcast.netMusicDirectorEmeritus:PeterSeibert(206-329-2774)pcs.srs@gmail.comOfficers:President:MikeWoolf(206-300-6623)mikewoolf@live.comPresident-Elect:MollyWarner(206-523-5192)molly.warner@ymail.comPastPresident:HananBell(206-695-2276)hanan@hsbell.comSecretary:KathleenArends(425-649-9869)kathleena@seanet.comTreasurer:RichardGinnis(206-633-1969)richard@ginniscpa.com* * * *Membership:BettySwift(206-323-3879)bswift@uw.eduNewsletter:KarenBerliner(206-550-3384)karenberliner@hotmail.comRefreshments:MollyWarner(206-523-5192)molly.warner@ymail.comWebmaster:CharlesColdwell(206-328-8238)cpcoldwell@hotmail.comMembers-At-Large:EllisHillinger(206-547-0718)ellis@hillinger.orgCarolynWallace(206-782-6898)c.maurinewallace@comcast.net“RecorderNotes”ispublishedmonthly,SeptemberthroughMay,foritsmembersbytheSeattleRecorderSociety.4554-4thAveNE,Seattle,WA98105.$40AnnualMembershipDues.www.seattle-recorder.org

AttheMarchmeetingwewereasmallgroupoftwo,ledbyMiyoAoki.Startingwith“Goday,mylord,”ananonymousEnglishcarolintwoparts,Miyohelpeduswithintonationandbreathing.Aftershedemon-stratedafewkeytechniquesandwetriedthemasweplayed,wereallyfeltlikeweweremakingprogress!

Oursecondpiecewasthe“BallodelGranDuca”inasettingbySweelinck.Thegraciousmelody,repeatedinvariations,wasveryinteresting.Miyosuggestedwayswecouldimproveourphrasing,playingalongwithus.Averynicetimewashadbyall!

AndFromtheBackroomGangonMarch3rd(ChristyJohnson)

ConcertsandEventsCalendar

EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org

TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.

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Sat.,Apr.1@7:30pmandSun.,Apr.2@2:30pm:TheBaltimoreConsortpresents:“TheFoodofLove.”The“rambunctioussextet”(TheWashingtonPost),knownfortheirlivelyrenditionsofRenaissancetunes,presentsabrandnewprogramfeaturingsongsandconsortmusicfromtheplaysofWilliamShakespeare.NordstromRecitalHall,BenaroyaHall,Seattle.EMGSun.,Apr.2@4pm:Mt.BakerPresbyterianChurchChoirpresents:Sing-A-LongStabatMater.”YouareinvitedtojoinwiththechoirastheypresentStabatMaterbyAntonioCaldara(1670-1736).CaldarawasbestknowninhistimeasanItalianoperaandoratoriocomposer.Hisbestknownworksarethearias,“Sebben,crudele”and“Almadelcore.”SingingwillbeinthelovelyMBPPCsanctuaryaccompaniedbytheorganandcello.AllanAndrews,MusicDirector.Rehearsals(heldpriortoApril2)andperformanceatMBPPC,3201HunterBlvd.S.Formoreinformation,seetheEMGcalendaroremailallanandrews43@hotmail.comTues.,Apr.4@7pm:EarlyMusicUndergroundpresents:“MozartintheRainforest.”MusicofMozartandcomposersofBrazil,Cuba,andBolivia.NakedCityBrewery&Taphouse,8564GreenwoodAveN,Seattle.www.emuseattle.comTues.,Apr.4@7:30pm:SeattleRecorderSoiree(every1stTuesdayofthemonth).CouthBuzzardBooks&CaféBuono,8310GreenwoodAveN,Seattle.(206)436-2960.www.buonobuzzard.comFREE!!!Donationsandpurchasesappreciated.Contact:ChrisCorfmanatchris@corfman.comor(206)227-5619.Wed.,Apr.5@7:30pm:CappellaRomanapresents:“TheTallisScholars.”St.JamesCathedral,804NinthAve,Seattle.www.cappellaromana.orgFri.,Apr.7@7pm:IntimateBaroquepresents:“Buxtehude’sMembraJesuNostri.”SaintMark'sEpiscopalCathedral,10thAveE,Seattle.www.intimatebaroque.orgFri.,Apr.7@7:30pm:SeattleRecorderSocietyMeeting.MatthiasMaute,conducting.MapleLeafLutheranChurch,Seattle.Sat.,Apr.8@7:30pmandSun.,Apr.9@3pm:GalleryConcertspresents:“DuelingRecorders.”GuestArtistMatthiasMauteandVickiBoeckman,recorders;NathanHelgeson,bassoon;andJillonStoppelsDupree,harpsichord.MusicofTurini,Corelli,Merula,Vivaldi,andMaute.QueenAnneChristianChurch,13163rdAveW,Seattle.www.galleryconcerts.comThefirst20ticketsorderedbySRSmemberswillreceivea15%discountonSaturday,April8th.(NodiscountcanbegivenonSunday,April9th.)Pleasegotohttps://squareup.com/store/gallery-concertsandselectpromocode‘SRSMaute’toapplythediscount.Thepromocodeappliesonlytogeneraladmissionandseniortickets.Afterall20SRSmemberticketsaresoldthepromocodewillbecomeinactiveandregularticketpriceswillapply.Sun.,Apr.9@3pm:NewBaroqueOrchestraSpringConcert.ChristineWilkinsonBeckman,conducting.WorksofTelemann,Charpentier,andLully.TP.EMGSun.,Apr.9@3pm:EarlyMusicUndergroundpresents:“MozartintheRainforest.”NorthwestCellarsWinery,11909124thAveNE,Kirkland.www.emuseattle.com(continuedbelow)

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ConcertsandEventsCalendar(continued)

EMG(EarlyMusicGuild,206-325-7066)www.earlymusicguild.orgTPC(TrinityParishChurch,609–8thAvenue,Seattle)www.trinityseattle.org

TH(TownHall,1119–8thAvenue,Seattle)www.townhallseattle.orgAlleventsaresubjecttochange.

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Sun.,Apr.9@4:30pm:SineNomineRenaissanceChoirpresents:“UniquelyEnglish:GibbonsandTomkins.”AnneLyman,directing.TP.EMGSun.,Apr.9@7:30pm:SalishSeaEarlyMusicFestivalpresents:“TheArtofModulationII.”ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.www.salishseafestival.orgTues.,Apr.18@7pm:EnsembleElektraplaysworksbytheGermanandItalianmasters.VickiBoeckman,recorder;TeklaCunningham,violin;andJillonStoppelsDupree,harpsichord.MeierHall.PeninsulaCollege.PortAngeles,WA.Fri.,Apr.28@7:30pm:CappellaRomanapresents:“VeniceintheNorth.”RussianOrthodoxchoralworksfromtheImperialCourtChapelinSaintPetersburg,bytheVenetianClassicalmastersemployedthereunderCatherinetheGreat.St.Mark’sCathedral,124510thAveE,Seattle.www.cappellaromana.orgSat.,Apr.29from10amto5pm:MossBayAnnualMeet.Conductors:LarryStark,MiyoAoki,andSallyMitchell.KirklandCongregationalChurch,1065thAve,Kirkland.www.mossbayrecorders.orgSat.,Apr.29@7:30pm:PacificMusicWorkspresents:“DidoandAeneas—HenryPurcell.”JoinedbyUniversityofWashingtonChamberSingers,PMWpresentsafulllengthversionoftheopera.NordstromRecitalHall,BenaroyaHall,Seattle.www.pacificmusicworks.orgSun.,Apr.30@2pm:PacificMusicWorkspresents:“DidoandAeneas—HenryPurcell.”Seeabovefordetails.MeanyHall,4140GeorgeWashingtonLaneNE,Seattle.www.pacificmusicworks.orgSun.,Apr.30@7pm:ByronSchenkmanandFriendspresent:“MozartandtheBachs.”BaroquemeetsClassicalaswejuxtaposegreatchambermusicbyCarlPhilipEmanuelBach,JohannChristianBach,andWolfgangAmadeusMozart,includingMozart’sFluteQuartetinDandtranscriptionsoffuguesbyJohannSebastianBach.NordstromRecital,BenaroyaHall,Seattle.www.byronschenkman.comTues.,May2@noon:VickiBoeckman,recorder,andHenryLebedinsky,harpsichord.BringyoursacklunchandenjoythiswonderfultraditionthatHenrystartedwithshort,noontimeconcerts.ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.Tues.,May2@7:30pm:SeattleRecorderSoiree(every1stTuesdayofthemonth).CouthBuzzardBooks&CaféBuono,8310GreenwoodAveN,Seattle.(206)436-2960.www.buonobuzzard.comFREE!!!Donationsandpurchasesappreciated.Contact:ChrisCorfmanatchris@corfman.comor(206)227-5619.Fri.,May5@8pmandSat.,May6@8pm:SeattleSymphonypresents:“ItalianMasters.”MusicofVivaldi,Telemann,Corelli,andGeminiani.BenaroyaHall,Seattle.www.seattlesymphony.orgFri.,May12@7:30pm:SeattleRecorderSocietyMeeting.Members’Night!MapleLeafLutheranChurch,Seattle.Fri.,May12@7:30pm:SeattleBaroqueOrchestrapresents:“OdetotheOrchestra.”WorksofCorelli,Biber,andLullyaswellasGeorgMuffat’sconcertigrossi“Deliriumamoris,”“DulceSomnium,”and“Saeculum.”NordstromRecitalHall,BenaroyaHall,Seattle.EMG(continuedbelow)

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UpcomingWorkshopsSat.,April8,2017from9:30amto1:45pm:SRShostsamasterclasswithMatthiasMaute.Performanceslotsarefilledup,butauditingspotsarestillavailable.CommunityRoomatMapleLeafLutheranChurch.May5-8,2017:WindsandWavesRecorderWorkshop.(FacultyconcertonMay5,classesMay6-8.)Otis,Oregon.AsofMarch24th,therearestillopenings!www.sitkacenter.orgJuly9-15,2017:PortTownsendEarlyMusicWorkshop.Tacoma,Washington.Registrationisopennow.http://www.seattle-recorder.org/Workshop/index.htmlOctoberandNovember,2017:RoadScholarEarlyMusicWorkshop.Fordetails,gotopage4ofthisnewsletter. * * * * * * * * * * * *

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Sat.,May13@7:30pm:SalishSeaEarlyMusicFestivalpresents:“ACenturyofNewPerspective:1600-1700.”Chambermusicintransition:17th-centurytriosonbothlaterenaissanceandearlybaroqueinstruments.ChristEpiscopalChurch,4548BrooklynAveNE,Seattle.www.salishseafestival.orgSun.,May14@3pm:EarlyMusicUndergroundpresents:“The(Baroque)TrumpetShallSound.”EMU’sseasonfinalefeaturessomeofthePacificNorthwest'sfinestbaroqueplayersinajoyfulcelebrationofmusicfromEngland,Austria,andBohemiaperformedbyKrisKwapis(baroquetrumpet),CurtisFoster(baroqueoboe),LindaMelsted(baroqueviolin)andmore.BringmomandcelebrateMother'sDayinhighbaroquestyle!St.John'sEpiscopalChurch,105StateStS,Kirkland.www.emuseattle.comTues.,May16@7pm:EarlyMusicUndergroundpresents:“The(Baroque)TrumpetShallSound.”Seeabovefordescription.NakedCityBreweryandTaphouse,8564GreenwoodAveN,Seattle.www.emuseattle.com

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ConcertsandEventsCalendar(continued)

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AquicknoteforARSmembers:BesuretocheckoutthearticleintheMarch2017ARSE-Magon“OnlineMusicSources.”RuthSeibhaswrittenadetailedexplanationonfindingavailablemusiconIMSLP(InternationalMusicScoreLibraryProject)andCPDL(ChoralPublicDomainLibrary),andshe’sincludedinformationonusingPartify(tomakeindividualpartsfromscores)aswell.Checkitout!