real-time autobiography

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Real-time autobiography Miriam Rasch ([email protected]) Institute of Network Cultures MIX 03 Writing Digital, July 2015

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Page 1: Real-time Autobiography

Real-time autobiography

Miriam Rasch ([email protected]) Institute of Network Cultures

MIX 03 Writing Digital, July 2015

Page 2: Real-time Autobiography

My life is a jokeSheila Heti, The New Yorker

Flickr, bambe1964

Page 3: Real-time Autobiography

Autofiction?

Page 4: Real-time Autobiography

Autofiction

Automation

Autobiography

Self writing

Reality hunger

Uncreative writing

Longing for collectivity

Page 5: Real-time Autobiography

Fiction vs. reality

The self as a fiction

Reality = fiction

The self = real

‘new novels – like the abovementioned 10:04, The Wallcreeper, and My Struggle – are redistributing the relation between the self and fiction. Fiction is no longer seen as “false” or “lies” or “make-believe.”’

Page 6: Real-time Autobiography

Autofiction:‘using fiction in the service of a search for the self’

Image [&] Narrative 19 (2007):‘the line between the fictive and non-fictive would be erased’

‘the constant intrusion of a narrator’

Page 7: Real-time Autobiography

Other autofiction characteristics

* Fictional elements* Fragmentation, lists, keywords* Use of multiple media* References to pop culture

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Realness ≠ factual but personal

Page 10: Real-time Autobiography

virkelighedshunger?

Flickr: Lori L. Stalteri

Fiction = default

Page 11: Real-time Autobiography
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Kavita Hayton, 2009

Page 13: Real-time Autobiography

Personal writing online (Hayton, 2009):‘at the same time public and private, professional and amateur, at once formal and informal’‘a journey, a trial’‘musings, thoughts, throwaway language’‘shared, personal, authentic’

The reader is a confidant, a conspirator; the author is not identified biographically as much as ‘personally’.

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Page 15: Real-time Autobiography

Uncreative writing, Kenneth Goldsmith

* Methods like cut-’n-paste, algorithmic writing* ‘Nude media’* Readership > ‘thinkership’* Hyperrealism* ‘Postidentity literature’* ‘Oblique autobiography’

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Compelling narrative?

Page 17: Real-time Autobiography

Automatic writing, autobiographical writing

>> Nude media: in intensification of context‘You’re a joke!’

>> Oblique autobiography: mere data is a fiction‘Vital statistics’?

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http://maartenvandergraaff.blogspot.nl

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‘Free encyclopedia’: * appropriation * (the myth of) ‘automatic writing’

‘Often those sentences aren't even mine. Half twisted news articles, quotes, everything mixed up. Half baked translations of Jack Spicer, a poet I love, are also in there. This whole “Free encyclopedia” came out during a trip that lasted a couple of days.’ (NRC Handelsblad, June 19, 2014)

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3. Nude media>> seriousness

Page 23: Real-time Autobiography

‘This isn't a joke to me, not a question of being hip; sometimes it even brings on despair.’

Flickr: Richard Masoner / Cyclelicious

Page 24: Real-time Autobiography

Real-time autobiography:* language and media are inescapable intrusions* everything fiction, no facts* so there’s no reality, only realness* which has to do with personal experience* context is intensified* data is obfuscated* collectivity (the intrusions, the expectations, the overload of data) seems the problem* AND the solution

Page 25: Real-time Autobiography

Real-time autobiography

Miriam Rasch ([email protected]) Institute of Network Cultures

MIX 03 Writing Digital, July 2015

THANK YOU