10th of September to 19th of October

“The ruin becomes important when understanding it as a division which defines

the limits, as a fundamental element of spatial definition and of obtaining a

concept of time.”

The reason that we choose that house is the interaction

between architect, ruin and nature, a house where you can stay

calmly, without problems of the city noises, enjoying the

environment. You can read in a concrete box but you aren't

thinking that while you stay here, you think/fell that you are

surrounded or integrated of nature, trees, grass…

WHY BAIÃO HOUSE?

The cultural facts that have influence on the house are

connection between architect and nature, the integrate of the

house in the landscape and his surrounding.

The house in Baiäo is so attractive because it's stay on the

mountain, near the river and vineyards which the story of the

house is based. It is possible another reason why the house it's

continue renting for short times. Now, maybe, the use of the

house is for visit and taste the wine of these vineyards. From

this uses and the wine culture we make changes in the house

that we think that can improve the house and the stay of the

customer.

The new story has to be influence into an important cultural fact of the place. The group chooses the wine culture

because the house is near to a best producer city of wine in the world. So the group starts to discuss the theme and

the ways that the story has to be. During the process the group does 3 stories and there was a participatory

conversation for do the final history. The group always had a good involvement of each member and each one

contributes to the works with their opinions or their investigation about the theme.

Reflections

PHOTOMONTAGE

#1

The new story has to be influence into an important cultural fact of the place. The group chooses the wine culture

because the house is near to a best producer city of wine in the world. So the group starts to discuss the theme and

the ways that the story has to be. During the process the group does 3 stories and there was a participatory

conversation for do the final history. The group always had a good involvement of each member and each one

contributes to the works with their opinions or their investigation about the theme.

PHOTOMONTAGE

#2

On this picture is represented the interpretation of the city of Aldo Rossi where he said that the form prevail over the use. In the picture you can see Seville on the background. On the left, at the top, there are buildings that on

the past have one use different that the actually, that actually uses are under those, like cigarette factory, San Telmo’s Palace, gas factory or a theatre that now they are an university, an administration building, a fitness center

or a book shop. On the right you see new buildings where the form isn’t important than the use like a shopping center or a new fitness center, but there are also som buildings that the form is important than the use like the new

building of congresses and expositios or the “metrosol parasol” that is a wood estructure that have on the top a gallery with coffee shop, shops and a balcony.

On this picture is represented the interpretation of the city of Aldo Rossi where he said that the form prevail over the use. In the picture you can see Seville on the background. On the left, at the top, there are buildings that on

the past have one use different that the actually, that actually uses are under those, like cigarette factory, San Telmo’s Palace, gas factory or a theatre that now they are an university, an administration building, a fitness center

or a book shop. On the right you see new buildings where the form isn’t important than the use like a shopping center or a new fitness center, but there are also som buildings that the form is important than the use like the new

building of congresses and expositios or the “metrosol parasol” that is a wood estructure that have on the top a gallery with coffee shop, shops and a balcony.

PHOTOMONTAGE

# 3

ARCHITECTURAL

ACTION

PROPOSAL

#1 Y # 2

ARCHITECTURAL

ACTION

PROPOSAL

# 3

The action in the house is the wine process, from the harvesting to the sampling.

The wine, have many

process to make a good

bottle of Oporto wine, first

you need to take care all the

year the grapes for later

make the vintage and prune

to take the wine. Next to

prune you need to ferment

the wine 1 month minimum

and then put the wine into

wood barrels for do the

maturation of the wine, this

process can delay 1 month to

4 years to the Oporto's wine.

The Oporto's wine maturation

is called “criadera y solera”.

Next to the maturation you

need to store the bottles into

a specific space where the

UV can't into and you need a

determinate humidity and a

temperature. And the final

step is the tasting, when you

can enjoy the taste of the

wine but also the views of the

landscape or the company of

your friends.

The action in the house is the wine process, from the harvesting to the sampling.

ARCHITECTURAL

ACTION

GROUP

PROPOSAL

The storing condition and the fermentation are so similar, so you can do it at the same place or in

the same room. For the storing, you need a continual humidity and temperature, also, you need that

the UV don't fall on the bottles because a change of this 3 conditions can change the taste or the

composition of the wine making it a bad wine .

ARCHITECTURAL

ACTION

PROPOSAL

# 4

My section of my detail is based

in the UV protection because you

need to enjoy the landscape all

the time in this house and where

the bottles are storing you need

to keep of the UV so I do a detail

to enjoy the landscape into the

wine cellar. The detail is a

window that has 2 glases at the

opposite end that are UV

protection glasses that reflect the

UV but it let light into the cellar.

At the middle of the 2 glasses,

you have an air chamber of 1

meter for do that the UV rebound

into the wall and it absorb part of

the ray.

TECHNICAL

DETAIL

Hello all!

Thanks so much for submitting your photomontages, they were great!!

We do believe that with the Baiao house there is that idea of co-existence with nature. But the theme

chosen was for the revival of the past memory of the site. The way that the architect intervened was

not to overshadow the former site, and uses nature (more specifically the site) as a common binder

between the memory and the present, only by which he uses the site. The architect believed that we

must first see what already exists in order to make an intervention. The focus should be on the ruin of

the old farmhouse. The means of integration and being part of a process are all contributing factors of

fabricating memories of the place, but it is not necessarily one that is only with nature, it is one that is

intervening with the architectural manifestations. Again, we are not focusing on the house but merely

on the themes of the revival of memories. The Baiao house is the revival of past memories by making

them more tangible.

The Blas house uses the theme of transcendence to reflect on past memories. Through the minimal

structure and vast exposure to the landscape, a person is able to escape the physical world and enter

into a more spiritual area. This area is the area of memories. The Blas House was intended to be a

space for reading poetry. But poetry has a lot to deal with emotions and memory. By allowing the

house to be a platform for poetry, it automatically becomes a platform for memory. If, for example, the

walls on the second floor were made of concrete, it would be much more difficult for a person to

escape the physical world and enter into a spiritual reality. Even when poetry is read at night and

therefore the second floor can no longer see the landscape, a person is surrounded by natural

darkness. The darkness is not caused by harsh, confining architecture.

We reviewed all of the photo montages today with Halldora. She was very happy with the results from

our group.

We have just been given our deadline for Wednesday. It involves another photo montage. The thing to

design for Wednesday is the following:

Question/Analyze the idea that generated the house (Baiao or Blas). So for the Blas House, the

question would be “How do you read poetry in 2012?” and “What does poetry mean in 2012”? You are

to take the idea of the house and to question the placement of those ideas in 2012. So for the Blas

House, does transparency even need to be in a space to read poetry in 2012? We were told to look at

John Heartfield and Richard Hamilton as two case studies for their ability to translate an idea into a

picture form.

The montage is used to question how the concepts of the memory through revival translates in our

present day.

For the house in Baiao, I'm going to be focusing on our loss of memory in the present day. So our

lack of diversity (suburban nightmares) and the idea of conservation, that we must not just sustain the

buildings but we must make an intervention in order to be a part and integration with the memory of

that place. The way the architect interpreted the site was not to conserve the landscape and the

farmhouse but to become a process of the life of that space. Anyway! You lads and lasses can email

us anytime if you have questions! Also, do you all have facebook accounts? We'll talk soon!

Cheers

Brea and Kasey

We just spoke to Halldora and she would like me and Kasey to break our ideas into further categories

for you all to work on. This way everyone takes a different prespective on the idea and all of the photo

montages come out as unique and different.

For the Blas House's idea of poetry, I suggest the following breakdown:

1. What does poetry mean in 2012?

2. How do you read poetry in 2012?

3. What kind of space do you need to read poetry in 2012?

4. Do spaces exist without poetry in 2012? Reference to Peter Zumthor

For House in Baiao, Kasey suggests the following breakdown:

1. Recycling and conservation (in 2012)

2. Suburbanism and the lack of diversity (in 2012)

3. Aldo Rossi's interpretation of the city in 2012

Sorry for the long emails but we just want to make sure the ideas are clear and you all aren't confused.

If we used any words that don't make sense, just let us know! Talk to you tomorrow!

Brea

Hey,

So here is all that happened today:

We went through all of the drawings from every group. In general there was a lack of understanding

about the purpose/execution of the drawings.

One issue brought up was the choice between hand drawing and computer drawing. In the end, it

does not matter. But it has to be a strong drawing and not simply a sketch.

The drawings should not represent the action, they should show the action. Thus do not use symbols,

idealistic or overly artistic images, make the drawing demonstrate the action.

Also, another issue brought up was the word precise. The drawing has to be precise. This does not

mean that it has to be an architectural drawing. In these terms, precise means that it must effectively

communicate the action.

The drawing should also demonstrate the humanistic qualities of the action; such as measurement,

proportion and information.

Essentially, the drawings have to be more informative for Friday. There was a lack of information

communication today.

The drawings for Friday are also individual work.

Halldora suggested looking at Cedric Price's Fun Palace for inspiration. He was an architect from the

early 20th century that was able to communicate an action in his drawings.

Reply to this post if you have any questions!

Brea

The Portuguese architect, Eduardo Souto de Moura, received a commission for a small house from a

couple with two children, which would be built by the river, Duoro, set in the Baião hills. The client

wished the house to have the character of a shelter used for weekends and requested that the existing

ruins on the site would be the starting point for the project.

In the past the ruins were a house that had belonged to the grandparents of this family. The house,

located in an area characterized by large terraces for vineyards, was a place where the grandparents

took care of the grapes and produced wine. Once dead grandparents, to continue to pass on the

memory of this place, the family decided to use the old house as a starting point for the construction of

the new house.

Implemented the project of Eduardo Souto de Moura, for many years the house was used as a holiday

home for the weekend to enjoy the contact with nature and continue to nurture the memory of

ancestors. But when the couple's life began to be too hectic and busy working, they could not go more

than a week here. The house became unused and the family decided to rent it.

There was the desire to recover the culture of wine belonging to the family. The enjoyment of wine as

the seat of memory.

The family then decided to turn the house into a place that would offer customers not only relax,

tranquility and contact with nature. It had to be a place where customers could feel immersed in the

Portuguese wine culture, a place of discovery of flavors.

Was re-introduced the grape growing and wine production. Even if the hands that worked the land and

gathered the grapes were not the same, the juice of the berries had the same taste as always. The

wine produced was so bottled and delivered to customers.

The space for a kitchen-dining room was transformed into a sort of cellar with walls completely

covered with bottles of wine. So customers could taste the flavor typical of Portuguese wine. This

environment was related to outer space, transformed into a place of sharing and relax. Were placed

outside seating where customers could sit and drink wine together, read a book alone or watch the

landscape.

A portion of the exterior soil was destined to a garden. Customers were required to take care of this

garden so you can enjoy and eat the products that we got, fresh fruit and vegetables. A stay at the

rediscovery of the simple and authentic flavors.

The growing interest in the culture of wine, which has developed in recent years, brought his family to

re-evaluate the use of wine not only in the field related to the taste. The house as a place of wine

therapy not only by sight and taste, but also through touch.

The ruins were transformed into an intimate setting where you can enjoy a scented bath and dense in

a barrel full of wine. A practice with beneficial effects on the body.

The house became a place to take a walk through the vineyards, enjoy the view of the river Douro,

discover the sweet taste and soft of the wine, relax by taking a dip in the pool or merging the scent of

your body with that of wine.

A holiday of conservation, motivated by the desire to know the flora, fauna and local culture.

Here, the memory is mixed with the culture and well-being.

Silvia

I think this is exactly on the right track.

From this base story, I think now everyone can add certain aspects of their research to make the

story extremely authentic and real.

Brea

I would only add a little depth about the type of customers to whom the house may be of interest ...

Claudia

I think that this is a good story for our house, in the story mix all the cultural fact that could be possible

for the start of the house and why is rent now...

Eduardo

About the kitchen-dining room, I imagined this space into a room to store wine. As the

communication between the interior and exterior takes place through a glass window, whenthe

window is open it creates a single space inside-outside. Customers should be able to sip wine or read

a book or spend time inside and outside and that's why I thought that the sessions could be an

element of connection between the two spaces.

Silvia

i think that if we are designing a story, then a house, why don´t we make some points about a new

kind of tourism?? maybe more connection between owner and costumer, who must be regulars,

costumers must commit themselves with winery, like designing a new community that would be an

inherit part of the final quality of that wine, maybe the taste of that wine would be normal, but the

feeling when you are tasting it should be unique. it's something about slow life, just to enjoy what is

really amazing, not just a view, more like find yourself in this experience.

I like the story, but in order to improve the quick impression we could give a clear structure to the text.

We need a powerful title, a principal idea that we could introduce first as best as possible, then

develop that idea and adding new concepts to the story making the body of the story (here we can use

our actually story with some changes if they are needed to be coherent) and finally a conclusion where

we can give a meaningful concept of the results we expected or similar,

I'm working on it but don't have so many time today... so if anyone can give ideas would be great.

I think there are many concepts and ideas in the story, like wine, nature, tradition, sustainability,

revival, transcendence, tourism, all these about one priority thing: improve the quality of life, and that is

the cultural fact that is changing: people needs to be close to nature, to experiment what is really

meaningful, to deeply enjoy life. this is the aim of the slow movement, and that's why i offered you my

reflections, so in my opinion this kind of general thoughts about society must open the story. wine,

tradition, agriculture are the tools to have a better life, but the aim is that, to have a better life.

Alvaro

For Monday we have to do the action drawing again!

My notes from this afternoon:

- Group 5 action: making wine

- Draw the process of making wine

- include minimum square feet to produce a certain amount of bottles, time it takes, number of

people it requires, circulation

- Essentially you are taking all the minimum requirements of making wine and illustrating it. Illustrate all

the steps (all the major steps such as fertilization, watering, seeding etc)

So for Monday, our group individually should have many little drawings that add up to the total process

of making wine.

If you have any questions, just reply to this post!

Brea

A PLACE OF SLOW LIFE

At the end of twentieth century, life becomes too hectic and fast in the cities. Time is money, and

life is to earn money and spend it. If you are a tourist you must see all important monuments of a

country in a few days. But now society is realizing that this is not a quality life.

Enjoy something makes you happier than just to see a lot of things. The experience of being a

part of the production of a wine it's better than only drink it. Connect with a place, its culture and

landscape, make it yours, transcends the complexity of wine and becomes a liquid memory.

This is what the family has in mind when realized that the house designed by Souto de Moura

was unique. Not only rent the house for normal tourism, but looks for some selected customers with a

commitment with a project of life. They could come to the house some weeks year after year, learning

about the process of making wine, culture and nature of the region as well. Of course, they could relax

in the courtyard enjoying the landscape with friends, and wine inside everyone glass.

Beyond the economical factors is the concern about sustainability of the nature, a culture, a

landscape, a way of life that must be recovered from tradition, there is no need to imagine a

completely new life, just the revival of a life that always have been there,

Alvaro

I think we need to not call it "Slow". We are not dealing with an alternative to a rushed society but

rather returning to the history of the site. Remember, the history of the site could have also been easily

a fast life.

Brea

I published the story of brea on the blog because to Javier i send the long story and the brea's one.

Now i read your story and i add to brea's story in the blog some final expression from your text ok? Are

all agree? if not you can change something of the story on the blog.

Silvia

I like this story than there uploaded to the blog. This story conveys much better the essence of the

vineyards.

Agueda

I was just about to say the same thing! Who ever added to the end of the story about liquid memory - it

was a very nice ending.

Brea

In order to have an approximation to those numbers http://laperladelpriorat.com/terra.aspx

According with the information that this web give: 1Hectare(10000m2)=3500kg grapes= 2200 l = 2916

bottles (0,75l)

The platforms downhill the house has more than 1 He easily, but it would be useful to know how many

land belongs to the house,

so we should need space for those 3000 bottles per year, which could approximately 45 m2 of wall,

but maybe we need more accuracy.

Another question should be how many bottles we want, maybe not more than 1000, and according to

a minor amount of work a higher quality for the wines because its easier to control.

Alvaro

Well, then everyone should choose on what topic you want to draw or everyone draw all the facts? I

don't know if I have explained well...

Cristina

We all have to draw all of the actions. So we each have a lot of drawing to do!!! But I think once

everyone draws all of the actions, we will all be able to really understand the requirements for the

house.

Brea

Ok, we produce wine. But in the sense that we grow grapes? Because it take to produce the wine

cellar etc. ....

Claudia

Yes I think we are going with the idea that we grow the grapes. It allows for a greater connection

between the wine and the drinker since the grapes were grown literally on the land that they are

visiting.

Brea

It is good you draw the different areas for the production of wine. Still, I would forget the house

by now and draw the activities of producing it:

For example: could you make a drawing with people stepping on the grapes, in that way you will know

the necessary measurements. Or what would be the perfect dimensions for a family enjoying a glass

of wine, with the position, orientation, views...

Basically, if your scheme is more complete, and forgetting the house, you will be able to learn more of

the activity.

this is an javier's email...

Clauda

Hey everyone!

So here is the update from today:

For Wednesday, we must make ONE drawing amongst all of us. So that means all 9 of us have to

somehow work together to produce one final drawing. This drawing is the same thing that we have

been trying to achieve for the past (3) drawings - the action of making wine. As you might have read,

Alvaro's drawing from submission #2 is a perfect example of an action being drawn. We should use

that as a point of inspiration for our group drawing, Good job Alvaro!!!

I didn't take too many notes today but I do have two important things;

- draw activities with enjoyment

- draw the activity like how you would want to do it (ex: how would you want to pick a grape? Alone, in

the dark, in the rain, with big scissors etc). Take these issues that make grape picking desirable and

draw it!

So what does all of this mean? Kasey and I were talking and after looking at Alvaro's drawing we think

it would be best if we all took an action of making wine and draw it. We all must draw the action in both

plan and section (or elevation) and then we will compile all of those actions onto one main plan and

section (or elevation). That way we have one drawing with 9 actions.

In order for this drawing to look cohesive, we are going to ask you to have you upload your action

drawing onto dropbox (I am making a folder called Version 4 Action Drawing) by 20:00 spain time.

Then Kasey and I can add our drawings and we will combine all of them into one.

Since there are 9 of us, we need to come up with 9 actions of making wine. Here is the list we have so

far. Please choose an action reply to this post with what action you are doing. We can only have one

person per action.

Actions

1. Drinking the wine (sorry Kasey I know you had a fancy word for this but I can't remember it) - Kasey

2. Harvesting the grapes -

3. Pruning the grapes -

4. Dining and wining (eating food while drinking the wine - a less formal way of wine tasting - Agueda

this sort of relates to the drawing you proposed last) - Agueda?

5. Stomping the grapes (maybe Silvia can do this one - we all really liked your plan of the person

moving but Javier suggested that if you showed it in elevation it would look great) - Silvia?

6. Fermenting the grapes (placing them in the barrels etc) -

7. Storing the wine (once it has been put into bottles)

8. The process that someone mentioned on whatsapp about specific Oporto wine methods of reducing

from 4 barrels, to 3 to 2 -

9. The grandparents teaching the visitors about the wine (this way we remain focused on eco tourism)

- Brea

SO here are 9 proposed topics. Please choose one and draw!!! If you want to do a different topic, feel

free. Or just do one of these topics but make sure you reply to this post with which topic you are

drawing so no one does the same one.

Just remember, draw in plan and section (or elevation). Look at Alvaro's version 2 drawing as

inspiration.

Brea

I will do the storing of the wine.

Eduardo

So after doing my drawing, I realized that I definitely did more about teaching then about harvesting.

So I am going to take drawing #9 instead of drawing #2.

Brea

Brea, finally which draw you do??????? If you do #9 I do #2 harvesting grapes. My oncle have

vineyards and I go to haversting grapes some years...

I agree with Águeda " con que" the drawings are coordinate, but i don't know if you refer to the colors,

style of letter all this things... no? Águeda?

Cristina

Hey!

So the drawing today went really well. We got some helpful feedback from some of our class mates

about integrating time into our ideas but not to worry, we don't have to redo the drawing.

I know there has been some frustration in some people's designs or boards being present in the final

drawing. I truly appreciate hearing all of your frustrations. Everyone's opinion is valuable. But just

remember, that when working in a group, sometimes it is more important that your idea is

communicated rather than your actual brush strokes. But if you still have any issues, just let us know.

For Friday we have individual work to do. So that means on Friday, group 5 will have produced 9

different drawings (one by each of us).

We are now jumping away from the conceptual drawings of the action to architectural detail drawings!!!

SO much fun!!!

Each of us have to take a section of the original house in baiao and draw a building detail within that

section. This detail should show how our action (of making wine) can be added to the original design.

Everyone must take a different section and therefore a different detail.

For example, I am going to take the section vertically through the wall of the windows that look out

onto the vineyard. I am going to detail at the roof parapet. My detail with include our action because I

am going to add a sun shade at the parapet which will allow the grandfather to stand outside and

watch over his vineyard without having the sun in his eyes. So this means I am the only person who

can do a detail of the roof parapet.

So please reply to this post with your proposed section cut and detail. Remember, only one person per

detail/section.

You also must show the action of the detail. For example, with my detail, I am going to show the top of

the grandfather's head and how it is not being hit by the sun.

Of course, you can use this thread to discuss any ideas or thoughts you may have.

Brea

Brea - I am going to take the section vertically through the wall of the windows that look out onto the

vineyard. I am going to detail at the roof parapet. My detail with include our action because I am going

to add a sun shade at the parapet which will allow the grandfather to stand outside and watch over his

vineyard without having the sun in his eyes

Ok, but which is the action that we should show in own draws? You action is enjoy to the landscape.

no? Can we do a plant or only vertical sections?

Now, we must show the action that we have drawn the past week in the Baiao House, no?

Cristina

So i have to draw a section with details about the action of pressing the grapes?

Silvia

Ideally you could draw that action that you have done the most research on. That way you would

understand it the most. You don't have to. But it is important that the spot at which the detail is taken is

only used once. It wouldn't be useful to have 9 different versions of the roof parapet.

If we have 9 different details, then we can easily translate those details into a greater design.

I didn't assign details to everyone because this is an individual assignment. I think everyone now

knows where they feel comfortable exploring in the house in baiao and also in our action of wine

making. If you need help choosing or are really stuck, of course brain storm on this topic and everyone

can help!

Sorry I did #9. I was going to do #2 but after I drew it I realized I actually ended up drawing #9. So #2

is available to do.

As long as you can send us your photoshop file without flattening the image, we can adjust font, colour

etc to make everything look the same!

Brea

Hey!

So yesterday we presented all the details. In general, there seemed to be a lack of skill represented in

the drawings for all the groups. We have to remember that those detailed drawings could possibly be

used to someday build this design. So whatever you need to communicate with a potential builder

needs to be shown in those details. If you are still confused, I believe Javier or Halldora emailed an

image of a detail that explains the quality of work that was expected. But I do think many people

brought up innovative ideas to address the action. I suggest that we all continue to explore our details

and to explore the action.

For the first time in a month and a half we don't have anything due for Monday!!! But we do have work

to do still. The next part (and final part of this assignment) is to create a manifesto of all of our work.

This manifesto is done individually but will include the work that we worked on as a group. We have to

collect everything that we have done since day 1 up till our details and put it into a book format. We

need to reflect on all of our work (you can write text on the reflection). We must also look back on

drawings and improve them. So over the next week and a bit, we have the time to redraw, continue

development and explore our ideas even more.

You have to include diagrams, text and images as well as a catalogue of our conversations from

google group. Don't include every work spoken in the group, but edit it down to the important and

relevant conversations. Also, you need to include a bibliography that is properly sourced. Not just

google.ca. It must be, for example, chicago style referencing.

This book, or manifesto, is intended to allow you to develop your own understanding of the action

individually without having to worry about what the other 8 people might say. But of course, you can

ask for help. But the intention is for you to now take the action and explore!

The title for our book will be: Re - Reading House in Baiao

For the Canadians, we have to follow a certain book layout and font. I am not sure if you Spain people

have to too so please check with Javier about that.

The pdf of this book is due on Monday October 29th. The printed hardcopy book is due Wednesday

October 31.

Any questions, just reply to this post!

Brea

I think it is ok if we take the same section cut. For example: I am doing the section cut vertically

through the window wall. My detail is at the parapet. So if someone else did a section cut the same as

mine, it would be fine, as long as they didn't do the roof parapet. Maybe they either did a window detail

or the point of connection between the floor and the window.

Also, this drawing has to be technical. It has to be precise. It has to be a real construction document

drawing of a detail.

Any more questions, just ask!

Brea

Ok so if i chose the action of pressing the grapes that happens out the house And the ruins maybe i

can draw the floor where we put the big barrels for do that or what else?

Silvia

I choose the action of harvest the vineyards, but i will need the same floor of Silvia because this action

also in outside.

Cristina

Remember, we have to do a detail of the existing house. We cannot detail our proposed new

architecture.

Also, there cannot be a repeat of a detail unfortunately. Only one person per area

Brea

http://www.maduracion.com/content/2/11/es/%BFen-que-consiste-la-maduraci%F3n-del-vino.html

http://es.wikipedia.org/wiki/Fermentaci%C3%B3n_del_vino

http://es.wikipedia.org/wiki/Vino#Producci.C3.B3n

http://en.wikipedia.org/wiki/Enotourism

http://www.ecologiablog.com/post/129/slow-movement-viajar-comer-vivir-y-leer-con-calma-y-armonia

http://www.oporto.net/bodegas-oporto

http://www.portotours.com/indexes.php?op=catalog&method=list&idCategory=18

http://es.wikipedia.org/wiki/Oporto_(vino)

http://www.viajerosdelvino.com/blog/escapada-de-enoturismo-a-oporto/

http://es.wikipedia.org/wiki/Vino#Fermentaci.C3.B3n

http://www.monografias.com/trabajos15/producc-vinos/producc-vinos.shtml

http://grapeseek.org/faq.html#18

http://www.ehow.com/how_7726908_make-grape-vine-poles.html

http://www.ces.ncsu.edu/depts/hort/consumer/quickref/fruit-small/training_grapevine.html

http://viticulture.hort.iastate.edu/info/pdf/vineyard10121_49.pdf

http://www.essentialgardenguide.com/garden-fruits-care/32/Grapes/

http://www.ehow.com/facts_4925023_how-long-does-wine.html

- In praise of slow, Carl Honoré, 2005 (chapter: ''the age of rage'')

- ''A good year'', film directed by R. Scott in 2006

HALL, M.; SHARPLES, L.; CAMBOURNE, B.; MANCIONIS, N. (eds) (2000): "Wine tourism around the world: Development,

management and markets", Elsevier Science, Oxford, UK.

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Nº 2.

MUHR, D.; REBELO, J. "Innovation in Wine SMEs: The Portuguese Douro Boys". American Asociation of Wine

Economics. Viewed at: http://www.wine-economics.org/

RAMIS, A. "Turismo y vino en el mundo: El caso de Bodegas Enrique Mendoza". Master in Tourism Management and

Planning. University of Alicante.

"Il Turismo del Vino" di Andrea Diaco (2005)